Gordon Burn Prize 2018: 13-Strong Longlist Highlights Fearless Works of Fiction and Non-Fiction
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Jewish Quarterly
Wordslinger: Clive Sinclair burst onto the literary CLIVE scene like Wyatt Earp--and then he disappeared. live Sinclair spent most of his life in search ment of Custer’s Last Stand in Montana. (1948-2018) of his “inner cowboy”. He grew up in It was Smolinsky-like detective work that precipitated North London, in the 1950s as a self-styled this pilgrimage. On one of his many trips to local auc- SINCLAIR “Hendonite”. The dullness of suburban life tion-houses to obtain nineteenth-century Americana, was relieved by classical Westerns which Sinclair bought a photograph of a nude woman covered Cshaped his imagination. In the Sinclair household it was only in a thin black veil. He eventually discovered that the universally acknowledged that John Ford’s The Search- photograph was of Josephine Marcus, Wyatt Earp’s Jewish ers (1956), starring John Wayne, was the greatest movie wife for half a century, whose family came from Prussia. ever made. A visit to the Hendon Odeon to see a Hol- His two imagined homelands (Wild West America and lywood Western (after donning a cowboy outfit with Jewish Europe) had collided. The mysterious photograph The Forgotten his younger brother Stewart) was the highlight of the led to the two novellas in Meet the Wife (2002) and to his week. Centre-stage in their home was a photograph of travel bool True Tales of the Wild West (2008). the brothers Sinclair dressed as cowboys aged 8 and 4 (the year when The Searchers first appeared). In most first met Clive Sinclair as a twenty-something Revolutionary school photographs before the age of 11, Sinclair wore graduate student in the early 1980s. -
Living Entanglements and the Ecological Thought in the Works Of
LIVING ENTANGLEMENTS AND THE ECOLOGICAL THOUGHT IN THE WORKS OF PAUL KINGSNORTH, TOM MCCARTHY, AND ALI SMITH By Garrett Joseph Peace James J. Arnett Andrew D. McCarthy Associate Professor of English Associate Professor of English (Chair) (Committee Member) Heather M. Palmer Associate Professor of English (Committee Member) LIVING ENTANGLEMENTS AND THE ECOLOGICAL THOUGHT IN THE WORKS OF PAUL KINGSNORTH, TOM MCCARTHY, AND ALI SMITH By Garrett Joseph Peace A Thesis Submitted to the Faculty of the University of Tennessee at Chattanooga in Partial Fulfillment of the Requirements of the Degree of Master of Arts: English The University of Tennessee at Chattanooga Chattanooga, Tennessee May 2021 ii ABSTRACT In my thesis, I use the work of Donna Haraway, Timothy Morton, Karen Barad, and Anna Tsing to explore how three contemporary British novelists—Paul Kingsnorth, Tom McCarthy, and Ali Smith—deal with the representational and ethical challenges of writing about nature and climate change within the Anthropocene. The question of how to live and write now is a prominent thread in all their works, which show, in both form and content, the entanglements of ecology, materiality, locality, nationality, and personal identity. In doing so, their stories enable readers to engage with what Morton calls the “ecological thought,” i.e. “a practice and process of becoming fully aware of how human beings are connected with other beings,” and provoke us, as Haraway puts it, “to be truly present . as mortal critters entwined in myriad unfinished configurations of places, times, matters, meanings.” iii DEDICATION For my parents, Robin and James. iv ACKNOWLEDGEMENTS As many of the writers present in these pages show us, to be human is to exist in a state of interconnection. -
Fall2011.Pdf
Grove Press Atlantic Monthly Press Black Cat The Mysterious Press Granta Fall 201 1 NOW AVAILABLE Complete and updated coverage by The New York Times about WikiLeaks and their controversial release of diplomatic cables and war logs OPEN SECRETS WikiLeaks, War, and American Diplomacy The New York Times Introduction by Bill Keller • Essential, unparalleled coverage A New York Times Best Seller from the expert writers at The New York Times on the hundreds he controversial antisecrecy organization WikiLeaks, led by Julian of thousands of confidential Assange, made headlines around the world when it released hundreds of documents revealed by WikiLeaks thousands of classified U.S. government documents in 2010. Allowed • Open Secrets also contains a T fascinating selection of original advance access, The New York Times sorted, searched, and analyzed these secret cables and war logs archives, placed them in context, and played a crucial role in breaking the WikiLeaks story. • online promotion at Open Secrets, originally published as an e-book, is the essential collection www.nytimes.com/opensecrets of the Times’s expert reporting and analysis, as well as the definitive chronicle of the documents’ release and the controversy that ensued. An introduction by Times executive editor, Bill Keller, details the paper’s cloak-and-dagger “We may look back at the war logs as relationship with a difficult source. Extended profiles of Assange and Bradley a herald of the end of America’s Manning, the Army private suspected of being his source, offer keen insight engagement in Afghanistan, just as into the main players. Collected news stories offer a broad and deep view into the Pentagon Papers are now a Iraq, Afghanistan, Pakistan, and the messy challenges facing American power milestone in our slo-mo exit from in Europe, Russia, Asia, the Middle East, and Africa. -
The Goldsmiths Prize and Its Conceptualization of Experimental Literature
The Goldsmiths Prize and Its Conceptualization 35 of Experimental Literature The Goldsmiths Prize and Its Conceptualization of Experimental Literature Wojciech Drąg University of Wrocław Abstract: In the aftermath of a critical debate regarding the Man Booker Prize’s adoption of ‘readability’ as the main criterion of literary value, Goldsmiths College established a new literary prize. The Goldsmiths Prize was launched in 2013 as a celebration of ‘fiction that breaks the mould or extends the possibil- ities of the novel form.’ Throughout its six editions, the prize has been awarded to such writers as Ali Smith, Nicola Barker and Eimear McBride, and has at- tracted a lot of media attention. Annually, its jury have written press features praising the shortlisted books, while invited novelists have given lectures on the condition of the novel. Thanks to its quickly won popularity, the Goldsmiths Prize has become the main institution promoting – and conceptualizing – ‘ex- perimental’ fiction in Britain. This article aims to examine all the promotional material accompanying each edition – including jury statements, press releases and commissioned articles in the New Statesman – in order to analyze how the prize defines experimentalism. Keywords: Goldsmiths Prize, literary prizes, experimental literature, avant-gar- de, contemporary British fiction Literary experimentalism is a notion both notoriously difficult to define and generally disliked by those to whose work it is often applied. B.S. Johnson famously stated that ‘to most reviewers [it] is almost always a synonym for “unsuccessful”’ (1973, 19). Among other acclaimed avant-garde authors who defied the label were Raymond Federmann and Ronald Sukenick (Bray, Gib- bon, and McHale 2012, 2-3). -
Advance Program Notes an Onstage Conversation with Zadie Smith, Author Tuesday, March 19, 2019, 7:30 PM
Advance Program Notes An Onstage Conversation with Zadie Smith, author Tuesday, March 19, 2019, 7:30 PM These Advance Program Notes are provided online for our patrons who like to read about performances ahead of time. Printed programs will be provided to patrons at the performances. Programs are subject to change. An Onstage Conversation with Zadie Smith, author Moderated by Lucinda Roy, Alumni Distinguished Professor, Department of English at Virginia Tech Presented in partnership with the Department of English Visiting Writers Series and the Women’s Center at Virginia Tech in celebration of its 25th anniversary Biography ZADIE SMITH Novelist Zadie Smith was born in North London in 1975 to an English father and a Jamaican mother. She read English at Cambridge before graduating in 1997. Her acclaimed first novel,White Teeth (2000), is a vibrant portrait of contemporary multicultural London, told through the stories of three ethnically diverse families. The book won a number of awards and prizes, including the Guardian First Book Award, the Whitbread First Novel Award, the Commonwealth Writers Prize (Overall Winner, Best First Book), and two BT Ethnic and Multicultural Media Awards (Best Book/Novel and Best Female Media Newcomer). It was also shortlisted for the Mail on Sunday/John Llewellyn Rhys Prize, the Orange Prize for Fiction and the Author’s Club First Novel Award. White Teeth has been translated into over 20 languages and was adapted for Channel 4 television for broadcast in autumn 2002 and for the stage in November 2018. Smith’s The Autograph Man (2002), a story of loss, obsession, and the nature of celebrity, won the 2003 Jewish Quarterly Wingate Literary Prize for Fiction. -
Mina, Okojie, Owusu and Cain to Judge Gordon Burn Prize 2021 Prize Opens for Entries Until Wednesday 7 April
Press release: Embargoed until Friday 5 March 2021 Mina, Okojie, Owusu and Cain to judge Gordon Burn Prize 2021 Prize opens for entries until Wednesday 7 April Denise Mina has been appointed as the new chair of the judges of the Gordon Burn Prize. Along with literary journalist and editor Sian Cain, novelist and short story writer Irenosen Okojie, and writer and poet Derek Owusu, she will judge the Gordon Burn Prize 2021. The prize is run in partnership by the Gordon Burn Trust, New Writing North, Faber & Faber and Durham Book Festival, a Durham County Council festival. It is now open for entry until Wednesday 7 April 2021. The Gordon Burn Prize, founded in 2012, remembers the late author of novels including Fullalove and Born Yesterday: The News as a Novel, and non-fiction including Happy Like Murderers: The Story of Fred and Rosemary West and Best and Edwards: Football, Fame and Oblivion. The prize seeks to celebrate the writing of those whose work follows in Burn’s footsteps. It recognises literature that is forward-thinking and fearless in its ambition and execution, often playing with style, pushing boundaries, crossing genres or challenging readers’ expectations. Like Gordon’s own work, the Gordon Burn Prize is open to a diverse range of themes and perspectives drawn from the breadth of today’s cultural and social concerns. It welcomes books by writers emerging from backgrounds underrepresented in the mainstream literary culture. The judges seek work that shows an affinity with the spirit and sensibility of Gordon's literary methods: novels which dare to enter history and interrogate the past; writers of non-fiction brave enough to recast characters and historical events to create a new and vivid reality. -
2020 Spring Adult Rights Guide
Incorporating Gregory & company Highlights London Book Fair 2020 Highlights Welcome to our 2020 International Book Rights Highlights For more information please go to our website to browse our shelves and find out more about what we do and who we represent. Contents Fiction Literary Fiction 4 to 11 Upmarket Fiction 12 to 17 Commercial Fiction 18 to 19 Crime and Thriller 20 to 31 Non-Fiction Politics, Current Affairs, International Relations 32 to 39 History and Philosophy 40 to 43 Nature and Science 44 to 47 Biography and Memoir 48 to 54 Practical, How-To and Self-Care 55 to 57 Upcoming Publications 58 to 59 Recent Highlights 60 Prizes 61 Film and TV News 62 to 64 DHA Co-Agents 65 Primary Agents US Rights: Veronique Baxter; Jemima Forrester; Georgia Glover; Anthony Goff (AG); Andrew Gordon (AMG); Jane Gregory; Lizzy Kremer; Harriet Moore; Caroline Walsh; Laura West; Jessica Woollard Film & TV Rights: Clare Israel; Penelope Killick; Nicky Lund; Georgina Ruffhead Translation Rights Alice Howe: [email protected] Direct: France; Germany Margaux Vialleron: [email protected] Direct: Denmark; Finland; Iceland; Italy, the Netherlands; Norway; Sweden Emma Jamison: [email protected] Direct: Brazil; Portugal; Spain and Latin America Co-agented: Poland Lucy Talbot: [email protected] Direct: Croatia; Estonia; Latvia; Lithuania; Slovenia Co-agented: China; Hungary, Japan; Korea; Russia; Taiwan; Turkey; Ukraine Imogen Bovill: [email protected] Direct: Arabic; Albania; Bulgaria; Greece; Israel; Italy; Macedonia, Vietnam, all other markets. Co-agented: Czech Republic; Indonesia; Romania; Serbia; Slovakia; Thailand Contact t: +44 (0)20 7434 5900 f: +44 (0)20 7437 1072 www.davidhigham.co.uk General translation rights enquiries: Sam Norman: [email protected] THE PALE WITNESS Patricia Duncker A tour de force of historical fiction from the acclaimed novelist Patricia Duncker According to the Gospel of Matthew, the wife of Pontius Pilate interceded on Jesus’ behalf as Pilate was contemplating the prophet’s fate. -
Introduction: Questions of Class in the Contemporary British Novel
Notes Introduction: Questions of Class in the Contemporary British Novel 1. Martin Amis, London Fields (New York: Harmony Books, 1989), 24. 2. The full text of Tony Blair’s 1999 speech can be found at http://news.bbc. co.uk/2/hi/uk_news/politics/460009.stm (accessed on December 9, 2008). 3. Terry Eagleton, After Theory (New York: Perseus Books, 2003), 16. 4. Ibid. 5. Peter Hitchcock, “ ‘They Must Be Represented’: Problems in Theories of Working-Class Representation,” PMLA Special Topic: Rereading Class 115 no. 1 January (2000): 20. Savage, Bagnall, and Longhurst have also pointed out that “Over the past twenty-five years, this sense that the working class ‘matters’ has ebbed. It is now difficult to detect sustained research interest in the nature of working class culture” (97). 6. Gary Day, Class (London and New York: Routledge, 2001), 202. This point is also echoed by Ebert and Zavarzadeh: “By advancing singularity, hetero- geneity, anti-totality, and supplementarity, for instance, deconstruction has, among other things, demolished ‘history’ itself as an articulation of class relations. In doing so, it has constructed a cognitive environment in which the economic interests of capital are seen as natural and not the effect of a particular historical situation. Deconstruction continues to produce some of the most effective discourses to normalize capitalism and contribute to the construction of a capitalist-friendly cultural common sense . .” (8). 7. Slavoj Žižek, In Defence of Lost Causes (London and New York: Verso, 2008), 404–405 (Hereafter, Lost Causes). 8. Andrew Milner, Class (London: Sage, 1999), 9. 9. Gavin Keulks, ed., Martin Amis: Postmodernism and Beyond (New York: Palgrave Macmillan, 2006), 73. -
The Prize for the New Novelist of the Year #Discoveradebut Desmondelliottprize.Org
The Prize for the New Novelist of the Year #DiscoverADebut DesmondElliottPrize.org “The most prestigious award for first-time novelists” - Daily Telegraph About the Prize About Desmond Elliott The Desmond Elliott Prize was founded to celebrate the best first novel by a new author and In life, Desmond Elliott incurred the wrath of Dame Edith Sitwell and the love of innumerable authors and colleagues to support writers just starting what will be long and glittering careers. It has succeeded who regarded him as simply “the best”. Jilly Cooper, Sam in its mission in a manner that would make Elliott proud. Llewelyn, Penny Vincenzi, Leslie Thomas and Candida Lycett Green are among the writers forever in his debt. So, too, Tim Rice and Andrew Lloyd Webber: if Elliott In the years since its inception, it has managed to stand Every winner since the first in 2008 has gone on to be had not introduced the aspirant lyricist and composer, the out from other prizes due to the quality of its selections, the shortlisted for, and in many cases win, other high-profile West End—and Broadway—would have been the poorer. prestige of its judges and its unusually focused shortlist— literary awards, among them the Baileys Women’s Prize only three titles make it to that stage. With judges of the for Fiction, the Man Booker Prize and the Costa First In death, Desmond Elliott continues to launch careers for calibre of Geordie Grieg, Edward Stourton, Joanne Harris, Novel Award. In less than a decade, the words ‘Winner he stipulated that the proceeds of his estate be invested in a Chris Cleave, Elizabeth Buchan and Viv Groskop, to of the Desmond Elliott Prize’ have become synonymous charitable trust that would fund a literary award “to enrich name just a few, fantastic winners have been chosen year with original, compelling writing by the most exciting the careers of new writers”, launching them on a path on after year. -
Politics, Oppression and Violence in Harold Pinter's Plays
Politics, Oppression and Violence in Harold Pinter’s Plays through the Lens of Arabic Plays from Egypt and Syria Hekmat Shammout A thesis submitted to the University of Birmingham for the degree of MASTER OF ARTS BY RESEARCH Department of Drama and Theatre Arts College of Arts and Law University of Birmingham May 2018 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Abstract This thesis aims to examine how far the political plays of Harold Pinter reflect the Arabic political situation, particularly in Syria and Egypt, by comparing them to several plays that have been written in these two countries after 1967. During the research, the comparative study examined the similarities and differences on a theoretical basis, and how each playwright dramatised the topic of political violence and aggression against oppressed individuals. It also focussed on what dramatic techniques have been used in the plays. The thesis also tries to shed light on how Arab theatre practitioners managed to adapt Pinter’s plays to overcome the cultural-specific elements and the foreignness of the text to bring the play closer to the understanding of the targeted audience. -
Highlights Frankfurt Book Fair 2018 Highlights
Highlights Frankfurt Book Fair 2018 Highlights Welcome to our 2018 International Book Rights Highlights For more information please go to our website to browse our shelves and find out more about what we do and who we represent. Contents Fiction Literary/Upmarket Fiction 1 - 10 Crime, Suspense, Thriller 11 - 24 Historical Fiction 25 - 26 Women’s Fiction 27 - 32 Non-Fiction Philosophy 33 - 36 Memoir 37 - 38 History 39 - 44 Science and Nature 45 - 47 Upcoming Publications 48 - 49 Reissues 50 Prize News 51 Film & TV news 52 Sub-agents 53 Primary Agents US Rights: Veronique Baxter; Jemima Forrester; Georgia Glover; Anthony Goff (AG); Andrew Gordon (AMG); Jane Gregory; Lizzy Kremer; Harriet Moore; Caroline Walsh Film & TV Rights: Clare Israel; Nicky Lund; Penelope Killick; Georgina Ruffhead Translation Rights Alice Howe: [email protected] Direct: France; Germany Claire Morris: [email protected] Direct: Denmark; Finland; Iceland; Italy; the Netherlands; Norway; Sweden Emma Jamison: [email protected] Direct: Brazil; Portugal; Spain and Latin America Sub-agented: Poland Emily Randle: [email protected] Direct: Croatia; Estonia; Latvia; Lithuania; Slovenia Subagented: China; Hungary, Japan; Korea; Russia; Taiwan; Turkey; Ukraine Margaux Vialleron: [email protected] Direct: Arabic; Albania; Greece; Israel; Macedonia, Vietnam plus miscellaneous requests. Audio in France and Germany Sub-agented: Bulgaria; Czech Republic; Indonesia; Romania; Serbia; Slovakia; Thailand Contact t: +44 (0)20 7434 5900 f: +44 (0)20 7437 1072 www.davidhigham.co.uk The Black Prince Anthony Burgess & Adam Roberts A novel by Adam Roberts, adapted from an original script by Anthony Burgess ‘I’m working on a novel intended to express the feel of England in Edward II’s time .. -
Costa Book Awards in 2006
The Book Awards were established by Whitbread in 1971 and encouraged, promoted and celebrated the enjoyment of reading. They became the Costa Book Awards in 2006. There are six awards: • Novel Award, First Novel Award, Biography Award, Poetry Award and Children’s Book Award winners (£5,000 each) • Book of the Year (selected from five winners above): £30,000 • Total prize fund is £55,000. COSTA WINNERS 2006 – present 2019 BOOK OF THE YEAR THE VOLUNTEER Jack Fairweather WH Allen First Novel Award The Confessions of Frannie Langton Sara Collins Viking Novel Award Middle England Jonathan Coe Viking Biography Award The Volunteer Jack Fairweather WH Allen Poetry Award Flèche Mary Jean Chan Faber & Faber Children’s Book Award Asha & the Spirit Bird Jasbinder Bilan Chicken House 2018 BOOK OF THE YEAR THE CUT OUT GIRL Bart van Es Fig Tree Books First Novel Award The Seven Deaths of Evelyn Stuart Turton Bloomsbury Books Hardcastle Novel Award Normal People Sally Rooney Faber & Faber Biography Award The Cut Out Girl Bart van Es Fig Tree Books Poetry Award Assurances J O Morgan Jonathan Cape Children’s Book Award The Skylarks’ War Hilary McKay Macmillan Children’s Books 2017 BOOK OF THE YEAR INSIDE THE WAVE Helen Dunmore Bloodaxe Books First Novel Award Eleanor Oliphant is Completely Fine Gail Honeyman HarperCollins Novel Award Reservoir 13 Jon McGregor 4th Estate Biography Award In the Days of Rain Rebecca Stott 4th Estate Poetry Award Inside the Wave Helen Dunmore Bloodaxe Books Children's Book Award The Explorer Katherine Rundell Bloomsbury Children’s