DOCSLIB.ORG

Granta 121: Best of Young Brazilian Novelists Free

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Granta 121: Best of Young Brazilian Novelists Free FREE GRANTA 121: BEST OF YOUNG BRAZILIAN NOVELISTS PDF John Freeman | 256 pages | 13 Nov 2012 | Granta Publications Ltd | 9781905881635 | English | London, United Kingdom Granta Young Brazilian Novelists - 2 SEAS AGENCY | Foreign Rights & More Granta is one of those literary magazines that are read with genuine interest both by literature buffs as well as by those who create literature. The reason for this is the magazine's balanced and dispassionate well, most of the time approach to choosing its topics. Therefore, the selection Granta 121: Best of Young Brazilian Novelists authors is seldom contested. Not just that, in the s' Granta also became a literary forecaster of sorts when it came up with a bold, but not unusual, idea in the form of 'The Best of Young British Novelists' series. Those who flipped through its pages at the time would remember an edition carrying pieces by the likes of Martin Amis, Ian McEwan and Zadie Smith - who were all budding authors at the time. Of course, a majority of them went on to become literary stalwarts. Cashing in on the success of the concept and pushing the envelope, Granta then brought out works by novelists-to-watch-out-for from other parts of the world and published them in English translation. This proved another Granta 121: Best of Young Brazilian Novelists exercise on different levels. First of all, it launched, in a manner of speaking, writers who were not readily accessible to the English-speaking world. Secondly, it brought some exceedingly gifted writers into the limelight, allowing their talent to be acknowledged outside their countries. There Granta 121: Best of Young Brazilian Novelists writings by 20 Brazilian authors in Granta 121: Best of Young Brazilian Novelists magazine and all of them are a delight to read. However, I disagree with the notion presented in the foreword to the edition, that "this is a generation less interested than those that have preceded it in the question of a Brazilian identity. The first story in the magazine is 'Animals' by journalist and novelist Michel Laub. It is understandable why the editors at Granta 121: Best of Young Brazilian Novelists chose it as the curtain-raiser. The story has layers of meaning with a symbiotic feel. The narrator is lamenting the loss of a dog called Champion. But it is not that uncomplicated. As can be gauged by the title of the story, it is not a single animal that the writer is alluding to as the family of the protagonist and a Korean neighbour who owns a biscuit factory comes into view to form a sensitive personal account. The tone shifts from personal to semi-political with 'Violeta' by Miguel Del Granta 121: Best of Young Brazilian Novelists, an editor at a publishing house. I say semi-political because it's a poignantly penned narrative about the mother, Violeta, of a man who disappears "during the military dictatorship in Uruguay. Though the collection contains 20 short pieces translated by different people, yet, for some inexplicable reason, the translations have a touch of uniformity to them. They convey the content Granta 121: Best of Young Brazilian Novelists and clear and create an urge in the reader to go through the original texts. Take, for example, the short story 'Rat Fever' by journalist and screenwriter Javier Arancibia Contreras and translated by Jethro Soutar. It is a touching tale of a man handicapped by a leg injury and alone in a house. His mother's death keeps recurring in the scheme of things and exacerbates his psychologically damaged state. The loneliness gnaws at his soul and perhaps comforts him at the same timeconvincingly conveyed by the evocative narrative of the story. And what's the profession of the protagonist? Ironically, he's a translator. The following is a passage from 'Rat Fever' to support the argument: "Contrary to appearances, I'm not a writer, playwright, scriptwriter, columnist, journalist or anything of the sort. I am merely a translator. But not one of the trivial ones who translate from boring, insipid languages like English. I translate directly from uncommon languages, grammatically complex and unmelodious languages like the Scandinavian ones. What brings me most pride and massages my ego is that I'm considered the only proficient and qualified professional in the country capable of translating directly from the most mysterious, dialectic and literary of all the Slavic languages, Russian. Her story reads like literary reportage which it is not and touches on the subject of art, artists and identity as craftily as the storyteller in the story. Again, the translation by Anna Kushner is impressive, and it increases the reader's respect for the author and the language in which it's originally written. The verdict: Granta is a must-read, especially if you are interested in South American literature. Facebook Count. Twitter Share. Read more. On DawnNews. Comments 0 Closed. Latest stories. No right to censor. Maryam, Safdar booked for creating public disorder en route Gujranwala rally. Sindh IG defers leave, orders his officers to set aside their leave applications for 10 days. Will visit Quaid's mausoleum every Oct 18 and raise slogans for the mother of the nation: Safdar. Must read. The PM has the rare quality of pushing everyone into the opposition camp. Zubair Abbasi. Images Staff. Rafia Zakaria. Programmes and workshops against gender-based violence are of no use in Pakistan. Sajjad Ahmad. The people are expecting a provisional provincial status. Mahir Ali. There is happy news from New Zealand and Bolivia. Arifa Noor. The long march was a staple of the political script in the s as well as in the post period. Review of Granta The Best of Young Brazilian Novelists - Newspaper - Goodreads helps you keep track of books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. Preview — Granta by John Freeman. Plus: look for candid interviews, exclusive podcasts, and interactive features, which allow readers to comment on current and past issues, on our website, granta. Get A Copy. Paperbackpages. More Details Original Title. Other Editions 4. Friend Reviews. To see what your friends thought of this book, please sign up. To ask other readers questions about Grantaplease sign up. Lists with This Book. Community Reviews. Showing Average rating 3. Rating details. More filters. Sort order. Nov 12, Lawrence rated it liked it. I like when Granta does these best of young novelists editions. Not sure that the pieces selected always works especially when the pieces are taken from larger works. It's more successful when the piece selected is itself a self-contained story. But I read every piece and I find some writers whose works I want to explore more. Hate that I have to wait for works to then be translated into English. My limitation, of course. But why do publishers think that Americans don't want to read works by non-English writers. Good writing in any language deserves to Granta 121: Best of Young Brazilian Novelists translated and read. So much thanks to those who have the job of translating! Keep up the good work. As a Portuguese to English translator I was thrilled to see this edition and positive about the prospect of introducing more readers to contemporary Brazilian writing. Unfortunately none of the selected pieces really jumped out and moved me the way so much writing of Brazil has over the past few years. A wonderful buffet of twenty stories by twenty young Brazilian writers. The stories that showed the echoes of the various Latin American dictatorships of the 's were among my favorites Violeta, The Dinner. Although the authors were either not yet born or were very Granta 121: Best of Young Brazilian Novelists during those turbulent times, it was very interesting to see how they have not escaped the brutality entirely. A couple of the non-political stories that I liked a lot were plain old good storytelling Evo Morales, Every T A wonderful buffet of twenty stories by twenty young Brazilian writers. In terms of writing style, many of the stories were told in extremely convoluted ways, several so much so that I had trouble figuring out what was going on. Must have been a fad going on among writers at the time. I did not care much for those stories. A couple were downright inscrutable, or had no main point, or seemed so focused on mundane details that I couldn't figure out the point Animals, Lettuce Nights, Teresa, That Wind Blowing Through the Plaza, A Temporary Stay, Far from Ramiro, Sparks, Lion, Still Life I cannot fail to mention that the quality of the translations was uniformly excellent. Nov 29, Michael Vagnetti rated it liked it. A goer when the writing stops explaining things in concrete, well-crafted sentences. When it's trying to be important, I'm reminded of Amis' hilarious essay somewhere on amateur writing contests "The sun was bakingly hot. I found myself slightly beside myself at the future for me and Brazilian literature in English. The dialogue in "Apnoeia," for example, almost reads itself aloud, and "Still Life" is oblique and welcomely unaccommodat A goer when the writing stops explaining things in concrete, well-crafted sentences. The dialogue in "Apnoeia," for example, Granta 121: Best of Young Brazilian Novelists reads itself aloud, and "Still Life" is oblique and welcomely unaccommodating, with swaths of text in italics that roll in like a puzzle in a fog.
Load more

Recommended publications
  • Jewish Quarterly
    Wordslinger: Clive Sinclair burst onto the literary CLIVE scene like Wyatt Earp--and then he disappeared. live Sinclair spent most of his life in search ment of Custer’s Last Stand in Montana. (1948-2018) of his “inner cowboy”. He grew up in It was Smolinsky-like detective work that precipitated North London, in the 1950s as a self-styled this pilgrimage. On one of his many trips to local auc- SINCLAIR “Hendonite”. The dullness of suburban life tion-houses to obtain nineteenth-century Americana, was relieved by classical Westerns which Sinclair bought a photograph of a nude woman covered Cshaped his imagination. In the Sinclair household it was only in a thin black veil. He eventually discovered that the universally acknowledged that John Ford’s The Search- photograph was of Josephine Marcus, Wyatt Earp’s Jewish ers (1956), starring John Wayne, was the greatest movie wife for half a century, whose family came from Prussia. ever made. A visit to the Hendon Odeon to see a Hol- His two imagined homelands (Wild West America and lywood Western (after donning a cowboy outfit with Jewish Europe) had collided. The mysterious photograph The Forgotten his younger brother Stewart) was the highlight of the led to the two novellas in Meet the Wife (2002) and to his week. Centre-stage in their home was a photograph of travel bool True Tales of the Wild West (2008). the brothers Sinclair dressed as cowboys aged 8 and 4 (the year when The Searchers first appeared). In most first met Clive Sinclair as a twenty-something Revolutionary school photographs before the age of 11, Sinclair wore graduate student in the early 1980s.
    [Show full text]
  • Fall2011.Pdf
    Grove Press Atlantic Monthly Press Black Cat The Mysterious Press Granta Fall 201 1 NOW AVAILABLE Complete and updated coverage by The New York Times about WikiLeaks and their controversial release of diplomatic cables and war logs OPEN SECRETS WikiLeaks, War, and American Diplomacy The New York Times Introduction by Bill Keller • Essential, unparalleled coverage A New York Times Best Seller from the expert writers at The New York Times on the hundreds he controversial antisecrecy organization WikiLeaks, led by Julian of thousands of confidential Assange, made headlines around the world when it released hundreds of documents revealed by WikiLeaks thousands of classified U.S. government documents in 2010. Allowed • Open Secrets also contains a T fascinating selection of original advance access, The New York Times sorted, searched, and analyzed these secret cables and war logs archives, placed them in context, and played a crucial role in breaking the WikiLeaks story. • online promotion at Open Secrets, originally published as an e-book, is the essential collection www.nytimes.com/opensecrets of the Times’s expert reporting and analysis, as well as the definitive chronicle of the documents’ release and the controversy that ensued. An introduction by Times executive editor, Bill Keller, details the paper’s cloak-and-dagger “We may look back at the war logs as relationship with a difficult source. Extended profiles of Assange and Bradley a herald of the end of America’s Manning, the Army private suspected of being his source, offer keen insight engagement in Afghanistan, just as into the main players. Collected news stories offer a broad and deep view into the Pentagon Papers are now a Iraq, Afghanistan, Pakistan, and the messy challenges facing American power milestone in our slo-mo exit from in Europe, Russia, Asia, the Middle East, and Africa.
    [Show full text]
  • Advance Program Notes an Onstage Conversation with Zadie Smith, Author Tuesday, March 19, 2019, 7:30 PM
    Advance Program Notes An Onstage Conversation with Zadie Smith, author Tuesday, March 19, 2019, 7:30 PM These Advance Program Notes are provided online for our patrons who like to read about performances ahead of time. Printed programs will be provided to patrons at the performances. Programs are subject to change. An Onstage Conversation with Zadie Smith, author Moderated by Lucinda Roy, Alumni Distinguished Professor, Department of English at Virginia Tech Presented in partnership with the Department of English Visiting Writers Series and the Women’s Center at Virginia Tech in celebration of its 25th anniversary Biography ZADIE SMITH Novelist Zadie Smith was born in North London in 1975 to an English father and a Jamaican mother. She read English at Cambridge before graduating in 1997. Her acclaimed first novel,White Teeth (2000), is a vibrant portrait of contemporary multicultural London, told through the stories of three ethnically diverse families. The book won a number of awards and prizes, including the Guardian First Book Award, the Whitbread First Novel Award, the Commonwealth Writers Prize (Overall Winner, Best First Book), and two BT Ethnic and Multicultural Media Awards (Best Book/Novel and Best Female Media Newcomer). It was also shortlisted for the Mail on Sunday/John Llewellyn Rhys Prize, the Orange Prize for Fiction and the Author’s Club First Novel Award. White Teeth has been translated into over 20 languages and was adapted for Channel 4 television for broadcast in autumn 2002 and for the stage in November 2018. Smith’s The Autograph Man (2002), a story of loss, obsession, and the nature of celebrity, won the 2003 Jewish Quarterly Wingate Literary Prize for Fiction.
    [Show full text]
  • Introduction: Questions of Class in the Contemporary British Novel
    Notes Introduction: Questions of Class in the Contemporary British Novel 1. Martin Amis, London Fields (New York: Harmony Books, 1989), 24. 2. The full text of Tony Blair’s 1999 speech can be found at http://news.bbc. co.uk/2/hi/uk_news/politics/460009.stm (accessed on December 9, 2008). 3. Terry Eagleton, After Theory (New York: Perseus Books, 2003), 16. 4. Ibid. 5. Peter Hitchcock, “ ‘They Must Be Represented’: Problems in Theories of Working-Class Representation,” PMLA Special Topic: Rereading Class 115 no. 1 January (2000): 20. Savage, Bagnall, and Longhurst have also pointed out that “Over the past twenty-five years, this sense that the working class ‘matters’ has ebbed. It is now difficult to detect sustained research interest in the nature of working class culture” (97). 6. Gary Day, Class (London and New York: Routledge, 2001), 202. This point is also echoed by Ebert and Zavarzadeh: “By advancing singularity, hetero- geneity, anti-totality, and supplementarity, for instance, deconstruction has, among other things, demolished ‘history’ itself as an articulation of class relations. In doing so, it has constructed a cognitive environment in which the economic interests of capital are seen as natural and not the effect of a particular historical situation. Deconstruction continues to produce some of the most effective discourses to normalize capitalism and contribute to the construction of a capitalist-friendly cultural common sense . .” (8). 7. Slavoj Žižek, In Defence of Lost Causes (London and New York: Verso, 2008), 404–405 (Hereafter, Lost Causes). 8. Andrew Milner, Class (London: Sage, 1999), 9. 9. Gavin Keulks, ed., Martin Amis: Postmodernism and Beyond (New York: Palgrave Macmillan, 2006), 73.
    [Show full text]
  • Politics, Oppression and Violence in Harold Pinter's Plays
    Politics, Oppression and Violence in Harold Pinter’s Plays through the Lens of Arabic Plays from Egypt and Syria Hekmat Shammout A thesis submitted to the University of Birmingham for the degree of MASTER OF ARTS BY RESEARCH Department of Drama and Theatre Arts College of Arts and Law University of Birmingham May 2018 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Abstract This thesis aims to examine how far the political plays of Harold Pinter reflect the Arabic political situation, particularly in Syria and Egypt, by comparing them to several plays that have been written in these two countries after 1967. During the research, the comparative study examined the similarities and differences on a theoretical basis, and how each playwright dramatised the topic of political violence and aggression against oppressed individuals. It also focussed on what dramatic techniques have been used in the plays. The thesis also tries to shed light on how Arab theatre practitioners managed to adapt Pinter’s plays to overcome the cultural-specific elements and the foreignness of the text to bring the play closer to the understanding of the targeted audience.
    [Show full text]
  • Gordon Burn Prize 2018: 13-Strong Longlist Highlights Fearless Works of Fiction and Non-Fiction
    Gordon Burn Prize 2018: 13-strong longlist highlights fearless works of fiction and non-fiction News release for release 00:00 18 May 2018 The longlist is announced today for the Gordon Burn Prize 2018, which seeks to reward some of the boldest and most fearless new books published in the United Kingdom and the United States. Denise Mina won the prize in 2017 for her true crime novel The Long Drop. Previous winners have included David Szalay’s linked collection of short stories, All That Man Is, and In Plain Sight: The Life and Lies of Jimmy Savile by Dan Davies. Gordon Burn’s writing was precise and rigorous, and often blurred the line Between fact and fiction. He wrote across a wide range of suBjects, from celeBrities to serial killers, politics to contemporary art; his works include the novels Fullalove and Born Yesterday: The News as a Novel and non-fiction Happy Like Murderers: The Story of Fred and Rosemary West, Best and Edwards: Football, Fame and Oblivion and Sex & Violence, Death & Silence: Encounters with Recent Art. The Gordon Burn Prize, founded in 2012 and run in partnership By the Gordon Burn Trust, New Writing North, FaBer & FaBer and Durham Book Festival, seeks to celebrate the work of those who follow in his footsteps: novels that dare to enter history and interrogate the past; non-fiction adventurous enough to inhaBit characters and events to create new and vivid realities. The prize is open to works in English published between 1 July 2017 and 1 July 2018, by writers of any nationality or descent who are resident in the United Kingdom or the United States of America.
    [Show full text]
  • Costa Book Awards in 2006
    The Book Awards were established by Whitbread in 1971 and encouraged, promoted and celebrated the enjoyment of reading. They became the Costa Book Awards in 2006. There are six awards: • Novel Award, First Novel Award, Biography Award, Poetry Award and Children’s Book Award winners (£5,000 each) • Book of the Year (selected from five winners above): £30,000 • Total prize fund is £55,000. COSTA WINNERS 2006 – present 2019 BOOK OF THE YEAR THE VOLUNTEER Jack Fairweather WH Allen First Novel Award The Confessions of Frannie Langton Sara Collins Viking Novel Award Middle England Jonathan Coe Viking Biography Award The Volunteer Jack Fairweather WH Allen Poetry Award Flèche Mary Jean Chan Faber & Faber Children’s Book Award Asha & the Spirit Bird Jasbinder Bilan Chicken House 2018 BOOK OF THE YEAR THE CUT OUT GIRL Bart van Es Fig Tree Books First Novel Award The Seven Deaths of Evelyn Stuart Turton Bloomsbury Books Hardcastle Novel Award Normal People Sally Rooney Faber & Faber Biography Award The Cut Out Girl Bart van Es Fig Tree Books Poetry Award Assurances J O Morgan Jonathan Cape Children’s Book Award The Skylarks’ War Hilary McKay Macmillan Children’s Books 2017 BOOK OF THE YEAR INSIDE THE WAVE Helen Dunmore Bloodaxe Books First Novel Award Eleanor Oliphant is Completely Fine Gail Honeyman HarperCollins Novel Award Reservoir 13 Jon McGregor 4th Estate Biography Award In the Days of Rain Rebecca Stott 4th Estate Poetry Award Inside the Wave Helen Dunmore Bloodaxe Books Children's Book Award The Explorer Katherine Rundell Bloomsbury Children’s
    [Show full text]
  • Great Writers Inspire at Home
    Thursday 27 April ‘Readers and Reading’ Thursday 4 May Kamila Shamsie Thursday 11 May GREAT Bernardine Evaristo Thursday 18 May WRITERS Daljit Nagra Thursday 25 May D-Empress Dianne INSPIRE Regisford Thursday 1 June AT HOME Nadifa Mohamed a series of conversations Thursday 8 June between writers & readers Aminatta Forna Thursday 15 June Editors and contributors, The Cambridge History of Black and Asian British Writing Monday 26 June M. NourbeSe Philip This series runs in place of the English Faculty Postcolonial Writing and Theory Seminar in Trinity Term 2017. 5 pm Seminar Room, 3rd Floor, Radcliffe Humanities Building, Woodstock Rd, Oxford www.writersmakeworlds.com GREAT WRITERS INSPIRE AT HOME A series of workshop discussions hosted jointly by the Oxford English Faculty and The Oxford Research Centre in the Humanities (TORCH). 5 – 7 pm, Thursday weeks 2–8; Monday week 10 Seminar Room, 3rd Floor, Radcliffe Humanities Building, Woodstock Road, Oxford (except 25 May) The series runs in place of the English Faculty Postcolonial Writing and Theory seminar in Trinity Term 2017. We return to our fortnightly programme of talks and discussion at Wadham College, chaired by Elleke Boehmer and Ankhi Mukherjee, in Michaelmas Term 2017. All are welcome to these workshops. www.writersmakeworlds.com Great Writers Inspire at Home will bring together a number of contemporary British writers to discuss how literary writing, both novels and poems, shapes readers’ perceptions of the contemporary world. Focusing specifically on current Black and Asian British writing, our primary focus in the project is the experience of reading. The primary focus is the experience of reading: we will think about the ways in which readers respond to writing and writers appeal to readers.
    [Show full text]
  • Zadie Smith: the BABEL Readers Guide
    Sponsored by JUST BUFFALO LITERARY CENTER ZADIE SMITH READER’S GUIDE Zadie Smith Smith went on to study English literature at King’s College at Cambridge, where she completed White Teeth during her senior year. Success came swiftly; a partial manuscript of the book earned her a lucrative contract with the British publisher, Hamish Hamilton, and White Teeth became an international bestseller upon publication in 2000. Two years later, it was adapted for television by Britain’s Channel 4. Time magazine named the book to their list of “100 Best English-language Novels from 1923 to 2005,” and the Guardian called it a “broad, teeming, comic novel of multiracial Britain.” The book also notably won the 2000 James Tait Black Memorial Prize for fiction, the 2000 Whitbread Book Award for best first novel, the Guardian First Book Award, the Commonwealth Writer’s First Book Prize, and the Betty Trask Award. White Teeth is the sprawling, often humorous and sometimes heartbreaking story of the 50-plus years of friendship and follies shared between Samad Iqbal, a proud Bangladeshi Muslim and frustrated waiter, and bumbling, happy-go-lucky Archibald “Archie” Jones, whom Samad first met in a tank unit during World War II. Using non-linear flashbacks, White Teeth follows both men and their families as they struggle to find happiness and success in the racially diverse but tense modern-day At the age of 24, Cambridge University student Zadie London suburbs. The two are joined by Clara Bowden, Smith drew worldwide attention with her ambitious first Archie’s Jamaican wife and ex-Jehovah’s Witness, and novel, White Teeth.
    [Show full text]
  • 2016A Cat Lowres.Pdf
    THE TEXT PUBLISHING COMPANY JANUARY–JUNE 2016 Swann House, 22 William Street General [email protected] Catalogue design/production Imogen Stubbs Melbourne Victoria 3000 Australia Publicity [email protected] Editorial/co-ordination Alaina Gougoulis p: +613 8610 4500 f: +613 9629 8621 Marketing [email protected] Typesetting Jess Horrocks textpublishing.com.au Rights [email protected] 02 Text Classics 22 When the Sky Fell Apart Caroline Lea JUNE 24 Medea’s Curse Anne Buist 45 Wasted Elspeth Muir JANUARY 46 I’m Thinking of Ending Things Iain Reid 04 Between You & Me Mary Norris APRIL 48 The Bones of Grace Tahmima Anam 05 This House of Grief Helen Garner 23 What the Light Hides Mette Jakobsen 49 Dead Men Don’t Order Flake Sue Williams 06 Quota Jock Serong 25 Dangerous to Know Anne Buist 50 Second-hand Time Svetlana Alexievich 26 Everywhere I Look Helen Garner FEBRUARY 28 The Rosie Project Graeme Simsion 07 Cure Jo Marchant TEXT FOR YA & CHILDREN 29 The Rosie Effect Graeme Simsion 54 Clancy of the Undertow Christopher Currie 08 The High Mountains of Portugal Yann Martel 30 The Trap Melanie Raabe 55 Iris and the Tiger Leanne Hall 10 Griffith Review 51 edited by Julianne 32 Bloodhound Ramona Koval 56 Max Sarah Cohen-Scali Schultz and Anne Tiernan 33 One Life Kate Grenville 57 Waer Meg Caddy 11 The Passion of Mademoiselle S. 34 The Notebook Trilogy Ágota Kristóf 58 Julius and the Watchmaker Tim Hehir edited and introduced by Jean-Yves Berthault 59 Julius and the Soulcatcher Tim Hehir MAY 60 A Toaster on Mars Darrell Pitt 12 Fever at Dawn Péter Gárdos 35 Griffith Review 52 edited by Julianne 14 The Interpreter Diego Marani Schultz and Brendan Gleeson 61 You Know Me Well David Levithan and Nina LaCour 15 Fear Is the Rider Kenneth Cook 36 The Most Good You Can Do Peter Singer MARCH 37 The Fighter Arnold Zable BACKLIST, RIGHTS ETC 16 The Life of Elves Muriel Barbery 38 Our Tiny, Useless Hearts Toni Jordan 64 fiction backlist highlights 18 How to Set a Fire and Why Jesse Ball 40 Second Life S.
    [Show full text]
  • Writing for Change a Narratological Approach to Repositioning
    Writing for Change A Narratological Approach to Repositioning Afropolitan Discourses in Adichie’s Americanah, Evaristo’s Girl, Woman, Other and Selasi’s Ghana Must Go Lisa van der Werf 5758572 Master Thesis Literature Today Universiteit Utrecht Supervisor: Birgit Kaiser Second reader: Barnita Bagchi 20576 words 5 October 2020 Van der Werf 2 Abstract This thesis argues the often-unheard narratives represented in Americanah by Chimamanda Ngozi Adichie, Girl, Woman, Other by Bernardine Evaristo and Ghana Must Go by Taiye Selasi are urgent to the circulation of world literature. Their fiction demonstrates how novels can be meaningful aesthetic encounters to address the residual powerlessness concerning contemporary Black living. I first discuss why Afropolitanism functions as a fitting neologism for this thesis in the Theoretical Framework, while also selecting theories from narratological studies in order to do my analysis concerning these novels. In the second chapter I explore how Adichie’s Americanah imparts emotional empathy and productive unease concerning the humanity of the Afropolitan experience. Chapter three revolves around how Evaristo’s Girl, Woman, Other resists easy binary categorisations and confronts readers with prevailing racial stereotypes and pertinent issues. Lastly, the chapter on Selasi’s Ghana Must Go discusses how the narrative offers the reader a more empathic relation with the Afropolitan experience. These chapters all demonstrate how these works of fiction offer the reader to engage with the painful dynamics of contemporary racism and what literary narratives can do to address these pertaining problematics. Van der Werf 3 Intellectual Property Statement Utrecht University defines “plagiarism” as follows: “If, in a thesis or some other paper, data or parts of a text produced by someone else are used without the source being identified, this shall be considered plagiarism.
    [Show full text]
  • UNTITLED Catching NOVEL by Alan Parks (World English) Otherup with Rights: Him
    Canongate is an independent publisher: since 1973 we’ve worked to unearth and amplify the most vital, exciting voices we can find, wherever they come from, and we’ve published all kinds of books – thoughtful, upsetting, gripping, beatific, vulgar, chaste, unrepentant, life-changing . Along the way there have been landmarks of fiction – including Alasdair Gray’s masterpiece Lanark, and Yann Martel’s Life of Pi, the best-ever-selling Booker winner – and non-fiction too. We’ve published an American president and a Guantanamo detainee; we’ve campaigned for causes we believe in and fought court cases to get our authors heard. And twice we’ve won Publisher of the Year. We’re still fiercely independent, and we’re as committed to unorthodox and innovative publishing as ever. Andrea Joyce, Rights Director: [email protected] Jessica Neale, Senior Rights Manager: [email protected] Caroline Clarke, Rights Manager: [email protected] Bethany Ferguson, Rights Assistant: [email protected] Canongate 14 High Street Edinburgh EH1 1TE UK Tel: +44 (0) 131 557 5111 For more information on thecanongate.co.uk Publishing Scotland Translation Fund, visit: http://bit.ly/translation-support For more information on the Publishing Scotland Fellowship, visit: https://bit.ly/2MNSNjb Author Photo Credits: Tola Rotimi Abraham: Carole Cassier; Peter Ackroyd: Charles Hopkinson; Patience Agbabi: Lyndon Douglas; Molly Aitken: Christy Ku; Tahmima Anam: Abeer Y Hoque; Priya Basil: Suhrkamp Verlag; Janie Brown: Genevieve Russell, Story Portrait Media; Melanie Challenger: Alice Little; Kerri ni Dochartaigh: Wendy Barrett; Will Eaves: John Cairns; Gavin Francis: Chris Austin; Salena Godden: Simon Booth; Emily Gravett: Mik Gravett; Steven Hall: Jerry Bauer; Claudia Hammond: Ian Skelton; Matt Haig: Kan Lailey; Richard Holloway: Colin Hattersley-Smith; M.
    [Show full text]