Casting Director Dougherty to Receive Posthumous Emmy
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Nomination Press Release
Elisabeth Moss as Peggy Olson Outstanding Lead Actor In A Drama Series Nashville • ABC • ABC Studios Connie Britton as Rayna James Breaking Bad • AMC • Sony Pictures Television Scandal • ABC • ABC Studios Bryan Cranston as Walter White Kerry Washington as Olivia Pope Downton Abbey • PBS • A Carnival / Masterpiece Co-Production Hugh Bonneville as Robert, Earl of Grantham Outstanding Lead Actor In A Homeland • Showtime • Showtime Presents, Miniseries Or A Movie Teakwood Lane Productions, Cherry Pie Behind The Candelabra • HBO • Jerry Productions, Keshet, Fox 21 Weintraub Productions in association with Damian Lewis as Nicholas Brody HBO Films House Of Cards • Netflix • Michael Douglas as Liberace Donen/Fincher/Roth and Trigger Street Behind The Candelabra • HBO • Jerry Productions, Inc. in association with Media Weintraub Productions in association with Rights Capital for Netflix HBO Films Kevin Spacey as Francis Underwood Matt Damon as Scott Thorson Mad Men • AMC • Lionsgate Television The Girl • HBO • Warner Bros. Jon Hamm as Don Draper Entertainment, GmbH/Moonlighting and BBC in association with HBO Films and Wall to The Newsroom • HBO • HBO Entertainment Wall Media Jeff Daniels as Will McAvoy Toby Jones as Alfred Hitchcock Parade's End • HBO • A Mammoth Screen Production, Trademark Films, BBC Outstanding Lead Actress In A Worldwide and Lookout Point in association Drama Series with HBO Miniseries and the BBC Benedict Cumberbatch as Christopher Tietjens Bates Motel • A&E • Universal Television, Carlton Cuse Productions and Kerry Ehrin -
Press Contacts for the Television Academy: 818-264
FOR IMMEDIATE RELEASE Post-awards presentation (approximately 7:00PM, PDT) September 11, 2016 WINNERS OF THE 68th CREATIVE ARTS EMMY® AWARDS ANNOUNCED (Los Angeles, Calif. - September 11, 2016) The Television Academy tonight presented the second of 2016 Creative Arts Emmy® Awards ceremonies for programs and individual achievements at the Microsoft Theater in Los Angeles and honored variety, reality and documentary programs, as well as the many talented artists and craftspeople behind the scenes who create television excellence. Executive produced by Bob Bain, this year’s Creative Arts Awards featured an array of notable presenters, among them Derek and Julianne Hough, Heidi Klum, Jane Lynch, Ryan Seacrest, Gloria Steinem and Neil deGrasse Tyson. In recognition of its game-changing impact on the medium, American Idol received the prestigious 2016 Governors Award. The award was accepted by Idol creator Simon Fuller, FOX and FremantleMedia North America. The Governors Award recipient is chosen by the Television Academy’s board of governors and is bestowed upon an individual, organization or project for outstanding cumulative or singular achievement in the television industry. For more information, visit Emmys.com PRESS CONTACTS FOR THE TELEVISION ACADEMY: Jim Yeager breakwhitelight public relations [email protected] 818-264-6812 Stephanie Goodell breakwhitelight public relations [email protected] 818-462-1150 TELEVISION ACADEMY 2016 CREATIVE ARTS EMMY AWARDS – SUNDAY The awards for both ceremonies, as tabulated by the independent -
Sarah A. Tejeda (951) 233-9185 [email protected]
Sarah A. Tejeda www.sarahtejeda.com (951) 233-9185 [email protected] PROFILE A creative and enthusiastic animator, with experience in various forms of animation. A quick-thinking, problem solver who gives 100% to all projects. Adept in written and oral communication, and works well independently or with a team. Thrives in fast-paced environments, and can adapt to meet deadlines and handle multiple tasks. EDUCATION University of Southern California Los Angeles, CA BA Animation and Digital Arts 2014 EXPERIENCE Animator Stoopid Buddy Stoodios July 2017-Sept 2018 Robot Chicken Season 9, Supermansion Season 3 ● Animated various characters, props, and cameras while perfecting the animation styles of various shows. Lead Animation Assistant/Track Reader/ Jr. Animator Stoopid Buddy Stoodios May 2015-June 2017 Supermansion Seasons 1 & 2, Buddy Thunderstruck, Robot Chicken Seasons 8 & 9, Verizon Bumpers ● Acted as a fill-in animator for studio projects. Supported and assisted animators and crews by helping with rigging, anticipating and solving problems, and keeping areas and materials well-stocked and organized. Proficient track reader for all studio projects. Animation Assistant Hello! & Company November 2014 McDonald’s Spot: Morning Song ● Provided support to director and animators for a location shoot. Assisted with the preparation of sets and props. Senior Thesis Film USC Jan 2013-May 2014 Expiration Date ● Created original concept art through extensive pre-production. Developed script, hired and directed voice-over talent. Molded, fabricated, and painted over 30 puppets, including facial expressions. Fabricated multiple props and sets. Animation Intern Shadow Machine Jan -May 2012 Hell and Back ● Supported animation, puppet, and art departments through the building of sets and props. -
MEDIA ALERT for IMMEDIATE RELEASE Stoopid Buddy Stoodios
MEDIA ALERT FOR IMMEDIATE RELEASE Stoopid Buddy Stoodios—creative minds behind Robot Chicken TV Series—to visit The Walt Disney Family Museum in April! San Francisco, CA (March 29, 2013)—Celebrate the closing of exhibition Between Frames: The Magic Behind Stop Motion Animation with a lineup of events featuring the creators of Robot Chicken and the founders of Stoopid Buddy Stoodios! Join the team comprised of Seth Green (creator), Matthew Senreich (creator), John Harvatine IV (owner), Eric Towner (owner), and Alex Kamer (animation supervisor) for an after hours party, programs, and a workshop, exclusive to The Walt Disney Family Museum the last weekend of April. AFTER HOURS PARTY Animate Your Night: The Island of Misfit Toys Friday, April 26 | 7–10pm | Museum-wide Party with us after hours for a night full of misfit adventure! Join the creators of Robot Chicken and the founders of Stoopid Buddy Stoodios as they present behind the scenes footage and episode clips, followed by a Q&A. Enjoy eats from Adam’s Grub Truck and Me So Hungry, then have a hair-raising sip of our signature cocktail: The Evil Doctor. PANEL DISCUSSION The Making of Robot Chicken Saturday, April 27 | 2pm | The Theater Join the crew from Stoopid Buddy Stoodios, the masterminds behind the stop motion TV show Robot Chicken, for a behind-the-scenes look at the making of this modern cult favorite. WORKSHOP Learn from the Masters: Animation Mischief with Stoopid Buddy Stoodios Saturday, April 27 | 10am–1pm | Art Studio Explore the magic of stop motion animation with the Emmy and Annie Award-winning animators of Robot Chicken. -
Increasing Inclusion in Animation
INCLUSION IN ANIMATION? INVESTIGATING OPPORTUNITIES, CHALLENGES, AND THE CLASSROOM TO THE CSUITE PIPELINE USC ANNENBERG INCLUSION INITIATIVE @Inclusionists @wia_animation FEMALES ON SCREEN IN ANIMATED STORYTELLING Percentage of animated films with a female lead or co lead and female cast in TV series 120 Animated Films 100 Animated TV Series % of roles for women of color 3% Film 1717% 39% 12% TV Depicted a Female Female Lead or Cast Co Lead ANIMATED AND LIVE ACTION FEMALE PRODUCERS Percentage of female producers across 1,200 films Animation Live Action 64 52 50 50 40 37 33 34 31 26 22 12 13 15 16 14 13 14 15 16 17 15 19 17 ‘07 ‘08 ‘09 ‘10 ‘11 ‘12 ‘13 ‘14 ‘15 ‘16 ‘17 ‘18 OVERALL WOMEN OF COLOR 37% 15% 5% 1% ANIMATION LIVE ACTION ANIMATION LIVE ACTION © DR. STACY L. SMITH FEMALE DIRECTORS ARE RARE IN ANIMATION Directors by platform across film & TV FILM DIRECTORS TV DIRECTORS 3% 13% WOMEN WOMEN 1% 2% WOMEN OF COLOR WOMEN OF COLOR PIPELINE PROBLEMS: CAREER PROGRESS STALLS FOR FEMALES Percentage of Females in the pipeline to directing animated feature films 3% DIRECTORS 7% 8% 9% HEAD OF STORY HEAD OF ANIMATION WRITERS 18% 16% STORY DEPT. ANIMATORS © DR. STACY L. SMITH WOMEN BELOW THE LINE IN TOP ANIMATED TV SERIES WOMEN WOMEN OF COLOR STORY EDITOR 28% 1% HEAD OF EDITING 18% 4% ANIMATION DIRECTOR 16% 8% LEAD ANIMATOR 20% 13% LEAD CHARACTER DESIGNER 24% 7% LEAD STORYBOARD ARTIST 11% 3% TOTAL 19% 7% FEMALE PRODUCERS BY POSITION Percentage of female producers across 100 top animated series of 2018 % % % % CREATED BY EXEC COEXEC PRODUCERS DEVELOPED BY PRODUCERS PRODUCERS 24 women 71 women 10 women 64 women 3 women of color 6 women of color 0 women of color 16 women of color © DR. -
Batman Arkham Knight Credits Transcript
Batman Arkham Knight Credits Transcript Top-drawer and ontogenetic Sergeant personates, but Clair idealistically escalading her verticil. Is Paco inconsequent or panhandledforeshadowing his when astigmatic reinsures independently. some Drambuie refuelled paternally? Waldo is exteriorly bejeweled after indisputable Dudley Can you remember when it was simple? Reese locks eyes with Wayne. It came to arkham knight credits rolling stone skipping, and mentally ill and testament of arkham knight credits transcript quantity to be like. Because I built it! You were great in your day, eh, lost and alone. Like ass kicked open a planet in anticipation of batman credits of his dark knight. Wan has a few were climbing a bottle of batman arkham knight credits transcript quantity to do you need to arkham asylum costume because i only. Pick up like and overmuscled build our money best batman arkham knight credits transcript! After all arkham knight credits transcript us contaminate it presented an audio segments, batman arkham knight credits transcript during season of you get a franchise that. Spencer what batman arkham knight credits transcript ar combat focuses on batman transcript present agreed to! You will die the proud wolf you are. Miracles by their definition are meaningless, the Baron! He turns and FIRES. Rpgs are really need batman credits transcript legend embodies it. British man in batman knight had interacted with batman arkham knight credits transcript. An illustration of two cells of a film strip. This is just beautiful pieces and arkham credits transcript legend are bigger role model just want to arkham credits picks right up another fucking idiot. -
Emmy Nominations
2021 Emmy® Awards 73rd Emmy Awards Complete Nominations List Outstanding Animated Program Big Mouth • The New Me • Netflix • Netflix Bob's Burgers • Worms Of In-Rear-Ment • FOX • 20th Century Fox Television / Bento Box Animation Genndy Tartakovsky's Primal • Plague Of Madness • Adult Swim • Cartoon Network Studios The Simpsons • The Dad-Feelings Limited • FOX • A Gracie Films Production in association with 20th Television Animation South Park: The Pandemic Special • Comedy Central • Central Productions, LLC Outstanding Short Form Animated Program Love, Death + Robots • Ice • Netflix • Blur Studio for Netflix Maggie Simpson In: The Force Awakens From Its Nap • Disney+ • A Gracie Films Production in association with 20th Television Animation Once Upon A Snowman • Disney+ • Walt Disney Animation Studios Robot Chicken • Endgame • Adult Swim • A Stoopid Buddy Stoodios production with Williams Street and Sony Pictures Television Outstanding Production Design For A Narrative Contemporary Program (One Hour Or More) The Flight Attendant • After Dark • HBO Max • HBO Max in association with Berlanti Productions, Yes, Norman Productions, and Warner Bros. Television Sara K. White, Production Designer Christine Foley, Art Director Jessica Petruccelli, Set Decorator The Handmaid's Tale • Chicago • Hulu • Hulu, MGM, Daniel Wilson Productions, The Littlefield Company, White Oak Pictures Elisabeth Williams, Production Designer Martha Sparrow, Art Director Larry Spittle, Art Director Rob Hepburn, Set Decorator Mare Of Easttown • HBO • HBO in association with wiip Studios, TPhaeg eL o1w Dweller Productions, Juggle Productions, Mayhem Mare Of Easttown • HBO • HBO in association with wiip Studios, The Low Dweller Productions, Juggle Productions, Mayhem and Zobot Projects Keith P. Cunningham, Production Designer James F. Truesdale, Art Director Edward McLoughlin, Set Decorator The Undoing • HBO • HBO in association with Made Up Stories, Blossom Films, David E. -
Magazines V17N9.Qxd
Oct10 Toys:section 9/14/2010 1:54 PM Page 358 ANIMATION TA ROBOT CHICKEN ACTION FIGURES Action figures find new life as players in frenetic sketch-comedy vignettes that skewer TV, movies, music and celebrity as old-school stop-motion animation and fast-paced satire combine in Robot Chicken, an eclectic show created by Seth Green and Matt Senreich. Fans of the [adult swim] series will want to collect these action figures based FUTURAMA SERIES 9 ACTION FIGURES on the series, including Action Robot (6” tall), Candy Bear (5” tall), and the Mad Sci- Good news, everyone! Matt Groening’s Futurama has returned to television screens every- entist with Robot Chicken (6” and 3 1/2” tall respectively). Or they can 10” tall Elec- where, and Toynami celebrates the return of our favorite 31st-century heroes with two all- tronic Robot Chicken for more mechanical mayhem! Scheduled to ship in December new figures from the cult favorite series! Choose from URL, the robotic policeman, or 2010. (6848) (C: 1-1-3) NOTE: Available only in the United States, Canada, and U.S. Wooden Bender, from the 4th season episode “Obsoletely Fabulous.” Each figure stands Territories. 6” tall. Window box packaging. (4522/5010) (C: 1-1-3) NOTE: Available only in the ACTION FIGURES (14000)—Figure .................................................................PI United States, Canada, and U.S. Territories. 10” ELECTRONIC ROBOT CHICKEN (14010)—Figure .......................................PI Figure ..........................................................................................................$13.99 -
Animation Voice-Over Workshop with Bob Bergen
Animation Voice-over Workshop with Bob Bergen and Casting/Voice Director, Collette Sunderman ! Saturday & Sunday, Nov. 8 & 9, 2014: 10am to 5pm John Marshall Media, 630 Ninth Ave., New York, NY WORKSHOP DETAILS: On Sat., Nov. 8, Bob will guide & direct you with animation audition copy, preparing you to showcase your characters for Collette on Sun., Nov. 9. Collette will then add her own adjustments & ideas, as she directs your characters to the next level. Two-time Emmy nominated actor Bob Sunday concludes with a Q&A with both Bob and Collette. This Bergen is one of the most in-demand is a great opportunity to ask those questions we rarely get the animation voice artists in the opportunity to do with a casting director, such as: business. Credits include: CN’s CLARENCE, ROBOT CHICKEN, ! STAR WARS: THE CLONE WARS, What makes a great audition great? THE LOONEY TUNES SHOW, UP!, ! How much creativity are we expected to bring to the WALL-E, SPIRITED AWAY, script. Can we ad-lib? GREMLINS, WRECK IT RALPH, ! Should we slate in character? CURIOUS GEORGE, GREMLINS, ! What are the most common mistakes that sabotage an TINKER BELL, TANGLED, and THE SANTA CLAUSE 2 & 3, to name a actor’s career? few! ! How can an actor stay on your radar without being a pest? www.BobBergen.com/ ! AND more! Cost: $850 for the 2-day workshop if paid by check / $875 if paid by Paypal. $250 to reserve your spot; balance due one month prior. SPACE IS LIMITED!! Emmy nominated Voice & Casting Director Collette Sunderman began her career at Hanna- Barbera Studios over 20 years ago. -
Animation: a True Art Elyse Warnecke College of Dupage
ESSAI Volume 14 Article 39 Spring 2016 Animation: A True Art Elyse Warnecke College of DuPage Follow this and additional works at: http://dc.cod.edu/essai Recommended Citation Warnecke, Elyse (2016) "Animation: A True Art," ESSAI: Vol. 14 , Article 39. Available at: http://dc.cod.edu/essai/vol14/iss1/39 This Selection is brought to you for free and open access by the College Publications at DigitalCommons@COD. It has been accepted for inclusion in ESSAI by an authorized editor of DigitalCommons@COD. For more information, please contact [email protected]. Warnecke: Animation: A True Art Animation: A True Art by Elyse Warnecke (English 1102) hen you were a kid, do you recall what you did every day after school? Many people recall watching cartoons the first thing after arriving home. You might have enjoyed shows like WSpongeBob, Jimmy Neutron, Dexter’s Laboratory, and The Grim Adventures of Billy and Mandy, to name a few. Behind all of these shows are extensive crews that work together to bring characters to life and make the shows enjoyable. They all feature characters facing struggles, interacting with others, following a specific plot line, all through a series of illustrations. Animation has evolved vastly along with technology, branching out to three-dimensional images created using computer programs. As there are numerous roles involved in the process of animating motion pictures, it is impossible for all the jobs to fit under one “umbrella.” However, the same general skills and attitudes are required for each job--teamwork, time management, creativity, and an open mind to new ideas. -
Outstanding Animated Program (For Programming Less Than One Hour)
Keith Crofford, Executive Producer Outstanding Animated Program (For Corey Campodonico, Producer Programming Less Than One Hour) Alex Bulkley, Producer Douglas Goldstein, Head Writer Creature Comforts America • Don’t Choke To Death, Tom Root, Head Writer Please • CBS • Aardman Animations production in association with The Gotham Group Jordan Allen-Dutton, Writer Mike Fasolo, Writer Kit Boss, Executive Producer Charles Horn, Writer Miles Bullough, Executive Producer Breckin Meyer, Writer Ellen Goldsmith-Vein, Executive Producer Hugh Sterbakov, Writer Peter Lord, Executive Producer Erik Weiner, Writer Nick Park, Executive Producer Mark Caballero, Animation Director David Sproxton, Executive Producer Peter McHugh, Co-Executive Producer The Simpsons • Eternal Moonshine of the Simpson Mind • Jacqueline White, Supervising Producer FOX • Gracie Films in association with 20th Century Fox Kenny Micka, Producer James L. Brooks, Executive Producer Gareth Owen, Producer Matt Groening, Executive Producer Merlin Crossingham, Director Al Jean, Executive Producer Dave Osmand, Director Ian Maxtone-Graham, Executive Producer Richard Goleszowski, Supervising Director Matt Selman, Executive Producer Tim Long, Executive Producer King Of The Hill • Death Picks Cotton • FOX • 20th Century Fox Television in association with 3 Arts John Frink, Co-Executive Producer Entertainment, Deedle-Dee Productions & Judgemental Kevin Curran, Co-Executive Producer Films Michael Price, Co-Executive Producer Bill Odenkirk, Co-Executive Producer Mike Judge, Executive Producer Marc Wilmore, Co-Executive Producer Greg Daniels, Executive Producer Joel H. Cohen, Co-Executive Producer John Altschuler, Executive Producer/Writer Ron Hauge, Co-Executive Producer Dave Krinsky, Executive Producer Rob Lazebnik, Co-Executive Producer Jim Dauterive, Executive Producer Laurie Biernacki, Animation Producer Garland Testa, Executive Producer Rick Polizzi, Animation Producer Tony Gama-Lobo, Supervising Producer J. -
Annual Report
2018 2019 ANNUAL REPORT TABLE OF CONTENTS who we are 5 Letter from the Dean 6 Programs 7 By the Numbers 10 School of Cinematic Arts 12 School of Computing 14 School of Design what we’re doing 17 Supporting the Mission 18 Global Learning 20 Engaging and Educating Youth 22 Visiting Speakers 25 Faculty Grants 29 Faculty Publications 32 Faculty Film Recognition 36 Faculty Exhibitions 38 Student and Alumni Accomplishments 40 CDM in the News where we’re going 42 2019-2020 Preview 2 3 LETTER FROM THE DEAN I am pleased to share with you the 2018-19 College of Computing and Digital Media (CDM) annual report, highlighting the important work done by our faculty, students, and staff. We’ve said this before, and we’ll say it again: it was a big year. who In 2018-19, programs across all three of our schools (Computing, Cinematic Arts, and Design) were ranked nationally. Our faculty were published in dozens of scholarly journals, screened their films over 100 times, and had their work exhibited globally. Student and alumni accomplishments included an Emmy nomination, a first place win in a Department of Energy competition, and features in trade publications--to name just a few. We worked to create new programs (including undergraduate and graduate comedy filmmaking programs in collaboration with The Second City) and continued our work in others (our NSF- we are funded Medical Informatics Experiences program celebrated its fifteenth year). Our makerspace, the Idea Realization Lab, clocked its 10,000th visit as we made plans to open a new IRL in Lincoln Park.