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| FRIDAY, JUNE 5, 2020 | THE STRAITS TIMES | happenings life C5 Boon Chan Assistant Life Editor recommends Picks POP SOUNDS OF MY LIFE William Wei Music Cat owners will be able to identify with the cute track Cat Republic, which has lyrics like “Poop and pee for you, snacks and toys for you/I’m ignoring you now, unless you open up a can” and “You will serve me forever/You will love me forever”. Other slice-of-life songs abound on Taiwanese singer-songwriter William Wei’s mostly Mandarin fifth album. POP From the chirpy English track See You On Monday and HUG IN OUR HEARTS the breezy I Wrote A Song For You (about the pleasure and Billkin featuring Jaylerr meaning of music) to the more contemplative At Thirty (“I chase after time, only to realise/Time is chasing me”) Thai actor-singer Billkin’s new Thai and Best Meal In The World (“If I could eat away my single, Hug In Our Hearts, starts off as sadness, digest what I miss”), there is plenty here to relate a forlorn ballad as he sings quietly to and be engaged by. about missing someone (“Open the The musician, who also goes by WeiBird, has dedicated door for loneliness/Since we haven’t the album to his late grandmother and in the track seen each other”). labelled Credits, one can hear her and his family sweetly It builds to a catchy chorus before cheering him on. fellow actor-singer Jaylerr jumps in The album can be a little sprawling and unwieldy at with a sunny rap, which brightens the times, but then again, so is life. -
Taiwanese Eyes on the Modern: Cold War Dance Diplomacy And
Taiwanese Eyes on the Modern: Cold War Dance Diplomacy and American Modern Dances in Taiwan, 1950–1980 Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Tsung-Hsin Lee, M.A. Graduate Program in Dance Studies The Ohio State University 2020 Dissertation Committee Hannah Kosstrin, Advisor Harmony Bench Danielle Fosler-Lussier Morgan Liu Copyrighted by Tsung-Hsin Lee 2020 2 Abstract This dissertation “Taiwanese Eyes on the Modern: Cold War Dance Diplomacy and American Modern Dances in Taiwan, 1950–1980” examines the transnational history of American modern dance between the United States and Taiwan during the Cold War era. From the 1950s to the 1980s, the Carmen De Lavallade-Alvin Ailey, José Limón, Paul Taylor, Martha Graham, and Alwin Nikolais dance companies toured to Taiwan under the auspices of the U.S. State Department. At the same time, Chinese American choreographers Al Chungliang Huang and Yen Lu Wong also visited Taiwan, teaching and presenting American modern dance. These visits served as diplomatic gestures between the members of the so-called Free World led by the U.S. Taiwanese audiences perceived American dance modernity through mixed interpretations under the Cold War rhetoric of freedom that the U.S. sold and disseminated through dance diplomacy. I explore the heterogeneous shaping forces from multiple engaging individuals and institutions that assemble this diplomatic history of dance, resulting in outcomes influencing dance histories of the U.S. and Taiwan for different ends. I argue that Taiwanese audiences interpreted American dance modernity as a means of embodiment to advocate for freedom and social change. -
Association of Jewish Libraries N E W S L E T T E R February/March 2008 Volume XXVII, No
Association of Jewish Libraries N E W S L E T T E R February/March 2008 Volume XXVII, No. 3 JNUL Officially Becomes The National Library of Israel ELHANAN ADL E R On November 26, 2007, The Knesset enacted the “National Li- assistance of the Yad Hanadiv foundation, which previously brary Law,” transforming the Jewish National and University contributed the buildings of two other state bodies: the Knesset, Library (JNUL) at The Hebrew University’s Givat Ram campus and the Supreme Court. The new building will include expanded into the National Library of Israel. reading rooms and state-of-the-art storage facilities, as well as The JNUL was founded in 1892 by the Jerusalem Lodge of a planned Museum of the Book. B’nai B’rith. After the first World War, the library’s ownership The new formal status and the organizational change will was transferred to the World Zionist Organization. With the enable the National Library to expand and to serve as a leader opening of the Hebrew University on the Mount Scopus campus in its scope of activities in Israel, to broaden its links with simi- in 1925, the library was reorganized into the Jewish National and lar bodies in the world, and to increase its resources via the University Library and has been an administrative unit of the government and through contributions from Israel and abroad. Hebrew University ever since. With the founding of the State The law emphasizes the role of the Library in using technology of Israel the JNUL became the de facto national library of Israel. -
Literary Tricksters in African American and Chinese American Fiction
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2000 Far from "everybody's everything": Literary tricksters in African American and Chinese American fiction Crystal Suzette anderson College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the African American Studies Commons, American Literature Commons, and the Ethnic Studies Commons Recommended Citation anderson, Crystal Suzette, "Far from "everybody's everything": Literary tricksters in African American and Chinese American fiction" (2000). Dissertations, Theses, and Masters Projects. Paper 1539623988. https://dx.doi.org/doi:10.21220/s2-z7mp-ce69 This Dissertation is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. -
The Israel Philharmonic Orchestra
January 1987 Festive Events celebrating the Centenary of the birth of Arthur Rubinstein Under the Patronage of H.E. The President of Israel Series of 7 Concerts Zubin Mehta conductor Tel-Aviv, The Fredric R. Mann Auditorium The Israel Philharmonic Orchestra Founded in 1936 by Bronislaw Huberman Music Director : Zubin Mehta FESTIVE JUBILEE SEASON THE ISRAEL PHILHARMONIC ORCHESTRA Founded in 1936 by Bronislaw Huberman • Music Director: Zubin Mehta The Fredric R. Mann Auditorium • P.O.Box 11292, 61112 Tel-Aviv; Telephone (03) 295092 The 51st Season / 1986-7 Festive Jubilee Season Festive Events celebrating the Centenary of the birth of Arthur Rubinstein Under the Patronage of H.E. The President of Israel, Mr. Chaim Herzog Series of 7 Concerts Zubin Mehta conductor Tel-Aviv, The Fredric R. Mann Auditorium January 1987 At 8.30 p.m. PUBLIC MANAGEMENT BOARD: Mr. D. Ben-Meir, Mr. A. Duizin Mr. Y. Ettinger, Mr. B. Gal-Ed, Mr. M.B. Gitter, Dr. A. Goldenberg, Mrs. A. Harris, Mr. P. Jacobi, Judge A.F. Landau (Chm'n), Mr. A. Levinsky, Mr. Z. Litwak*, Mr. Y. Mishori*, Mr. M. Neudorfer, Mr. Y. Oren, Mr. Y. Pasternak*, Mr. J. Pecker, Judge L.A. Rabinowitz, Mr. A. Shalev, Mr. N. Wolloch. (• IPO Management members) THE IPO FOUNDATION - Founding Members: Abba Eban (Chairman), David Blass, Yona Ettinger, Dr. Amnon Goldenberg, M.B. Gitter, Lewis Harris, Ernst Japhet, Y. Macht, Joseph Pecker, Raphael Recanati. Dr. Dapnna Schachner (Dir. Gen.) AMERICAN FRIENDS OF THE IPO: Zubin Mehta (Hon. Ch'mn); Fredric R. Mann (Pres.); Norman Bernstein, Itzhak Perlman (Vice Pres.); Susan B. -
Victor Stanislavsky Is Hailed As One of the Most Outstanding Young Israeli Pianists Today
Victor Stanislavsky is hailed as one of the most outstanding young Israeli pianists today. His international career has taken him to many countries in Europe, north and south America, China, South Korea and Australia. In the past concert season, he has given over 70 performances as a soloist, recitalist and a chamber musician to critical acclaim. As an avid chamber musician he has collaborated with such artists as violinists Christian Tetzlaff and David Garrett, cellist Gary Hoffman and Soprano Chen Reis. His major festival appearances include “Ravinia” (Chicago), “Meet in Beijing”, “Shanghai piano Festival” and the “Israel Festival”. Mr. Stanislavsky has performed in prestigious venues including Carnegie Hall and the 92Y in New-York, Chicago Arts Center, Bass performance hall in Fort Worth, Berlin Philharmonie, the Concertgebouw in Amsterdam, St. Martin in the Fields Church in London, “Tsarytsino” Palace in Moscow, National Performing Arts Center in Beijing, Forbidden City concert hall in Beijing, Shanghai Conservatory, Qintai Grand Theater in Wuhan, Harbin Opera House and the Seoul Arts Center to name a few. In addition he regularly performs in all the major concert halls in Israel. He performed as a soloist with Milan’s Symphony Orchestra, China’s National Symphony Orchestra, China’s national Ballet Symphony Orchestra, KBS Symphony orchestra of South Korea and others as well as with leading orchestras in Israel collaborating with such conductors as Yoel Levi, Jose Maria Florencio, Kainen Johns, Li Xincao, Uri Segal, Gil Shohat and many others. Mr. Stanislavsky holds both bachelors and masters degrees summa cum laude, in music performance from the Buchmann-Mehta School of Music at Tel-Aviv University, where he studied with Mr. -
Review Tri-C Classical Piano Series: Daniel Gortler at CMA
Review Tri-C Classical Piano Series: Daniel Gortler at CMA (October 27) by Robert Rollin When Israeli pianist Daniel Gortler entered the stage for his Sunday afternoon recital at the Cleveland Art Museum’ s Gartner Auditorium, he radiated poise and concentration. Jet setter Gortler is on faculty at the Buchman-Mehta School of Music at Tel Aviv University and is guest piano studies pro- fessor at New York University’s Steinhardt School Depart- ment of Music. He regularly plays piano concertos and con- certizes in solo and chamber music recitals around the world. His program concentrated on the genre of piano fantasy and fantasia, and featured works by Mozart and Schumann. This was a clever choice because both composers are noted for their ability to string many themes together in a manner that makes their pieces seem structured and beautifully organized. Fantasiestücke, Op. 12,,1("6+!-%&&5+"$",1,'/*",!*,*("+,+/",!0- ,*%-+"$'&&,"'&+!" !,%'.%&,++%%'*"&,*",&'%($0,!& most. Gortler played the relatively slow Evening,,!6*+,("/",! '* '-++"& "& tone that made the oddly-grouped cross rhythms stand out. He also stressed dovetailed +'(*&'&++$"&+/!&((*'(*",0(*++"& ,!++&'!-%&&5+*,!* limited dynamic markings. He tossed off the dashing, quicksilver Soaring/",!('/*&6&$&!,,!, imitative lines between the two hands stood out from the rest of the music did not stop him from highlighting a growling low register passage when needed. The slow and deli- cate Why was lovely, as Gortler emphasized crystalline grace notes and other dramatic '&,*+,+$+'#(,,!"&,*%",,&,',," !,!&+"0,&,!(,,*&*"+(& lively. Whims,*("&(*""'-+0,&%'.%&,/",!$,*&,"& ,!%+&"& &"'-+ modal harmonies, was absolutely breathtaking. In the Night, marked appassionato, was $+'+,& '*,$**'- !,'-,.*1&,&1&%"!& 0(*++".$1 ,* inserting a slower and more delicate theme, he faithfully followed Schumann’s “faster and faster” marking to a rousing conclusion. -
Representations: Doing Asian American Rhetoric
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by DigitalCommons@USU Utah State University DigitalCommons@USU All USU Press Publications USU Press 2008 Representations: Doing Asian American Rhetoric LuMing Mao Morris Young Follow this and additional works at: https://digitalcommons.usu.edu/usupress_pubs Part of the Rhetoric and Composition Commons Recommended Citation Mao, LuMing and Young, Morris, "Representations: Doing Asian American Rhetoric" (2008). All USU Press Publications. 164. https://digitalcommons.usu.edu/usupress_pubs/164 This Book is brought to you for free and open access by the USU Press at DigitalCommons@USU. It has been accepted for inclusion in All USU Press Publications by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. REPRESENTATIONS REPRESENTATIONS Doing Asian American Rhetoric edited by LUMING MAO AND MORRIS YOUNG UTAH STATE UNIVERSITY PRESS Logan, Utah 2008 Utah State University Press Logan, Utah 84322–7800 © 2008 Utah State University Press All rights reserved Manufactured in the United States of America Cover design by Barbara Yale-Read Cover art, “All American Girl I” by Susan Sponsler. Used by permission. ISBN: 978-0-87421-724-7 (paper) ISBN: 978-0-87421-725-4 (e-book) Library of Congress Cataloging-in-Publication Data Representations : doing Asian American rhetoric / edited by LuMing Mao and Morris Young. p. cm. ISBN 978-0-87421-724-7 (pbk. : alk. paper) -- ISBN 978-0-87421-725-4 (e-book) 1. English language--Rhetoric--Study and teaching--Foreign speakers. 2. Asian Americans--Education--Language arts. 3. Asian Americans--Cultural assimilation. -
Mark Morris Dance Group Thursday Though Saturday, September 22–24 Thursday Through Saturday, September 29, 30, October 1 Zellerbach Hall
CAL PERFORMANCES PRESENTS Mark Morris Dance Group Thursday though Saturday, September 22–24 Thursday through Saturday, September 29, 30, October 1 Zellerbach Hall Craig Biesecker Joe Bowie Charlton Boyd Amber Darragh Rita Donahue Lorena Egan* Marjorie Folkman Lauren Grant John Heginbotham David Leventhal Bradon McDonald Gregory Nuber Maile Okamura June Omura Noah Vinson Julie Worden Michelle Yard Artistic Director Mark Morris Executive Director Nancy Umanoff MMDG Music Ensemble Members of the Berkeley Symphony Orchestra American Bach Soloists *apprentice Altria Group, Inc. is the Premiere Sponsor of the Mark Morris Dance Group’s 25th Anniversary Season. MetLife Foundation is the official sponsor of the Mark Morris Dance Group’s 25th Anniversary National Tour. Major support for the Mark Morris Dance Group is provided by Carnegie Corporation of New York, MetLife Foundation, The Fan Fox and Leslie R. Samuels Foundation, The Shubert Foundation and Target. The Mark Morris Dance Group New Works Fund is supported by The Howard Gilman Foundation, The Andrew W. Mellon Foundation, and The Gladys Krieble Delmas Foundation. The Mark Morris Dance Group’s education and performance activities are supported by Independence Community Foundation. The Mark Morris Dance Group’s performances are made possible with public funds from the National Endowment for the Arts Dance Program and the New York State Council on the Arts, a State Agency. This presentation is made possible, in part, by Bank of America. Additional support is provided by an award from the National -
What's on in Tel Aviv /April
WHAT'S ON IN TEL AVIV / APRIL MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY SUNDAY 1 2 MOSCOW CIRCUS SUDESH BHOSLE THE ON YOUR WAY APR 1-29 ORIGINAL VOICE OF Sportek,Hayarkon Park AMITABH (INDIA) 8:30 PM MAMOOTOT Bronfman Auditorium HOME VISIT BATSHEVA DANCE COMPANY: THE YOUNG DORIC STRING QUARTET ENSEMBLE CLASSIC MUSIC CONCERT 7 PM Mozart, Brahms, Britten Suzanne Dellal Center 8:30 PM Israel Conservatory for Music Warning: Excessive consumption of alcohol is dangerous and harmful to your health! Sale of alcoholic beverages is restricted to ages 18 and above 3 4 5 6 7 8 9 LA GAZZETTA THE ART OF BANKSY LIFE RUN WOVEN AND UNTANGLED BILLY ELLIOT DANIEL GORTLER FOREVER YOUNG - ROYAL OPERA OF STREET ART EXHIBITION WOMAN RACE NEW VIDEO WORKS IN THE MUSICAL PIANO RECITAL BOB DYLAN AT 75 WALLONIE FROM LIEGE APR 4-14 2 PM, Tel Aviv Port MUSEUM COLLECTION 2:30 PM Bach, Berg, Brahms ONGOING EXHIBITION APR 3-8 Herzliya Arena ONGOING FROM APR 6 Cinema City, 9 PM Museum of the Tel Aviv Performing Arts ISRAEL CALLING 2017 Helena Rubinstein Pavilion for Glilot Interchange Israel Conservatory of Music Jewish People Center GALA NIGHT EUROVISION Contemporary Art (Beit Hatfutsot) JERUSALEM BALLET LIVE EVENT SARONA TOUR FROM OLD TEL AVIV TO THE 8 PM Theatre Club, Every Friday, 11 AM “WHITE CITY” TOUR Jaffa Meeting point: Sarona Visitors’ Every Saturday, 11 AM Givataim Theater Center (11 Avraham Albert Meeting point: 46 Rothschild Mendler St.) Blvd. 10 11 12 13 14 15 16 ALUMINUM DON QUIXOTE TETRIS GAME ON CITY DESIGNERS’ MARKET AND WEST SIDE STORY INTERACTIVE SHOW FOR RUSSIAN BALLET THEATRE HALL BUILDING FOOD MARKET MUSICAL WITH ENGLISH THE ENTIRE FAMILY FROM ST. -
Shifting Tides China’S Boat People Plot an Uncertain Course
AT FOUR SEA WIN A 2- N SON IGHT STAY S R E SORT CHIANG MAI Shifting Tides China’s Boat People Plot an Uncertain Course 城市漫步上海 英文版 7 月份 国内统一刊号: CN 11-5233/GO China Intercontinental Press JULY 2018 that’s Shanghai 《城市漫步》上海版 英文月刊 主管单位 : 中华人民共和国国务院新闻办公室 Supervised by the State Council Information Office of the People's Republic of China 主办单位 : 五洲传播出版社 地址 : 中国北京 北京西城月坛北街 26 号恒华国际商务中心南楼 11 层文化交流中心 邮编 100045 Published by China Intercontinental Press Address: 11th Floor South Building, HengHua linternational Business Center, 26 Yuetan North Street, Xicheng District, Beijing 100045, PRC http://www.cicc.org.cn 社长 President of China Intercontinental Press: 陈陆军 Chen Lujun 期刊部负责人 Supervisor of Magazine Department: 付平 Fu Ping 主编 Executive Editor: 袁保安 Yuan Baoan 编辑 Editor: 朱莉莉 Zhu Lili 发行 Circulation: 李若琳 Li Ruolin Chief Editor Dominic Ngai Section Editors Erica Martin, Cristina Ng Production Manager Ivy Zhang Designer Joan Dai, Nuo Shen Contributors Mia Li, Logan Brouse, Noelle Mateer, Matthew Bossons, Dominique Wong, Iris Wang, Valerie Osipov, Tess Humphrys, Yuzhou Hu, Aimee Burlamacchi, Yannick Faillard, Chloe Dumont, Samantha Kennedy, Molly Jett, Daniel Plafker, Tristin Zhang Copy Editor Amy Fabris-Shi HK FOCUS MEDIA Shanghai (Head office) 上海和舟广告有限公司 上海市蒙自路 169 号智造局 2 号楼 305-306 室 邮政编码 : 200023 Room 305-306, Building 2, No.169 Mengzi Lu, Shanghai 200023 电话 : 021-8023 2199 传真 : 021-8023 2190 Guangzhou 上海和舟广告有限公司广州分公司 广州市越秀区麓苑路 42 号大院 2 号楼 610 室 邮政编码 : 510095 Room 610, No. 2 Building, Area 42, Luyuan Lu, Yuexiu District, Guangzhou 510095 电话 : 020-8358 -
Crosscurrents Scurrents
CROSSCURRENTS 2004/2005 1 Center Celebrates 35th Anniversary! Vols. 26, No. 2 and 27, No. 1 (Academic Year 2003/2004) CCrroosssCurrentssCurrents Newsmagazine of the UCLA Asian American Studies Center Asian American Studies IDP Becomes a Department UCLA welcomes a new department this Fall 2004: the Department of Asian American Studies. Since 1969 UCLA’s Asian American Studies Center, which is celebrating its 35th anniversary this year, has played a he initial goal of leadership role in developing the field of Asian Ameri- the Center was to can Studies in U.S. academia and has helped form the T Asian American Studies Interdepartmental Degree Pro- gram (IDP), which has now transformed into the De- “enrich the experience partment of Asian American Studies. The official es- tablishment of the new department is the result of of the entire university the dedication, perseverance, and hard work of the fac- ulty, staff, students, alumni, and community support- by contributing to an ers over the course of more than 10 years. The IDP’s departmentalization proposal was reviewed by major understanding of the committees of the Academic Senate and received over- whelming support and enthusiastic endorsement. The long neglected history, Executive Board of the Academic Senate voted in fa- vor of departmentalization, and the Chancellor enthu- rich cultural heritage, siastically approved this truly historical move from IDP to Department in August 2004. There is now both a and present position of Center and Department of Asian American Studies at UCLA, working in a dynamic fashion. Asian Americans in our Developing an Asian American Studies curriculum society.” at UCLA was an important part of the mission for the Asian American Studies Center, which was —from the Center’s founding founded in 1969 as an organized research unit (ORU).