Mark Morris Dance Group Thursday Though Saturday, September 22–24 Thursday Through Saturday, September 29, 30, October 1 Zellerbach Hall
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Me Israel Aestra JULU 3-QUGUSU 8 1979 Me Israel Assam Founoed Bu A.Z
me Israel Aestra JULU 3-QUGUSU 8 1979 me Israel Assam FOunoeD bu a.z. ppopes JULU 3-aUGUSB 8 1979 Member of the European Association of Music Festivals Executive Committee: Asher Ben-Natan, Chairman Honorary Presidium: ZEVULUN HAMMER - Minister of Education and Culture Menahem Avidom GIDEON PATT - Minister of Industry, Trade and Tourism Gary Bertini TEDDY KOLLEK - Mayor of Jerusalem Jacob Bistritzky Gideon Paz SHLOMO LAHAT - Mayor of Tel Aviv-Yafo Leah Porath Ya'acov Mishori Jacob Steinberger J. Bistritzky Director, the Israel Festival. Director, The Arthur Rubinstein International Piano Master Competition. Thirty years of professional activity in Artistic Advisor — Prof. Gary Bertini the field of culture and arts, as Director of the Department of International The Public Committee and Council: Cultural Relations in the Ministry of Gershon Achituv Culture and Arts, Warsaw; Director of the Menahem Avidom Polish Cultural Institute, Budapest: Yitzhak Avni Director of the Frédéric Chopin Institute, Warsaw. Mr. Bistritzky's work has Mordechai Bar On encompassed all aspects of the Asher Ben-Natan Finance Committee: development of culture, the arts and mass Gary Bertini Menahem Avidom, Chairman media: promotion, organization and Jacob Bistritzky Yigal Shaham management of international festivals and Abe Cohen Micha Tal competitions. Organizer of Chopin Sacha Daphna competitions in Warsaw and International Meir de-Shalit Chopin year 1960 under auspices of Walter Eytan Festival Staff: U.N.E.S.C.O. Shmuel Federmann Assistant Director: Ilana Parnes Yehuda Fickler Director of Finance: Isaac Levinbuk Daniel Gelmond Secretariat: Rivka Bar-Nahor, Paula Gluck Dr. Reuven Hecht Public Relations: Irit Mitelpunkt Dr. Paul J. -
Piano; Trio for Violin, Horn & Piano) Eric Huebner (Piano); Yuki Numata Resnick (Violin); Adam Unsworth (Horn) New Focus Recordings, Fcr 269, 2020
Désordre (Etudes pour Piano; Trio for violin, horn & piano) Eric Huebner (piano); Yuki Numata Resnick (violin); Adam Unsworth (horn) New focus Recordings, fcr 269, 2020 Kodály & Ligeti: Cello Works Hellen Weiß (Violin); Gabriel Schwabe (Violoncello) Naxos, NX 4202, 2020 Ligeti – Concertos (Concerto for piano and orchestra, Concerto for cello and orchestra, Chamber Concerto for 13 instrumentalists, Melodien) Joonas Ahonen (piano); Christian Poltéra (violoncello); BIT20 Ensemble; Baldur Brönnimann (conductor) BIS-2209 SACD, 2016 LIGETI – Les Siècles Live : Six Bagatelles, Kammerkonzert, Dix pièces pour quintette à vent Les Siècles; François-Xavier Roth (conductor) Musicales Actes Sud, 2016 musica viva vol. 22: Ligeti · Murail · Benjamin (Lontano) Pierre-Laurent Aimard (piano); Bavarian Radio Symphony Orchestra; George Benjamin, (conductor) NEOS, 11422, 2016 Shai Wosner: Haydn · Ligeti, Concertos & Capriccios (Capriccios Nos. 1 and 2) Shai Wosner (piano); Danish National Symphony Orchestra; Nicolas Collon (conductor) Onyx Classics, ONYX4174, 2016 Bartók | Ligeti, Concerto for piano and orchestra, Concerto for cello and orchestra, Concerto for violin and orchestra Hidéki Nagano (piano); Pierre Strauch (violoncello); Jeanne-Marie Conquer (violin); Ensemble intercontemporain; Matthias Pintscher (conductor) Alpha, 217, 2015 Chorwerk (Négy Lakodalmi Tánc; Nonsense Madrigals; Lux æterna) Noël Akchoté (electric guitar) Noël Akchoté Downloads, GLC-2, 2015 Rameau | Ligeti (Musica Ricercata) Cathy Krier (piano) Avi-Music – 8553308, 2014 Zürcher Bläserquintett: -
Association of Jewish Libraries N E W S L E T T E R February/March 2008 Volume XXVII, No
Association of Jewish Libraries N E W S L E T T E R February/March 2008 Volume XXVII, No. 3 JNUL Officially Becomes The National Library of Israel ELHANAN ADL E R On November 26, 2007, The Knesset enacted the “National Li- assistance of the Yad Hanadiv foundation, which previously brary Law,” transforming the Jewish National and University contributed the buildings of two other state bodies: the Knesset, Library (JNUL) at The Hebrew University’s Givat Ram campus and the Supreme Court. The new building will include expanded into the National Library of Israel. reading rooms and state-of-the-art storage facilities, as well as The JNUL was founded in 1892 by the Jerusalem Lodge of a planned Museum of the Book. B’nai B’rith. After the first World War, the library’s ownership The new formal status and the organizational change will was transferred to the World Zionist Organization. With the enable the National Library to expand and to serve as a leader opening of the Hebrew University on the Mount Scopus campus in its scope of activities in Israel, to broaden its links with simi- in 1925, the library was reorganized into the Jewish National and lar bodies in the world, and to increase its resources via the University Library and has been an administrative unit of the government and through contributions from Israel and abroad. Hebrew University ever since. With the founding of the State The law emphasizes the role of the Library in using technology of Israel the JNUL became the de facto national library of Israel. -
The Israel Philharmonic Orchestra
January 1987 Festive Events celebrating the Centenary of the birth of Arthur Rubinstein Under the Patronage of H.E. The President of Israel Series of 7 Concerts Zubin Mehta conductor Tel-Aviv, The Fredric R. Mann Auditorium The Israel Philharmonic Orchestra Founded in 1936 by Bronislaw Huberman Music Director : Zubin Mehta FESTIVE JUBILEE SEASON THE ISRAEL PHILHARMONIC ORCHESTRA Founded in 1936 by Bronislaw Huberman • Music Director: Zubin Mehta The Fredric R. Mann Auditorium • P.O.Box 11292, 61112 Tel-Aviv; Telephone (03) 295092 The 51st Season / 1986-7 Festive Jubilee Season Festive Events celebrating the Centenary of the birth of Arthur Rubinstein Under the Patronage of H.E. The President of Israel, Mr. Chaim Herzog Series of 7 Concerts Zubin Mehta conductor Tel-Aviv, The Fredric R. Mann Auditorium January 1987 At 8.30 p.m. PUBLIC MANAGEMENT BOARD: Mr. D. Ben-Meir, Mr. A. Duizin Mr. Y. Ettinger, Mr. B. Gal-Ed, Mr. M.B. Gitter, Dr. A. Goldenberg, Mrs. A. Harris, Mr. P. Jacobi, Judge A.F. Landau (Chm'n), Mr. A. Levinsky, Mr. Z. Litwak*, Mr. Y. Mishori*, Mr. M. Neudorfer, Mr. Y. Oren, Mr. Y. Pasternak*, Mr. J. Pecker, Judge L.A. Rabinowitz, Mr. A. Shalev, Mr. N. Wolloch. (• IPO Management members) THE IPO FOUNDATION - Founding Members: Abba Eban (Chairman), David Blass, Yona Ettinger, Dr. Amnon Goldenberg, M.B. Gitter, Lewis Harris, Ernst Japhet, Y. Macht, Joseph Pecker, Raphael Recanati. Dr. Dapnna Schachner (Dir. Gen.) AMERICAN FRIENDS OF THE IPO: Zubin Mehta (Hon. Ch'mn); Fredric R. Mann (Pres.); Norman Bernstein, Itzhak Perlman (Vice Pres.); Susan B. -
Milko Kelemen: Life and Selected Works for Violoncello
MILKO KELEMEN: LIFE AND SELECTED WORKS FOR VIOLONCELLO by JOSIP PETRAČ (Under the Direction of David Starkweather) ABSTRACT Milko Kelemen (b. 1924) is one of the most extraordinary Croatian composers of the post-World War II era. He has received numerous prestigious awards for his work, while his compositions are published by major companies, including Schott, Universal, Peters, and Hans Sikorski editions. His music is little studied or known internationally. This paper examines this innovative, avant-garde musician and sheds light both on Kelemen’s life and his compositional technique. The latter is examined in four compositions featuring cello as the main subject: Changeant (1968), Drammatico (1983), Requiem for Sarajevo (1994), and Musica Amorosa (2004). The examination of these compositions is placed in a biographical context which reveals how Kelemen’s keen political and cultural interests influenced his development as a composer. In particular, this document looks at Kelemen’s role as one of the founders, and the first president, of the Zagreb Music Biennale Festival, an event known for its ground-breaking work in bringing together artists and composers from the eastern and western blocs during the Cold War, as well as revitalising Croatia’s old-fashioned and provincial cultural scene. This festival of avant-garde music has been running since 1961. INDEX WORDS: Milko Kelemen, Zagreb Biennale, cello, avant-garde music, Changeant, Drammatico, Requiem for Sarajevo, Musica Amorosa MILKO KELEMEN:LIFE AND SELECTED WORKS FOR CELLO by JOSIP -
Victor Stanislavsky Is Hailed As One of the Most Outstanding Young Israeli Pianists Today
Victor Stanislavsky is hailed as one of the most outstanding young Israeli pianists today. His international career has taken him to many countries in Europe, north and south America, China, South Korea and Australia. In the past concert season, he has given over 70 performances as a soloist, recitalist and a chamber musician to critical acclaim. As an avid chamber musician he has collaborated with such artists as violinists Christian Tetzlaff and David Garrett, cellist Gary Hoffman and Soprano Chen Reis. His major festival appearances include “Ravinia” (Chicago), “Meet in Beijing”, “Shanghai piano Festival” and the “Israel Festival”. Mr. Stanislavsky has performed in prestigious venues including Carnegie Hall and the 92Y in New-York, Chicago Arts Center, Bass performance hall in Fort Worth, Berlin Philharmonie, the Concertgebouw in Amsterdam, St. Martin in the Fields Church in London, “Tsarytsino” Palace in Moscow, National Performing Arts Center in Beijing, Forbidden City concert hall in Beijing, Shanghai Conservatory, Qintai Grand Theater in Wuhan, Harbin Opera House and the Seoul Arts Center to name a few. In addition he regularly performs in all the major concert halls in Israel. He performed as a soloist with Milan’s Symphony Orchestra, China’s National Symphony Orchestra, China’s national Ballet Symphony Orchestra, KBS Symphony orchestra of South Korea and others as well as with leading orchestras in Israel collaborating with such conductors as Yoel Levi, Jose Maria Florencio, Kainen Johns, Li Xincao, Uri Segal, Gil Shohat and many others. Mr. Stanislavsky holds both bachelors and masters degrees summa cum laude, in music performance from the Buchmann-Mehta School of Music at Tel-Aviv University, where he studied with Mr. -
Review Tri-C Classical Piano Series: Daniel Gortler at CMA
Review Tri-C Classical Piano Series: Daniel Gortler at CMA (October 27) by Robert Rollin When Israeli pianist Daniel Gortler entered the stage for his Sunday afternoon recital at the Cleveland Art Museum’ s Gartner Auditorium, he radiated poise and concentration. Jet setter Gortler is on faculty at the Buchman-Mehta School of Music at Tel Aviv University and is guest piano studies pro- fessor at New York University’s Steinhardt School Depart- ment of Music. He regularly plays piano concertos and con- certizes in solo and chamber music recitals around the world. His program concentrated on the genre of piano fantasy and fantasia, and featured works by Mozart and Schumann. This was a clever choice because both composers are noted for their ability to string many themes together in a manner that makes their pieces seem structured and beautifully organized. Fantasiestücke, Op. 12,,1("6+!-%&&5+"$",1,'/*",!*,*("+,+/",!0- ,*%-+"$'&&,"'&+!" !,%'.%&,++%%'*"&,*",&'%($0,!& most. Gortler played the relatively slow Evening,,!6*+,("/",! '* '-++"& "& tone that made the oddly-grouped cross rhythms stand out. He also stressed dovetailed +'(*&'&++$"&+/!&((*'(*",0(*++"& ,!++&'!-%&&5+*,!* limited dynamic markings. He tossed off the dashing, quicksilver Soaring/",!('/*&6&$&!,,!, imitative lines between the two hands stood out from the rest of the music did not stop him from highlighting a growling low register passage when needed. The slow and deli- cate Why was lovely, as Gortler emphasized crystalline grace notes and other dramatic '&,*+,+$+'#(,,!"&,*%",,&,',," !,!&+"0,&,!(,,*&*"+(& lively. Whims,*("&(*""'-+0,&%'.%&,/",!$,*&,"& ,!%+&"& &"'-+ modal harmonies, was absolutely breathtaking. In the Night, marked appassionato, was $+'+,& '*,$**'- !,'-,.*1&,&1&%"!& 0(*++".$1 ,* inserting a slower and more delicate theme, he faithfully followed Schumann’s “faster and faster” marking to a rousing conclusion. -
A Guide to Extended Techniques for the Violoncello - By
Where will it END? -Or- A guide to extended techniques for the Violoncello - By Dylan Messina 1 Table of Contents Part I. Techniques 1. Harmonics……………………………………………………….....6 “Artificial” or “false” harmonics Harmonic trills 2. Bowing Techniques………………………………………………..16 Ricochet Bowing beyond the bridge Bowing the tailpiece Two-handed bowing Bowing on string wrapping “Ugubu” or “point-tap” effect Bowing underneath the bridge Scratch tone Two-bow technique 3. Col Legno............................................................................................................21 Col legno battuto Col legno tratto 4. Pizzicato...............................................................................................................22 “Bartok” Dead Thumb-Stopped Tremolo Fingernail Quasi chitarra Beyond bridge 5. Percussion………………………………………………………….25 Fingerschlag Body percussion 6. Scordatura…………………………………………………….….28 2 Part II. Documentation Bibliography………………………………………………………..29 3 Introduction My intent in creating this project was to provide composers of today with a new resource; a technical yet pragmatic guide to writing with extended techniques on the cello. The cello has a wondrously broad spectrum of sonic possibility, yet must be approached in a different way than other string instruments, owing to its construction, playing orientation, and physical mass. Throughout the history of the cello, many resources regarding the core technique of the cello have been published; this book makes no attempt to expand on those sources. Divers resources are also available regarding the cello’s role in orchestration; these books, however, revolve mostly around the use of the instrument as part of a sonically traditional sensibility. The techniques discussed in this book, rather, are the so-called “extended” techniques; those that are comparatively rare in music of the common practice, and usually not involved within the elemental skills of cello playing, save as fringe oddities or practice techniques. -
Ferienkurse Für Internationale Neue Musik, 25.8.-29.9. 1946
Ferienkurse für internationale neue Musik, 25.8.-29.9. 1946 Seminare der Fachgruppen: Dirigieren Carl Mathieu Lange Komposition Wolfgang Fortner (Hauptkurs) Hermann Heiß (Zusatzkurs) Kammermusik Fritz Straub (Hauptkurs) Kurt Redel (Zusatzkurs) Klavier Georg Kuhlmann (auch Zusatzkurs Kammermusik) Gesang Elisabeth Delseit Henny Wolff (Zusatzkurs) Violine Günter Kehr Opernregie Bruno Heyn Walter Jockisch Musikkritik Fred Hamel Gemeinsame Veranstaltungen und Vorträge: Den zweiten Teil dieser Übersicht bilden die Veranstaltungen der „Internationalen zeitgenössischen Musiktage“ (22.9.-29.9.), die zum Abschluß der Ferienkurse von der Stadt Darmstadt in Verbindung mit dem Landestheater Darmstadt, der „Neuen Darmstädter Sezession“ und dem Süddeutschen Rundfunk, Radio Frankfurt, durchgeführt wurden. Datum Veranstaltungstitel und Programm Interpreten Ort u. Zeit So., 25.8. Erste Schloßhof-Serenade Kst., 11.00 Ansprache: Bürgermeister Julius Reiber Conrad Beck Serenade für Flöte, Klarinette und Streichorchester des Landes- Streichorchester (1935) theaters Darmstadt, Ltg.: Carl Wolfgang Fortner Konzert für Streichorchester Mathieu Lange (1933) Solisten: Kurt Redel (Fl.), Michael Mayer (Klar.) Kst., 16.00 Erstes Schloß-Konzert mit neuer Kammermusik Ansprachen: Kultusminister F. Schramm, Oberbürger- meister Ludwig Metzger Lehrkräfte der Ferienkurse: Paul Hindemith Sonate für Klavier vierhändig Heinz Schröter, Georg Kuhl- (1938) mann (Kl.) Datum Veranstaltungstitel und Programm Interpreten Ort u. Zeit Hermann Heiß Sonate für Flöte und Klavier Kurt Redel (Fl.), Hermann Heiß (1944-45) (Kl.) Heinz Schröter Altdeutsches Liederspiel , II. Teil, Elisabeth Delseit (Sopr.), Heinz op. 4 Nr. 4-6 (1936-37) Schröter (Kl.) Wolfgang Fortner Sonatina für Klavier (1934) Georg Kuhlmann (Kl.) Igor Strawinsky Duo concertant für Violine und Günter Kehr (Vl.), Heinz Schrö- Klavier (1931-32) ter (Kl.) Mo., 26.8. Komponisten-Selbstporträts I: Helmut Degen Kst., 16.00 Kst., 19.00 Einführung zum Klavierabend Georg Kuhlmann Di., 27.8. -
Salon Brochure
Charlotte White’s 2019/20 MEMBERSHIP INFORMATION Celebrating Our 31st Season OPENING GALA AWARDS CONCERT Wednesday, September 25, 2019 | 7 PM Kosciuszko Foundation 15 East 65th Street, New York, NY Dear Friends, Welcome to the 31st Season of the Salon de Virtuosi! We are delighted to continue the legacy of our founder Charlotte White by offering a series of unforgettable concerts featuring the most talented young musicians from around the world in intimate 19th Century salon settings throughout New York City, where you will have the opportunity to hear and get to know exceptional young artists who are destined to become our future “greats.” We celebrate the start of the season with our acclaimed Gala Awards Concert on September 25, 2019 at the elegant Kosciuszko Foundation, where we will present five of our2019 Career Grant Winners in a special concert hosted by the renowned musicologist and longtime Salon de Virtuosi friend Robert Sherman of WQXR. Other highlights of the Fall season include our Autumn in New York Concert on November 6, 2019 at the Liederkranz Foundation, presenting a talented young American pianist/ composer and a rising young American violinist, with a special guest appearance by 2017 Salon Career Grant Winner Asi Matathias. Our Holiday Concert on December 12, 2019 at the beautiful home of Elizabeth and Lewis Bryden at Hotel des Artistes will feature a phenomenal 16-year old violinist and an exciting American clarinetist. In the Spring we will continue our unique collaboration with the Consulates of Hungary and India and will also present a concert at the Consulate General of France, each featuring remarkable young talents. -
What's on in Tel Aviv /April
WHAT'S ON IN TEL AVIV / APRIL MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY SUNDAY 1 2 MOSCOW CIRCUS SUDESH BHOSLE THE ON YOUR WAY APR 1-29 ORIGINAL VOICE OF Sportek,Hayarkon Park AMITABH (INDIA) 8:30 PM MAMOOTOT Bronfman Auditorium HOME VISIT BATSHEVA DANCE COMPANY: THE YOUNG DORIC STRING QUARTET ENSEMBLE CLASSIC MUSIC CONCERT 7 PM Mozart, Brahms, Britten Suzanne Dellal Center 8:30 PM Israel Conservatory for Music Warning: Excessive consumption of alcohol is dangerous and harmful to your health! Sale of alcoholic beverages is restricted to ages 18 and above 3 4 5 6 7 8 9 LA GAZZETTA THE ART OF BANKSY LIFE RUN WOVEN AND UNTANGLED BILLY ELLIOT DANIEL GORTLER FOREVER YOUNG - ROYAL OPERA OF STREET ART EXHIBITION WOMAN RACE NEW VIDEO WORKS IN THE MUSICAL PIANO RECITAL BOB DYLAN AT 75 WALLONIE FROM LIEGE APR 4-14 2 PM, Tel Aviv Port MUSEUM COLLECTION 2:30 PM Bach, Berg, Brahms ONGOING EXHIBITION APR 3-8 Herzliya Arena ONGOING FROM APR 6 Cinema City, 9 PM Museum of the Tel Aviv Performing Arts ISRAEL CALLING 2017 Helena Rubinstein Pavilion for Glilot Interchange Israel Conservatory of Music Jewish People Center GALA NIGHT EUROVISION Contemporary Art (Beit Hatfutsot) JERUSALEM BALLET LIVE EVENT SARONA TOUR FROM OLD TEL AVIV TO THE 8 PM Theatre Club, Every Friday, 11 AM “WHITE CITY” TOUR Jaffa Meeting point: Sarona Visitors’ Every Saturday, 11 AM Givataim Theater Center (11 Avraham Albert Meeting point: 46 Rothschild Mendler St.) Blvd. 10 11 12 13 14 15 16 ALUMINUM DON QUIXOTE TETRIS GAME ON CITY DESIGNERS’ MARKET AND WEST SIDE STORY INTERACTIVE SHOW FOR RUSSIAN BALLET THEATRE HALL BUILDING FOOD MARKET MUSICAL WITH ENGLISH THE ENTIRE FAMILY FROM ST. -
Deine Ohren Werden Augen Machen
Deine Ohren werden Augen machen. 26. Programmwoche 22. Juni – 28. Juni 2019 Samstag, 22. Juni 2019 09.04 – 09.35 Uhr FEATURE „Das Heute ist das Vorgestern der nGbK“ 50 Jahre neue Gesellschaft für bildende Kunst Von Tomas Fitzel Vorgestern schon gezeigt zu haben, was heute relevant für die Kunst ist, das ist das Ziel der neuen Gesellschaft für bildende Kunst in Berlin. Seit 50 Jahren versucht der Kunstverein, allen anderen zwei Schritte voraus zu sein. Dieser ehrgeizige Anspruch ist untrennbar verknüpft mit einer utopischen Organisationsstruktur. Über alle Ausstellungen, Projekte und Personalentscheidungen wird basisdemokratisch abgestimmt. Und jeder kann voraussetzungsfrei Mitglied werden. Kann das funktionieren? Tomas Fitzel begleitet die Vorbereitungen bis zur Jubiläumsfeier. Worüber wird gestritten, welche grundsätzliche Positionen prallen aufeinander und wie einigt man sich am Ende? Konsens oder doch nur faule Kompromisse? Regie: Barbara Meerkötter Produktion: rbb 2019 - Ursendung - Sonntag, 23. Juni 2019 09.04 – 09.30 Uhr GOTT UND DIE WELT Christliche Trutzburgen in der Glaubenswüste Mormonen in Berlin und Brandenburg Von Stefanie Oswalt Ihre Heimat ist Utah in den USA. Dort gründete Joseph Smith 1830 die „Church of Christ“ - Kirche Christi. Von den großen Kirchen wird die Glaubensgemeinschaft nicht als christlich anerkannt, denn der Mann, den seine Anhänger als Propheten verehren, ist auch Verfasser ihrer heiligen Schrift, dem Buch Mormon. Diese Fortsetzung der Bibel wird auch in Deutschland gelesen: 40.000 Mormonen gibt es bundesweit. Auch in Berlin und Brandenburg leben Mormonen nach strengen Regeln: kein Sex vor der Ehe, kein Alkohol, kein Nikotin. Wie verstehen diese Anhänger Jesu ihr Christentum, von dem sie auch andere gern überzeugen würden? Wie kommt ihre Mission in der säkularen Glaubenswüste an? Ein Blick in eine immer noch ziemlich geschlossene Gemeinschaft, die sich den Veränderungen einer modernen Gesellschaft stellen muss.