Rethinking the Asian American Movement
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Atomic Bomb Memory and the Japanese/Asian American Radical Imagination, 1968-1982
[ARTICLES] "Born Under the Shadow of the A-bomb": Title Atomic Bomb Memory and the Japanese/Asian American Radical Imagination, 1968-1982 Author(s) UCHINO, Crystal Citation 社会システム研究 (2019), 22: 103-120 Issue Date 2019-03-20 URL https://doi.org/10.14989/241029 Right Type Departmental Bulletin Paper Textversion publisher Kyoto University “Born Under the Shadow of the A-bomb” 103 “Born Under the Shadow of the A-bomb”: Atomic Bomb Memory and the Japanese/Asian American Radical Imagination, 1968-1982 UCHINO Crystal Introduction This article explores the significance of the atomic bomb in the political imaginaries of Asian American activists who participated in the Asian American movement (AAM) in the 1960s and 1970s. Through an examination of articles printed in a variety of publications such as the Gidra, public speeches, and conference summaries, it looks at how the critical memory of the atomic bombings of Hiroshima and Nagasaki acted as a unifying device of pan-Asian radical expression. In the global anti-colonial moment, Asian American activists identified themselves with the metaphorical monsters that had borne the violence of U.S. nuclear arms. In doing so, they expressed their commitment to a radical vision of social justice in solidarity with, and as a part of, the groundswell of domestic and international social movements at that time. This was in stark contrast to the image of the Asian American “model minority.” Against the view that antinuclear activism faded into apathy in the 1970s because other social issues such as the Vietnam War and black civil rights were given priority, this article echoes the work of scholars who have emphasized how nuclear issues were an important component of these rising movements. -
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| FRIDAY, JUNE 5, 2020 | THE STRAITS TIMES | happenings life C5 Boon Chan Assistant Life Editor recommends Picks POP SOUNDS OF MY LIFE William Wei Music Cat owners will be able to identify with the cute track Cat Republic, which has lyrics like “Poop and pee for you, snacks and toys for you/I’m ignoring you now, unless you open up a can” and “You will serve me forever/You will love me forever”. Other slice-of-life songs abound on Taiwanese singer-songwriter William Wei’s mostly Mandarin fifth album. POP From the chirpy English track See You On Monday and HUG IN OUR HEARTS the breezy I Wrote A Song For You (about the pleasure and Billkin featuring Jaylerr meaning of music) to the more contemplative At Thirty (“I chase after time, only to realise/Time is chasing me”) Thai actor-singer Billkin’s new Thai and Best Meal In The World (“If I could eat away my single, Hug In Our Hearts, starts off as sadness, digest what I miss”), there is plenty here to relate a forlorn ballad as he sings quietly to and be engaged by. about missing someone (“Open the The musician, who also goes by WeiBird, has dedicated door for loneliness/Since we haven’t the album to his late grandmother and in the track seen each other”). labelled Credits, one can hear her and his family sweetly It builds to a catchy chorus before cheering him on. fellow actor-singer Jaylerr jumps in The album can be a little sprawling and unwieldy at with a sunny rap, which brightens the times, but then again, so is life. -
Taiwanese Eyes on the Modern: Cold War Dance Diplomacy And
Taiwanese Eyes on the Modern: Cold War Dance Diplomacy and American Modern Dances in Taiwan, 1950–1980 Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Tsung-Hsin Lee, M.A. Graduate Program in Dance Studies The Ohio State University 2020 Dissertation Committee Hannah Kosstrin, Advisor Harmony Bench Danielle Fosler-Lussier Morgan Liu Copyrighted by Tsung-Hsin Lee 2020 2 Abstract This dissertation “Taiwanese Eyes on the Modern: Cold War Dance Diplomacy and American Modern Dances in Taiwan, 1950–1980” examines the transnational history of American modern dance between the United States and Taiwan during the Cold War era. From the 1950s to the 1980s, the Carmen De Lavallade-Alvin Ailey, José Limón, Paul Taylor, Martha Graham, and Alwin Nikolais dance companies toured to Taiwan under the auspices of the U.S. State Department. At the same time, Chinese American choreographers Al Chungliang Huang and Yen Lu Wong also visited Taiwan, teaching and presenting American modern dance. These visits served as diplomatic gestures between the members of the so-called Free World led by the U.S. Taiwanese audiences perceived American dance modernity through mixed interpretations under the Cold War rhetoric of freedom that the U.S. sold and disseminated through dance diplomacy. I explore the heterogeneous shaping forces from multiple engaging individuals and institutions that assemble this diplomatic history of dance, resulting in outcomes influencing dance histories of the U.S. and Taiwan for different ends. I argue that Taiwanese audiences interpreted American dance modernity as a means of embodiment to advocate for freedom and social change. -
From Nationalism to Migrancy: the Politics of Asian American Transnationalism 1 Kent A
Communication Law Review From Nationalism to Migrancy: The Politics of Asian American Transnationalism 1 Kent A. Ono, University of Illinois at Urbana Champaign Following the Tiananmen Square massacre in China, more than a decade of anti-Chinese sentiment helped to create a post-Cold War hot-button environment. The loss of the Soviet bloc as a clear and coherent international opponent/competitor was followed by the construction of China as the United States' new most significant communist adversary. Hong Kong's return to China; Taiwan's promised return; China's one child policy; news reports of human rights abuses; and China's growing economic strength were all precursors to an environment of anti- Chineseness, the likes of which, as Ling-Chi Wang has suggested, had not existed since that surrounding the late nineteenth-and early twentieth-century Chinese Exclusion era. 2 These geopolitical concerns over China's threat to U.S. world dominance affected Asian Americans and Asian immigrants in the United States. Asian Americans such as John Huang and Wen Ho Lee, targeted for having engaged in allegedly traitorous activities, were, in effect, feeling the heat resulting from increasingly tense U.S./China relations. The frenzied concern over China and the potential danger Chinese Americans posed to the nation state, however, ended suddenly with 9/11. Where China figured prominently on nightly news, in headlines, and in federal intelligence, 9/11 instantaneously shifted the government, military, and media's focus of concern. First came Afghanistan, then Iraq. Since then, Indonesia, North Korea, Iran, and Libya all have been cited as possible adversaries in relation to 9/11. -
Literary Tricksters in African American and Chinese American Fiction
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2000 Far from "everybody's everything": Literary tricksters in African American and Chinese American fiction Crystal Suzette anderson College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the African American Studies Commons, American Literature Commons, and the Ethnic Studies Commons Recommended Citation anderson, Crystal Suzette, "Far from "everybody's everything": Literary tricksters in African American and Chinese American fiction" (2000). Dissertations, Theses, and Masters Projects. Paper 1539623988. https://dx.doi.org/doi:10.21220/s2-z7mp-ce69 This Dissertation is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. -
The Invention of Asian Americans
The Invention of Asian Americans Robert S. Chang* Introduction ..................................................................................................................... 947 I. Race Is What Race Does ............................................................................................ 950 II. The Invention of the Asian Race ............................................................................ 952 III. The Invention of Asian Americans ....................................................................... 956 IV. Racial Triangulation, Affirmative Action, and the Political Project of Constructing Asian American Communities ............................................ 959 Conclusion ........................................................................................................................ 964 INTRODUCTION In Fisher v. University of Texas,1 the U.S. Supreme Court will revisit the legal status of affirmative action in higher education. Of the many amicus curiae (friend of the court) briefs filed, four might be described as “Asian American” briefs.2 * Copyright © 2013 Robert S. Chang, Professor of Law and Executive Director, Fred T. Korematsu Center for Law and Equality, Seattle University School of Law. I draw my title from THEODORE W. ALLEN, THE INVENTION OF THE WHITE RACE, VOL. 1: RACIAL OPPRESSION AND SOCIAL CONTROL (1994), and THEODORE W. ALLEN, THE INVENTION OF THE WHITE RACE, VOL. 2: THE ORIGIN OF RACIAL OPPRESSION IN ANGLO AMERICA (1997). I also note the similarity of my title to Neil Gotanda’s -
Shifting Boundaries of Asian American Panethnic Identities and Solidarities
Sugijanto 1 Beyond, Within, and Outside the U.S. Nation- State: Shifting Boundaries of Asian American Panethnic Identities and Solidarities Jennifer Sugijanto Honors History Thesis Submitted to the Department of History, Georgetown University Advisor: Professor Ananya Chakravarti Honors Program Chair: Professor Alison Games 4 May 2020 Sugijanto 2 Acknowledgments First, thank you to my professors, particularly my advisor, Professor Chakravarti, and Professor Games, who spearheaded the thesis seminar course. Your comments and guidance have undoubtedly made me a better reader, writer, and thinker. If nothing else, I was motivated to continue to better this thesis with the understanding that at least you two would read it. Thank you also to all other members of the seminar course for parsing through many incoherent paragraphs. Second, many thanks to Jamie from UC Berkeley for hours spent scanning and photographing primary source materials that were critical for the development of my argument. Third, thank you to countless individuals and communities who have cared for me as I cultivated my self-consciousness as an Asian American. Many of these people I have had the privilege of organizing with as a part of the Asian Pacific Islander Leadership Forum. Within this cohort, thanks to my roommate, Heej, for putting up with my late-night ramblings, and my housemate, Nat, for making the Asian American HOME a community space which has intimately influenced my approach to this thesis. A final thanks to my parents for countless sacrifices and bowls of cut fruit that have led me to this country and this thesis. This thesis is motivated by the dismal but improving (!) status of Asian American and Ethnic Studies at Georgetown University. -
Representations: Doing Asian American Rhetoric
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by DigitalCommons@USU Utah State University DigitalCommons@USU All USU Press Publications USU Press 2008 Representations: Doing Asian American Rhetoric LuMing Mao Morris Young Follow this and additional works at: https://digitalcommons.usu.edu/usupress_pubs Part of the Rhetoric and Composition Commons Recommended Citation Mao, LuMing and Young, Morris, "Representations: Doing Asian American Rhetoric" (2008). All USU Press Publications. 164. https://digitalcommons.usu.edu/usupress_pubs/164 This Book is brought to you for free and open access by the USU Press at DigitalCommons@USU. It has been accepted for inclusion in All USU Press Publications by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. REPRESENTATIONS REPRESENTATIONS Doing Asian American Rhetoric edited by LUMING MAO AND MORRIS YOUNG UTAH STATE UNIVERSITY PRESS Logan, Utah 2008 Utah State University Press Logan, Utah 84322–7800 © 2008 Utah State University Press All rights reserved Manufactured in the United States of America Cover design by Barbara Yale-Read Cover art, “All American Girl I” by Susan Sponsler. Used by permission. ISBN: 978-0-87421-724-7 (paper) ISBN: 978-0-87421-725-4 (e-book) Library of Congress Cataloging-in-Publication Data Representations : doing Asian American rhetoric / edited by LuMing Mao and Morris Young. p. cm. ISBN 978-0-87421-724-7 (pbk. : alk. paper) -- ISBN 978-0-87421-725-4 (e-book) 1. English language--Rhetoric--Study and teaching--Foreign speakers. 2. Asian Americans--Education--Language arts. 3. Asian Americans--Cultural assimilation. -
Asian American College Student Activism and Social Justice in Midwest Contexts
The Midwest regional context complicates Asian American college student activism and social justice efforts so understanding these dynamics can equip higher education practitioners to better support these students. Asian American College Student Activism and Social Justice in Midwest Contexts Jeffrey Grim, Nue Lee, Samuel Museus, Vanessa Na, Marie P. Ting1 Systemic oppression shapes the experiences of Asian Americans. Globally, imperialism, colonialism, and struggles among major economic powers have led to systemic violence toward, and significant challenges for, Asian American communities (Aguirre & Lio, 2008). Nationally, systemic racism—as well as other systems of oppression such as neoliberalism, poverty, and heteropatriarchy—continue to cause challenges for Asian America and the diverse communities within it. And, on college campuses, these forces have an impact on the everyday lives of Asian American faculty, staff, and students (Museus & Park, 2012). Many Asian Americans engage in efforts to resist systemic forms of oppression and advance equity through political activism. College and university leaders often view such resistance as a burden. However, political activism is a fundamental democratic process (Kezar, 2010; Slocum & Rhoades, 2009. Therefore, we believe that institutions that claim and seek to cultivate students‘ skills to productively engage and lead in a democratic society should encourage student activism and understand how to collaborate with activists to improve conditions on their campuses and in their surrounding communities. In this chapter, we provide insight into the factors that shape Asian American activism in the Midwest. In the following sections, we provide critical context necessary to understand the experiences of Asian American activists in postsecondary education in the Midwest region. -
The Richard Aoki Case: Was the Man Who Armed the Black Panther Party an FBI Informant?
THE RICHARD AOKI CASE: WAS THE MAN WHO ARMED THE BLACK PANTHER PARTY AN FBI INFORMANT? by Natalie Harrison A Thesis Submitted to the Faculty of The Wilkes Honors College in Partial Fulfillment of the Requirements for the Degree of Bachelor of Arts in Liberal Arts and Sciences with a Concentration in History Wilkes Honors College of Florida Atlantic University Jupiter, Florida April 2013 THE RICHARD AOKI CASE: WAS THE MAN WHO ARMED THE BLACK PANTHERS AN FBI INFORMANT? by Natalie Harrison This thesis was prepared under the direction of the candidate’s thesis advisor, Dr. Christopher Strain, and has been approved by the members of her supervisory committee. It was submitted to the faculty of The Honors College and was accepted in partial fulfillment of the requirements for the degree of Bachelor of Arts in Liberal Arts and Sciences. SUPERVISORY COMMITTEE: ____________________________ Dr. Christopher Strain ___________________________ Dr. Mark Tunick ____________________________ Dr. Daniel White ____________________________ Dean Jeffrey Buller, Wilkes Honors College ____________ Date ii ACKNOWLEDGEMENTS I would like to thank, first and foremost, Dr. Strain for being such a supportive, encouraging and enthusiastic thesis advisor – I could not have done any of this had he not introduced me to Richard Aoki. I would also like to thank Dr. Tunick and Dr. White for agreeing to be my second readers and for believing in me and this project, as well as Dr. Hess for being my temporary advisor when I needed it. And finally, I would like to thank my family and friends for all their support and for never stopping me as I rattled on and on about Richard Aoki and how much my thesis felt like a spy movie. -
Toward a Queer Diasporic Asian America
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 6-2017 Cruising Borders, Unsettling Identities: Toward a Queer Diasporic Asian America Wen Liu The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/2017 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Running head: CRUISING BORDERS UNSETTLING IDENTITIES CRUISING BORDERS, UNSETTLING IDENTITIES TOWARD A QUEER DIASPORIC ASIAN AMERICA by WEN LIU A dissertation submitted to the Graduate Faculty in Psychology in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2017 CRUISING BORDERS UNSETTLING IDENTITIES © 2017 WEN LIU All Rights Reserved ii CRUISING BORDERS UNSETTLING IDENTITIES Cruising Borders, Unsettling Identities: Toward A Queer Diasporic Asian America by Wen Liu This manuscript has been read and accepted for the Graduate Faculty in Psychology in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. ___________________ _____________________________________________ Date Michelle Fine Chair of Examination Committee ___________________ _____________________________________________ Date Richard Bodnar Executive Officer Supervisory Committee: Sunil Bhatia Celina Su THE CITY UNIVERSITY OF NEW YORK iii CRUISING BORDERS UNSETTLING IDENTITIES ABSTRACT Cruising Borders, Unsettling Identities: Toward A Queer Diasporic Asian America by Wen Liu Advisor: Michelle Fine In this dissertation, I challenge the dominant conceptualization of Asian Americanness as a biological and cultural population and a cohesive racial category. -
Salon Brochure
Charlotte White’s 2019/20 MEMBERSHIP INFORMATION Celebrating Our 31st Season OPENING GALA AWARDS CONCERT Wednesday, September 25, 2019 | 7 PM Kosciuszko Foundation 15 East 65th Street, New York, NY Dear Friends, Welcome to the 31st Season of the Salon de Virtuosi! We are delighted to continue the legacy of our founder Charlotte White by offering a series of unforgettable concerts featuring the most talented young musicians from around the world in intimate 19th Century salon settings throughout New York City, where you will have the opportunity to hear and get to know exceptional young artists who are destined to become our future “greats.” We celebrate the start of the season with our acclaimed Gala Awards Concert on September 25, 2019 at the elegant Kosciuszko Foundation, where we will present five of our2019 Career Grant Winners in a special concert hosted by the renowned musicologist and longtime Salon de Virtuosi friend Robert Sherman of WQXR. Other highlights of the Fall season include our Autumn in New York Concert on November 6, 2019 at the Liederkranz Foundation, presenting a talented young American pianist/ composer and a rising young American violinist, with a special guest appearance by 2017 Salon Career Grant Winner Asi Matathias. Our Holiday Concert on December 12, 2019 at the beautiful home of Elizabeth and Lewis Bryden at Hotel des Artistes will feature a phenomenal 16-year old violinist and an exciting American clarinetist. In the Spring we will continue our unique collaboration with the Consulates of Hungary and India and will also present a concert at the Consulate General of France, each featuring remarkable young talents.