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Bchn 1990 Summer.Pdf
MEMBER***** ********SOCIETIES Member Societies and their secretaries are responsible for seeing that the correct address for their society is up-to-date. Please send any change to both the Treasurer and the Editor at the addresses inside the back cover. The Annual Return as at October 31st should include telephone numbers for contact. Members dues for the year 1988/89 were paid by the following Members Societies: Alberni District Historical Society, Box 284, Port Alberni, B.C. V9Y 7M7 Atlin Historical Society, PC. Box 111, Atlin, B.C. VOW lAO BCHF - Gulf Island Branch, c/o Marian Worrall, Mayne Island, VON 2JO Burnaby Historical Society, 4521 Watling Street, Burnaby, B.C. V5J 1V7 Chemainus Valley Historical Society, P0. Box 172, Chemainus, B.C. VOR 1KO Cowichan Historical Society, P0. Box 1014, Duncan, B.C. V9L 3Y2 District 69 Historical Society, PC. Box 3014, Parksville, B.C. VOR 2SO East Kootenay Historical Association, P0. Box 74, Cranbrook, B.C. V1C 4H6 Golden & District Historical Society, Box 992, Golden, B.C. VOA 1 HO Kootenay Lake Historical Society, Box 537, Kaslo, B.C. VOG 1 MO Kootenay Museum & Historical Society, 402 Anderson Street, Nelson, B.C. Vi L 3Y3 Ladysmith Historical Society, Box 11, Ladysmith, B.C. VOR 2EO Lantzville Historical Society, Box 501, Lantzville, B.C. VOR 2HO M.S.A. Museum Society, 2313 Ware Street, Abbotsford, B.C. V2S 3C6 Nanaimo Historical Society, P0. Box 933, Station A, Nanaimo, B.C. V9R 5N2 North Shore Historical Society, 623 East 10th Street, North Vancouver, B.C. V7L 2E9 North Shuswap Historical Society, P0. -
The Cbc Radio Drama Project and Its Background
THE CBC RADIO DRAMA PROJECT AND ITS BACKGROUND by Howard Fink Radio drama for me, as for many people who were growing up just after the War, was, quite simply, my introduction to theatre: the classics, Renaissance drama, and modern and contemporary plays, including European and Canadian. It is rare that one gets the opportunity to re-examine a major formative influence later in one's life, rarer still to find that in this objective light its value holds up. I have had that happy experience with CBC radio drama. I have also had an experience of a completely different kind, in attempting to trace the materials of this influ- ential phenomenon: one which, as regards the history of Canadian theatre in general, has been shared in some measure by many: it was almost impossible to study the achievement of CBC radio drama as a whole, or even at first to locate the vast majority of the plays created and produced. Of course this is partly owing to the particular nature of theatre, the original form of which, unlike a novel or a book of verse, is a live performance, which remains rather in the memories than in the bookcases of its audience. More particularly, the CBC has always considered itself a production organization rather than a repository of culture, and quite rightly so. It has, in fact, been discouraged from archival activities by the government, which considers the Public Archives of Canada as a more appropriate institution for that role. 3f course such well-known figures as Robertson Davies, George Ryga and James Reaney are well represented in print. -
War on the Air: CBC-TV and Canada's Military, 1952-1992 by Mallory
War on the Air: CBC-TV and Canada’s Military, 19521992 by Mallory Schwartz Thesis submitted to the Faculty of Graduate and Postdoctoral Studies in partial fulfillment of the requirements for the Doctorate in Philosophy degree in History Department of History Faculty of Arts University of Ottawa © Mallory Schwartz, Ottawa, Canada, 2014 ii Abstract War on the Air: CBC-TV and Canada‘s Military, 19521992 Author: Mallory Schwartz Supervisor: Jeffrey A. Keshen From the earliest days of English-language Canadian Broadcasting Corporation television (CBC-TV), the military has been regularly featured on the news, public affairs, documentary, and drama programs. Little has been done to study these programs, despite calls for more research and many decades of work on the methods for the historical analysis of television. In addressing this gap, this thesis explores: how media representations of the military on CBC-TV (commemorative, history, public affairs and news programs) changed over time; what accounted for those changes; what they revealed about CBC-TV; and what they suggested about the way the military and its relationship with CBC-TV evolved. Through a material culture analysis of 245 programs/series about the Canadian military, veterans and defence issues that aired on CBC-TV over a 40-year period, beginning with its establishment in 1952, this thesis argues that the conditions surrounding each production were affected by a variety of factors, namely: (1) technology; (2) foreign broadcasters; (3) foreign sources of news; (4) the influence -
Boxoffice Barometer (April 15, 1963)
as Mike Kin*, Sherman. p- builder the empire Charlie Gant. General Rawlmgs. desperadc as Linus border Piescolt. mar the as Lilith mountain bub the tut jamblei's Zeb Rawlings, Valen. ;tive Van horse soldier Prescott, e Zebulon the tinhorn Rawlings. buster Julie the sod Stuart, matsbil's*'' Ramsey, as Lou o hunter t Pt«scott. marsl the trontie* tatm gal present vjssiuniw SiNGiN^SVnMNG' METRO GOlPWVM in MED MAYER RICHMOND Production BLONDE? BRUNETTE? REDHEAD? Courtship Eddies Father shih ford SffisStegas 1 Dyke -^ ^ panairtSioo MuANlNJR0( AMAN JACOBS , st Grea»e Ae,w entl Ewer Ljv 8ecom, tle G,-eai PRESENTS future as ^'***ied i Riel cher r'stian as Captain 3r*l»s, with FILMED bronislau in u, PANAVISION A R o^mic RouND WofBL MORE HITS COMING FROM M-G-M PmNHunri "INTERNATIONAL HOTEL (Color) ELIZABETH TAYLOR, RICHARD BURTON, LOUIS JOURDAN, ORSON WELLES, ELSA MARTINELLI, MARGARET RUTHERFORD, ROD TAYLOR, wants a ROBERT COOTE, MAGGIE SMITH. Directed by Anthony Asquith. fnanwitH rnortey , Produced by Anotole de Grunwald. ® ( Pana vision and Color fEAlELI Me IN THE COOL OF THE DAY” ) ^sses JANE FONDA, PETER FINCH, ANGELA LANSBURY, ARTHUR HILL. Mc^f^itH the Directed by Robert Stevens. Produced by John Houseman. THE MAIN ATTRACTION” (Metrocolor) PAT BOONE and NANCY KWAN. Directed by Daniel Petrie. Produced LPS**,MINDI// by John Patrick. A Seven Arts Production. CATTLE KING” [Eastmancolor) ROBERT TAYLOR, JOAN CAULFIELD, ROBERT LOGGIA, ROBERT MIDDLETON, LARRY GATES. Directed by Toy Garnett. Produced by Nat Holt. CAPTAIN SINDBAD” ( Technicolor— WondroScope) GUY WILLIAMS, HEIDI BRUEHL, PEDRO ARMENDARIZ, ABRAHAM SOFAER. Directed by Byron Haskin. A Kings Brothers Production. -
Film Noir Database
www.kingofthepeds.com © P.S. Marshall (2021) Film Noir Database This database has been created by author, P.S. Marshall, who has watched every single one of the movies below. The latest update of the database will be available on my website: www.kingofthepeds.com The following abbreviations are added after the titles and year of some movies: AFN – Alternative/Associated to/Noirish Film Noir BFN – British Film Noir COL – Film Noir in colour FFN – French Film Noir NN – Neo Noir PFN – Polish Film Noir www.kingofthepeds.com © P.S. Marshall (2021) TITLE DIRECTOR Actor 1 Actor 2 Actor 3 Actor 4 13 East Street (1952) AFN ROBERT S. BAKER Patrick Holt, Sandra Dorne Sonia Holm Robert Ayres 13 Rue Madeleine (1947) HENRY HATHAWAY James Cagney Annabella Richard Conte Frank Latimore 36 Hours (1953) BFN MONTGOMERY TULLY Dan Duryea Elsie Albiin Gudrun Ure Eric Pohlmann 5 Against the House (1955) PHIL KARLSON Guy Madison Kim Novak Brian Keith Alvy Moore 5 Steps to Danger (1957) HENRY S. KESLER Ruth Ronan Sterling Hayden Werner Kemperer Richard Gaines 711 Ocean Drive (1950) JOSEPH M. NEWMAN Edmond O'Brien Joanne Dru Otto Kruger Barry Kelley 99 River Street (1953) PHIL KARLSON John Payne Evelyn Keyes Brad Dexter Frank Faylen A Blueprint for Murder (1953) ANDREW L. STONE Joseph Cotten Jean Peters Gary Merrill Catherine McLeod A Bullet for Joey (1955) LEWIS ALLEN Edward G. Robinson George Raft Audrey Totter George Dolenz A Bullet is Waiting (1954) COL JOHN FARROW Rory Calhoun Jean Simmons Stephen McNally Brian Aherne A Cry in the Night (1956) FRANK TUTTLE Edmond O'Brien Brian Donlevy Natalie Wood Raymond Burr A Dangerous Profession (1949) TED TETZLAFF George Raft Ella Raines Pat O'Brien Bill Williams A Double Life (1947) GEORGE CUKOR Ronald Colman Edmond O'Brien Signe Hasso Shelley Winters A Kiss Before Dying (1956) COL GERD OSWALD Robert Wagner Jeffrey Hunter Virginia Leith Joanne Woodward A Lady Without Passport (1950) JOSEPH H. -
The CANADA Philes
Appeal/Counter Application No C45333, M34053, M34044, 34079, M34080, M34070, M33872(A), M33872 (B) M34103 ETC. Ex-parte Motions (x2) Court file No.: 05-FA-013780 and 01-FA-10663, and C11178/04-A1, and file no. C42332 Sending start date: Sept. 2006 New No. M34561 Dec. 20, 006 THE COURT OF APPEAL FOR ONTARIO 130 Queen St. W. Toronto, Ontario M5H 2N5 PH: 416-327-5020 & FX: 416-327-5032 If this information is important to you, save it independently. UPDATED FEB RUARY 02 , 2007 OF The CANADA Philes copy right for the public of the world INTERNATIONAL PEDOPHILE TRACING I rely on freedom of expression of my experiences & views of those experiences in light of the risk to my daughter & lack of police protection to post this site. This sight explains an overview of my position & circumstances that are long awaiting relief. I am requesting public assistance in investigating the abduction of my daughter, 6 year old, Annie Ivy- Lee Aviado. She was abducted by a "cult" like group of pedo & or necrophiles that are imposters in positions of authority in Ontario. The children of the public belong to the public & we all have the legal & innate right to investigate & enforce the Charter section 7., we are a family of human beings. Please provide any factual information regarding these issues & forward to [email protected]. with names, dates, locations and leads on where to locate any possible supporting evidence. Be the police of pedophiles as our most important purpose & possessions beside the environment issues. The authorities appear to have formed a "cult" in "Criminal Breach of Trust" section 336. -
Official Ballot
OFFICIAL BALLOT AFI is a trademark of the American Film Institute. Copyright 2005 American Film Institute. All Rights Reserved. AFI’s 100 Years…100 CHEERS America's Most Inspiring Movies AFI has compiled this ballot of 300 inspiring movies to aid your selection process. Due to the extraordinarily subjective nature of this process, you will no doubt find that AFI's scholars and historians have been unable to include some of your favorite movies in this ballot, so AFI encourages you to utilize the spaces it has included for write-in votes. AFI asks jurors to consider the following in their selection process: CRITERIA FEATURE-LENGTH FICTION FILM Narrative format, typically over 60 minutes in length. AMERICAN FILM English language film with significant creative and/or production elements from the United States. Additionally, only feature-length American films released before January 1, 2005 will be considered. CHEERS Movies that inspire with characters of vision and conviction who face adversity and often make a personal sacrifice for the greater good. Whether these movies end happily or not, they are ultimately triumphant – both filling audiences with hope and empowering them with the spirit of human potential. LEGACY Films whose "cheers" continue to echo across a century of American cinema. 1 ABE LINCOLN IN ILLINOIS RKO, 1940 PRINCIPAL CAST Raymond Massey, Gene Lockhart, Ruth Gordon DIRECTOR John Cromwell PRODUCER Max Gordon SCREENWRITER Robert E. Sherwood Young Abe Lincoln, on a mission for his father, meets Ann Rutledge and finds himself in New Salem, Illinois, where he becomes a member of the legislature. Ann’s death nearly destroys the young man, but he meets the ambitious Mary Todd, who makes him take a stand on slavery. -
Coversheet for Thesis in Sussex Research Online
A University of Sussex DPhil thesis Available online via Sussex Research Online: http://sro.sussex.ac.uk/ This thesis is protected by copyright which belongs to the author. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Please visit Sussex Research Online for more information and further details NNoo CCrriinnoolliinnee--CCoovveerreedd LLaaddyy:: SSttaarrddoomm,, AAggeennccyy,, aanndd tthhee CCaarreeeerr ooff BBaarrbbaarraa SSttaannwwyycckk Linda Berkvens DPhil thesis submitted to the University of Sussex March 2011 1 I hereby declare that this thesis has not been and will not be, submitted whole or in part to another University for the award of any other degree. Signature:………………………………………………………………………………………. 2 Acknowledgements I am grateful to the following people for all their support, feedback, and encouragement: Dr. Frank Krutnik, Dr. Thomas Austin, Dr. Michael Hammond, Dr. Niall Richardson, my PhD- buddy Rosemary Shirley, Sharif Mowlabocus, the DPhil student organizers of the MeCCSA Postgraduate Conference 2008, Constance McCormick-Van Wyck, Jenny Romero at the Margaret Herrick Library, Sandra Joy Lee and Jonathan Auxier at the Warner Bros. Archives, Ned Comstock at the Cinematic Arts Library and Dace Taube at the Regional History Center at the University of Southern California, staff at the BFI, University of Sussex Library and Special Collections, Paley Center in New York and Los Angeles, EYE Film Instituut Nederland library, my DPhil friends in the School of Media, Film, and Music, Nick Till, Sarah Maddox, Tamar Jeffers McDonald, Martin Shingler, Kate & Rachel, Charlotte, and Willemijn. -
The Inventory of the Norman Corwin Collection
The Inventory of the Norman Corwin Collection #53 Howard Gotlieb Archival Research Center Corwin, Norman #53 1965 Note: material in numbered envelopes arranged by author, with typescript notations of description of contents. Envelope numbers given in brackets. Box 1 I. Subject Files, primarily manuscripts and printed material. A. “Susan’s Evening,” 1964 benefit concert. [No. 2] 1. Program notes. 2. Program, printed. 3. Meyer, Stanley. TLS, June 26, 1964; cover letter for photocopy of letter from Paul S. Smith, President of Whittier College, re: funds raised, June 24, 1964. B. “Charter in the Saucer,” mimeograph, 1955. [No. 3] C. “World of Carl Sandburg.” 1. Theater program for play adapted and directed by NC; includes “Magic of Sandburg” by NC, n.d. (ca. 1950s?) [No. 4] 2. Production script, mimeograph, 1960; variant text from other editions; see NC’s note on envelope. [No. 9] D. “The King Must Die,” screenplay (unproduced), first draft, mimeograph, 1961; includes copy of book from which NC adapted it, with marginal notes made by NC as he worked on screenplay. [No. 5-6] E. “The Rivalry,” large printed program for a play written and directed by NC (program would have been sold at the show, not given out). [No. 7] F. “Seems Radio is Here to Stay,” printed item, 1939; privately printed, 1 of 3 “library” copies. [No. 8] G. “Script, Printed Broadside and Adaptation for ‘Service’ of Planting of Trees at Brandeis,” 2 mimeograph copies, 1 printed, 1954. [No. 11] H. “Set Your Clock at U-235.” 1. Reprints, 1945. 2. Correspondence re: rights to reprint in various journals, etc.; requests for copies; and fan mail; ca. -
Art Chimes Inventory
Art Chimes Inventory 1 Program Barcode Reel # Title Description Station Date 32108052582536 Reel # 2 This Reel Deleted 32108052582536 Reel # 4 Personal Item to Be Deleted 32108052582536 Reel # 5 Personal Item to Be Deleted 32108052582536 Reel # 10 NEWS - John W. Vandercook Air Age News: Independence for Indonesia 32108052582536 Reel # 13 Personal Item to Be Deleted 32108052582536 Reel # 17 Personal Item to Be Deleted 32108052582536 Reel # 22 Personal Item to Be Deleted 32108052582536 Reel # 22 Personal Item to Be Deleted 32108052582536 Reel # 26 Personal Item to Be Deleted 32108052582536 Reel # 26 Personal Item to Be Deleted 32108052582536 Reel # 26 Personal Item to Be Deleted 32108052582536 Reel # 29 This Reel Deleted 32108052582536 Reel # 32 Personal Item to Be Deleted 32108052582536 Reel # 37 Personal Item to Be Deleted 32108052582536 Reel # 39 Personal Item to Be Deleted 32108052582536 Reel # 40 Personal Item to Be Deleted 32108052582536 Reel # 40 Personal Item to Be Deleted 32108052582536 Reel # 40 Personal Item to Be Deleted 32108052582536 Reel # 1 1L That Was the Week That Was #2TW04 11/10/64 32108052582536 Reel # 1 1L That Was the Week That Was #2TW05 11/17/64 32108052582536 Reel # 1 1L That Was the Week That Was #2TW06 11/24/64 32108052582536 Reel # 1 1R BBC World Theater The Lincoln Passion (part 3 of 3) 32108052582536 Reel # 1 1R BBC World Theater Two Old Men by Leo Tolstoy 32108052582536 Reel # 1 2L CBS Radio Workshop Brave New World 32108052582536 Reel # 1 2L Raphy Ginsburg Interview by Mike Hodel WBAI 4/14/66 32108052582536 -
A Bibliographical Study of Canadian Radio and Television Drama
/ UNIVERSITY OF SASKATCHEWAN , .. ,' .. ., .. ..... "... PERMISSIo.N TO USE POSTGRADUATE THESES Title of Thesis and , "_A_'_B_1_·b_1�i�o�g�r�a�p�h_1_·_c_a_l__S_t_u_d__y__o_£._C_an a_d_i_a_n__R_a__d_i_o______ Television Drama Produced on the Canadian Broadcasting Corporation's National Network;, 1944 to 1967" Name of Author 'Willis Barry Pearson Department or College Department of Drama 0 Degree Master of Arts .'����. I� presenting tbis thesis in partial fulfilment of the requirements for a postgraduate degree from the University of Saskatchewan, I agree that ,the Librarief! of this make."it available for UniverSity may freely inspectiono. .,J further agree that permission for exbensdve copying of this thesis for ""'scholarly purposes may be granted by the professor or professors who super .vised my thesis work or, in their absence, by the Head of the Department or'. the Dean of the College in which my thesis work w$s doneR .It is understood that any copying or publication or use of this thesis or parts thereof for financial gain shall not be allowed without my written permission. It is also understood that due re�gnition shall be .. gj,yen to)ne,_aXlg to the Univ�rsity of Saskatchewan in any scholarly use which may be in . ,my thesiso Saskatoon. Saskatohewan. Date April 25, 1968. "A Bibliographical Study of Canadian Radio and Television Drama Produced on the Canadian Broadcasting Corporation's National Network, 1944 to 1967ff A Thesis Submitted to the Faculty of Graduate Studies in Partial Fulfillment of the Requirements for the Degree of Master of Arts in the Department of Drama University of Saskatchewan by Willis Barry Pearson Saskatoon, Saskatchewan May, 1968 The author claims copyright. -
CBC Program Schedule 450708.PDF
NEWS rml TRANS-CANADA I ~ DOMINION 1m CBK BROADCASTS ~ I DAILY lllJ__N_E_TW_O_R_K_-.J NETWORK lllJ WATROUS Trans-Canada Nelwork: (Trans-Canada Network) 8:00.9:00 a.m. 1:00,6:30, 540 Kcs. 9:00 p.m. 12 Midolllht PROGRAM cnc Dominion Network: Prairie Region 10:00 p.m. CDC SCHEDULE Transmitter Times given in this Schedule are Central Daylight DATE OF ISSUE, JUNE 30, 1945. PRAIRIE REGION Week of July 8th,1945 612 Telephone Bldg., Winnipeg, Canada Wide Audience for Bonspl"'er Laugh-Packed CBC Serial Canada's New Voice Overseas Listeners Report on CBC's To Start on Friday 13th InternatIonal Service by Samuel Hersenhoren, and a vocal The CBC International Service of ~ ensemble, "The Swing Platoon," un ficially began its overseas transmis der Ute direction of Jack Allison. sions on February 25, 1945. Although Jack Fuller, one of radio's best~ at the present time. broadcasts have known personalities, will have the been exclusively directed to Europe principal role of Johnny Home, and and a highly efficient directional an Sam Lightfoot will be played by telUla employed, reports have been Budd Knapp. Grace Webster plays received from many other parts of Johnny's mother, and Frank Peddie the world. Here are some of the his father; Peggi Loder appears as cables and letters, or extracts from the kid sister; Al1ce Htll as Rose the letters: mary, the girl friend; Bernard Bra Cable jrom Chiej Engineer oj BBC den as Gabby, the postman; and -We are delighted that strongest Tommy Tweed as Uncle Henry who signal in nineteen metre band from only rarely comes up from the cel your side of the Atlantic now comes lar.