MINUTES of REGULAR MEETING CIVIC CENTER BOARD May 14, 2019
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Seinfeld, the Movie an Original Screenplay by Mark Gavagan Contact
Seinfeld, The Movie an original screenplay by Mark Gavagan based on the "Seinfeld" television series by Larry David and Jerry Seinfeld contact: Cole House Productions (201) 320-3208 BLACK SCREEN: TEXT: "One year later ..." TEXT FADES: DEPUTY (O.S.) Well folks. You've paid your debt to society. Good luck and say out of trouble. FADE IN: EXT. LOWELL MASSACHUSETTS JAIL -- MORNING ROLL CREDITS. JERRY, GEORGE and ELAINE look impatient as they stand empty- handed, waiting for something. The DEPUTY walks back towards the jail building behind them. CUT TO: INT. LOWELL MASSACHUSETTS JAIL KRAMER is surrounded by teary-eyed guards and inmates. They love him. He's carrying a metal cafeteria tray covered with signatures, as well as scores of cards, notes and letters. Several in the crowd hug KRAMER. CUT TO: EXT. LOWELL MASSACHUSETTS JAIL KRAMER stumbles as he walks up to GEORGE, ELAINE and JERRY. CUT TO: EXT. SOMEWHERE IN RURAL MASSACHUSETTS -- DAY We see an ugly old school bus at a dead stop with the flashers on. "LARRY'S NYC BUS SERVICE" is painted sloppily on the side. An extremely old man herds dozens of stubborn sheep across the road. He's moving at an impossibly slow pace. CUT TO: INT. OLD SCHOOL BUS JERRY, GEORGE and ELAINE are sitting in bus's original kid- sized bench seats. They look bored and uncomfortable. 2. Cheerful KRAMER is in the front row chatting with the DRIVER and pointing at the animals outside. CUT TO: INT. HALLWAY IN FRONT OF JERRY'S APARTMENT -- LATER KRAMER & JERRY walk wearily towards their doors. -
An Analysis of Hegemonic Social Structures in "Friends"
"I'LL BE THERE FOR YOU" IF YOU ARE JUST LIKE ME: AN ANALYSIS OF HEGEMONIC SOCIAL STRUCTURES IN "FRIENDS" Lisa Marie Marshall A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2007 Committee: Katherine A. Bradshaw, Advisor Audrey E. Ellenwood Graduate Faculty Representative James C. Foust Lynda Dee Dixon © 2007 Lisa Marshall All Rights Reserved iii ABSTRACT Katherine A. Bradshaw, Advisor The purpose of this dissertation is to analyze the dominant ideologies and hegemonic social constructs the television series Friends communicates in regard to friendship practices, gender roles, racial representations, and social class in order to suggest relationships between the series and social patterns in the broader culture. This dissertation describes the importance of studying television content and its relationship to media culture and social influence. The analysis included a quantitative content analysis of friendship maintenance, and a qualitative textual analysis of alternative families, gender, race, and class representations. The analysis found the characters displayed actions of selectivity, only accepting a small group of friends in their social circle based on friendship, gender, race, and social class distinctions as the six characters formed a culture that no one else was allowed to enter. iv ACKNOWLEDGMENTS This project stems from countless years of watching and appreciating television. When I was in college, a good friend told me about a series that featured six young people who discussed their lives over countless cups of coffee. Even though the series was in its seventh year at the time, I did not start to watch the show until that season. -
Sagawkit Acceptancespeechtran
Screen Actors Guild Awards Acceptance Speech Transcripts TABLE OF CONTENTS INAUGURAL SCREEN ACTORS GUILD AWARDS ...........................................................................................2 2ND ANNUAL SCREEN ACTORS GUILD AWARDS .........................................................................................6 3RD ANNUAL SCREEN ACTORS GUILD AWARDS ...................................................................................... 11 4TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 15 5TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 20 6TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 24 7TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 28 8TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 32 9TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 36 10TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 42 11TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 48 12TH ANNUAL SCREEN ACTORS GUILD AWARDS .................................................................................... -
Et Tu, Dude? Humor and Philosophy in the Movies of Joel And
ET TU, DUDE? HUMOR AND PHILOSOPHY IN THE MOVIES OF JOEL AND ETHAN COEN A Report of a Senior Study by Geoffrey Bokuniewicz Major: Writing/Communication Maryville College Spring, 2014 Date approved ___________, by _____________________ Faculty Supervisor Date approved ___________, by _____________________ Division Chair Abstract This is a two-part senior thesis revolving around the works of the film writer/directors Joel and Ethan Coen. The first seven chapters deal with the humor and philosophy of the Coens according to formal theories of humor and deep explication of their cross-film themes. Though references are made to most of their films in the study, the five films studied most in-depth are Fargo, The Big Lebowski, No Country for Old Men, Burn After Reading, and A Serious Man. The study looks at common structures across both the Coens’ comedies and dramas and also how certain techniques make people laugh. Above all, this is a study on the production of humor through the lens of two very funny writers. This is also a launching pad for a prospective creative screenplay, and that is the focus of Chapter 8. In that chapter, there is a full treatment of a planned script as well as a significant portion of written script up until the first major plot point. iii TABLE OF CONTENTS Page Chapter - Introduction VII I The Pattern Recognition Theory of Humor in Burn After Reading 1 Explanation and Examples 1 Efficacy and How It Could Help Me 12 II Benign Violation Theory in The Big Lebowski and 16 No Country for Old Men Explanation and Examples -
Thursday Best Bets
THURSDAY PRIME TIME MARCH 8 S1 – DISH S2 - DIRECTV Thursday 6 PM 6:30 7 PM 7:30 8 PM 8:30 9 PM 9:30 10 PM 10:30 11 PM 11:30 S1 S2 Best Bets WSAZ :35 WSAZ NBC News Wheel of Jeopardy! 30 Rock Parks and The Office Up All Awake "The Little WSAZ Jay 3 3 NBC News Fortune (N) Rec (N) Night (N) Guy" News Leno WLPX Ghost Whisperer "The Cold Case "Jackals" Cold Case "Officer Cold Case "Mind Criminal Minds Criminal Minds "Sex, ION Gravesitter" Down" Games" "Lessons Learned" Birth, Death" 29 - TV10 5:30 Paid Eye for An Crime Lift Up America: Ambassadors of Compassion Hollywood Legends Fearless Singers & Newslines Program Eye Strike "Clint Eastwood" Music Songs - - WCHS News at 6 World Judge Ent. Wipeout Grey's A. "Hope for Private Practice Eyewitn- :35 News ABC News Judy Tonight the Hopeless" "Breaking the Rules" ess News Nightline 8 8 WVAH Big Bang Two and a Two and a Big Bang American Idol "1 The Finder "Eye of the Eyewitness News at The Excused FOX Theory Half Men Half Men Theory Voted Off" (N) Storm" (N) 10 p.m. Simpsons 11 11 WOWK News 13 CBSNews 13 News Inside Big Bang Big Bang Person of Interest The Mentalist "Cheap News 13 :35 David CBS at 6 p.m. Edition Theory (N) Theory "Baby Blue" (N) Burgundy" (N) Letterman 13 13 WKYT 27 CBSNews Wheel of NCAA Basketball SEC Tournament First Round Site: New NCAA Basketball SEC Tournament First Round CBS NewsFirst Fortune Orleans Arena -- New Orleans, La. -
The Nanny Mand Ended with the Final Episode of Friends
descant 1 2 descant Fort Worth’s Journal of Fiction and Poetry VOLUME 54, 2015 TCU Press, USA descant Fort Worth’s Journal of Fiction and Poetry Vol 54, 2015 www.descant.tcu.edu Editor Matthew Pitt Advisory Editor Charlotte Hogg Poetry Editor Alex Lemon Associate Poetry Editors David Colón Curt Rode Associate Fiction Editor Brock Kingsley Graduate Assistant Axel Severs Cover Artwork Elemental, by Nicola Mason (Front) Thicket, by Nicola Mason (Back) Publisher TCU Press Dan Williams Copyright © 2015 by TCU Press VISIT DESCANT ONLINE: www.descant.tcu.edu We welcome submissions of poetry and prose from September 1 – April 1. Submissions received outside of the reading window will be discarded. We prefer potential contribu- tors use our online submission system, Submittable (descant.submittable.com/submit). Those wishing to submit via U.S. post may send work to descant, c/o TCU Department of English, Box 297270, 2850 S. University Drive, Fort Worth, TX 76129. Submit up to five (5) poems, or one (1) single prose submission, limited to 5000 words. Please submit no more than twice during each reading period. A self-addressed stamped envelope must be included with traditional submissions to guarantee reply, return, or acknowledgement of submissions. CONTENTS EDITOR’STable of NOTE Contents ...................................................................................... (this is unfinished & will be the7 last thingPoems iby complete, Nancy Reddy Dad) Understudy ............................................................................................... -
Audience Guide
AUDIENCE GUIDE Michael Frayn’s NOISES OFF Directed by Julia Rodriguez-Elliott & Geoff Elliott May 21–June 9, 2019 Pictured: Ensemble. PHOTO BY CRAIG SCHWARTZ. TABLE OF CONTENTS Cast of Characters ...................................4 Synopsis ...........................................5 Meta-theatre: The “Play-within-a-Play” ...................6 About the Playwright: Michael Frayn .....................7 Michael Frayn Timeline. .8 A Brief History of Farce ...............................9 Comedy and Farce ..................................10 “Farce Seems to Gather Farce Around It”: Michael Frayn on Noises Off . 11 Commedia dell’Arte and Noises Off ....................12 Stock Characters ................................12 The Simpsons: An Example of Modern Commedia Characters ........13 Physical Comedy in Commedia dell’Arte: Lazzi ........14 Commedia Drives: Love, Food, and Money ...........15 Scholarly Articles ....................................16 Quiet in the Wings ...............................16 I’ll Admit It—Act II is Perfect .......................18 Interview with Noises Off Set Designer Fred Kinney .......20 That Time Something Went Wrong .....................21 Resources and Suggestions for Further Reading ..........22 3 A NOISE WITHIN 2018/19 REPERTORY SEASON | Spring 2019 Audience Guide Noises Off CAST OF CHARACTERS The characters in Noises Off are all involved in a theatrical production of a fictional play called Nothing On in some capacity. Here is what a playbill for Nothing On might look like Company Role in Actor (These are fictitious bios of the actors Nothing On who are in the “Play within the Play”) LLOYD DALLAS Lloyd studied English at Cambridge and stagecraft at the Salisbury. A commonwealth scholarship took him A temperamental, to Princeton where he spent his time commuting to New York. On his trip, he saw Lee Strasberg and Tallulah Bankhead at a party on East 10th Street. -
Proquest Dissertations
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy subm itted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI' Bell & Howell Information and teaming 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 800-521-0600 A GENERIC ANALYSIS OF THE RHETORIC OF HUMOROUS INCIVILITY IN POPULAR CULTURE DISSERTATION Presented in Partial FuljBUment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Laura K. -
C NTENTASIA Page 6
#TheJobSpace C NTENTASIA page 6 www.contentasia.tv l https://www.facebook.com/contentasia?fref=ts facebook.com/contentasia l @contentasia l www.contentasiasummit.com TVB, Warner, CMC partner on feature films Flagship Entertainment to develop Chinese slate for global market Hong Kong’s dominant broadcaster and one-time film giant, Television Broadcasts Ltd (TVB), has partnered with mainland China’s China Media Capital (CMC) and Warner Brothers Entertainment to develop and produce Chinese-language feature films. The new joint venture, Flagship Enter- tainment Group, was announced by Li Ruigang, CMC founding chairman, and Kevin Tsujihara, Warner Bros chairman and chief executive. Flagship Entertainment’s aim is to “capi- talise on China’s rapidly growing film mar- ket and increasing demand for high-qual- ity domestic movies”. The film slate, including global tent poles, will be distributed in China and in- ternationally, the partners said in a state- ment out of Hong Kong on Sunday night More on page 5 BBC Worldwide reshapes Asia biz BBC Earth leads the way into a new era BBC Worldwide is reshaping its Asia busi- ness, migrating the old BBC Knowledge into a broader entertainment environ- SHARK ment and expanding the experience with giant-screen theatrical releases, theme- park attractions and online interactivity. The new era kicks off at 9pm on 3 Oc- PREMIERES 4TH OCTOBER tober, when BBC Knowledge across most SUNDAYS AT 5PM (SG/HK) www.bbcasia.com of Asia gives way to BBC Earth. The joint- /BBCEarthAsia BBC Earth is available in Hong Kong, Indonesia, Malaysia, Mongolia, Singapore, South Korea, Taiwan, Thailand and Vietnam. -
Family Feud 5Th Edition
PLAYING FOR 3 OR MORE PLAYERS: Throughout the game, players will try to match their answers with the most popular survey answers. Each game consists of three parts: The Face-Off, The Feud and The Fast Money Bonus Round. THE SCOREBOARD: The scoreboard is used to keep track of the game as follows: 1. The Face-Off and The Feud rounds, the answers and points are placed in the scoreboard section, with the number one answer and it’s points placed at one, the number two answer and it’s points placed at two, etc. 2. At the end of each survey question, the points are totaled and placed under that team’s number in The Feud section of the 5th Edition scoreboard. INSTRUCTIONS 3. In The Fast Money Bonus Round, one side of the scoreboard is used by one player for his answers and the AND ROUNDS 1-45 opposite side for his teammate. In a two player game, one player uses both sides. OBJECT: After all five questions, the points are then added and To have the most points at the end of three games by placed in the Total section. matching the most popular survey answers. THE FACE-OFF: CONTENTS: Each Feud round begins with a Face-Off as a player from 1 Scoreboard, 1 Answer Board, 1 Wipe-off Marker, 1 each team tries to take control of the question by giving the Survey Question/ Instruction Book, 1 Strike Indicator with 3 most popular answer. “X” Strikes Each team chooses a player for The Face-Off. -
Seinfeld's 10 Enduring Lessons---About the IRS
Robert W. Wood THE TAX LAWYER TAXES 7/05/2014 Seinfeld's 10 Enduring Lessons---About The IRS On Seinfeld’s 25th anniversary–it debuted July 5th, 1989–it is being discussed again around today’s version of the water cooler. Yes, Seinfeld at 25: There’s Still Nothing Else Like It. Turns out even a show about nothing can teach us something, including tax lessons like these: 1. IRS Has Power. In “The Truth,” aired September 25, 1991, the IRS asks Jerry about a $50 charitable contribution to rescue the people of Krakatoa. When the charity turned out to be fake, Jerry says the IRS is “like the mafia. They can take anything they want.” That may seem overstated, but it’s true that the IRS has a lot of power. Never forget it. 2. Timing Matters. Sure, the IRS has power, but there are limits too. Jerry’s audit was for 1986, and the show aired in 1991. If Jerry filed his 1986 tax return in 1987, this audit was beyond the three year statute of limitations. In some cases, how long can IRS audit depends on you, but there are plenty of procedural safeguards if you file on time, respond to notices promptly, and keep the administrative process going. 1997 Emmy Awards – photo by Alan Light (Photo credit: Wikipedia) 3. Write-Offs Count. In “The Package,” aired October 17, 1996, Kramer convinces Jerry to say his stereo was broken during shipping. Their conversation about write-offs reveals what many Americans think, as if “I’ll just write it off,” means the expense doesn’t count. -
"Private Lines"
"PRIVATE LINES" an episode for Seinfeld Written By Shaun Breidbart Copyright 1992 by Shaun Breidbart. All Rights Reserved. (I wrote this script after only maybe three episodes of the show had aired– without the book typically prepared by a TV show for outside writers that details information on the show about the characters, etc. Some of what's here actually ended up in later episodes– what's known to writers as parallel development, when two people independently come up with the same idea. Other stuff might be inconsistent with what came later in the show, but that's typical of early free-lance TV scripts. Remember, this was written back when the show had three stand-up routines per episode– at the beginning, middle and end of the show, as the original idea for the show was that what happened in the show would inspire his stand-up routines.) FADE IN: INT. NIGHT. COMEDY CLUB Jerry on stage. JERRY Why do they put pictures of 'America's Most Wanted' on the wall at the post office? Nobody looks at them anymore. With so much crime, there just isn't room on the walls for all the posters anyway, even if you have all day, waiting in line, to read. If they wanted to get our attention, they should put photos of dangerous criminals right on the stamps... and the postage could be a percentage of the reward. Really dangerous criminals go on the express mail stamp. Fifteen bucks to mail, a hundred fifty thousand dollars for catching them. No so bad guys, ten thousand reward, go on the ten cent stamp.