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Narration Foundationunit Middle School • CCSS Edition Narration Middle School • CCSS Edition Narrationnarration Use This Online Resources Packet Only
FoundationUnit Narration FoundationUnit Middle School • CCSS Edition Narration Middle School • CCSS Edition NarrationNarration Use this Online Resources Packet only Unit Unit Middle School • CCSS Edition Unit Unit Middle School • CCSS Editionwith the CCSS Edition of the: Foundation Unit Narration: Middle School ISBN 978-1-40261-253-4 ISBN: 978-1-40261-258-9 Pearson Washington, DC Foundation Foundation 800.221.3641 202.783.3672 fax www.pearson.com Narration ISBN: 978-1-40261-258-9 Pearson Washington, DC Foundation Foundation 800.221.3641 202.783.3672 fax www.pearson.com ONLINE RESOURCES PACKET FoundationUnit Copyright © 2012 Pearson Education, Inc., or its affiliates. All Rights Reserved. Printed in the United States of America. This publication is protected by copyright, and permission should be obtained from the publisher prior to any prohibited reproduction, storage in a retrieval system, or transmission in any form or by any means, electronic, mechanical, photocopying, recording, or likewise. The publisher hereby grants permission to reproduce these pages, in part or in whole, for classroom use only, the number not to exceed the number of students in each class. Notice of copyright must appear on all copies. For information regarding permissions, write to Pearson Curriculum Group Rights & Permissions, One Lake Street, Upper Saddle River, New Jersey 07458. ISBN: 978-5-90801-439-7 1 2 3 4 5 6 7 8 9 10 14 13 12 11 10 Contents Narration PRE-ASSESSMENT Writing a Narrative Scoring Guide LESSON MATERIALS L esson 1: Setting Up a Writer’s Notebook -
Seinfeld, the Movie an Original Screenplay by Mark Gavagan Contact
Seinfeld, The Movie an original screenplay by Mark Gavagan based on the "Seinfeld" television series by Larry David and Jerry Seinfeld contact: Cole House Productions (201) 320-3208 BLACK SCREEN: TEXT: "One year later ..." TEXT FADES: DEPUTY (O.S.) Well folks. You've paid your debt to society. Good luck and say out of trouble. FADE IN: EXT. LOWELL MASSACHUSETTS JAIL -- MORNING ROLL CREDITS. JERRY, GEORGE and ELAINE look impatient as they stand empty- handed, waiting for something. The DEPUTY walks back towards the jail building behind them. CUT TO: INT. LOWELL MASSACHUSETTS JAIL KRAMER is surrounded by teary-eyed guards and inmates. They love him. He's carrying a metal cafeteria tray covered with signatures, as well as scores of cards, notes and letters. Several in the crowd hug KRAMER. CUT TO: EXT. LOWELL MASSACHUSETTS JAIL KRAMER stumbles as he walks up to GEORGE, ELAINE and JERRY. CUT TO: EXT. SOMEWHERE IN RURAL MASSACHUSETTS -- DAY We see an ugly old school bus at a dead stop with the flashers on. "LARRY'S NYC BUS SERVICE" is painted sloppily on the side. An extremely old man herds dozens of stubborn sheep across the road. He's moving at an impossibly slow pace. CUT TO: INT. OLD SCHOOL BUS JERRY, GEORGE and ELAINE are sitting in bus's original kid- sized bench seats. They look bored and uncomfortable. 2. Cheerful KRAMER is in the front row chatting with the DRIVER and pointing at the animals outside. CUT TO: INT. HALLWAY IN FRONT OF JERRY'S APARTMENT -- LATER KRAMER & JERRY walk wearily towards their doors. -
An Analysis of Hegemonic Social Structures in "Friends"
"I'LL BE THERE FOR YOU" IF YOU ARE JUST LIKE ME: AN ANALYSIS OF HEGEMONIC SOCIAL STRUCTURES IN "FRIENDS" Lisa Marie Marshall A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2007 Committee: Katherine A. Bradshaw, Advisor Audrey E. Ellenwood Graduate Faculty Representative James C. Foust Lynda Dee Dixon © 2007 Lisa Marshall All Rights Reserved iii ABSTRACT Katherine A. Bradshaw, Advisor The purpose of this dissertation is to analyze the dominant ideologies and hegemonic social constructs the television series Friends communicates in regard to friendship practices, gender roles, racial representations, and social class in order to suggest relationships between the series and social patterns in the broader culture. This dissertation describes the importance of studying television content and its relationship to media culture and social influence. The analysis included a quantitative content analysis of friendship maintenance, and a qualitative textual analysis of alternative families, gender, race, and class representations. The analysis found the characters displayed actions of selectivity, only accepting a small group of friends in their social circle based on friendship, gender, race, and social class distinctions as the six characters formed a culture that no one else was allowed to enter. iv ACKNOWLEDGMENTS This project stems from countless years of watching and appreciating television. When I was in college, a good friend told me about a series that featured six young people who discussed their lives over countless cups of coffee. Even though the series was in its seventh year at the time, I did not start to watch the show until that season. -
Junior Mints and Their Bigger Than Bite-Size Role in Complicating Product Placement Assumptions
Salve Regina University Digital Commons @ Salve Regina Pell Scholars and Senior Theses Salve's Dissertations and Theses 5-2010 Junior Mints and Their Bigger Than Bite-Size Role in Complicating Product Placement Assumptions Stephanie Savage Salve Regina University, [email protected] Follow this and additional works at: https://digitalcommons.salve.edu/pell_theses Part of the Advertising and Promotion Management Commons, and the Marketing Commons Savage, Stephanie, "Junior Mints and Their Bigger Than Bite-Size Role in Complicating Product Placement Assumptions" (2010). Pell Scholars and Senior Theses. 54. https://digitalcommons.salve.edu/pell_theses/54 This Article is brought to you for free and open access by the Salve's Dissertations and Theses at Digital Commons @ Salve Regina. It has been accepted for inclusion in Pell Scholars and Senior Theses by an authorized administrator of Digital Commons @ Salve Regina. For more information, please contact [email protected]. Savage 1 “Who’s gonna turn down a Junior Mint? It’s chocolate, it’s peppermint ─it’s delicious!” While this may sound like your typical television commercial, you can thank Jerry Seinfeld and his butter fingers for what is actually one of the most renowned lines in television history. As part of a 1993 episode of Seinfeld , subsequently known as “The Junior Mint,” these infamous words have certainly gained a bit more attention than the show’s writers had originally bargained for. In fact, those of you who were annoyed by last year’s focus on a McDonald’s McFlurry on NBC’s 30 Rock may want to take up your beef with Seinfeld’s producers for supposedly showing marketers the way to the future ("Brand Practice: Product Integration Is as Old as Hollywood Itself"). -
Tenants United
TENANTS UNITED: NAVIGATING ALLIES AND ADVERSARIES IN HOUSING MOVEMENTS BY Caitlin Waickman B.A. Fordham University, 2012 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTERS OF ARTS IN THE DEPARTMENT OF URBAN STUDIES AT FORDHAM UNVERSITY NEW YORK May, 2014 UMI Number: 1561147 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMI 1561147 Published by ProQuest LLC (2014). Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, MI 48106 - 1346 Table of Contents Title Page 1 Table of Contents 2 Introduction 3 Renters in the United States 5 The Context of Current Housing Activism 12 Background of Sunset Park 22 Rent Strike in Sunset Park 26 1904 Housing Activism 44 Take Back the Land 50 Allies in the Housing Movement 56 Conclusion 62 Bibliography 65 Appendix 68 Abstract Vita Introduction When a tenant in a rental property notices that their building needs some repair or maintenance, she would first call the super of her building or write a note to her landlord. What happens when, long after the need for repair has been pointed out, the property owner still fails to take action? Buildings throughout New York City are falling into disrepair for a variety of reasons, but in all cases, tenants are left in a precarious situation. -
China and the USA: an Analysis of Intercultural Training Methods in the Corporate Environment
California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 2004 China and the USA: An analysis of intercultural training methods in the corporate environment Paula Kay Krueger Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the Industrial and Organizational Psychology Commons, and the International Business Commons Recommended Citation Krueger, Paula Kay, "China and the USA: An analysis of intercultural training methods in the corporate environment" (2004). Theses Digitization Project. 2563. https://scholarworks.lib.csusb.edu/etd-project/2563 This Project is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. CHINA AND THE USA: AN ANALYSIS OF INTERCULTURAL TRAINING METHODS IN THE CORPORATE ENVIRONMENT A Project Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Business Administration j by Paula Kay Krueger September 2004 CHINA AND THE USA: AN ANALYSIS OF INTERCULTURAL TRAINING METHODS IN THE CORPORATE ENVIRONMENT A Project Presented to the Faculty of California State University, San Bernardino ■ by Paula Kay Krueger September 2004 Sue Greenfeld Committee Chair Date First Reader f Dr. Pat MeInturff Department Chair ABSTRACT This project presents the cultural significance of establishing and maintaining business relationships with Chinese counterparts. As both national and organizational cultures deeply impact the ways in which business is conducted, it is vital for leaders to learn the nuances of their international clients. -
Public Morals Pilot 11-8.Fdx
PUBLIC MORALS Pilot Episode "A Fine Line" Written by Edward Burns November 8, 2013 INT. MULDOON’S CAR - DAY New York City 1967 TERRY MULDOON, 40’s, and CHARLIE BULLMAN, 30’s, ride in the front seat of a 1964 Plymouth on East 51st Street. These guys dress sharp, don’t look much like cops. MULDOON (V.O.) There are the laws and there are the rules. And while the laws of the land are always evolving and changing, the rules of the street remain the same. They pull up and park. EXT. 51ST STREET - DAY Period cars line the residential street. The two cops step from the car and cross the street. MULDOON (V.O.) And if you want to survive on the streets of New York, you better learn to play by those rules. Besides, they make a hell of a lot more sense anyhow. INT. PRE-WAR DOORMAN BUILDING - DAY Muldoon and Bullman enter the modest lobby and approach the DOORMAN, a heavy set guy, thinks he’s slick. DOORMAN Gentlemen. What can I do for you? Muldoon flashes his shield. MULDOON Anybody up in 4J right now? DOORMAN What? No. 4J? Why would anybody be there? Muldoon immediately grabs the doorman by the back of the neck and tosses him down the hallway out of sight from the street. Bullman turns and stands watch. 2. MULDOON You think we’re jerking around here, asshole? We’re not here to play some game! DOORMAN I’m not playing any game, I just mind my own business. I don’t want any trouble. -
This Book Was First Published in 1951 by Little, Brown and Company
This book was first published in 1951 by Little, Brown and Company. THE CATCHER IN THE RYE By J.D. Salinger © 1951 CHAPTER 1 If you really want to hear about it, the first thing you'll probably want to know is where I was born, an what my lousy childhood was like, and how my parents were occupied and all before they had me, and all that David Copperfield kind of crap, but I don't feel like going into it, if you want to know the truth. In the first place, that stuff bores me, and in the second place, my parents would have about two hemorrhages apiece if I told anything pretty personal about them. They're quite touchy about anything like that, especially my father. They're nice and all--I'm not saying that--but they're also touchy as hell. Besides, I'm not going to tell you my whole goddam autobiography or anything. I'll just tell you about this madman stuff that happened to me around last Christmas just before I got pretty run-down and had to come out here and take it easy. I mean that's all I told D.B. about, and he's my brother and all. He's in Hollywood. That isn't too far from this crumby place, and he comes over and visits me practically every week end. He's going to drive me home when I go home next month maybe. He just got a Jaguar. One of those little English jobs that can do around two hundred miles an hour. -
Which Seinfeld Character Are You?
EPISODE 181: THE BUSINESS DEVELOPMENT MEETING WHICHWHICH SEINFELDSEINFELD CHARACTERCHARACTER AREARE YOU?YOU? In our business dealings, we are often guilty of just not listening. We come to the table with an agenda—a new product, a new service—and wait while a prospect or existing client tells us what’s going on with his or her business. At some point, that person will pause—and we pounce with our spiel. This approach rarely works - successful business development requires some level of rapport and relationship building. As in all aspects of life, this can mean dealing with those who may not share your views or approach. In order to adapt quickly and improvise in these instances, it’s helpful to understand people’s communication and personality styles. There are a number of tests that can help us understand the personality and communication styles of others, including the popular DISC model. This model has four quadrants: dominance, influence, steadiness, and conscientiousness. Influence and steadiness are on the right side of the brain, and dominance and conscientiousness are on the left side. Understanding someone’s dominant quadrant can help you find a way to work more effectively with them. UNDERSTANDING WHAT SEINFELD YOUR SITCOM CAST Now that you understand where you fall QUADRANT ARE YOU? within the quadrants, you can begin to think about how to work and respond to any cast of characters you may come I’ll let you in on an interesting tidbit, successful sitcoms often across. Friction will naturally arise include a character from each of the following quadrants, because these are people with opposite because the resulting friction tends to be funny. -
Affordability Now This Is the Second in a Three-Part Series
TODAY PRESIDENT’SMESSAGE “...Where to now, St. Peter?” Affordability Now This is the second in a three-part series. The original article was published in the May 2014 issue of Crop Insurance TODAY ®. Laurie Langstraat, Editor Many of us recall the Seinfeld television series Hannah Wiebelhaus, Assistant Editor which aired for 10 years with 180 episodes. In sitting down to share my thoughts for this President’s Mes- TODAY® IS PROVIDED AS A SERVICE OF NATIONAL CROP INSURANCE SERVICES® sage, I was reminded of Episode #159 “The Serenity TO EDUCATE READERS ABOUT THE RISK Now” (aired October 9, 1997). In this particular ep- MANAGEMENT TOOLS PRODUCERS USE isode, George’s father was “prescribed” to utter the TO PROTECT THEMSELVES FROM phrase “Serenity Now” when he felt his blood pressure THE RISKS ASSOCIATED WITH spiking. PRODUCTION AGRICULTURE. Here is an excerpt from the transcript of that episode: Industry-leading crop insurance reporting TODAY is published quarterly–February, May, Frank Costanza: “Serenity Now! Serenity Now!” August, and November by George Costanza: “What is that?” tools to connect you and your customers National Crop Insurance Services Frank: “Doctor gave me a relaxation cassette. When 8900 Indian Creek Parkway, Suite 600 my blood pressure gets too high, the man on the tape tells Overland Park, Kansas 66210 Tom Zacharias, NCIS President me to say, ‘Serenity Now!’” GAIN EFFICIENCIES WITH THE RCIS PRECISION FARMING TOOL www.ag-risk.org George: “Are you supposed to yell it?” Frank: “The man on the tape wasn’t specific.” If you move, or if your address is incorrect, please Okay, enough levity and stream of consciousness. -
Sagawkit Acceptancespeechtran
Screen Actors Guild Awards Acceptance Speech Transcripts TABLE OF CONTENTS INAUGURAL SCREEN ACTORS GUILD AWARDS ...........................................................................................2 2ND ANNUAL SCREEN ACTORS GUILD AWARDS .........................................................................................6 3RD ANNUAL SCREEN ACTORS GUILD AWARDS ...................................................................................... 11 4TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 15 5TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 20 6TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 24 7TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 28 8TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 32 9TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 36 10TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 42 11TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 48 12TH ANNUAL SCREEN ACTORS GUILD AWARDS .................................................................................... -
A Covert Case Study of Bouncers in the Manchester Night-Time Economy
6 A COVERT CASE STUDY OF BOUNCERS IN THE MANCHESTER NIGHT-TIME ECONOMY 6.1 Manchester as a case study: my biographical and experiential backyard 124 6.2 Covert passing in a demonized subculture: body capital and interaction rituals 126 6.3 The door order and door code: folklore, stories, trust, fictive kinship, masculinity, dirty work and private policing 129 6.4 Managing situated ‘ethical moments’ on the door 138 6.5 An optic on violence 142 6.6 Emotionality, embodiment and risk-taking in ethnography 145 6.7 Conclusions: the post-fieldwork self in a study that never quite finishes 147 6.8 Learning exercise 149 07_Calvey_Ch_06.indd 123 2/28/2017 10:53:56 AM Covert research This chapter focuses on a covert retrospective participant observation case study of bouncers in the night-time economy of Manchester in the United Kingdom. I will discuss my case study, comparing it to the work of other researchers who have explored this specific area, as well as others who might echo my research journey. 6.1 Manchester as a case study: my biographical and experiential backyard The location of Manchester, the UK, for the case study, which is where I live and work, is highly strategic. The city is saturated in popular culture, being named Gunchester, Gangchester and Madchester in the past, and has been well documented by a range of popular journalists and commentators (Haslam, 1999; Swanton, 1997, 1998; Walsh, 2005; Wilson, 2002). The development of club cul- tures in Manchester has been specifically linked to urban regeneration (Lovatt, 1996).