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Jeeyar Educational Trust Vikasa Tarangini
Jai Srimannarayana! Srimathe Ramanujaya Namaha! Srimannarayana Ramanuja Yatibhyo Namaha! JEEYAR EDUCATIONAL TRUST VIKASA ChennaiTARANGINI Invite you to the Discourse in Telugu by Paramahamsa Parivrajakacharya, Ubhaya Vedantha Pravarthaka, Veda Viswa Vidyalaya Stapaka HH Sri Sri Sri Tridandi Srimannarayana Ramanuja Chinna Jeeyar Swamiji from 4th December to 7th December 2014 Jai Srimannaryana! P ROGRAMME AT SRI NATHELLA SULOCHANAMMA KALYANA MANTAPAM New No. 226, Old No. 4 Jawaharlal Nehru Road (100 feet Road), Koyambedu, Chennai 600107 (Near Koyambedu Market Signal) 4th December to 7th December 2014 7.30 a.m to 9.00 a.m. Sevakaalam Pravachanam in Telugu on ACHARYA VAIBHAVAM Theertha Goshti S P ECIAL PROGRAMME S Friday 5th December 2014 9.30 a.m. – Samuhika Lakshmi Pooja (Samarpana – Rs. 300/-) Saturday 6th December 2014 11.00 a.m. – Samasrayenam Sunday 7th December 2014 3.00 p.m. – Prize Distribution for winners of Annual Competitons 2014 P ROGRAMME AT SRI KANYAKA PARAMESWARI COLLEGE FOR WOMEN 1, Audiappa Naicken Street, (Old Kotwal Market), Chennai 600001 4th December to 7th December 2014 6.00 to 6.30 p.m. – Samuhika Sri Vishnu Sahasranama Parayanam 6.30 to 8.00 p.m. – Pravachanam in Telugu on 15th Chapter of Bhagavad Gita “PuruSHOTHAMA PRAPTIYogam” S AMAR P ANA Samuhika Sri Lakshmi Pooja – Rs. 300/- per participant Flowers or fruits for 1 day Kainkaryam – Rs. 2,500/- Balabhogam – 1 day Kainkaryam – Rs. 10,000/- Half day Kainkaryam – Rs. 25,000/- Full day Kainkaryam – Rs. 50,000/- Contact : Smt. Annapoorna Reddy – 99400 65060 • Smt. Gajalakshmi – 97890 09600 BHAGAVAD RAMANUJA SAHASRABDI 2016 – 2017 The Statue of Equality The Statue of Equality is a Transcendental Abode of Bhagavad Ramanujacharya Swami consisting of a 216 ft metal statue and includes exhibitions of Sri Ramanujacharya’s iconic life journey and will also house the 108 Divya Desa’s around it. -
Wish You All a Very Happy Diwali Page 2
Hindu Samaj Temple of Minnesota Oct, 2012 President’s Note Dear Community Members, Namaste! Deepavali Greetings to You and Your Family! I am very happy to see that Samarpan, the Hindu Samaj Temple and Cultural Center’s Newslet- ter/magazine is being revived. Samarpan will help facilitate the accomplishment of the Temple and Cultural Center’s stated threefold goals: a) To enhance knowledge of Hindu Religion and Indian Cul- ture. b) To make the practice of Hindu Religion and Culture accessible to all in the community. c) To advance the appreciation of Indian culture in the larger community. We thank the team for taking up this important initiative and wish them and the magazine the Very Best! The coming year promises to be an exciting one for the Temple. We look forward to greater and expand- ed religious and cultural activities and most importantly, the prospect of buying land for building a for- mal Hindu Temple! Yes, we are very close to signing a purchase agreement with Bank to purchase ~8 acres of land in NE Rochester! It has required time, patience and perseverance, but we strongly believe it will be well worth the wait. As soon as we have the made the purchase we will call a meeting of the community to discuss our vision for future and how we can collectively get there. We would greatly welcome your feedback. So stay tuned… Best wishes for the festive season! Sincerely, Suresh Chari President, Hindu Samaj Temple Wish you all a Very Happy Diwali Page 2 Editor’s Note By Rajani Sohni Welcome back to all our readers! After a long hiatus, we are bringing Samarpan back to life. -
Shodashi Somayaga, 2020 Mattur, Karnataka, India
SHODASHI SOMAYAGA, 2020 MATTUR, KARNATAKA, INDIA Jointly organized by: Dr Raja Vikram Aditya Charoen-Rajapark, Thailand Global Country of world Peace Foundation, Rajapark Maharishi Vedic University, Holland PV Ramana Reddy Foundation Sri Aurobindo International Foundation Shodashi Somayaga, 2020 – Mattur CONTENTS 1. The legend of Shodasi, Indra and Vritrasura (story from Rig Veda) ...................................................................3 2. Introduction ........................................................................................................................................................5 3. Yajamana & Ritwiks : ..........................................................................................................................................6 4. Protocols: ............................................................................................................................................................8 Stotras ....................................................................................................................................................................8 5. Sankalpa..............................................................................................................................................................9 6. Pravargya ......................................................................................................................................................... 11 7. Ritual Process: ................................................................................................................................................ -
Shiva Panchakshara Stotram Nagendra Haraya Trilochanaya
SVT Vindhya Kaveri Class 2016-2017 Shiva Panchakshara Stotram Nagendra haraya Trilochanaya, Basmanga ragaya maheswaraya, Nithyaya shudhaya digambaraya, Tasmai “Na”karaya namashivaya. Mandakini salila chandana charchithaya, Nandeeswara pramadha nadha maheswaraya, Mandra pushpa bahu pushpa supoojithaya, Tasmai “Ma”karaya namashivaya. Shivaaya gowri vadanabja bala, Sooryaya daksha dwara naasakaya, Sri neela kantaya vrisha dwajaya, Tasmai “Si”karaya namashivaya. Vasishta kumbhodhbhava gowthamarya, Munendra devarchitha shekaraya, Chandrarka vaiswanara lochanaya, Tasmai “Va”karaya namashivaya. Yajna swaroopaya jada dharaya, Pinaka hasthathaya sanathanaya, Divyaya devaaya digambaraya, Tasmai “Ya”karaya namashivaya. Panchaksharamidham punyam, Ya padeth Shiva sannidhou, Shivaloka maapnothi, Shive na saha modathe. 1 SVT Vindhya Kaveri Class 2016-2017 Shiva is the destroyer among the trinity and is worshipped as their main deity by millions of Hindus. The holy word chant to worship him is made of five letters and is popularly called Panchakshara- “Na Ma Si Va ya”. In this popular stotra each of these letters is considered as him and he is praised for his great qualities. Nagendra haraya Trilochanaya, Basmanga ragaya maheswaraya, Nithyaya shudhaya digambaraya, Tasmai “Na”karaya namashivaya. My salutations to the letter “Na” , which is Shiva, Who wears as garland the king of snakes. Who has three eyes, Who wears ash all over Him, Who is the greatest Lord, Who is forever, Who is the cleanest, And who wears the directions themselves as dress Mandakini salila chandana charchithaya, Nandeeswara pramadha nadha maheswaraya, Mandra pushpa bahu pushpa supoojithaya, Tasmai “Ma”karaya namashivaya. My salutations to the letter “Ma” , which is Shiva, Who is bathed by waters of ganges, Who applies sandal paste all over him, Who has Lord Nandi as his chiefton, Who is the greatest lord, And who is worshipped by Mandhara and many other flowers. -
INTRODUCTION All the Vedic Concerned Texts Repeat That The
1 INTRODUCTION All the Vedic concerned texts repeat that the agiṣṭoma forms the archetype of the soma sacrifice. As such, it is usually confused with the jyotiṣṭoma, a ceremony where the pressing of the soma is accomplished in one single day. Nevertheless, the overall rite will require five days, for it is necessary to prepare the sacrificial ground, or vedi, and the sacrificer himself. During the initial day, the first part of the vedi is prepared, which implies the erection of a kind of shed, the śālā, and the sacrifice ris consecrated. For the three next days, the main process will be articulated into the performance of two minor rites, the pravargya and the upasad. They must be achieved twice each day, once in the morning and then again in the afternoon. Inside this structure, the overall preparation of the last day moves forward. During the fifth and last day, the most important and prestigious offerings will be performed by the priestly team. The entire day will be dedicated to the libations of soma freshly pressed out. There will be three main pressing sessions, early in the morning, at midday, and in the evening. The soma libations prepared during this last day alternate with two kinds of oral performances. On one hand, certain hymns are chanted by the udgātar and his team. These passages constitute the stotras « chants ». On the other hand, selected hymns are recited by the hotar and his team. These hymns, mixed with other passages, as for instance the nividas, are arranged in śastras « recitations ». Basically, each soma sequence corresponds to a particular stotra and śastra. -
Elephants in Art, Architecture and History of Orissa
Orissa Review * June - 2008 Elephants in Art, Architecture and History of Orissa Debabrata Swain Since time immemorial the elephant has been an plates makes us believe that the living species of integral part of Indian culture and heritage. The the mastodon either attracted the admiration of Vedic 'King of Gods' (Indra) assumed a distinctly the people of the valley for its gigantic structure Indian character after localization in the land of and strength or where depictions of elephants the 'Five Rivers'. He ultimately stepped from his appear on amulets they were propitiatory in nature chariot, drawn by the steeds of the Aryan horse (Sen, 1972). An outstanding icon in Indian art tamers and mounted an elephant. Sen (1972) appears in the Harappan culture for the first time states that it is indeed curious that Indra who was on a famous seal from Mahenjodaro. The seal conceived as being borne on a golden chariot shows a central figure seated on a low throne in a drawn by two or many tawny steeds, abandoned yogic position, along with which appear the his old vehicle and preferred an elephant as his elephant, tiger, rhinoceros, buffalo and deer and vahana or carrier. Craven (1976) observes that two exceedingly stylized human figures (Craven, hymns in Rigveda, the first and chief book of the 1976). Vedas compiled sometime between 1500 and ASHOKA AND THE KALINGA WAR 500 BC, were especially directed towards Indra, the God of the heavens and the warrior king, who The history of Indian Art and Architecture rode a white elephant and used the thunder bolt, is obscure between the Indus Valley period and Vajra, as his principal weapon. -
St. Joseph's Journal of Humanities and Science ISSN: 2347 - 5331
K. Karthikeyan / St. Joseph’s Journal of Humanities and Science (Volume 2 Issue 2 August 2015) 33-37 33 St. Joseph’s Journal of Humanities and Science (Volume 2 Issue 2 August 2015) 33-37 St. Joseph's Journal of Humanities and Science ISSN: 2347 - 5331 http://sjctnc.edu.in/6107-2/ RELIGIOUS TOURIST PLACES IN TIRUVANNAMALAI – A STUDY - K. Karthikeyan* ABSTRACT Tiruvannamalai is a town in the state of Tamilnadu, administrated by a special grade municipality that covers an area of 16.33 km2 (6.31 sq.m) and had a population of 144,278 in 2011. It is the administrative headquarters of Tiruvannamalai District. Located on the foothills of Annamalai. Tiruvannamalai has been ruled by the Pallavas, the Cholas, Hoysalas, the Vijayanagar Empire, the Carnetic Kingdom, Tipu sultan, and the British. It served as the capital city of the Hoysalas. The town is built around the Annamalaiyar Temple. INTRODUCTION Tiruvannamalai is an ancient temple town in TamilNadu with a unique historical back ground. The Tiruvannamalai is named after the central deity of the four great Tamil saivaite poets Sambandar, Sundarar, Annamalaiyar Temple. The Karthigai Deepam festival Appar and Manickavasagar have written about the is celebrated during the day of the full moon between history of Tiruvannamalai in their literary work November and December, and a huge beacon is lit Thevaram and Thiruvasagam which stands unparalleled, atop the Annamalai hill. The event is witnessed by Arunagirinathar has also written beautifully about three million pilgrims. On the day preceding each full the Tiruvannamalai and its Lord Arunachalaeswarar moon, pilgrims circumnavigate the temple base and the temple. -
VEDA (Level-A)
Ekatmata Stotra - Song of Unity CLASS-III 9 Notes EKATMATA STOTRA - SONG OF UNITY A nation is consisting of its people, physical features, cultures and values inherited in the society. The culture and values are developed, grown and transmitted from one area to another over a period of time. These values, special natural phenomena, noble action of its people and leaders becomes motivation for next generation. Ekatm Stotra is collection of shlokas praising the nature, mountains, rivers, great leaders and the values of Indian society. This lesson will make you feel proud about our country. OBJECTIVES After studying this lesson, you will be able to : • recite all 33 shlokas from ekatmata stotra; • identify the grand traditions of the land; • appreciate the beauty of nature and its interaction with people; and • appreciate the rich literature of country. OBE-Bharatiya Jnana Parampara 77 Ekatmata Stotra - Song of Unity CLASS-III 9.1 SHLOKA OF EKATMATA STOTRA (1 TO 20) Notes Are you not proud of you? Your parents? People? Nation? Country and the society? We as a nation, have a great things to remember. We study the historical events in social studies. Here is a set of shlokas containing all such grand scenario of our nation. This is called Ekatmata Stotra. The song of unity. All the Sadhakas, Sadhana and tradition is just listed here. 1- Å lfPpnkuan:ik; ueksLrq ijekReusA T;ksfreZ;Lo:ik; foÜoekaxY;ewrZ;sAA1AA Om. I bow to the supreme Lord who is the very embodiment of Truth, Knowledge and Happiness, the one who is enlightened, and who is the very incarnate of universal good. -
The Stotra - a Literary Form © 2017 IJSR Received: 14-05-2017 Accepted: 15-06-2017 Sailaja Kaipa
International Journal of Sanskrit Research 2017; 3(4): 77-79 International Journal of Sanskrit Research2015; 1(3):07-12 ISSN: 2394-7519 IJSR 2017; 3(4): 77-79 The stotra - A literary form © 2017 IJSR www.anantaajournal.com Received: 14-05-2017 Accepted: 15-06-2017 Sailaja Kaipa Sailaja Kaipa 1. The Glory of Sanskrit Literature Sri Venkatesvara University, Tirupati, Andhra Pradesh, India The Classical Sanskrit literature has inherited the spirit of the Vedas. Almost all the literary forms of classical period have been greatly inspired by the earlier literature existent in assuming new external forms. The epics have played a greater role of transmission by bringing down the ideal content of the Vedas and the Upanishads in the form of genealogical accounts of the rulers of both Solar and Lunar races. While the depiction of an ideal man has assumed the shape of the first poetic piece in the world (adikavya) in the name of Ramayana, the day today conflicts between the vice and virtue took the shape of the Mahabharata. The stress on moral teachings in the latter lead it to reckon as the fifth Veda (pancamaveda). The appealing technique of expression kindled the inquisitive and creative faculty of the man to give expression to their own feelings and ideas. The creator (poet) in man gave verbal expressions to abstract ideas and visible nature leading to the creation of poetry (kavya). Mammata succinctly expresses in a nutshell the effectiveness of the poetry (kavya) in the following lines- “Kavya is that which touches the in most cords of the human mind and diffuses itself into the crevices of the heart working up a lasting sense of delight. -
Temple-Mystery-India.Pdf
Newsletter Archives www.dollsofindia.com Five Hindu Temples Shrouded in Mystery Copyright © 2017, DollsofIndia India is a land of myriad temples and other sacred places of worship. According to experts, Hindu temples did not exist before or during the Vedic period (1500-500 BC). The concept of idol worship came into existence only after this era - this in turn gave rise to the construction of shrines and temples of all shapes and sizes. Most of the major Hindu temples are truly amazing, jaw-dropping creations, which inspire a sense of awe and wonder in us. Yet others give rise to a totally different sensation in us - that of being in a mystical; sort of magical and surreal location. In this post, we bring you a feature on five major Hindu temples, which seem unusually numinous and are shrouded in mystery and mysticism. Konark Sun Temple The Konark Sun Temple, also referred to as Konarak Sun Temple and Surya Deula, was built in 13th century CE. Located about 35 kilometers northeast of Puri, it lies along the coastline of Odisha. This temple is attributed to King Narasimhadeva of the Eastern Ganga Dynasty (around 1250 CE). Dedicated to Surya (the Sun God), this structure is presently a 100-foot high chariot with huge wheels and horses; all carved from stone. Today, much of the temple is in ruins. A large shikhara, which rose high above the present mandapa, has unfortunately fallen off. The surviving structure is famed for its intricate sculpture, artwork and themes including the erotic Kama and Mithuna scenes. Built in the typical Oriyan style of temple architecture, it stood over 200 feet high before the start of its ruin. -
Chola Temples of Tamil Nadu
Chola Temples Of Tamil Nadu- UPSC Arts & Culture Notes Recently, ‘Kumbhabishekam’ ceremony was held at the ‘Brihadeeswara temple’ in Thanjavur, Tamil Nadu after 23 years. Kumbhabhishekham is a part of the consecration ceremony of Hindu temples. ‘Kumbha’ means the Head and denotes the Shikhara* or Crown of the Temple and abhishekam is ritual bathing. Relevance of the Topic This topic was in the news and hence, is important for the UPSC exam. Read our Issues in News segment for insights into topics that make headlines and are important for the IAS exam. *In Dravida style temples the spire/deul or tower which surmounts the sanctum sanctorum (Garbhagriha) is pyramidal in shape and together are known as the ‘Vimana’.The top end of the vimana is called ‘Shikhara’, whereas in Nagara style temples the spire on top of the garbhagriha is itself called the ‘Shikhara’. Introduction The Cholas of the Tanjore line, also known as the Imperial Cholas ruled over most of South India for about four centuries ie, 875 -1175 AD. The political and ceremonial centre of the Cholas was Thanjavur (Tanjai). The Cholas linked themselves to the Solar dynasty. The Cholas conquered parts of the Gujarat, Malwa, Deccan and Indonesia, Lakshadweep, Maldives and Sri Lanka in entirety. Bay of Bengal came to be known as the ‘Chola Lake’ as they dominated the area with their powerful navy. The entire coast from Kanyakumari to Bengal came to be captioned ‘Cholamandalam’. Coramandal is the anglicised name of Cholamandalam. It is also noteworthy that they dominated the other two seas. Owing to the Chola rule, during this period, there was remarkable political stability in South India. -
ANNEXURE 5.8 (CHAPTER V, PARA 25) FORM 9 List of Applica Ons For
ANNEXURE 5.8 (CHAPTER V, PARA 25) FORM 9 List of Applicaons for inclusion received in Form 6 Designated locaon identy (where Constuency (Assembly/£Parliamentary): Maduravoyal Revision identy applicaons have been received) From date To date @ 2. Period of applicaons (covered in this list) 1. List number 01/12/2020 01/12/2020 3. Place of hearing* Serial $ Date of Name of Father / Mother / Husband Date of Time of number Name of claimant Place of residence of receipt and (Relaonship)# hearing* hearing* applicaon NO 27/A, DEVI NARAYANA LAKSHMI STREET 1 01/12/2020 C E PRAKASAN C E NARAYANAN (F) MARUTHI RAM NAGAR, AYAPPAKKAM, , Thiruvallur NO 27/A, DEVI NARAYANA LAKSHMI STREET 2 01/12/2020 C E PRAKASAN C E NARAYANAN (F) MARUTHI RAM NAGAR, AYAPPAKKAM, , Thiruvallur No 2319, 5th Main 3 01/12/2020 Sumathi R Ramesh (H) Road, Ayapakkam, , Thiruvallur 2785, 5th main 4 01/12/2020 Jaiganesh Rangan (F) road, Ayyappakkam, , Thiruvallur 5 01/12/2020 Hemalatha D Dhatshinamoorthy K (H) 8640, TNHB, Ayapakkam, , Thiruvallur MOHAMMED 10 FA JAIN NAKSHTRA, 86 UNION 6 01/12/2020 MOHAMMED NORULLA (F) NASRULLA ROAD, NOLAMBUR, , Thiruvallur HAJIRA 10 FA JAIN NAKSHTRA, 86 UNION 7 01/12/2020 MOHAMMED MOHAMMED NASRULLA (H) ROAD, NOLAMBUR, , Thiruvallur NASRULLA C16, DABC Gokulam Phase 3, Sriram Nagar 8 01/12/2020 S SURIYAKRISHNAN K S SATHISH (F) Main Road, Nolambur, , Thiruvallur 42 sri Lakshmi apartments, 3rd Avenue 9 01/12/2020 sijo mathew biju mathew (F) millennium town, adayalampau, , Thiruvallur 312 VNR Milford, 7th 10 01/12/2020 Sundaram savarimuthu (F) Street,