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To Theo Van Gogh. the Hague, on Or About Saturday, 21 April 1883
To Theo van Gogh. The Hague, on or about Saturday, 21 April 1883. on or about Saturday, 21 April 1883 Metadata Source status: Original manuscript Location: Amsterdam, Van Gogh Museum, inv. no. b303 V/1962 Date: The letter comes after letter 336 of on or about Wednesday, 11 April 1883 because Theo must have responded to Vincents remarks about the widow of Frans Soek and her mother in letter 336. Since Vincent says thanks for the money received, it must be assumed that this was the next remittance, that of 20 April. We therefore date the letter on or about Saturday, 21 April 1883. Additional: Original [1r:1] Waarde Theo, Dank voor Uw schrijven, dank voor het ingeslotene. Uw brief las ik met veel belangstelling. Ik ben blij dat gij juist inziet van welken kant waarschijnlijk moeielijkheden zullen komen. N.l. dat zonder t expres te doen vrouwen als bij S.1 (ge zegt teregt ze echter op zich zelf goed zijn) weinig voorzigtig zijn in wat ze zeggen enz. Als ge met een woord spreekt over eene relatie tusschen Uw patient & hare eigene moeder2 zoo is dat iets waar ik U ook niet mede feliciteer. Ik vrees aan die band zal zij menigmaal achteruit getrokken worden als gij haar vruitgang zoekt te bewerken. Alleen het is niets ongewoons. Het is echter wel eene treurige gedachte dat iets als eene relatie tusschen moeder en dochter een donkeren kant kan hebben. Zoo dat een man die licht liefheeft en het zoekt er fataal door gedwarsboomd kan worden. Door den invloed van 1 The widow Soek and her mother; cf. -
Van Gogh Museum Journal 1995
Van Gogh Museum Journal 1995 bron Van Gogh Museum Journal 1995. Waanders, Zwolle 1995 Zie voor verantwoording: http://www.dbnl.org/tekst/_van012199501_01/colofon.php © 2012 dbnl / Rijksmuseum Vincent Van Gogh 6 Director's Foreword The Van Gogh Museum shortly after its opening in 1973 For those of us who experienced the foundation of the Van Gogh Museum at first hand, it may come as a shock to discover that over 20 years have passed since Her Majesty Queen Juliana officially opened the Museum on 2 June 1973. For a younger generation, it is perhaps surprising to discover that the institution is in fact so young. Indeed, it is remarkable that in such a short period of time the Museum has been able to create its own specific niche in both the Dutch and international art worlds. This first issue of the Van Gogh Museum Journal marks the passage of the Rijksmuseum (National Museum) Vincent van Gogh to its new status as Stichting Van Gogh Museum (Foundation Van Gogh Museum). The publication is designed to both report on the Museum's activities and, more particularly, to be a motor and repository for the scholarship on the work of Van Gogh and aspects of the permanent collection in broader context. Besides articles on individual works or groups of objects from both the Van Gogh Museum's collection and the collection of the Museum Mesdag, the Journal will publish the acquisitions of the previous year. Scholars not only from the Museum but from all over the world are and will be invited to submit their contributions. -
Beyond the Pink: (Post) Youth Iconography in Cinema
Beyond the Pink: (Post) Youth Iconography in Cinema Christina Lee Bachelor of Arts with First Class Honours in Communication Studies This thesis is presented for the degree of Doctor of Philosophy of Murdoch University 2005 Declaration I declare that this dissertation is my own account of my research and contains as its main content work which has not previously been submitted for a degree at any tertiary education institution. ______________________ Christina LEE Hsiao Ping i Publications and Conference Presentations Refereed Publications Christina Lee. “Party people in the house(s): The hobos of history” in Liverpool of the South Seas: Perth and Its Popular Music. Tara Brabazon (ed.) Crawley: University of Western Australia Press, 2005. pp. 43-52. This chapter was written in association with the research on rave culture, as featured in Chapter Six. Christina Lee. “Let me entertain you” in TTS Australia: Critical Reader. Bec Dean (ed.) Northbridge: PICA, 2005. pp. 17-18. This piece was written in association with the research on nationalism and xenophobia, as featured in Chapter Seven. Christina Lee. “Lock and load(up): The action body in The Matrix”, Continuum: Journal of Media and Cultural Studies, forthcoming 2005. This journal article was written in association with the research on simulacra and masculinity, as featured in Chapter Two and Chapter Seven. Conference Presentations “Lock and Load(up): The Action Body in The Matrix”. Alchemies: Community Exchanges. 7th Annual Humanities Graduate Research Conference. Curtin University of Technology: Bentley, Australia. 6-7 November, 2003. This conference presentation was derived from research on the simulacra and the action hardbody as presented in Chapter Two and Chapter Seven. -
In Goed Gezelschap Van Talent Tot Meester Van Atelier Tot Amsterdams Kunstacademie Impressionisme
In goed gezelschap Van talent tot meester Van Atelier tot Amsterdams Kunstacademie impressionisme Stel: je wilt kunstenaar worden. Amsterdam prijst zich gelukkig. Met Vroeg 1800. Als het in de familie zit, August Allebé, docent en directeur zoals bij de Koekkoeks, bof je. Dan aan de Rijksacademie. Een kanjer. krijg je les van opa, papa, broer of Maar ook met vrije, spontane oom. Anders kun je elders in de leer. schilders als Breitner, Willem Witsen Schilderateliers. Kunstacademies en Isaac Israels. Ondertussen wordt zijn er nog maar mondjesmaat. Wel Arti behoudend. Sint Lucas frist de tekenscholen zonder schilderlessen. boel weer op. Lees meer op pag. 4 Lees meer op pag. 66 Romantiek Rotterdamse Den Haag Academie Den Haag is er al vroeg bij. Met de Hierdoor tot Hooger. Rotterdam oudste Teekenacademie van ons land meldt zich. Van Mastenbroek boert (1682). Typisch hofstad: de grote goed, Van Voorden wordt chroni- ateliers, Bart van Hove, Andreas queur, Willem Hussem en Klaas Schelfhout, Hendrikus van de Sande Gubbels geven les, de Academie Bakhuyzen, Pulchri, samen aan het wordt vernoemd naar Willem de werk, samen op reis. Kooning. Toch wordt de stad nog geen sprankelende kunstenstad. Lees meer op pag. 24 Lees meer op pag. 80 Romantiek Academie Amsterdam Minerva Amsterdam is Den Haag niet. Het is Daar is het Hoge Noorden. er veel losser. En de romantiek ligt er Groningen. Met Minerva, Pictura, de op straat, voor wie haar maar vinden broertjes Mesdag, Eerelman en later wil. Springer, Eversen, Greive en Rust het kleurrijke eigen expressionisme blinken uit, Fodor verzamelt, Arti van De Ploeg: Wiegers, Altink, Van et Amicitiae verbroedert. -
DOCUMENT RESUME ED 360 972 IR 054 650 TITLE More Mysteries
DOCUMENT RESUME ED 360 972 IR 054 650 TITLE More Mysteries. INSTITUTION Library of Congress, Washington,D.C. National Library Service for the Blind andPhysically Handicapped. REPORT NO ISBN-0-8444-0763-1 PUB DATE 92 NOTE 172p. PUB TYPE Reference Materials Bibliographies (131) EDRS PRICE MF01/PC07 Plus Postage. DESCRIPTORS Annotated Bibliographies; Audiodisks; *Audiotape Recordings; Authors; *Blindness; *Braille;Government Libraries; Large Type Materials; NonprintMedia; *Novels; *Short Stories; *TalkingBooks IDENTIFIERS *Detective Stories; Library ofCongress; *Mysteries (Literature) ABSTRACT This document is a guide to selecteddetective and mystery stories produced after thepublication of the 1982 bibliography "Mysteries." All books listedare available on cassette or in braille in the network library collectionsprovided by the National Library Service for theBlind and Physically Handicapped of the Library of Congress. In additionto this largn-print edition, the bibliography is availableon disc and braille formats. This edition contains approximately 700 titles availableon cassette and in braille, while the disc edition listsonly cassettes, and the braille edition, only braille. Books availableon flexible disk are cited at the end of the annotation of thecassette version. The bibliography is divided into 2 Prol;fic Authorssection, for authors with more than six titles listed, and OtherAuthors section, a short stories section and a section for multiple authors. Each citation containsa short summary of the plot. An order formfor the cited -
NPRC) VIP List, 2009
Description of document: National Archives National Personnel Records Center (NPRC) VIP list, 2009 Requested date: December 2007 Released date: March 2008 Posted date: 04-January-2010 Source of document: National Personnel Records Center Military Personnel Records 9700 Page Avenue St. Louis, MO 63132-5100 Note: NPRC staff has compiled a list of prominent persons whose military records files they hold. They call this their VIP Listing. You can ask for a copy of any of these files simply by submitting a Freedom of Information Act request to the address above. The governmentattic.org web site (“the site”) is noncommercial and free to the public. The site and materials made available on the site, such as this file, are for reference only. The governmentattic.org web site and its principals have made every effort to make this information as complete and as accurate as possible, however, there may be mistakes and omissions, both typographical and in content. The governmentattic.org web site and its principals shall have neither liability nor responsibility to any person or entity with respect to any loss or damage caused, or alleged to have been caused, directly or indirectly, by the information provided on the governmentattic.org web site or in this file. The public records published on the site were obtained from government agencies using proper legal channels. Each document is identified as to the source. Any concerns about the contents of the site should be directed to the agency originating the document in question. GovernmentAttic.org is not responsible for the contents of documents published on the website. -
19E Eeuw ‘Margaretha’ Cornelia Johanna Wilhelmina Henriëtta Roosenboom Den Haag 1843-1896 Voorburg Roze Rozen, Doek 39,7 X 30 Cm, Gesigneerd
SIMONIS&BUUNK KUNSTHANDEL Wintersalon 2004 19e eeuw ‘Margaretha’ Cornelia Johanna Wilhelmina Henriëtta Roosenboom Den Haag 1843-1896 Voorburg Roze rozen, doek 39,7 x 30 cm, gesigneerd. Omslag: Barend Cornelis Koekkoek Landelijk vermaak buiten de stadsmuren (detail) zie pag. 6 SIMONIS&BUUNK Romantici EEN KEUR AAN KUNST Impressionisten Haagse School Larense School Amsterdamse School Wintersalon 2004 19e eeuw donderdag 18 november t/m zaterdag 4 december SIMONIS & BUUNK KUNSTHANDEL BV SIMONIS & BUUNK COLLECTIE BV SIMONIS & BUUNK COLLECTIE III CV RESTAURATIEATELIER J.M. SIMONIS – SINDS 1927 REGISTER TAXATEUR SCHILDERIJEN Een collectie schilderijen en aquarellen uit de periode 1780 tot 1940 van vooraanstaande, voornamelijk Hollandse romantici en impressionisten, waaronder schilders van de Haagse School, de Larense en de Amsterdamse School Voor prijzen: zie www.simonis-buunk.nl Openingstijden expositie: dinsdag t/m zondag van 11-17 uur Gesloten op maandagen en tevens op 2 en 3, 16 en 17 november Notaris Fischerstraat 30, 6711 BD Ede telefoon: 0318 652888 fax: 0318 611130 Buiten exposities om geopend dinsdag t/m zaterdag van 11-17 uur en op afspraak www.simonis-buunk.nl [email protected] 3 Ter inleiding Zelf kunst kopen is een boek dat omstreeks het verschijnen van jonge specialisten. (Het veelgebruikte begrip ‘expert’ vind ik deze catalogi in de winkel zal liggen. Toen ik de blauwdruk ervan persoonlijk te veel onfeilbaarheid uitstralen.) Vanwege deze door- onder ogen kreeg zorgde die meteen voor de nodige hilariteit. Er stroom heeft men vaak niet permanent de noodzakelijke kennis in borrelden direct een paar titels van boeken bij me op, die in de huis, hoezeer daar ook naar gestreefd wordt. -
Women in African Cinema: an Aesthetic and Thematic Analysis of Filmmaking by Women in Francophone West Africa and Lusophone and Anglophone Southern Africa
University of Stirling Women in African Cinema: An aesthetic and thematic analysis of filmmaking by women in francophone West Africa and lusophone and anglophone Southern Africa Lizelle Bisschoff Supervised by Professor David Murphy Submitted for the degree of PhD in French Studies School of Languages, Cultures and Religions November 2009 ABSTRACT Women in African Cinema: An aesthetic and thematic analysis of filmmaking by women in francophone West Africa and lusophone and anglophone Southern Africa This study focuses on the role of women in African cinema – in terms of female directors working in the African film industries as well as the representation of women in African film. My research specifically focuses on francophone West African and lusophone and anglophone Southern African cinemas (in particular post-apartheid South African cinema). This research is necessary and significant because African women are underrepresented in theoretical work as well as in the practice of African cinema. The small corpus of existing theoretical and critical studies on the work of female African filmmakers clearly shows that African women succeed in producing films against tremendous odds. The emergence of female directors in Africa is an important but neglected trend which requires more dedicated research. The pioneering research of African-American film scholar Beti Ellerson is exemplary in this regard, as she has, since the early 2000s, initiated a new field of academic study entitled African Women Cinema Studies. My own research is situated within this emerging field and aims to make a contribution to it. The absence of women in public societal spheres is often regarded as an indicator of areas where societies need to change. -
DERKSEN Floris Arntzenius
Kunst • Antiek • Inboedelveilingen • Taxaties DERKSEN veilingbedrijf Floris Arntzenius DERKSEN veilingbedrijf VEILINGINFORMATIE APRIL 2018 Deze veiling uit particuliere inbreng, wordt gehouden t.o.v. Gerechtsdeurwaarder de heer L H L M Vloet te Arnhem KIJKDAGEN: Donderdag 5 april 11.00 - 17.00 uur Vrijdag 6 april 11.00 - 17.00 uur Zaterdag 7 april 11.00 - 17.00 uur Zondag 8 april 11.00 - 17.00 uur VOLGORDE VAN VERKOOP: Zaalveilingen: Maandag 9 april 19.00 uur: kavel 1 - 374 Kunst en antiek Dinsdag 10 april 19.00 uur: kavel 375 - 520 Antiek / inboedel kavel 1000 - 1199 Antiek / inboedel Woensdag 11 april 09.30 uur: kavel 9000 - 9345 Kleingoed 19.00 uur: kavel 1200 - 1560 Antiek / inboedel Donderdag 12 april 14.00 uur: kavel 2000 - 2180 2e Verdieping kavel 3000 - 3100 Design 19.00 uur: kavel 5000 - 5420 Vitrinegoederen Timed Online Veilingen: Goud en zilver Kavel 7000 - 7410 Sluit 10 april 20.00 uur DERKSEN Dinky Toys Kavel 8000 - 8150 Sluit 11 april 20.00 uur veilingbedrijf AFHAALTIJDEN VEILINGGOEDEREN: Vrijdag 13 april 08.30 - 16.00 uur Maandag 16 april 08.30 - 16.00 uur Amsterdamseweg 23 VEILINGKOSTEN: 28% 6814 GA ARNHEM AGENDA: Dinsdag 17 april Vastgoedveiling Gelderland tel: 026-4421498 Dinsdag 19 juni Vastgoedveiling Gelderland www.derksen-veilingbedrijf.nl Maandag 2 juli Kunst, Antiek en inboedelveiling [email protected] Volgrecht wordt toegepast. Het volgrecht is het recht van de maker van een origineel van een kunstwerk om bij iedere latere doorverkoop van dat werk een percentage te ontvangen van de verkoopprijs. Als een kunstenaar overlijdt, kan het volgrecht overgaan op zijn nabestaanden of andere erfgenamen. -
Rozann Allyn Shackleton Editor's Voice Linda Brown Making The
Volume 26 Number 2 • Autumn/Winter 2010 Rozann Allyn Shackleton Editor's Voice Linda Brown Making the Case for Case Study Research This article provides a how-to guide for chaplains interested in conducting case study research, including research design, data collection/analysis and preparation of the manuscript. keywords: methodology, data analysis, evidence-based practice Ann Sidney Charlescraft, Alexander Tartaglia, Diane Dodd-McCue, Sandra B. Barker When Caring Hurts . A Pilot Study Supporting Compassion-fatigued Pediatric Critical Care Nurses Compassion fatigue is often experienced in health care institutions. The article describes the vital role that chaplains may play in addressing self-care as an ethical and pastoral priority and details an intervention plan piloted with critical care nurses. keywords: research, survey, burnout Mark LaRocca-Pitts Protocol-based Referrals: A Method for Selecting Patients in the Electronic Age Effective patient selection is a perennial concern for chaplains. Various methods have been proposed, including case-finding, standard response and referral. This article discusses protocol-based referrals, a form of standard response which utilizes electronic medical records as a tool for selecting patients. keywords: referral, patient records, triage Marci Pounders Essay- Don't Worry, I've Got You Personal reflection on ministry to a hospice patient. keywords: pastoral, end-of-life, compassion George R. Robie, Coordinator Retired Chaplains' Writing Project This installment features the reflections of three past presidents of the two organizations which merged to form the Association of Professional Chaplains. keywords: collegial, wisdom, history - Jerry J. Griffin: The Integrity of Authority and Identity - Ron Ropp: Issues, Concerns and Goals of Chaplain Leadership 1982-83 - Clark S. -
Willem Van Konijnenburg Rijnders, M.L.J
VU Research Portal Willem van Konijnenburg Rijnders, M.L.J. 2007 document version Publisher's PDF, also known as Version of record Link to publication in VU Research Portal citation for published version (APA) Rijnders, M. L. J. (2007). Willem van Konijnenburg: Leonardo van de Lage Landen. General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. E-mail address: [email protected] Download date: 26. Sep. 2021 Willem van Konijnenburg Leonardo van de Lage Landen VRIJE UNIVERSITEIT Willem van Konijnenburg Leonardo van de Lage Landen ACADEMISCH PROEFSCHRIFT ter verkrijging van de graad Doctor aan de Vrije Universiteit Amsterdam, op gezag van de rector magnificus prof.dr. L.M. Bouter, in het openbaar te verdedigen ten overstaan van de promotiecommissie van de faculteit der Letteren op donderdag 13 december 2007 om 10.45 uur in de aula van de universiteit, De Boelelaan 1105 door Maria Lambertha Johanna Rijnders geboren te Geldrop 1 promotor: prof.dr. -
Dissertation Proposal
EXILE AND EMPIRE: POST-IMPERIAL NARRATIVE AND THE NATIONAL EPIC: A COMPARATIVE STUDY OF RUSHDIE’S THE SATANIC VERSES & VIRGIL’S AENEID By KENNETH SAMMOND A Dissertation submitted to the Graduate School-New Brunswick Rutgers, The State University of New Jersey In partial fulfillment of the requirements For the degree of Doctor of Philosophy Graduate Program in Comparative Literature Written under the direction of Steven F. Walker And approved by ________________________ ________________________ ________________________ ________________________ New Brunswick, New Jersey January, 2011 ©2011 Kenneth Sammond ALL RIGHTS RESERVED ABSTRACT OF THE DISSERTATION Exile and Empire: Post-Imperial Narrative and the National Epic: A Comparative Study of Rushdie’s The Satanic Verses and Virgil’s Aeneid By KENNETH SAMMOND Dissertation Director: Professor Steven F. Walker This dissertation juxtaposes Virgil’s Aeneid with Salman Rushdie’s The Satanic Verses in order to explore how epics, which question and upend our very ideas of civilization, represent a crisis in culture and anticipate new ways of imagining community. This juxtaposition, developed from allusions to Virgil found in The Satanic Verses, examines how Virgil’s epic imagines empire and how Rushdie’s work, as a type of epic, creates a narrative that I term, ‘post-imperial.’ Post-imperial narrative is defined as part of the evolution of the epic genre and its ways of imagining community. To create this definition, I represent a genealogy of epic traits both structural and thematic, arguing that epic themes express totalizing perspectives and changes that irrevocably alter the world. This genealogy reveals how epics imagine communities by creating self-definitional traits, historical and cosmological contexts, and anticipated futures.