Analyze Plot and Theme
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2018 Summer Reading
2018 Summer Reading Regular QR Code for Summer Reading Pre AP Summer Reading Connections Example of how to complete connection page Example of how to complete connection page Contact Information with any questions or concerns: Teri Eubank [email protected] (512) 268-1472 2018 Summer Reading Product Checklist Purpose of summer reading: Summer reading is the singular activity that is most strongly and consistently related to preventing academic loss during the summer. The state academic standard we will focus on is 6.8.Fig19C – students will reflect on understanding to monitor comprehension through making connections – textual, personal, and world. Requirements: 1 book Your book choice must come from the BMS summer reading list(s). BMS summer reading lists (different for each grade level) is attached to this document; the information is taken from the district lists provided. Annotations for beginning, middle and end using the Text Connection Log: Text to Self Text to Text Text to World Provided: A text connections log will distributed to students prior to last day of school and will be on the BMS website & The Bobcat Zone by June 7, 2018. Parent Note: Please note that some of the books on these lists may contain mature language, situations, and themes. We strongly encourage parents and/or guardians to preview the books. While the Lexile Framework is a scientific way to match reader with text considered the right level of challenge, the Lexile Framework does not take into account student interest and literary merit. We strongly encourage parents and/or guardians to consider readability, interest, and literary merit when helping students choose books. -
THE WIRE & the MYTHOLOGY of the WESTERN a Thesis Submitted
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Saskatchewan's Research Archive THE WIRE & THE MYTHOLOGY OF THE WESTERN A Thesis submitted to the College of Graduate Studies and Research In Partial Fulfillment of the Requirements For the Degree of Master of Arts In the Department of English University of Saskatchewan Saskatoon By KELSEY TOPOLA © Copyright Kelsey Topola, December, 2013. All rights reserved. PERMISSION TO USE In presenting this thesis/dissertation in partial fulfillment of the requirements for a Postgraduate degree from the University of Saskatchewan, I agree that the Libraries of this University may make it freely available for inspection. I further agree that permission for copying of this thesis/ dissertation in any manner, in whole or in part, for scholarly purposes may be granted by the professor or professors who supervised my thesis/dissertation work or, in their absence, by the Head of the Department or the Dean of the College in which my thesis work was done. It is understood that any copying or publication or use of this thesis/dissertation or parts thereof for financial gain shall not be allowed without my written permission. It is also understood that due recognition shall be given to me and to the University of Saskatchewan in any scholarly use which may be made of any material in my thesis/dissertation. DISCLAIMER Reference in this thesis/dissertation to any specific commercial products, process, or service by trade name, trademark, manufacturer, or otherwise, does not constitute or imply its endorsement, recommendation, or favoring by the University of Saskatchewan. -
Dogsong Dogsong Dogsong
Dogsong Dogsong Independent Contract Dogsong by Gary Paulsen Independent Contract Name:___________________________ Number of activities to be completed: _______ Name:___________________________ Number of activities to be completed: _______ About the Book 1 Social Studies 2 Reading 7 In this novel for mature readers, Russel Susskit, a young Create a time capsule that could have been By the story’s end, Russel undergoes a Reading Inuit (sometimes known as Eskimo) teen, yearns to learn 8 made by Russel Susskit. Collect arts-and- personal transformation, leaving behind The old shaman Oogruk teaches Russel a Research more about his heritage and about the “old way” of Inuit crafts supplies with which to make items modern boyish ways and becoming an Inuit great deal about the old way of Inuit life. Obtain The Arctic is a challenging place to live. The life. Living as a modern-day Inuit, Russel feels an emptiness showing the old way of Inuit life. For example, man of the old way. Obtain a copy of page 5 a copy of page 6 and use it to document the largest group of native North American Arctic inside. Hungering to become more, he leaves home to live with you could use clay to make a model of an from your teacher and think about several of many lessons Russel learns. peoples—the Inuit—are sometimes known Oogruk, the old shaman, who teaches Russel how to live the oil lamp like the one Russel finds in chapter the significant changes Russel undergoes on as Eskimos or “eaters of raw meat,” but old way. -
The Wire the Complete Guide
The Wire The Complete Guide PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Tue, 29 Jan 2013 02:03:03 UTC Contents Articles Overview 1 The Wire 1 David Simon 24 Writers and directors 36 Awards and nominations 38 Seasons and episodes 42 List of The Wire episodes 42 Season 1 46 Season 2 54 Season 3 61 Season 4 70 Season 5 79 Characters 86 List of The Wire characters 86 Police 95 Police of The Wire 95 Jimmy McNulty 118 Kima Greggs 124 Bunk Moreland 128 Lester Freamon 131 Herc Hauk 135 Roland Pryzbylewski 138 Ellis Carver 141 Leander Sydnor 145 Beadie Russell 147 Cedric Daniels 150 William Rawls 156 Ervin Burrell 160 Stanislaus Valchek 165 Jay Landsman 168 Law enforcement 172 Law enforcement characters of The Wire 172 Rhonda Pearlman 178 Maurice Levy 181 Street-level characters 184 Street-level characters of The Wire 184 Omar Little 190 Bubbles 196 Dennis "Cutty" Wise 199 Stringer Bell 202 Avon Barksdale 206 Marlo Stanfield 212 Proposition Joe 218 Spiros Vondas 222 The Greek 224 Chris Partlow 226 Snoop (The Wire) 230 Wee-Bey Brice 232 Bodie Broadus 235 Poot Carr 239 D'Angelo Barksdale 242 Cheese Wagstaff 245 Wallace 247 Docks 249 Characters from the docks of The Wire 249 Frank Sobotka 254 Nick Sobotka 256 Ziggy Sobotka 258 Sergei Malatov 261 Politicians 263 Politicians of The Wire 263 Tommy Carcetti 271 Clarence Royce 275 Clay Davis 279 Norman Wilson 282 School 284 School system of The Wire 284 Howard "Bunny" Colvin 290 Michael Lee 293 Duquan "Dukie" Weems 296 Namond Brice 298 Randy Wagstaff 301 Journalists 304 Journalists of The Wire 304 Augustus Haynes 309 Scott Templeton 312 Alma Gutierrez 315 Miscellany 317 And All the Pieces Matter — Five Years of Music from The Wire 317 References Article Sources and Contributors 320 Image Sources, Licenses and Contributors 324 Article Licenses License 325 1 Overview The Wire The Wire Second season intertitle Genre Crime drama Format Serial drama Created by David Simon Starring Dominic West John Doman Idris Elba Frankie Faison Larry Gilliard, Jr. -
Gary Paulsen Author Study OR
Gary Paulsen ONLINE RESOURCES PACKET AuthorStudy Grade 5 Copyright © 2010 Pearson Education, Inc., or its affiliates. All Rights Reserved. Printed in the United States of America. This publication is protected by copyright, and permission should be obtained from the publisher prior to any prohibited reproduction, storage in a retrieval system, or transmission in any form or by any means, electronic, mechanical, photocopying, recording, or likewise. The publisher hereby grants permission to reproduce these pages, in part or in whole, for classroom use only, the number not to exceed the number of students in each class. Notice of copyright must appear on all copies. For information regarding permissions, write to Pearson Curriculum Group Rights & Permissions, One Lake Street, Upper Saddle River, New Jersey 07458. ISBN 13: 978-0-66363-989-2 1 2 3 4 5 6 7 8 9 10 14 13 12 11 10 Resources Gary Paulsen ASSESSMENT AND PROGRESS MONITORING Monitoring Student Progress Writing an Opinion (Pre-Assessment Prompt) Writing an Opinion (Post-Assessment Prompt) Rubric: Elements to Include in an Opinion LESSON RESOURCES Frontloading Lesson 1: Gary Paulsen Author Profile Notes/Thinking Frontloading Lesson 2: Mind Map Mind Map (completed sample) Frontloading Lesson 3: Facts/Questions/Responses Frontloading Lesson 4: Character’s Experience Lesson 2: The American Revolution Lesson 4 The Thirteen English Colonies Lesson 5: Checkpoint 1: Reader’s Notebook Entry Lesson 6: Model Response for Checkpoint 1 Sharing Writing Homework Lesson 7: People Watcher’s Sheet Recent -
Drug Markets, Fringe Markets, and the Lessons of Hamsterdam Lance Mcmillian
Washington and Lee Law Review Volume 69 | Issue 2 Article 11 Spring 3-1-2012 Drug Markets, Fringe Markets, and the Lessons of Hamsterdam Lance McMillian Follow this and additional works at: https://scholarlycommons.law.wlu.edu/wlulr Part of the Commercial Law Commons Recommended Citation Lance McMillian, Drug Markets, Fringe Markets, and the Lessons of Hamsterdam, 69 Wash. & Lee L. Rev. 849 (2012), https://scholarlycommons.law.wlu.edu/wlulr/vol69/iss2/11 This Article is brought to you for free and open access by the Washington and Lee Law Review at Washington & Lee University School of Law Scholarly Commons. It has been accepted for inclusion in Washington and Lee Law Review by an authorized editor of Washington & Lee University School of Law Scholarly Commons. For more information, please contact [email protected]. Drug Markets, Fringe Markets, and the Lessons of Hamsterdam Lance McMillian* Abstract The Wire is the greatest television series of all-time. Not only that, it is the most important. One of the most memorable story arcs from The Wire’s five seasons is the rise and fall of Hamsterdam—a quasi-legalized drug zone in West Baltimore. Stories are powerful teaching tools because they marry information and context. By seeing how the application of law affects characters we know and care about, we become more attune to the potential effects of legal decisions in the real world. The story of Hamsterdam—which is essentially an attempt to transform a black market into a fringe market—presents just such an opportunity. When considering the various dimensions of the fringe economy, life in Hamsterdam imparts three critical insights: (1) Markets arise wherever there exists market demand. -
Criminal Procedure, the Police, and the Wire As Dissent
University of Chicago Legal Forum Volume 2018 Article 4 2019 Criminal Procedure, the Police, and The irW e as Dissent Bennett aC pers Follow this and additional works at: https://chicagounbound.uchicago.edu/uclf Recommended Citation Capers, Bennett (2019) C" riminal Procedure, the Police, and The irW e as Dissent," University of Chicago Legal Forum: Vol. 2018 , Article 4. Available at: https://chicagounbound.uchicago.edu/uclf/vol2018/iss1/4 This Article is brought to you for free and open access by Chicago Unbound. It has been accepted for inclusion in University of Chicago Legal Forum by an authorized editor of Chicago Unbound. For more information, please contact [email protected]. Criminal Procedure, the Police, and The Wire as Dissent Bennett Capers† The Wire is rich with metaphors. There is the physical wire in the opening credits, a metaphor for surveillance more generally. There is the metaphor of the wire in the sense of a modern tightrope—another filmic work, Man on a Wire,1 comes to mind—where any minute one can lose one’s balance. There is even the metaphor of the wire in the sense that the criminal justice system is all connected or networked.2 Indeed, thinking about our criminal justice system as a complex net- work allows us to see that many of the perceived flaws in the criminal justice system—racial disparities in charging3 and sentencing,4 and ! Visiting Professor of Law, Boston University School of Law (Fall 2017); Stanley A. August Professor of Law, Brooklyn Law School. B.A. Princeton University; J.D. -
I:\28531 Ind Law Rev 46-2\46Masthead.Wpd
THE WIRE AND ALTERNATIVE STORIES OF LAW AND INEQUALITY ROBERT C. POWER* INTRODUCTION The Wire was a dramatic television series that examined the connections among crime, law enforcement, government, and business in contemporary Baltimore, Maryland.1 It was among the most critically praised television series of all time2 and continues to garner substantial academic attention in the form of scholarly articles,3 academic conferences,4 and university courses.5 One aspect * Professor, Widener University School of Law. A.B., Brown University; J.D., Northwestern University Law School. Professor Power thanks Alexander Meiklejohn and John Dernbach for their comments on an earlier draft of this Article. He also thanks Lucas Csovelak, Andrea Nappi, Gabor Ovari, Ed Sonnenberg, and Brent Johnson for research assistance. 1. Substantial information about the series is available at HBO.COM, http://www.hbo.com/ the-wire/episodes#/the-wire/index.html [hereinafter Wire HBO site]. This site contains detailed summaries of each episode. Subsequent references to specific episodes in this Article refer to the season, followed by the number of the episode counting from the beginning of season one, and then the name of the episode. For example, the first episode of season four, which introduces the four boys who serve as protagonists in season four, is The Wire: Boys of Summer (HBO television broadcast Sept. 10, 2006) [hereinafter Episode 4-38, Boys of Summer]. Additional information is available at The Wire, IMDB.COM, http://www.imdb.com/ title/tt0306414/ (last visited Mar. 26, 2013) [hereinafter Wire IMDB site]. Several books contain essays and other commentaries about the series. -
Establishing the American Way of Death: World War I and The
ESTABLISHING THE AMERICAN WAY OF DEATH: WORLD WAR I AND THE FOUNDATION OF THE UNITED STATES’ POLICY TOWARD THE REPATRIATION AND BURIAL OF ITS BATTLEFIELD DEAD Kyle J. Hatzinger, B.S. Thesis Prepared for Degree of MASTER OF ARTS UNIVERSITY OF NORTH TEXAS August 2015 APPROVED: Geoffrey D.W. Wawro, Major Professor Michael V. Leggiere, Committee Member Richard B. McCaslin, Committee Member and Chair of the Department of History Costas Tsatsoulis, Interim Dean of the Toulouse Graduate School Hatzinger, Kyle J. Establishing the American Way of Death: World War I and the Foundation of the United States' Policy Toward the Repatriation and Burial of Its Battlefield Dead. Master of Arts (History), August 2015, 158 pp., bibliography, 63 titles. This thesis examines the policies and procedures created during and after the First World War that provided the foundation for how the United States commemorated its war dead for the next century. Many of the techniques used in modern times date back to the Great War. However, one hundred years earlier, America possessed very few methods or even ideas about how to locate, identify, repatriate, and honor its military personnel that died during foreign conflicts. These ideas were not conceived in the halls of government buildings. On the contrary, concerned citizens originated many of the concepts later codified by the American government. This paper draws extensively upon archival documents, newspapers, and published primary sources to trace the history of America’s burial and repatriation policies, the Army Graves Registration Services, and how American dead came to permanently rest in military cemeteries on the continent of Europe. -
A World War I Remembrance
WORLD WAR I ARMISTICE DAY CENTENNIAL Sacred Service NOVEMBER 11, 2018 WASHINGTON NATIONAL CATHEDRAL WORLD WAR I ARMISTICE DAY CENTENNIAL Sacred Service NOVEMBER 11, 2018 WASHINGTON NATIONAL CATHEDRAL WW1 100 THE UNITED STATES YEARS WORLD WAR ONE CENTENNIAL COMMISSION Bells of Peace: A World War I Remembrance The United States World War I Centennial Commission launched a nationwide effort calling on Americans to toll bells across our country today, exactly one hundred years after the armistice, to honor the sacrifices of our fellow Americans in the Great War. Beginning at precisely 1100 EST, Washington National Cathedral’s bourdon bell will toll 21 times. It will be joined by bells in communities across the East Coast and will continue during the Eleventh Hour of the Eleventh Day of the Eleventh Month in each time zone of the United States. Participants include places of worship, schools, town halls, carillons, cemeteries, and local DAR, VFW and American Legion posts across the country. Additionally, all United States Army, Navy, Marine Corps, Air Force and Coast Guard installations, as well as Naval and Coast Guard ships at port and at sea, will toll their bells at the Eleventh Hour of this day to honor those who wore the uniform one hundred years ago. To Inspire the Future by Remembering our Past One hundred years ago, bells from steeples perched all over the world rang out in relief and joy, sorrow and hope, at news of the great Armistice. The war was over, but the hard work of peace lay ahead. Families, homes, and cities lay in ruins. -
Drug Markets, Fringe Markets, and the Lessons of Hamsterdam
DISCUSSION DRAFT McMillian Washington and Lee Law Review DRUG MARKETS, FRINGE MARKETS, AND THE LESSONS OF HAMSTERDAM Lance McMillian* INTRODUCTION The Wire is the greatest television series of all-time.1 Not only that, it is the most important.2 The transcendental quality of the show lies in what it teaches those of us living in the United States about ourselves. Even when we as a society know what is the right thing to do, our decaying institutions lack the capacity to act. The ineffectual status quo continues unabated. This feeling of impotence is so jarring to the viewer because we immediately know it to be true: our institutions are broken.3 From this perspective, The Wire is not just a television show; it is an expose on the slow decline of America in the 21st century. One of the most memorable story arcs from The Wire’s five seasons is the rise and fall of Hamsterdam, detailed more fully in Part I of this Article.4 Bunny Colvin, a high-ranking police officer on the verge of retirement, suffers an existential crisis prompted by the ongoing futility of Baltimore’s drug war. His novel response is to create quasi-legalized drug zones, which are quickly dubbed “Hamsterdam” by the drug dealers who populate them. Colvin’s calculus is straightforward: by concentrating the * Associate Professor, Atlanta’s John Marshall Law School. B.A., University of North Carolina at Chapel Hill; J.D., University of Georgia School of Law.. 1 The Wire (HBO television broadcast June 2, 2002-March 9, 2008). -
Woodsong by Gary Paulsen
Woodsong By Gary Paulsen A Novel Study by Nat Reed Woodsong By Gary Paulsen Table of Contents Suggestions and Expectations ..…………………………….…..………. 3 List of Skills ….……………………………….…………………………….. 4 Synopsis / Author Biography …..………………………………………… 5 Student Checklist …………………………………………………………… 6 Reproducible Student Booklet ..…………………………………………… 7 Answer Key ...………………………………………………………………… 60 About the author: Nat Reed has been a member of the teaching profession for more than 30 years. He is presently a full-time instructor at Trent University in the Teacher Education Program. For more information on his work and literature, please visit the websites www.reedpublications.org and www.novelstudies.org. Copyright © 2013 Nat Reed All rights reserved by author. Permission to copy for single classroom use only. Electronic distribution limited to single classroom use only. Not for public display. 2 Woodsong By Gary Paulsen Suggestions and Expectations This sixty-five page curriculum unit can be used in a variety of ways. Most chapters of the novel study focus on one or two chapters of Woodsong and are comprised of four different activities: • Before You Read • Vocabulary Building • Comprehension Questions • Language and Extension Activities A principal expectation of the unit is that students will develop their skills in reading, writing, listening and oral communication, as well as in reasoning and critical thinking. Links with the Common Core Standards (U.S.) Many of the activities included in this curriculum unit are supported by the Common Core Standards. For instance the Reading Standards for Literature, Grade 5, makes reference to a) determining the meaning of words and phrases. including figurative language; b) explaining how a series of chapters fits together to provide the overall structure; c) compare and contrast two characters; d) determine how characters … respond to challenges; e) drawing inferences from the text; f) determining a theme of a story .