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Timetable and Abstracts ASSOCIATION OF CRITICAL HERITAGE STUDIES CONFERENCE: CANBERRA 2-4 DECEMBER, 2014 TIMETABLE AND ABSTRACTS 1 Centre for Heritage & Museum Studies The Centre aims to promote and develop critical heritage and museum studies as an interdisciplinary area of academic analysis. We aims to stimulate new ways of thinking about and understanding the cultural and political phenomenon of ‘heritage’, and the way this interacts with cultural and public policy, management practices, cultural institutions and community and other grassroots expressions of identity, citizenship, nation and sense of place. Our work has explored, amongst other issues, working with marginalised communities, social justice issues and social activism in museums, the commemorative and memorial practices of working class communities and the trade union movement, Aboriginal critiques of heritage, multiculturalism and museums. We aim to attract postgraduate research and coursework students who are interested in pushing the boundaries of what critical heritage, museum studies, memory studies and public history and studies of tourism can do, and create a vibrant international and interdisciplinary community of scholars to pursue this vision. The Centre is home to the Interdisciplinary Cross-Cultural Research (ICCR) program, with over 90 current PhD students. The program offers a unique opportunity for PhD students to explore both new and established modes of research and scholarship that aim to provide innovative insights into the different ways that cross-cultural relations and histories are constructed and represented. Centre Staff Include: Professor Laurajane Smith, Associate Professor Kylie Message, Professor Howard Morphy, Professor Paul Pickering, Dr Sharon Peoples and Dr Sally May. Contacts: Centre for Heritage and Museum Studies Sir Roland Wilson Building McCoy Circuit Australian National University ACT 2601 AUSTRALIA http://archanth.anu.edu.au/heritage-museum-studies Student enquiries: [email protected] Research enquiries: [email protected] 2 Manifesto This document is a preliminary manifesto – a provocation – presaging the creation of the Association of Critical Heritage Studies and its initial conference at the University of Gothenburg in 2012. We want to challenge you to respond to this document, and question the received wisdom of what heritage is, energise heritage studies by drawing on wider intellectual sources, vigorously question the conservative cultural and economic power relations that outdated understandings of heritage seem to underpin and invite the active participation of people and communities who to date have been marginalised in the creation and management of ‘heritage’. Above all, we want you to critically engage with the proposition that heritage studies needs to be rebuilt from the ground up, which requires the ‘ruthless criticism of everything existing’. Heritage is, as much as anything, a political act and we need to ask serious questions about the power relations that ‘heritage’ has all too often been invoked to sustain. Nationalism, imperialism, colonialism, cultural elitism, Western triumphalism, social exclusion based on class and ethnicity, and the fetishising of expert knowledge have all exerted strong influences on how heritage is used, defined and managed. We argue that a truly critical heritage studies will ask many uncomfortable questions of traditional ways of thinking about and doing heritage, and that the interests of the marginalised and excluded will be brought to the forefront when posing these questions. The study of heritage has historically been dominated by Western, predominantly European, experts in archaeology, history, architecture and art history. Though there have been progressive currents in these disciplines they sustain a limited idea of what heritage is and how it should be studied and managed. The old way of looking at heritage – the Authorised Heritage Discourse – privileges old, grand, prestigious, expert approved sites, buildings and artefacts that sustain Western narratives of nation, class and science. There is now enough sustained dissatisfaction with this way of thinking about heritage that its critics can feel confident in coming together to form an international organisation to promote a new way of thinking about and doing heritage – the Association of Critical Heritage Studies. In doing so, the conferences and the association can build on and promote existing critical innovations and interventions in heritage. What does this require? • An opening up to a wider range of intellectual traditions. The social sciences – sociology, anthropology, political science amongst others – need to be drawn on to provide theoretical insights and techniques to study ‘heritage’. • Accordingly to explore new methods of enquiry that challenge the established conventions of positivism and quantitative analysis by including and encouraging the collection of ‘data’ from a wider range of sources in novel and imaginative ways, • The integration of heritage and museum studies with studies of memory, public history, community, tourism, planning and development. • The development of international multidisciplinary networks and dialogues to work towards the development of collaborative research and policy projects. • Democratising heritage by consciously rejecting elite cultural narratives and embracing the heritage insights of people, communities and cultures that have traditionally been marginalised in formulating heritage policy. • Making critical heritage studies truly international through the synergy of taking seriously diverse non- Western cultural heritage traditions. • Increasing dialogue and debate between researchers, practitioners and communities. • The creation of new international heritage networks that draw on the emerging and eclectic critique of heritage that has given rise to Critical Heritage Studies. 3 Contents Summary timetable 5 Programme 8 Abstracts in programme order 27 Index by presenter name 125 Wireless access: ANU-Secure Login ACHS2014 Pw ACHS 4 Summary timetable day 1 in landscape format insert here 5 Summary timetable day 2 in landscape format insert here 6 Summary timetable day 3 in landscape format insert here 7 ASSOCIATION OF CRITICAL HERITAGE STUDIES CONFERENCE: CANBERRA 2-4 DECEMBER, 2014 Day 1 Tuesday December 2 Registration from 8:00 (open all day) Session time 9:00-10:30 Session: Welcome and Keynote Room: COP Theatre Session Chair: Laurajane Smith Welcome to Country: Agnes Shea, Ngunnawal Elder. Welcome: Professor Marnie Hughes-Warrington, Deputy Vice Chancellor House Keeping announcements Keynote 9:30 : Denis Byrne: Critical proximity in heritage practice Session time 11:00-1:00 Session: Heritage Diplomacy. Part 1 Theme: Theorising cultural heritage studies Room: COP Theatre Session Chair: Tim Winter ([email protected] ) • The First Heritage International’: rethinking global networks before UNESCO. Astrid Swenson ([email protected]) • Heritage diplomacy: entangled materialities of international relations. Tim Winter ([email protected] ) • Corporate Cultural Diplomacy and Cultural Heritage: Opening markets and safeguarding concessions in multicultural Russia. Gertjan Plets ( [email protected] ) • Define “Mutual”: Heritage Diplomacy in the Post-Colonial Netherlands. Lauren Yapp ([email protected]) Session: Contemporary Heritage Movements in Asia. Part 1 Theme: Critical approaches to heritage in Asia Room: COP GO30 Session Chair: Tod Jones ([email protected]) • Conservation politics and on the edge of the state: heritage movements in Central Java, Indonesia. Tod Jones ( [email protected] ) • Heritage activism and the state in Contemporary Iran. Ali Mozaffari ([email protected] ) • Regional and international connections in the local heritage movements in Penang, Malaysia and Medan, Indonesia. Imran bin Tajudeen ( [email protected] ) Session: Dancing with the Intangible: Making Heritage more Critical through Corporeal Theory and Archival Choreographies Theme: Intangible Cultural Heritage Room: COP GO31 Session Chair: Astrid von Rosen ( [email protected] ) • Space, Voice and Your Artistic Practice. Marika Hedemyr. • From Belatedness to Becomingness: A Dancerly Activation of the Archive: Astrid von Rosen. 8 • Walking in the Steps of Rubicon or, Taking an Autographic Turn: Marsha Meskimmon. • Resonance. A Vibrating Re-Search: Monica Sand. • Digital Dumps or Critical Archives? The Camera and Intangible Heritage: Linda Sternö. Session: Materializing testimony: museums, heritage, and trauma. Part 1 Theme: Memory, Heritage and Museums Room: HA GO40 Session Chair: Graeme Were ([email protected]) • The Obstacles to Materializing Testimony: The Representation of the Forgotten Australians. Adele Chynoweth ( [email protected] ) • Perverse Archives. Gillian Whitlock ( [email protected] ) • Objects of Remembrance: Momento Mori from the Canterbury Earthquakes. Lyndon Fraser ([email protected] ) • Museums, Tours, and War Memorials in Sarajevo. Emily Makas ([email protected]) Session: Inclusive Heritage and Human Rights in Asian Governance Contexts. Part 1 Theme: Human Rights and Ethics Room: MORAN G008 Session Chair: William Logan and Ana Filipa Vrdoljak ([email protected] ) • Ethnicity, Heritage and Human Rights in the Union of Myanmar. William Logan ([email protected]) • The Rights to Development and Cultural Heritage at Bagan in Myanmar. Anne Laura Kraak ([email protected] ) • Heritage Listing as a Tool for Advocacy
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