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All That and This

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All That and This ee 2 ew : : var okt _ AR Tals TOO i STEREO il 1 . GOLD BAND SERIES QUALITY CONTROLLED.SOUND ALL IHA GBST — 1501A k& THIS TOO ene tn,eter with THE BOB ROGERS ORCHESTRA PERSONNEL: BOB ROGERS, leader-vibraharp; JAY MIGLIORI, alto saxophone; AL LASKY, alto saxophone and flute (on Aloe Together, Coffee Kate, Mood Indigo, Midnight Lace) ; BILL PERKINS, tenor saxophone; JACK NIMITZ, baritone saxophone; KIP DUBBS, Ist trumpet; BUD BILLINGS, 2nd and jazz trumpet; DAVE WELLS, bass trumpet and trombone; LEN STACK, piano; GARY PEACOCK, bass; ROY ROTEN, drums. Side A... This Too — 2:50 * Bluesy — 4:17 * Shadow Waltz — 3:22 * A Minute Before I Go — 4:12 SideB... Mood Indigo — 3:59 * Room With A View — 3:01 * Coffee Kate — 2:54 * Midnight Lace — 3:45 * Alone Together — 3:25 Something old, new, borrowed, blue. piece group is an outgrowth of an idea of In this album is found a perfect mar-" While Lohengriy its not, it IS all that, Bob’s, an idea as to just how this particular riage of instruments and verse. And as Aira: tS this 60: 16s one Ot the newest. brand of contemporary jazz must sound, befittinga wedding, here, as we said, hottest, coolest, freshest sounds to come a sound now consisting of a three reed, you ll find old tunes, like “Shadow Waltz” along in some time. three brass, and: three rhythm setup, and “Alone Together,” new ones, like the Bob Rogers, leader, ex-U.S. Navy disk flexible yet challenging to any arranger, Kip Dubbs’ originals, “This Too” and jockey, arranger-composer, drummer, an idea fostered by such music greats as ‘‘A Minute Before I Go,” borrowed ones, and vibraharpist began building his band one of the pioneers of modern jazz, Stan like the theme from the unforgettable film near the end of 1959 at the age of 27, three Kenton. “Midnight Lace,” and the blue, “Mood years after its original conception when In the short time since its beginning in Indigo” and “Bluesy.” Rogers was a student of composition un- 1959, the present Rogers troupe has be- Bob Rogers, his compositions, arrange- der Jimmy Giuttte at the Los Angeles come one of the most popular “casual” ments, his orchéestra—Indigo Records Conservatory of Music. Bandleading organizations on the West Coast. Grad- newest gift to America, that great land wasn’t new for him. While at the conserva- ually its fame has spread amidst jazz con- that gave birth to a movement the world tory he formed an octet which placed sec- gregations elsewhere, but now, through knows as Jazz. ond in the 1957 annual intercollegiate this recording, the entire nation has the jazz festival at the Lighthouse, Califor- Opportunity to listen to and enjoy that —Norm Anderson nia’s famous jazz center. [he present ten particular brand of contemporary jazz.” ee BY INDIGO RECORDS/DIRECTED BY JIM LEE by PHOTOGRAPHY—NEWCOMB STUDIO, PASADENA/COVER—RAY PRICE hi rN ¢ ~~ ALLITHAT & THIS T00. (y= «@asr-101 BOB ROGERS ke Mohd i = 1. THIS TOO - 2:50 ie a ; & [Ga BIB) 5) 91-9) a 2. BLUESY - 4:17 ef ((BRRESS vere 4) is if 2 3 SHADOW WALTZ - 3:22 yy , Dub ) 34 ‘N & %p, AA MINUTE (H. Warren-A. BEFORE | GO - 4:12 ° >» S (K. Dubbs) ae 9 SSE wy te 30 g A RHAM BLVD: . Og ey =e STEREO popgnt \ SSUU | ALL THAT & THISTOO =“ GBST-15018 ISTHIND-CRD ee ROGERS | é BOB | 1, MOOD INDIGO. - 3:59 i? : (Ellington-Mills-Bigard) < # ‘ 2. ROOM WITH A VIEW - 3:01 ff Y (N. Coward) ow _ 3. COFFEE KATE - 2:54 Ry " (K. Dubbs) as OF 3 4. MIDNIGHT LACE - 3:45 (J. Lubin-J. Howard) ly 5. ALONE-FOGETHER - 3:25 wd 7° “S (A. Schwartz-H. Dietz) oc “a 23 oy : i 30 10s Ra PHAM BLVD: © gm .
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