Mireille Mathieu Toi Et Moi Mp3, Flac, Wma

Total Page:16

File Type:pdf, Size:1020Kb

Mireille Mathieu Toi Et Moi Mp3, Flac, Wma Mireille Mathieu Toi Et Moi mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Pop Album: Toi Et Moi Country: Germany Released: 1979 Style: Chanson MP3 version RAR size: 1142 mb FLAC version RAR size: 1557 mb WMA version RAR size: 1861 mb Rating: 4.4 Votes: 108 Other Formats: MOD AIFF ADX MPC WAV ASF AA Tracklist A1 –Mireille Mathieu Un Homme Dans Ma Vie 3:26 A2 –Mireille Mathieu Et Paul Anka Toi Et Moi 3:21 A3 –Mireille Mathieu Parle À La Vie 3:27 A4 –Mireille Mathieu Et Paul Anka Comme Avant 3:50 A5 –Mireille Mathieu Un Menège En Hiver 5:40 B1 –Mireille Mathieu Paris-Problèmes 7:10 B2 –Mireille Mathieu Andy 3:30 B3 –Mireille Mathieu La Porte Fermée 4:31 B4 –Mireille Mathieu De Plus En Plus Heureux 3:14 Credits Accompanied By – Grand Orchestre De Artie Butler* (tracks: A1, A5, B2), Grand Orchestre De Don Costa* (tracks: A5, B1, B4), Grand Orchestre De Al Capps* (tracks: A2), Grand Orchestre De Lee Holdridge* (tracks: A1, A4, B3) Accordion – Frank Marocco Arranged By [Vocals] – Nick DeCaro Backing Vocals – Myrna Matthews Singers Bass Guitar – David Hungate, Don Baldwin, Ray Tini Jr., Reini Press* Conductor – Frank Leone Conductor, Musical Assistance [Musical Coordinator] – Frank DeCaro Contrabass – Arni Nilsson*, Buell Neidlinger, Dennis Trembly, Milton Kestenbaum, Peter Mercurio Drums – Earl Harner*, Rick Schlosser* Engineer – Michael Delugg Engineer [Assistant] – Peter Darmi French Horn – Arthur Maebe*, David Duke, Dristan Naselmyst, George Hyde, Jim Decker*, Vince DeRosa* Guitar – Ben Benay, Dennis Budimir, Fred Tackett, John Pondel, Phil Willems, Steve Lukather, Thom Rotella Harp – Dorothy Remsen, Gyle Levant, Stella Castellucci, Sybil Wrights Keyboards – Bruno Fontaine, Ralph Grierson, Ron Feurer, Terry Trotter Oboe – Fred Provolone, John Ellis Percussion – Alan Estes, Gary Coleman, Tom Roady Photography By – Norman Parkinson Producer – Paul Anka Trombone – Bill Reichenbach , Bill Tole, Dick Hyde, Dick Nash, Ernest Carlson*, Lew McCreary, Lon Norman, Phil Teele Trumpet – Dalton Smith, David Culp, Jerry Hey, John Audino, John Rosenberg, Steve Madaio, Tony Terran, Walter Johnson , Warren Luening Tuba – Tommy Johnson Viola – Allan Harshman, David Schwartz, Denyse Buffum, Gareth D. Nuttycombe*, Herschel Wise, Jerome J. Reisler*, Louis Kievman, Milton Thomas, Myra Kestenbaum, Pamela Goldsmith Violin – Anatol Kaminsky, Arnold Belnick, Bernard Kundell, Betty LaMagna, Clayton Haslop, Glenn Dicterow, Haim Shtrum, Harold J. Dicterow*, Irving Geller, Isabelle Daskoff, Joy Lyle, Kethleen Lenski, Marvin Limonick, Murray Adler, Nathan Ross, Stanley Plummer, Thomas Buffum, Tibor Zelig, William Hymanson, William Kurasch Violin, Concertmaster – Harry Bluestone, Sid Sharp* Violoncello – Armand Kaproff, Douglas L. Davis*, Harry I. Shlutz*, Jerome A. Kessler*, Jesse Ehrlich, Mary Louise Zeyen, Paula Hochhalter, Raymond J. Kelley*, Ronald Anthony Leonard*, Ronald B. Cooper* Woodwind – Bud Shank, Gary Herbig, Gene Cipriano, Jay Migliori, Bob Hardaway*, Ron Lang*, Terry Harrington, Tom Saviano Other versions Category Artist Title (Format) Label Category Country Year Mireille Mathieu Mireille Mathieu Chante Paul 9101 708 Chante Paul Philips 9101 708 France 1979 Anka - Toi Et Moi (LP, Album) Anka Chante Paul Anka - Toi Et 2424 199 Mireille Mathieu Polydor 2424 199 Canada 1979 Moi (LP, Album) Mireille Mathieu Mireille Mathieu Chante Paul 2424 198 Chante Paul Polydor 2424 198 Canada 1979 Anka - Toi Et Moi (LP, Album) Anka Chante Paul Anka - Toi Et 2424 199 Mireille Mathieu Polydor 2424 199 Canada Unknown Moi (LP, Album) Mireille Mathieu Chante Paul Not On none Mireille Mathieu Anka - Toi Et Moi (CD, none US 2011 Label Album, Unofficial) Related Music albums to Toi Et Moi by Mireille Mathieu Mireille Mathieu - Mireille Mathieu Chante Paul Mauriat Mireille Mathieu - Apprends- Moi "Tornero" Mireille Mathieu - Trois Milliards De Gens Sur Terre Mireille Mathieu - Je Vous Aime... Mireille Mathieu - Les Grandes Chansons Françaises Mireille Mathieu, Paul Anka - You And I Mireille Mathieu - En Frappant Dans Nos Mains Mireile Mathieu - Le Merveilleux Petit Monde De Mireille Mathieu Chante Noel.
Recommended publications
  • Gerry Mulligan Discography
    GERRY MULLIGAN DISCOGRAPHY GERRY MULLIGAN RECORDINGS, CONCERTS AND WHEREABOUTS by Gérard Dugelay, France and Kenneth Hallqvist, Sweden January 2011 Gerry Mulligan DISCOGRAPHY - Recordings, Concerts and Whereabouts by Gérard Dugelay & Kenneth Hallqvist - page No. 1 PREFACE BY GERARD DUGELAY I fell in love when I was younger I was a young jazz fan, when I discovered the music of Gerry Mulligan through a birthday gift from my father. This album was “Gerry Mulligan & Astor Piazzolla”. But it was through “Song for Strayhorn” (Carnegie Hall concert CTI album) I fell in love with the music of Gerry Mulligan. My impressions were: “How great this man is to be able to compose so nicely!, to improvise so marvellously! and to give us such feelings!” Step by step my interest for the music increased I bought regularly his albums and I became crazy from the Concert Jazz Band LPs. Then I appreciated the pianoless Quartets with Bob Brookmeyer (The Pleyel Concerts, which are easily available in France) and with Chet Baker. Just married with Danielle, I spent some days of our honey moon at Antwerp (Belgium) and I had the chance to see the Gerry Mulligan Orchestra in concert. After the concert my wife said: “During some songs I had lost you, you were with the music of Gerry Mulligan!!!” During these 30 years of travel in the music of Jeru, I bought many bootleg albums. One was very important, because it gave me a new direction in my passion: the discographical part. This was the album “Gerry Mulligan – Vol. 2, Live in Stockholm, May 1957”.
    [Show full text]
  • All That and This
    ee 2 ew : : var okt _ AR Tals TOO i STEREO il 1 . GOLD BAND SERIES QUALITY CONTROLLED.SOUND ALL IHA GBST — 1501A k& THIS TOO ene tn,eter with THE BOB ROGERS ORCHESTRA PERSONNEL: BOB ROGERS, leader-vibraharp; JAY MIGLIORI, alto saxophone; AL LASKY, alto saxophone and flute (on Aloe Together, Coffee Kate, Mood Indigo, Midnight Lace) ; BILL PERKINS, tenor saxophone; JACK NIMITZ, baritone saxophone; KIP DUBBS, Ist trumpet; BUD BILLINGS, 2nd and jazz trumpet; DAVE WELLS, bass trumpet and trombone; LEN STACK, piano; GARY PEACOCK, bass; ROY ROTEN, drums. Side A... This Too — 2:50 * Bluesy — 4:17 * Shadow Waltz — 3:22 * A Minute Before I Go — 4:12 SideB... Mood Indigo — 3:59 * Room With A View — 3:01 * Coffee Kate — 2:54 * Midnight Lace — 3:45 * Alone Together — 3:25 Something old, new, borrowed, blue. piece group is an outgrowth of an idea of In this album is found a perfect mar-" While Lohengriy its not, it IS all that, Bob’s, an idea as to just how this particular riage of instruments and verse. And as Aira: tS this 60: 16s one Ot the newest. brand of contemporary jazz must sound, befittinga wedding, here, as we said, hottest, coolest, freshest sounds to come a sound now consisting of a three reed, you ll find old tunes, like “Shadow Waltz” along in some time. three brass, and: three rhythm setup, and “Alone Together,” new ones, like the Bob Rogers, leader, ex-U.S. Navy disk flexible yet challenging to any arranger, Kip Dubbs’ originals, “This Too” and jockey, arranger-composer, drummer, an idea fostered by such music greats as ‘‘A Minute Before I Go,” borrowed ones, and vibraharpist began building his band one of the pioneers of modern jazz, Stan like the theme from the unforgettable film near the end of 1959 at the age of 27, three Kenton.
    [Show full text]
  • EVERLYPEDIA (Formerly the Everly Brothers Index – TEBI) Coordinated by Robin Dunn & Chrissie Van Varik
    EVERLYPEDIA (formerly The Everly Brothers Index – TEBI) Coordinated by Robin Dunn & Chrissie van Varik EVERLYPEDIA PART 2 E to J Contact us re any omissions, corrections, amendments and/or additional information at: [email protected] E______________________________________________ EARL MAY SEED COMPANY - see: MAY SEED COMPANY, EARL and also KMA EASTWOOD, CLINT – Born 31st May 1930. There is a huge quantity of information about Clint Eastwood his life and career on numerous websites, books etc. We focus mainly on his connection to The Everly Brothers and in particular to Phil Everly plus brief overview of his career. American film actor, director, producer, composer and politician. Eastwood first came to prominence as a supporting cast member in the TV series Rawhide (1959–1965). He rose to fame for playing the Man with No Name in Sergio Leone’s Dollars trilogy of spaghetti westerns (A Fistful of Dollars, For a Few Dollars More, and The Good, the Bad and the Ugly) during the 1960s, and as San Francisco Police Department Inspector Harry Callahan in the Dirty Harry films (Dirty Harry, Magnum Force, The Enforcer, Sudden Impact and The Dead Pool) during the 1970s and 1980s. These roles, along with several others in which he plays tough-talking no-nonsense police officers, have made him an enduring cultural icon of masculinity. Eastwood won Academy Awards for Best Director and Producer of the Best Picture, as well as receiving nominations for Best Actor, for his work in the films Unforgiven (1992) and Million Dollar Baby (2004). These films in particular, as well as others including Play Misty for Me (1971), The Outlaw Josey Wales (1976), Pale Rider (1985), In the Line of Fire (1993), The Bridges of Madison County (1995) and Gran Torino (2008), have all received commercial success and critical acclaim.
    [Show full text]
  • Supersax Chasin' the Bird Mp3, Flac, Wma
    Supersax Chasin' The Bird mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Chasin' The Bird Country: Germany Released: 1977 Style: Bop MP3 version RAR size: 1898 mb FLAC version RAR size: 1741 mb WMA version RAR size: 1765 mb Rating: 4.4 Votes: 936 Other Formats: FLAC ASF WAV AHX MP2 WAV AUD Tracklist Hide Credits Shaw Nuff A1 4:26 Written-By – Parker*, D. Gillespie* A Night In Tunisia A2 6:07 Written-By – D. Gillespie*, F. Paparelli* Difting On A Reed (Big Foot) A3 5:08 Written-By – W. Thomas* The Song Is You A4 3:54 Written-By – Kern, Hammerstein* Oop Bop Sh'bam B1 4:15 Written-By – Parker*, D. Gillespie* 'Round Midnight B2 3:32 Written-By – Hanighen*, Williams*, Monk* Now's The Time B3 3:36 Written-By – Parker* Dizzy Atmosphere B4 5:23 Written-By – D. Gillespie* Chasin' The Bird B5 3:41 Written-By – Parker* Credits Alto Saxophone – Joe Lopes , Med Flory Arranged By – Buddy Clark (tracks: B4), Med Flory (tracks: A1 to A3, B1, B2, B5), Warne Marsh (tracks: A4, B3) Baritone Saxophone – Jack Nimitz Bass – Fred Atwood Cover [Design] – Rolf Becker Drums – Jake Hanna (tracks: A1, A4 to B5), John Dentz (tracks: A2, A3) Engineer – Jim Moonie*, Kerry McNabb Liner Notes – Leonard Feather Mixed By [Assistant] – Peter Haden Mixed By, Edited By – Roger Dollarhide Photography By – B. Falk* Piano – Lou Levy Producer – Maurice Lathouwers, Med Flory Recording Supervisor – Baldhard G. Falk Tenor Saxophone – Jay Migliori, Warne Marsh Trombone – Frank Rosolino (tracks: A3, A4, B1, B3) Trumpet – Blue Mitchell (tracks: A2, B5), Conte Candoli (tracks:
    [Show full text]
  • Various Hit the Rhodes, Jack Mp3, Flac, Wma
    Various Hit The Rhodes, Jack mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Funk / Soul Album: Hit The Rhodes, Jack Country: Germany Released: 2005 Style: Soul-Jazz, Fusion, Jazz-Funk, Funk MP3 version RAR size: 1644 mb FLAC version RAR size: 1280 mb WMA version RAR size: 1535 mb Rating: 4.3 Votes: 996 Other Formats: MIDI MP1 ADX DXD AA MMF AUD Tracklist Hide Credits Intro –Unknown Hit The Road, Jack 1 1:02 Artist Electric Piano, Soloist – Unknown Artist Web Arranged By [Arrangement] – David AxelrodDrums – Spider Webb –Hampton Electric Bass – Carol KayeElectric Piano [Fender Rhodes] – Hampton 2 3:29 Hawes HawesSaxophone, Flute – Jackie Kelso, Jay Migliori, William GreenTrombone – George BohanonTrumpet – Allen De Rienzo, Snooky Young Mucho Chupar Arranged By [Arrangement] – David AxelrodCongas – King –David Axelrod ErrissonDrums – Roy McCurdyElectric Piano [Fender Rhodes], 3 Feat. George Synthesizer [ARP] – George DukeGuitar – Don PeakeSaxophone, Flute – 3:13 Duke Jackie Kelso, Jay Migliori, William GreenTrombone – Dick Hyde, George BohanonTrumpet – Allen De Rienzo, Oscar Bashear*, Snooky YoungVocals – Gwen Owens, Olga James, Stephanie Spruill Nana Das Águas 4 –João Donato 2:21 Electric Piano [Fender Rhodes], Vocals – João Donato Low Rider Bass – Gordon EdwardsDrums – Charles CollinsElectric Piano [Fender 5 –Cedar Walton Rhodes], Synthesizer – Cedar WaltonGuitar – Cornell Dupree, Eric 6:28 GalePercussion – Angel AllendePercussion, Vocals – Mark Lipskin*Tenor Saxophone – Eddie HarrisTrumpet – Blue Mitchell Jungle Strut Acoustic Bass, Electric Bass – Cleveland EatonCongas, Drums, 6 –Ramsey Lewis Percussion – Derf Reklaw Raheem*Drums, Tambura, Congas – Maurice 4:42 Jennings*Electric Piano [Fender Rhodes], Synthesizer [ARP] – Ramsey LewisGuitar – Byron GregoryHorn [Arrangements] – Richard Evans Aragon Arranged By [Arrangement] – Roy AyersCongas, Percussion – William –Roy Ayers King Drums – Dennis DavisElectric Bass – Richard Davis Electric Piano 7 Feat.
    [Show full text]
  • March 2015: the Wrecking Crew
    AFM LOCAL 47 Vol. 1 No. 3 March 2015 online LA studio musicians who recorded the soundtrack of the 1960s profiled in Denny Tedesco’s feature documentary Live at the 87th Academy Awards Musicians are Athletes, Too! Publisher Editor AFM Local 47 Gary Lasley 817 Vine Street Managing Editor / Hollywood, CA 90038-3779 Adverting Manager p 323.462.2161 f 323.461.3090 Linda A. Rapka www.afm47.org Lead Graphic Designer Nate Herrera Titled Officers Hearing Board President: John Acosta Alan Estes, Chuck Flores, Overture Online is the official electronic Vice President: Rick Baptist Jon Kurnick, Jeff Lass, monthly magazine of the American Federa- Secretary/Treasurer: Gary Lasley Norman Ludwin, Allen Savedoff, tion of Musicians Local 47, a labor union for Marc Sazer Trustees professional musicians located in Hollywood. Judy Chilnick, Dylan Hart, Hearing Representative Bonnie Janofsky Vivian Wolf Formed by and for Los Angeles musicians Directors Salary Review Board over a century ago, Local 47 promotes and Pam Gates, John Lofton, Rick Baptist, Stephen Green, protects the concerns of musicians in all areas Andy Malloy, Phil O’Connor, Bill Norman Ludwin, Marie Matson, Reichenbach, Vivian Wolf Paul Sternhagen of the music business. Our jurisdiction includes all counties of Los Angeles (except the Long Delegates to AFM Convention Fair Employment Practices John Acosta, Rick Baptist, Committee Beach area). With more than 7,000 mem- Pam Gates, Bonnie Janofsky, Ray Brown, Beverly Dahlke-Smith bers, Local 47 negotiates with employers to Gary Lasley, Norman Ludwin establish fair wages and working conditions Grievance Committee 1st Alternate Delegate Ray Brown, Lesa Terry for our members.
    [Show full text]
  • Introduction a Work-In-Progress / Compiled by Steven L. Isoardi This
    Introduction a work-in-progress / compiled by Steven L. Isoardi This timeline records appearances, primarily musical, but not exclusively, by Horace Tapscott, and is a work-in-progress. It has been compiled using public records, such as newspaper ads, articles, leaflets, etc., but most importantly the tape and ephemera collection in the Horace Tapscott Archive. Over the years, the diligent preservation work by the brothers and sisters of UGMA/UGMAA, resulted in tape recordings of hundreds of performances and rehearsals from 1960 to Horace’s passing on 27 February 1999. In 2002, with the assistance of Michael Dett Wilcots, UGMAA archivist and Horace’s son-in-law, I catalogued that collection, then housed in Horace’s garage/studio. Until the early 1980s, recordings were made on reel-to-reel tapes. On many of those, the UGMA/UGMAA personnel responsible penned notes on the tape boxes, usually location, date, personnel, and compositions performed. Occasionally, other commentary was added. When relevant, these are included under the tag “Note”. This collection provides the main source in documenting the musical history of the movement in those years, including such items as the various name changes the organization went through until finally settling on the Pan Afrikan Peoples Arkestra (PAPA) and the Union of God’s Musicians and Artists Ascension (UGMAA) in the early 1970s. While this information is invaluable, it is far from complete. Not all musicians and compositions are listed in some instances, but what information exists, is provided. With the shift to cassette tapes in the early 1980s, much of the space for written commentary on the reel-to-reel boxes was lost, and consequently information on the cassettte tape containers is minimal or non-existent.
    [Show full text]
  • The Jazz Rag
    THE JAZZ RAG ISSUE 145 WINTER/SPRING 2017 UK £3.25 INTAKT AT THE VORTEX Photo by Stefan Postius CONTENTS INTAKT RECORDS (PAGE 13) IVORIAN ALY KEITA, MASTER OF THE BALAFON, IS AMONG THE STARS PERFORMING AT INTAKT RECORDS’ FESTIVAL AT THE VORTEX, LONDON. 4 NEWS 7 UPCOMING EVENTS 9 NAT HENTOFF THE GREAT JAZZ WRITER REMEMBERED 10 JAZZ CENTRE UK DIGBY FAIRWEATHER INTRODUCES A MAJOR NEW PROJECT 12 LAST OF THE GUNSLINGERS? SIMON SPILLETT STIRS UP DEBATE 14 ELLA AT 100 SUBSCRIBE TO THE JAZZ RAG SCOTT YANOW ON A NOTABLE CENTENARY THE NEXT SIX EDITIONS MAILED DIRECT TO YOUR DOOR FOR ONLY £17.50* 16 JAZZ RAG CHARTS CDS AND BOOKS Simply send us your name. address and postcode along with your payment and we’ll commence the service from the next issue. 18 JAZZ FESTIVALS MARCH-JUNE OTHER SUBSCRIPTION RATES: EU £24 USA, CANADA, AUSTRALIA £27 21 SOUTHPORT JAZZ FESTIVAL REVIEW Cheques / Postal orders payable to BIG BEAR MUSIC Please send to: 22 CD REVIEWS JAZZ RAG SUBSCRIPTIONS PO BOX 944 | Birmingham | England 31 BOOK REVIEW To pay by debit/credit card, visit www.paypal.me/bigbearmusic and enter the correct amount for your subscription 32 BEGINNING TO CD LIGHT * to any UK address THE JAZZ RAG PO BOX 944, Birmingham, B16 8UT, England UPFRONT Tel: 0121454 7020 33 – AND COUNTING! Fax: 0121 454 9996 The listing of jazz festivals on pages 18-20 suggests a very healthy scene – and, to an Email: [email protected] extent, that is the case -, but doesn’t hint at the hard work, determination and Web: www.jazzrag.com enterprise needed to keep a jazz festival in operation over many years.
    [Show full text]
  • Spellista Möte 2020-10-28.Pdf
    George Benson [B6244‐13] Big Boss Band: George Benson & The Basie Orchestra: George Benson (vcl,g) acc by Sonny Cohn, Byron Stripling, Bob Ojeda, Mike Williams (tp) Clarence Banks, Mel Wanzo, Tim Williams, Bill Hughes (tb) Frank Foster, Kenny Hing (ts) Danny Turner, David Glasser (as) Johnny Williams (bar) Ace Carter (p) Cleveland Eaton (b) Duffy Jackson (d) Carmen Bradford (vcl‐1) Barry Eastmond (keyboard‐1) Ron Carter (b‐1) New York, 1989 Without a song Warner Bros 7599‐26295‐1 Ready now that you are ‐ How do you keep the music playing ? (1) ‐ On Green Dolphin Street ‐ Baby workout ‐ I only have eyes for you ‐ Walkin' my baby back home ‐ Skylark ‐ Basie's bag ‐ We Will always be together Woody Herman [H5362‐13] Woody Herman And His Orchestra: Bob Clark, Danny Stiles, John Coppola, Andy Peele, Hal Posey (tp) Arch Martin, Bill Harris, Roy Wiggins (tb) Woody Herman (cl,as,vcl) Joe Romano, Jay Migliori, Arno Marsh (ts) Roger Pemberton (bar) Pete Jolly (p) Jimmy Gannon (b) Jake Hanna (d) Nat Pierce, Tadd Dameron, Gene Roland, Manny Albam (arr) Live "Peacock Lane", Los Angeles, January 13‐16, 1958 Body and soul (np arr) Ember (E)JBS702, EMB3320, FA2006, Bandstand BDCD1508 [CD] Woodchopper's ball Ember (E)JBS702, EMB3320, FA2006, Bandstand BDCD1508 [CD] Natchel blues (gr arr) (*) Ember (E)EMB3320, FA2006, Big Band Landmarks 17, Bandstand BDCD1508 [CD] Don't get around much anymore (np arr) (*) Ember (E)EMB3320, FA2006, Big Band Landmarks 17, Bandstand BDCD1508 [CD] Ready, get set, jump (gr arr) (*) Ember (E)EMB3320, FA2006, Big Band Landmarks
    [Show full text]
  • Beach Boys Edited Studio
    The Beach Boys - The Beach Boys Today! Produced by Brian Wilson Released March 1, 1965 - Capitol T-2269 (EMI) This album marked a turning point in the career of Brian Wilson and The Beach Boys, and proved to be the opening salvo of a triumvirate of longplayers (excluding Party !) that defined their status as premier pop artists on a level with The Beatles. A few of the cuts had been completed in the summer and fall of '64, but the bulk of the album was recorded in the winter months following Brian's retirement from the road. Brian's composing skills had progressed beyond garage band "formula" writing, into the realm of what one might call "orchestrated rock". This was also the album where the scope and sheer musicality of Brian's arrangements necessitated the employment of outside musicians to a greater extent. As Carl put it in a 1981 interview for "Circus" magazine (reprinted in the September 1989 issue of "Guitar for the Practicing Musician"), "By the time of Beach Boys Today , there were a lot of prominent session men on the dates". Having said that, one should not sell short Carl's own contributions; the youngest Wilson (who just turned eighteen that December) had developed as a musician sufficiently to play alongside the horde of high-dollar session pros that big brother was now bringing into the studio. Carl's guitar playing on this album is a key ingredient, and in fact this is the most "guitar heavy" of the Boys' post-surf era albums. In a really cool stroke of programming genius, the album is divided into one side of rockers and one side of ballads (a technique probably inspired by two 1961 albums: the Everly Brothers’ Both Sides of an Evening and Elvis’ Something for Everybody , and one later utilized by The Rolling Stones on their 1981 Tattoo You album, but one which has lost much of its impact in today's CD-orientated world).
    [Show full text]
  • FIDELITY 2/2013, the Wrecking Crew
    Warten auf das nächste Rotlicht Mitglieder der Wrecking Crew während einer Aufnahmepause icht immer ist das, was draufsteht, auch drin. Das gilt gleichermaßen Akkord- für Lebensmittel wie für Tonträger. In der Musikbranche war es durchaus schon vor dem Milli-Vanilli-Aufreger Ende der 80er Jahre Usus, dass eine Aufnahme nicht vom Interpreten selbst, sondern pas- N sagenweise oder sogar komplett von Studiomusikern Arbeiter eingespielt wird. Die fleißigen Musikarbeiter unter Kaum jemand kennt den Tage liefern auf Anforderung in höchster Qualität das, unglaublich talentierten Haufen was der Produzent hören will oder der Song erfordert. von Topmusikern, der auf Wahre Akkordarbeiter! zigtausend Platten zu hören ist: Die Szene der musikalischen Dienstleister im Studio- betrieb ist seit jeher ein echter „inner circle“. Offizielle The Wrecking Crew Eintrittskarten gibt es nicht, das Motto heißt: „Don’t call us, we call you!“ Glücklich darf sich schätzen, TEXT: BERNHARD GALLER wer weiterempfohlen wird, weil er die musikalischen BILDER: DENNY TEDESCO Schubladen schneller und besser zieht als andere. 122 FIDELITY-MAGAZIN.DE ROCKIDELITY THE WRECKING CREW (ohne Anspruch auf Vollständigkeit) Gitarre: Glen Campbell, Barney Kessel, Tommy Tedesco, Al Casey, Billy Strange, René Hall, James Burton, Jerry Cole, Ray Pohlman Saxofon: Steve Douglas, Jay Migliori, Jim Horn, Plas Johnson, Nino Tempo Trompete: Tony Terran, Ollie Mitchell, Chuck Findley Posaune: Lou Blackburn, Richard Hyde, Lew McCreary Keyboard: Leon Russell, Mac Rebennack, Don Randi, Larry Knechtel, Al De Lory, Mike Rubini Bass: Carol Kaye, Joe Osborn, Max Bennett, Chuck Berghofer, Ray Pohlman, Larry Knechtel Schlagzeug: Hal Blaine, Earl Palmer, Jim Gordon Percussion: Sonny Bono 35 000 Titeln beteiligt, und er war es auch, der seiner Clique ihren Spitznamen „The Wrecking Crew“ ver- passte – mehr dazu weiter unten.
    [Show full text]
  • Happy Reading! Robin & Chrissie
    EVERLYPEDIA (formerly The Everly Brothers Index – TEBI) Coordinated by Robin Dunn & Chrissie van Varik A complete (as far as is possible) index/encyclopaedia on every facet of Don & Phil Everly, covering their lives, careers, influences and connections – of course, from us as huge fans, with all due respect to them and their families. For more recording information, see also the various detailed discography lists on the EBI website (Everly.Net); for lyrics to songs, please refer to the Lyric List on the same website (http://www.everly.net/file/disco/disco.htm ). KEY/GLOSSARY/NOTES: • WB: Warner Brothers • EBs: The Everly Brothers • LPs, CDs etc. are generally (but not always) referred to throughout as ‘albums’. • Other than important (re)releases, only the original/initial album release is referred to. • Entries are listed under the first letter, including titles that start with a bracket, e.g. ‘(Why Am I) Chained To A Memory’, but exclude ‘The’ in which case they are listed under the second word. • Surnames or family names come first in the index. • Headings are coloured blue for song and album titles and maroon for everything else. • All words in bold type in the text are cross-references to other main entry headings – although no doubt we’ve missed a few! • Entries are generally aimed to be informative and we have attempted to keep them brief though some are lengthy due to the importance and significance in the life and career of Don and Phil. However, in some cases, due to the limitations of space and the huge volume of material available elsewhere, details have been kept to a bare minimum and relate mainly to the ‘Everly connection’ – e.g.
    [Show full text]