LC Paper No. CB(1)212/17-18(06)
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Birth and Evolution of Korean Reality Show Formats
Georgia State University ScholarWorks @ Georgia State University Film, Media & Theatre Dissertations School of Film, Media & Theatre Spring 5-6-2019 Dynamics of a Periphery TV Industry: Birth and Evolution of Korean Reality Show Formats Soo keung Jung [email protected] Follow this and additional works at: https://scholarworks.gsu.edu/fmt_dissertations Recommended Citation Jung, Soo keung, "Dynamics of a Periphery TV Industry: Birth and Evolution of Korean Reality Show Formats." Dissertation, Georgia State University, 2019. https://scholarworks.gsu.edu/fmt_dissertations/7 This Dissertation is brought to you for free and open access by the School of Film, Media & Theatre at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Film, Media & Theatre Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. DYNAMICS OF A PERIPHERY TV INDUSTRY: BIRTH AND EVOLUTION OF KOREAN REALITY SHOW FORMATS by SOOKEUNG JUNG Under the Direction of Ethan Tussey and Sharon Shahaf, PhD ABSTRACT Television format, a tradable program package, has allowed Korean television the new opportunity to be recognized globally. The booming transnational production of Korean reality formats have transformed the production culture, aesthetics and structure of the local television. This study, using a historical and practical approach to the evolution of the Korean reality formats, examines the dynamic relations between producer, industry and text in the -
A List of Licensed Broadcasting Services in Hong Kong (As at 1 June 2021)
A List of Licensed Broadcasting Services in Hong Kong (As at 1 June 2021) A. Television Services Receivable in Hong Kong I. Domestic Free Television Programme Services Licensee Name of Channel (1) Television Broadcasts Limited 81. Jade 82. J2 83. TVB News 84. Pearl 85. TVB Finance & Information (2) HK Television Entertainment Company 96. ViuTVsix Limited 99. ViuTV (3) Fantastic Television Limited 76. Hong Kong International Business Channel 77. Hong Kong Open TV II. Domestic Pay Television Programme Services Channel Licensee Name of Channel Satellite No. (1) Hong Kong Cable 108 i-CABLE Finance Info Channel NA Television Limited (HD) (Total No. of Channels: 135) 109 i-CABLE News Channel (HD) 110 i-CABLE Live News Channel (HD) 111 CCTV-News 112 CCTV 4 113 Phoenix Info News Channel (HD) 114 ETTV Asia News 121 Sky News 122 BBC World News 123 FOX News 124 CNNI 125 CNN HLN 126 NHK World-Japan 127 CNBC 128 Bloomberg TV HD 129 CGTN 130 Channel NewsAsia 131 Russia Today 133 Al Jazeera English 134 France24 French 135 France24 English 139 DW (English) - 2 - Channel Licensee Name of Channel Satellite No. 140 DW (Deutsch) 151 i-CABLE Finance Info Channel 152 i-CABLE News Channel 153 i-CABLE Live News Channel 154 Phoenix Info News 155 Bloomberg 201 HD CABLE Movies 202 My Cinema Europe HD 204 Star Chinese Movies 205 SCM Legend 214 FOX Movies 215 FOX Family Movies 216 FOX Action Movies 218 HD Cine p. 219 Thrill 251 CABLE Movies 252 My Cinema Europe 253 Cine p. 301 HD Family Entertainment Channel 304 Phoenix Hong Kong 305 Pearl River Channel 311 FOX 312 FOXlife 313 FX 317 Blue Ant Entertainment HD 318 Blue Ant Extreme HD 319 Fashion TV HD 320 tvN HD 322 NHK World Premium 325 Arirang TV 326 ABC Australia 331 ETTV Asia 332 STAR Chinese Channel 333 MTV Asia 334 Dragon TV 335 SZTV 336 Hunan TV International 337 Hubei TV 340 CCTV-11-Opera 341 CCTV-1 371 Family Entertainment Channel 375 Fashion TV 376 Phoenix Chinese Channel 377 tvN 378 Blue Ant Entertainment 502 Asia YOYO TV 510 Dreamworks 511 Cartoon Network - 3 - Channel Licensee Name of Channel Satellite No. -
LC Paper No. CB(1)53/14-15(04)
LC Paper No. CB(1)53/14-15(04) Information Paper for LegCo Panel on Commerce and Industry Report on the Work of HKSAR Government’s Offices in the Mainland and Taiwan This paper gives an account of the work undertaken by the Office of the Government of the HKSAR in Beijing, the Hong Kong Economic and Trade Offices in Guangdong, Shanghai, Chengdu and Wuhan, as well as the Hong Kong Economic, Trade and Cultural Office (Taiwan) between October 2013 and September 2014. Details of the work of these six Offices are set out in Annexes 1 to 6. Annex Beijing Office (BJO) 1 Guangdong Economic and Trade Office (GDETO) 2 Shanghai Economic and Trade Office (SHETO) 3 Chengdu Economic and Trade Office (CDETO) 4 Wuhan Economic and Trade Office (WHETO) 5 Hong Kong Economic, Trade and Cultural Office 6 (Taiwan) (HKETCO) Constitutional and Mainland Affairs Bureau October 2014 Annex 1 Report on the Work of The Office of the Government of the Hong Kong Special Administrative Region in Beijing The main functions of the Office of the Government of the Hong Kong Special Administrative Region in Beijing (BJO) are to (a) enhance liaison and communication between the Government of the Hong Kong Special Administrative Region (HKSAR), the Central People’s Government (CPG) and Mainland authorities in the 10 provinces / municipalities / autonomous regions under its coverage1; (b) promote Hong Kong in general and particularly its economic and trade relations with the 10 provinces / municipalities / autonomous regions; (c) handle immigration-related matters; and (d) provide assistance to Hong Kong residents in distress. -
Universo Transmedia De Las Telenovelas Chinas Contemporáneas De Origen Literario
Universitat Autònoma de Barcelona Facultad de Ciencias de la Comunicación Investigación en Comunicación y Periodismo UNIVERSO TRANSMEDIA DE LAS TELENOVELAS CHINAS CONTEMPORÁNEAS DE ORIGEN LITERARIO Autora: Shi, Xiaoyu Directora: Lidia Peralta Gracía Bellaterra-Barcelona Junio, 2017 Resumen La presente investigación tiene como objetivo principal determinar la importancia e impacto de las telenovelas de naturaleza transmedia y origen literario en la sociedad contemporánea en China, desde el año 2001 hasta la actualidad. Para ello, el presente estudio trabaja desde una doble perspectiva: enmarcar el contexto de la televisión china y el mercado trasnmedia al que van dirigidas esas telenovelas y delimitar los elementos narratologícos y estructurales del formato transmedia. Ello nos permitirá entender hasta qué punto las narrativas transmedia están generando mayor impacto que los formatos tradicionales. De cara a la obtención de nuestros objetivos hemos recurrido a la metodología cuantitativa y cualitativa, con análisis de contenidos, uso de encuestas y apoyo de información documental principalmente. Palabras claves: telenovelas de origen literario, narrativa transmedia, impacto, importancia, sociedad china. ÍNDICE INTRODUCCIÓN I: CUERPO METODOLÓGICO 1.1 Problema de investigación 1.2 Justificación de trabajo 1.3 Marco teórico 1.4 Metodología II: LA TELEVISIÓN EN CHINA 2.1. Historia de la televisión china 2.1.1.Origen 2.1.2 Después de la Reforma económica 2.1.3 La televisión china en el siglo XXI 2.2. Canales de la televisión china 2.2.1 La CCTV, el canal nacional 2.2.2 Canales provinciales 2.3. El mercado de la televisión china 2.3.1 El canal nacional 2.3.2 Los canales locales (provincial) 2.4 Internet y su impacto sobre los consumos televisivos III: NOVELAS EN CHINA 3.1 El contexto cultural de las novelas IV: TELENOVELAS DE ORIGEN LITERARIO: INFORMACIÓN Y CONTEXTO 4.1 Telenovelas de origen literario en EE.UU: ¿un referente para China? 4.1.1. -
China and the US Are Getting Back to Business, But
2018 SOCIETY Breastfeeding: Magic Massage at a Price No. 61 June Volume ECONOMY Driverless Future: Who Will Win the Smart Car Race? DONE China and the US are getting back to business, DEAL? but will trade tensions resurface? EDITORIAL Published by China News Service Publisher: Zhang Xinxin Executive Director: Zhang Xinxin China committed to globalisation Editor-in-Chief: Peng Weixiang Deputy Editor-in-Chief: Zheng Zhonghai Editorial Office Copy Editors: Frank Hersey, Flynn Murphy Lead Writers: Yu Xiaodong, Li Jia Senior Editor: Wang Yan Editors: Xie Ying, Du Guodong, Yi Ziyi, Han Bingbin, Xu Mouquan, Zhang Qingchen Consultant Editor: Chen Shirong First Reader: Sean Silbert Address: 5th Floor, 12 Baiwanzhuang South Street, Xicheng District, Beijing, China Post Code: 100037 Tel: 86-10-88395566 Fax: 86-10-88388045 Email: [email protected] Website: www.ChinaReport.co.uk Art Department he year of 2018 has witnessed a rising relaxed restrictions have seen the world’s largest in- Art Director: Wu Shangwen Art Editor/Designer: Zhang Dawei tide of trade protectionism globally. But surance group co-invest in a new insurance assets the fact remains that management company. Marketing/Advertising/Subscription EMEA Office Tno country can single-handedly In addition to opening up Foremost 4 Media tackle the various challenges that It is expected that the market, Shanghai’s munici- Deputy Editor: Mafalda Borea confront humanity. pal government has also strived Email: [email protected] foreign investors in This year marks the 40th to improve its business envi- Tel: +44 7753 693244 banking, securities +44 20 7224 8812 anniversary of China’s reform and ronment, seeking to provide Website: foremost4.media opening-up endeavour, which and insurance will good services for foreign inves- Marketing Office in China has proven to be the only way for soon be able to own tors. -
A Case Study of China Multimedia Mobile Broadcasting (CMMB)
A Case Study of China Multimedia Mobile Broadcasting (CMMB) A Thesis Submitted to the Faculty Of Drexel University By Dongchen Zhang In partial fulfillment of the Requirements for the degree Of Master of Science June 2011 ii ©Copyright 2011 Dongchen Zhang. All Rights Reserved iii Abstract A Case Study of China Multimedia Mobile Broadcasting (CMMB) Dongchen Zhang Albert S. Tedesco, Supervisor, BA, MA, MAC Beginning late in the 20th century, mobile broadcasting TV has been launched in many countries all over the world. Though it was expected to be one of the most promising technologies, each country still has its own situation, some are successful, and others are disappointing. Meanwhile, the mobile broadcasting TV is penetrating China rapidly because of the development of its special China Multimedia Mobile Broadcasting standard and network. The worldwide mobile broadcasting TV markets are active due to technology development, business models maturity, and competition is aggressive. The potential size and growth rate of the Chinese mobile TV market warrant examination of the wireless development in and outside of the country. Here, we study specifically this unique growing standard – CMMB, including the technology, the consumer demographics, and the business model. iv Acknowledgment I would like to thank my academic advisor, Albert Tedesco for his invaluable feedback and guidance. Tedesco’s teaching and insights have been a great source of knowledge and ideas for me both inside and outside of this project while at Drexel University. I would also like to thank both Min Wang and Xinquan Fan. Miss Wang has given me a lot of suggestions to improve the grammar and expression of this study. -
RTHK Programme Staff Union, 13 Reporters Become the Target of Protesters Tse Chung-Yan, Ching Cheong 13 Beijing Expulsion Order of US Journalists Damages
Contents Introduction and recommendations p.2 Chapter 1 Chief Editor Beijing’s hands, police Chris Yeung batons pose threats to Executive Editor Lau Wai-kuen media freedom p.6 Writers 9 Extradition bill stokes fear Chris Yeung, Au Ka-lun, Ronson Chan, Kris Cheng 10 Police’s pledge of facilitating reporting mere words Shirley Yam, Alvin Lum, RTHK Programme Staff Union, 13 Reporters become the target of protesters Tse Chung-yan, Ching Cheong 13 Beijing expulsion order of US journalists damages Translators autonomy Pamela Ngai, Cheung Choi-wan, Wendy Lee Copyright Hong Kong Journalists Association HONG KONG JOURNALISTS ASSOCIATION The Hong Kong Journalists Association (HKJA) is the only industry-wide union of journalists in Hong Kong. The HKJA promotes the right to freedom of expression and activity focuses on a range of press freedom and ethics concerns. As a trade union, the HKJA focuses on labour rights, pay issues, health and safety, and training. Executive Committee (2019-2020) Chris Yeung, Chairperson; Shirley Yam, Vice-Chairperson; Ronson Chan, Gary Chau, Kwok Ho-yin, Lam Yin-pong, Luther Ng, Hilda Poon, Charles Tang, Tse Chung-yan Hong Kong Journalists Association Flat A, 15/F., Henfa Commercial Building 348-350 Lockhart Road, Wanchai Hong Kong tel +852 2591 0692 e-mail [email protected] fax +852 2572 7329 website www.hkja.org.hk Contents Chapter 2 Chapter 3 Journalists under the RTHK: Dual role threat of police brings dilemma p.36 p.16 37 Beating up the kids with the door closed brutality 38 Cut budget 16 Three measures to improve -
Global Offering Global
Project YS IPO_191219_op.pdf 1 20/12/2019 11:31 AM 新石文化投資有限公司 Stock code : 1740 GLOBAL OFFERING C 新石文化投資有限公司 M Y CM MY CY CMY K 新石文化投資有限公司 Sole Sponsor Sole Global Coordinator, Joint Bookrunner and Joint Lead Manager IMPORTANT If you are in any doubt about any of the contents of this prospectus, you should seek independent professional advice. Values Cultural Investment Limited 新石文化投資有限公司 (Incorporated in the Cayman Islands with limited liability) GLOBAL OFFERING Total Number of Offer Shares : 250,000,000 Shares (subject to the Over-allotment Option) Number of Hong Kong Offer Shares : 25,000,000 Shares (subject to reallocation) Number of International Placing Shares : 225,000,000 Shares (subject to reallocation and the Over-allotment Option) Offer Price : Not more than HK$0.74 per Offer Share and expected to be not less than HK$0.50 per Offer Share, plus brokerage of 1%, SFC transaction levy of 0.0027% and Stock Exchange trading fee of 0.005% (payable in full on application in Hong Kong dollars and subject to refund) Nominal value : US$0.000005 per Share Stock code : 1740 Sole Sponsor Sole Global Coordinator, Joint Bookrunner and Joint Lead Manager Joint Bookrunners and Joint Lead Managers Joint Lead Managers Hong Kong Exchanges and Clearing Limited, The Stock Exchange of Hong Kong Limited and Hong Kong Securities Clearing Company Limited take no responsibility for the contents of this prospectus, make no representation as to its accuracy or completeness and expressly disclaim any liability whatsoever for any loss howsoever arising from or in reliance upon the whole or any part of the contents of this prospectus. -
Seeing Chinese Television Industry Through Phoenix Satellite Tv
DANCING IN THE TENSION BETWEEN THE GLOBAL AND NATIONAL: SEEING CHINESE TELEVISION INDUSTRY THROUGH PHOENIX SATELLITE TV Shuang Xie A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2010 Committee: Dr. Oliver Boyd-Barrett, Advisor Dr. Louisa Ha Dr. Radhika Gajjala Dr. Patricia Kubow Graduate Faculty Representative i ABSTRACT Dr. Oliver Boyd-Barrett, Advisor Phoenix Satellite Television is a TV network broadcasting to the global Chinese-speaking community, primarily to the mainland of China. This study examines Phoenix as a lens by which to consider the overall Chinese television industry in the era of globalization. Utilizing the theory of media imperialism, this study investigates the program content, format, scheduling pattern, and advertisement use of Phoenix, and finds that US-inspired neo- liberalism is expressed in the network’s programming strategies. The study also examines two leading TV networks in China – China Central Television, and Hunan Satellite Television – to compare their programming strategies with those of Phoenix. Although the results of this comparative analysis indicate that the three networks adopt different strategies, they also reveal hidden similarities. That is, all three networks, along with other TV networks at various levels in China, have embraced the ideology of neo-liberalism by emphasizing profit-making as their core goals. The analysis also reveals that the Chinese government still holds a tight control over the media in China. Ironically, this control has helped spread the very neo-liberalism the Chinese government’s control attempts to hinder. The implication of this study to the thesis of Media Imperialisms is that the findings suggest that the central question of imperialism and its relationship to media has to do with the ways in which media content and media format relate to, support or fail to support, the trajectory of imperialism in any of its manifestations. -
HUANG Fengrong Painter
HUANG FengRong Painter Huang FengRong is born in 1977 in Putian city Fujian province, China. He’s been painting since his childhood. In 2006, he decided to promote his personal style by combining painting and “Happening perFormances”. In 2010, he was recognized as the Best Painting and Performance Chinese Artist after his participation to the CCTV Television program. He is Frequently invited by CCTV and many other TV stations to attend their programs, thanks to his excellent and unique painting perFormances. His paintings and multimedia productions received The Best Creativity Award and A Prize Of Excellent Works. His works are collected by Chinese Government members, renowned entrepreneurs, celebrities and overseas Art Collectors. Exhibitions & Performances 2014 - Exhibition and PerFormance at the Debiut in Macao on 28th Feb, 2014 - PerFormance at the Shenzhen Television “ Male leFt Female right” Paste up For Famous Start Lixiang on 7th Mar, 2014 - PerFormance at the CCTV3 “I Love Applause” on 12th Mar, 2014 - PerFormance at the “Three Two One” in Putian city on 23rd Mar, 2014 - Special prize for his performance at the HK Lingnan University on 27th Mar, 2014 - PerFormance at the Hongkong Emperor Motion Pictures’ premiere oF “That Demon Within “in Apr, 2014. - Exhibition and PerFormance at the Meizhou Island "worship Mazu" on 20th Apr, 2014 - Exhibition and PerFormance at the first “Shenzhen-Hong Kong Youth Fashion Festival” on 26th Apr, 2014 - PerFormance at the Youth Day For Youth League in Putian on 2nd May, 2014 - Exhibition and PerFormance at the Hongkong Kung Lee College - Huang Fengrong’s Sharing With Art on 7th May, 2014 - Exhibition and PerFormance at the Shezhen ICIF From 15th May 2014 to 18th May, 2014 - PerFormance at the Fujian Television “ The GiFt OF Tonight” on 22nd May, 2014 - PerFormance at the Zhejiang Television “ Chinese Dream” on 26th May, 2014 - PerFormance at the Dragon Television “Chinas Got Talent” on 12th Jun ,2014. -
Media and Communications
Chapter 17 Media and Communications Hong Kong’s lively media and world-class telecommunications provide ready access to a wealth of information and entertainment. Some 694 daily newspapers and periodicals are published in Hong Kong, more than 93 per cent of households are broadband service subscribers and the mobile subscriber penetration rate is about 234 per cent. Hong Kong has one of the most successful telecommunications markets in the world. Fully liberalised and highly competitive, the market provides a wide range of innovative and advanced telecommunications services to consumers and business users at affordable prices. The city also has a long history of film production and a vibrant broadcasting industry offering a great variety of services. The Mass Media Hong Kong’s mass media at the end of 2016 included 54 daily newspapers (including electronic newspapers), 640 periodicals, three domestic free-television programme service licensees, three domestic pay-TV programme service licensees, 17 non-domestic TV programme service licensees, one government-funded public service broadcaster and two sound broadcasting licensees. The availability of the latest telecommunications technology and keen interest in Hong Kong’s affairs have attracted many international news agencies, newspapers with international readership and international broadcasters to establish regional headquarters or representative offices here. The production of regional publications in Hong Kong underlines its importance as a financial, industrial, trading and communications centre. Registered Hong Kong-based press at the year end included 28 Chinese-language dailies, 11 English-language dailies, 10 bilingual dailies and five in Japanese. One of the English dailies publishes a daily Braille edition in conjunction with the Hong Kong Society for the Blind. -
This Thesis Has Been Submitted in Fulfilment of the Requirements for a Postgraduate Degree (E.G. Phd, Mphil, Dclinpsychol) at the University of Edinburgh
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Exploring the Intersection of Translation and Music: An Analysis of How Foreign Songs Reach Chinese Audiences Lingli Xie Thesis Submitted for the Degree of Doctor of Philosophy School of Literatures, Languages and Cultures The University of Edinburgh 2016 Declaration I hereby declare that this thesis has been entirely composed by me and that the work herein is mine. Ideas and passages reproduced from other sources have been duly acknowledged. The thesis has not been submitted for any other degree or professional qualification. Lingli Xie 31 May 2016 I Acknowledgements This thesis would not have been possible without the support of many people. I owe a huge debt of gratitude to my supervisor, Dr Şebnem Susam-Saraeva, whose insightful comments and boundless patience have been an invaluable support throughout my entire PhD study.