Dispatches from Television Centre Issue 1
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Annual Report on the BBC 2019/20
Ofcom’s Annual Report on the BBC 2019/20 Published 25 November 2020 Raising awarenessWelsh translation available: Adroddiad Blynyddol Ofcom ar y BBC of online harms Contents Overview .................................................................................................................................... 2 The ongoing impact of Covid-19 ............................................................................................... 6 Looking ahead .......................................................................................................................... 11 Performance assessment ......................................................................................................... 16 Public Purpose 1: News and current affairs ........................................................................ 24 Public Purpose 2: Supporting learning for people of all ages ............................................ 37 Public Purpose 3: Creative, high quality and distinctive output and services .................... 47 Public Purpose 4: Reflecting, representing and serving the UK’s diverse communities .... 60 The BBC’s impact on competition ............................................................................................ 83 The BBC’s content standards ................................................................................................... 89 Overview of our duties ............................................................................................................ 96 1 Overview This is our third -
The Production of Religious Broadcasting: the Case of The
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OpenGrey Repository The Production of Religious Broadcasting: The Case of the BBC Caitriona Noonan A thesis submitted in fulfilment of the requirements of the degree of Doctor of Philosophy. Centre for Cultural Policy Research Department of Theatre, Film and Television University of Glasgow Glasgow G12 8QQ December 2008 © Caitriona Noonan, 2008 Abstract This thesis examines the way in which media professionals negotiate the occupational challenges related to television and radio production. It has used the subject of religion and its treatment within the BBC as a microcosm to unpack some of the dilemmas of contemporary broadcasting. In recent years religious programmes have evolved in both form and content leading to what some observers claim is a “renaissance” in religious broadcasting. However, any claims of a renaissance have to be balanced against the complex institutional and commercial constraints that challenge its long-term viability. This research finds that despite the BBC’s public commitment to covering a religious brief, producers in this style of programming are subject to many of the same competitive forces as those in other areas of production. Furthermore those producers who work in-house within the BBC’s Department of Religion and Ethics believe that in practice they are being increasingly undermined through the internal culture of the Corporation and the strategic decisions it has adopted. This is not an intentional snub by the BBC but a product of the pressure the Corporation finds itself under in an increasingly competitive broadcasting ecology, hence the removal of the protection once afforded to both the department and the output. -
COLOUR MUSIC! STLD See CBSO Get RDE Pop Lighting Treatment for HRH and BBC TV at NEC
COLOUR MUSIC! STLD see CBSO get RDE Pop Lighting Treatment for HRH and BBC TV at NEC. BOB ANDERSON The Society of Television Lighting studio, representatives from Playlight, CCT Directors had the unusual experience on and Lee Colortran demonstrated some of June 25th of watching a top Pop lighting their latest lurninaires and portable controls. phone system. Without the questions the designer, Richard Dale, creating spectacu Then the party transferred to the NEC. answers made little sense. Sound, the lar colour lighting effects for a performance Hall 7 at the NEC is about the same size as audience PA system, cut in and out, ofRavel's "Bolero" to be performed before the Wembley Arena, about 120,000 sq. ft. presumably to test balances, and, inciden Prince Charles at the National Exhibition and seats 6,000 people in concert layout. tally, thereby demonstrated how well sound Centre the following night and transmitted You have probably seen show jumping reinforcement can work when the aim is to live on BBC television. televised from there. When the horses assist hearing instead of to attack it. The STLD arrange meetings four or five · depart the main floor is swept clean and Lighting faded and altered as Richard and times a year for members to see studios, filled with countless rows of seats and a flat the hidden electronics control engineers equipment or other matters of interest in the floor facing the platform and on scaffold agreed working limits. Continuing streams general field of performance lighting. terraces along the back and sides. Lighting of water descended from the laser until it Occasionally meetings involve visits to TV is industrial high pressure sodium flood was eventually lowered for major surgery. -
BBC Children's News and First-Run UK Originated Programmes
BBC Children’s news and first-run UK originations Statement on the BBC’s request to change its Operating Licence [] Redacted for publication BBC Children’s news and first-run UK originations – Welsh overview STATEMENT: Publication Date: 28 July 2020 Contents Section 1. Overview 1 2. Background 4 3. Our decisions on changes to the Operating Licence 7 Annex A1. Comparison of current and revised Operating Licence conditions 50 A2. Notice of Variation 56 A3. Equality impact assessment 59 1. Overview This document explains Ofcom’s final decisions following a request by the BBC to change its Operating Licence to allow it to meet its news and new content commitments for children by increasing its online provision. This follows a consultation setting out our provisional views, which we published in November 2019. Our research shows that children are increasingly consuming content online, while the reach of linear television on the TV set among children is continuing to decline.1 In April-May 2020, during lockdown, linear viewing saw a resurgence among children, but it is already falling again.2 Given these changes, the BBC must innovate and adapt its approach in order to stay relevant to its youngest audiences. In Ofcom’s most recent Annual Report on the BBC3, we said that the BBC needs to work harder to reach young people by making content that appeals to them and ensuring that it is readily available where they want it. If younger audiences don’t engage with the BBC, then public support for the licence fee could be eroded, which is a significant risk to the future sustainability of the BBC. -
Tvc Handbook.Pdf
THE BBC TELEVISION CENTRE THE BRITISH BROADCASTING CORPORATION . for Britain and the world THE BBC TELEvrsroN CENrnr, openedin June designedto meet not only the needsof today, but of 1960, is the hub of Britain's national television net- the future too; it is equipped to meet possiblefuture work. It housesthe world's seniortelevision service in developments such as colour television and trans- the most up-to-date, self-contained broadcasting missionsby 625-line definition. Meantime, the Centre centre in Europe-the fust in Britain to be designed is already the western terminal of a vast complex of specificallyfor television. ri(ithin its studios are pro- vision circuits that span Europe, with Eurovision in duced programmesnot only for the BBC's own net- the west of the continent and Intervision beyond. work, but also for use in many parts of the world: Every year, the Centre is visited by television BBC television material is exported to more than executivesfrom broadcastingorganizations through- seventy countries. The Television Centre has been out the world, and more and more it is becoming a venue for international assembliesconcerned with the nrnorc<< nftelcwicinn Its significancelies largely in irs extensiveequip- The Main Entrdnce by night ment for production by electronic methods. Apart from programmesproduced in the studios,the Centle 40 ft (rr.5 m) high and this is surmounted by a houses equipment for the transmission of films and gilded bronze figure of Helios, the all-seeingSun God apparatuswhich enablesprogrammes to be recorded of Greek mythology. Two reclining bronze figures and reproducedat a later time. over the pool of the fountain represent Sound and The Centre occupies a site of r3, acres (5.4 hec- Vision. -
An Economic Review of the Extent to Which the BBC Crowds out Private Sector Activity
An economic review of the extent to which the BBC crowds out private sector activity A KPMG Report commissioned by the BBC Trust October 2015 FINAL REPORT Important Notice This report (‘Report’) has been prepared by KPMG LLP in accordance with specific terms of reference (‘terms of reference’) agreed between the British Broadcasting Corporation Trust (‘BBC Trust’ or ‘the Addressee’), and KPMG LLP (‘KPMG’). KPMG has agreed that the Report may be disclosed to third parties. KPMG wishes all parties to be aware that KPMG’s work for the Addressee was performed to meet specific terms of reference agreed between the Addressee and KPMG LLP and that there were particular features determined for the purposes of the engagement. The Report should not therefore be regarded as suitable to be used or relied on by any other person or for any other purpose. The Report is issued to all parties on the basis that it is for information only. Should any party choose to rely on the Report they do so at their own risk. KPMG will accordingly accept no responsibility or liability in respect of the Report to any party other than the Addressee. KPMG does not provide any assurance on the appropriateness or accuracy of sources of information relied upon and KPMG does not accept any responsibility for the underlying data used in this report. No review of this report for factual accuracy has been undertaken. For this report, the BBC Trust has not engaged KPMG to perform an assurance engagement conducted in accordance with any generally accepted assurance standards and consequently no assurance opinion is expressed. -
The BBC's Distribution Arrangements for Its UK Public Services
The BBC’s distribution arrangements for its UK Public Services A report by Mediatique presented to the BBC Trust Finance Committee November 2013 BRITISH BROADCASTING CORPORATION The BBC’s distribution arrangements for its UK Public Services A report by Mediatique presented to the BBC Trust Finance Committee November 2013 Presented to Parliament by the Secretary of State for Culture, Media and Sport by Command of Her Majesty February 2014 © BBC 2013 The text of this document may be reproduced free of charge in any format or medium providing that it is reproduced accurately and not in a misleading context. The material must be acknowledged as BBC copyright and the document title specified. Where third party material has been identified, permission from the respective copyright holder must be sought BBC Trust response to Mediatique’s value for money study: the BBC’s distribution arrangements for its UK Public Services Introduction The BBC exists to educate, inform and entertain through a broad range of high quality programmes and services on TV, Radio and Online. It is also tasked with distributing this content to audiences across the country in ways that are convenient to them. In 2012-13 the cost of these distribution arrangements was £233million or 6.5 percent of the licence fee. The BBC Trust exists to maximise the value audiences receive in return for the licence fee. To help it do this, the Trust commissioned Mediatique to carry out a value for money review of the BBC’s distribution arrangements in the UK. This is one of a number of value for money reports received by the Trust from various organisations, including the NAO, all of which help the Trust to identify ways to improve the way the BBC is run. -
Broadcasting in Wales
House of Commons Welsh Affairs Committee Broadcasting in Wales First Report of Session 2016–17 HC 14 House of Commons Welsh Affairs Committee Broadcasting in Wales First Report of Session 2016–17 Report, together with formal minutes relating to the report Ordered by the House of Commons to be printed 13 June 2016 HC 14 Published on 16 June 2016 by authority of the House of Commons Welsh Affairs Committee The Welsh Affairs Committee is appointed by the House of Commons to examine the expenditure, administration, and policy of the Office of the Secretary of State for Wales (including relations with the National assembly for Wales.) Current membership David T.C. Davies MP (Conservative, Monmouth) (Chair) Byron Davies MP (Conservative, Gower) Chris Davies MP (Labour, Brecon and Radnorshire) Glyn Davies MP (Conservative, Montgomeryshire) Dr James Davies MP (Conservative, Vale of Clwyd) Carolyn Harris MP (Labour, Swansea East) Gerald Jones MP (Labour, Merthyr Tydfil and Rhymney) Stephen Kinnock MP (Labour, Abervaon) Liz Saville Roberts MP (Plaid Cymru, Dwyfor Meirionnydd) Craig Williams MP (Conservative, Cardiff North) Mr Mark Williams MP (Liberal Democrat, Ceredigion) The following were also members of the Committee during this inquiry Christina Rees MP (Labour, Neath) and Antoinette Sandbach MP (Conservative, Eddisbury) Powers The committee is one of the departmental select committees, the powers of which are set out in House of Commons Standing Orders, principally in SO No 152. These are available on the internet via www. parliament.uk. Publication Committee reports are published on the Committee’s website at www.parliament.uk/welshcom and in print by Order of the House. -
KEITH JACOBSEN TELEVISION LIGHTING CAMERAMAN Represented by Suz Cruz North
KEITH JACOBSEN TELEVISION LIGHTING CAMERAMAN Represented by Suz Cruz North Award winning lighting cameraman with 30 years of experience in the broadcast industry for some of the worlds biggest broadcasters. From studios to outside broadcasts to single camera work using a variety of grips from Steadicam to jibs. Daring to be different. KEY SKILLS • Studio/OB/ENG operation • Location Lighting • Pedestals/Steadicam/Jimmy Jib • Problem Solving RECENT CREDITS Light Entertainment / Music Game Show Mrs Browns Boys (BBC Scotland) Eggheads (12 Yard/BBC) Red Dwarf (BBC North West) Fifteen To One (Channel 4) This Is Your Life (Thames Television) Len Goodman’s Partners In Rhyme (BBC) BBC Introducing… (BBC North) The Time It Takes (BBC/Hat Trick) Children In Need (BBC North) The Link (BBC) Great Britons (BBC) Britain’s Worst Cooks (Carlton) Children's Creamfields 2018 (Nomobo/Acrobat TV) The Dog Ate My Homework (CBBC) The 8.15 From Manchester (BBC North) Drama The Satellite Show (CBBC) Emmerdale (ITV Studios) Chucklevision (CBBC) Dalziel & Pascoe (BBC) My Story (CBeebies) Coronation Street (ITV Studios) Match of the Day Kickabout (CBBC) Za’atari – Newsround Special (CBBC) News & Current Affairs Newsround (CBBC) BBC Breakfast (BBC News) Sunday Politics (BBC North) Sport World In Action (Granada) Late Kick Off (BBCYorkshire) Channel 4 News (ITN) Hockey Night In Manchester (EIHL) Inside Iraq (Al Jazeera) BTCC Super Touring Cars (BBC Sport) Empire (Al Jazeera) LMP3 Championship (Race TV) Squawk Box (NBC) The Emir Cup (Al Jazeera Sports) US ’08 The Nation -
Review of BBC News and Current Affairs
Review of BBC news and current affairs Published 24 October 2019 Welsh version available Contents Overview ............................................................................................................ 3 Background to Ofcom’s review .......................................................................... 6 Overview of BBC news and current affairs ........................................................ 8 The quality of BBC news and current affairs ................................................... 11 Engagement with BBC news and current affairs ............................................. 21 What we expect the BBC to do ........................................................................ 30 Annex 1: Key facts and Figures ........................................................................ 31 2 Overview Ofcom has carried out a detailed review of BBC news and current affairs Providing high-quality, trusted news and current affairs is central to the BBC’s remit. At a time of highly political and polarised debate, the need for accurate, trustworthy and robust journalism is as important as it has ever been. In March, we launched an in-depth review of BBC news and current affairs, putting audiences at the heart of our research. Over the spring and summer, we gathered views from people across the country. We commissioned research to give us a detailed insight into how people get their news, and we looked at the range and depth the BBC offers compared to other news providers. We also spoke to around 50 media organisations, industry bodies and academics across the UK. Here is a summary of our main findings, along with our recommendations to the BBC. We have also published on our website the range of evidence that has informed this. Accuracy is central to the BBC’s reputation The BBC remains the UK’s primary source for news. Despite an uncertain political environment, it has maintained its reputation among most people for trusted and accurate reporting. -
RESEARCH to EXPLORE PUBLIC VIEWS ABOUT the BBC: APPENDICES for the Department for Culture, Media and Sport
RESEARCH TO EXPLORE PUBLIC VIEWS ABOUT THE BBC: APPENDICES For the Department for Culture, Media and Sport Prepared by: GfK Social Research Appendices: contents Qualitative Discussion Guide and Stimulus ........................................................................... 3 Objective area 1 discussion guide and stimulus: group discussions ......................... 3 Objective area 1 discussion guide and stimulus: telephone depth interviews ....... 13 Objective area 2 discussion guide and stimulus: group discussions ....................... 18 Objective area 3 discussion guide and stimulus ............................................................. 30 Quantitative questionnaires ...................................................................................................... 44 First survey ................................................................................................................................ 44 Second survey .......................................................................................................................... 50 Qualitative Discussion Guide and Stimulus There were three strands of qualitative research, reflecting three strands of objectives: Objective Area 1: gathering views of the BBC amongst underserved audiences. Objective Area 2: exploring the Charter Review consultation themes amongst the general public. Objective Area 3: investigating attitudes towards willingness to pay for BBC services, and reaction to funding models amongst the general public. Separate discussion guides -
Choosing a Television
TELEVISIONS This leaflet is prepared by The Caravan Club as part of its service to members. The contents are believed to be correct at the time of publication, but the current position may be checked with The Club‟s Information Office. The Club does not endorse the listed products and you should satisfy yourself as to their quality and suitability. As always, check that the installation of an after-market accessory does not invalidate your Warranty. September 2010 Over the past few years, the whole way that we watch television has started to change: from the types of screen that we use to the way the signal gets to the screen, from the way we record programmes to the time when we watch them – virtually nothing about how we watch television is the same now as it was even five years ago. For television viewers in caravans, motorhomes, boats, trucks and other vehicles, these changes will mean either being able to watch virtually the same television programmes with the same quality of picture and sound that they get at home or, on the other hand, having to stare at a blank screen. In the future, whether you will have something to watch or nothing at all depends entirely on whether or not you have kept up with the technology. Like it or not, you are going to have to invest in some new equipment if you want to watch television in your vehicle. However, one thing you will not need to spend money on is a new television. Practically any television can be easily connected to a digital receiver even if it does not have a SCART Socket.