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Irving Guttman Collection (RBSC- ARC-1752)
University of British Columbia Library Rare Books and Special Collections Finding Aid - Irving Guttman collection (RBSC- ARC-1752) Generated by Access to Memory (AtoM) 2.2.1 Printed: July 21, 2016 Language of description: English University of British Columbia Library Rare Books and Special Collections Irving K. Barber Learning Centre, 1961 East Mall Vancouver BC Canada V6T 1Z1 Telephone: 604-822-8208 Fax: 604-822-9587 http://www.library.ubc.ca/spcoll/ http://rbscarchives.library.ubc.ca//index.php/irving-guttman-collection Irving Guttman collection Table of contents Summary information ...................................................................................................................................... 3 Administrative history / Biographical sketch .................................................................................................. 3 Scope and content ........................................................................................................................................... 3 Notes ................................................................................................................................................................ 4 Access points ................................................................................................................................................... 4 Series descriptions ........................................................................................................................................... 4 , Operatic Singer/Conductor Autographed -
R13970 Photograph Collection of the Music Division
R13970_Photograph Collection of the Music Division Accession Negative Subject Content Physical Date Photographer 823 Abramson, Ronney Portrait photo: b&w / n&b; 21 x 26 ca. 1970s 428 Acklund, Jeanne Portrait photo: b&w / n&b; 9 x 7 ca. 1950 824 Adams, Bryan Portrait, with guitar photo: b&w / n&b; 25 x 21 ca. 1980s 1755 Adams, Bryan Portrait photo: b&w / n&b; 21 x 26 ca. 1990s Catlin, Andrew 1810 Adams, Bryan Portrait photo: b&w / n&b; 26 x 21 ca. 1990s Catlin, Andrew Frances and Harry Adaskin in CBC-TV "To play like an photo: b&w / n&b; 21 x 26 Adaskin, Frances angel" on Spectrum, 7 (composite print of two 1 Marr|Adaskin, Harry November 1979. portraits 16 x 12) 1979 L 1936 Adaskin, John Portrait contact card ca. 1940s photo: b&w / n&b; 13 119 NL 14550 Adaskin, Murray Composing at the piano x13|contact card ca 1978 405 Adaskin, Murray Portrait photo: col. / coul.; 11 x 13 819 Adeney, Marcus Portrait photo: b&w / n&b; 18 x 13 ca 1940s Roy, Marcel 825 Adeney, Marcus Portrait with cello photo: b&w / n&b; 26 x 21 ca 1945 Roy, Marcel Eleanor Agnew and Margaret Agnew, Eleanor|Wilson, Wilson in performance on 368 Margaret violin. photo: b&w / n&b; 18 x 25 335 Wilson, Margaret Portrait with violin L 1935 Agostini, Lucio Portrait contact card 1946 826 Agostini, Lucio In rehearsal photo: b&w / n&b; 20 x 25 820 Aide, William Portrait photo: b&w / n&b; 21 x 13 1985 Robert Aitken with the Accordes String Quartet in Aitken, Robert|Boulez, rehearsal with Pierre Boulez Pierre|Berard, for New Music Concerts, Marie|Accordes String Mississauga, Ont., 1991. -
Sm21-3Fr.Pdf
sm21-3_FR_01_Cover-Abonnement_sm21-3_FR_pXX 15-10-28 11:18 AM Page 1 sm21-3_FR_02_ADs_sm21-3_FR_pXX 2015-10-27 4:04 PM Page 2 5 décembre 2015 Chapelle historique du Bon Pasteur 100, rue Sherbrooke E. 2015 Montréal 3 E ÉDITION EXPOSITION + CONCERT // EXHIBITION + CONCERT Lutherie et archèterie contemporaines Contemporary Violin and Bow Making 11h - 21h EXPOSITION // EXHIBITION Violons, altos, violoncelles et archets contemporains Contemporary violins, violas, cellos and bows 14h CONCERT Quatuor Molinari Quartet 16h CONFÉRENCE // CONFERENCE Véronique Brouillette Kinésiologue // Kinesiologist 19h RÉCITAL EN TRIO // TRIO RECITAL Andrew Wan Violon solo de l’OSM // MSO Concertmaster Brian Manker Violoncelle solo de l’OSM // MSO Principal Cello Philip Chiu Piano, prix Goyer 2015-2016 Performance surprise au violon solo de Marc Djokic en après-midi. Surprise violin solo performance by Marc Djokic, in the afternoon. Entrée gratuite. Free admission. [email protected] leforumdesfabricants.org Au service des artisans. Au service de la musique. Serving craftmanship. Serving music. sm21-3_FR_03_UdeMad_sm21-3_FR_pXX 2015-10-26 6:34 PM Page 3 Novembre – Décembre 2015 4 20 26 27 5 Miroslav Vitouš Benedetto Lupo Ron Di Lauro Gilles Cantagrel Jean-François Rivest Lundi 2, jeudi 5, vendredi 6 et lundi 9 novembre Samedi 21 novembre – 19 h 30, salle Claude-Champagne Salles Serge-Garant (B-484) et Jean-Papineau-Couture (B-421) CONCERT Hommage à Vladimir Landsman CONFÉRENCES de prestige de l’Observatoire interdisciplinaire La communauté facultaire célébrera le violoniste-pédagogue Vladimir de création et de recherche en musique (OICRM) Landsman qui prenait tout récemment sa retraite après avoir enseigné Invité : Christophe Pirenne, docteur en musicologie de l’Université pendant quarante ans à la Faculté de musique. -
Irving Guttman Leaves an Indelible Footprint on Canadian Opera
Login Register Subscribe Enter a term, stock symbol or company name Search Select City Help Home News Opinion Business Investing Sports Life Arts Tech Drive Real Estate AdChoices Film TV & Media Books Music Theatre Visual Arts Awards Video Home » Arts » Music OBITUARY Irving Guttman leaves an indelible footprint on Canadian opera ROD MICKLEBURGH Special to The Globe and Mail Published Wednesday, Jan. 07, 2015 6:41PM EST Last updated Wednesday, Jan. 07, 2015 6:43PM EST 0 Comments Print In 1943, at the pinnacle of her wildly successful movie career, singer Jeanette MacDonald decided to try opera. After a bit of coaching, the famous film star made her operatic debut far from Hollywood in, of all places, Montreal. In the thrilled audience that historic night was gangly teenager Irving Guttman. The young man was so captivated by what he saw and heard, he made his way backstage to secure Ms. MacDonald’s autograph, a keepsake he treasured all his life. More importantly, her performance in Gounod’s Roméo et Juliette launched the smitten youth on an intense, lifelong affair with an art form that took him to opera houses around the world and a directing career that was astonishing in its breadth. Over the course of four decades, beginning when professional productions in this country were in their infancy, Irving Guttman put an indelible stamp on Canadian opera. He made his mark particularly in the West, where he spearheaded the establishment of not one, but four separate companies. With his ambitious vision and unerring skill at seeking out and landing the perfect voices for his productions, he brought some of opera’s most renowned singers to places such as Vancouver and Edmonton, which were then known to attract timber and oil men – not opera stars. -
Central Opera Service Bulletin Volume 29, Numbers 1 & 2
CENTRAL OPERA SERVICE BULLETIN VOLUME 29, NUMBERS 1 & 2 CONTENTS CONT.) Sponsored by the Metropolitan Opera National Council Sponsored by the IVlstr'Opotsfan Op&ts NSISCMI&I Volume 29, Numbers 1 & 2 Fall/Winter 1988-89 CONTENTS New Operas and Premieres 1 News from Opera Companies 16 Conferences 22 Government and National Organizations 23 New and Renovated Theaters 27 Forecast 29 Attention Composers, Librettists, Playwrights 34 Music Publishers 36 Editions and Adaptations 37 Archives and Exhibitions 38 Education 41 Appointments and Resignations 43 COS Opera Survey USA 1987-88 50 COS Tnside Information 51 COS Salutes. 54 Winners 56 Career Guide Supplement 58 New Sets and Costumes for Rent 69 New English Captions in Projection 78 New English Opera Translations 80 Book Corner 81 Periodicals 87 Opera Has Lost. 88 Performance Listing, 1988-89 Season (cont.) 97 CENTRAL OPERA SERVICE COMMITTEE Founder MRS. AUGUST BELMONT (1879-1979) Honorary National Chairman ROBERT L.B. TOBIN National Chairman MRS. MARGO H. BTNDHARDT Please note: Next COS National Conference October 18-21, 1989 The Essex House - New York City In preparation (see p. 36): DIRECTORY American and Foreign Contemporary Operas & Music Theater Works 1980-1989 Central Opera Service Bulletin • Volume 29, Numbers 1 & 2 » Winter 1988/1989 Editor: MARIA F. RICH Assistant Editors: CHERYL KEMPLER JOHN W.N. FRANCIS Editorial Assistants: FRITZI BICKHARDT NORMA UTTON SUSAN FELIX Copyright 1989 Central Opera Service. All rights reserved. Permission to quote need not be requested, but source acknowledgment should be made. The COS Bulletin is published quarterly for its members by Central Opera Service. For membership information see back cover. -
NEWS RELEASE for Immediate Release Office of the Premier 2002OTP0013-000463 Intergovernmental Relations May 17, 2002 10 PEOPLE to RECEIVE ORDER of BRITISH COLUMBIA
NEWS RELEASE For Immediate Release Office of the Premier 2002OTP0013-000463 Intergovernmental Relations May 17, 2002 10 PEOPLE TO RECEIVE ORDER OF BRITISH COLUMBIA VICTORIA – The province's highest award for outstanding achievement, the Order of British Columbia, will be presented to 10 people this year, Lt.-Gov. Iona Campagnolo announced today. The recipients for 2002 are: • John (Jack) Patrick Blaney of Vancouver, post-secondary education leader. • Gathie Falk of Vancouver, sculptor, visual and performing artist. • Garde B. Gardom of Vancouver, 26th lieutenant-governor of B.C. • Patsy George of Vancouver, anti-poverty worker and immigrant and refugee supporter. • Irving Allen Guttman of Vancouver, founder of the Vancouver Opera. • H. Martin Kenney of Mission, musical pioneer, bandleader and volunteer. • Norma I. Mickelson of Victoria, educator and chancellor of the University of Victoria. • K. George Pedersen of Vancouver, education leader, chancellor of the University of Northern B.C. • Gian Singh Sandhu of Williams Lake, lumber company founder, charity supporter. • Ernest Alvia (Smokey) Smith of Vancouver, Victoria Cross holder. "The Order of British Columbia recognizes excellence as an inspiration to all of us," said Campagnolo. "By rewarding the accomplishments of outstanding British Columbians who have made a difference to the lives of thousands of people in our province, we further strengthen our shared heritage. It is a great honour to commend them and to welcome them to the order." This year's recipients were chosen by an independent advisory council chaired by British Columbia Chief Justice Lance Finch. The council also includes Claude Richmond, Speaker of the legislative assembly; David Turpin, University of Victoria president; Hans Cunningham, president of the Union of B.C. -
General Opera Books
Library Catalogue To check the availability of an item from our library catalogue, contact our Education and Outreach Coordinator at 204-942-7470 or [email protected] Please quote the book title and book number if applicable (located to the right of book title). Your item will be available for pickup from our office: 1060 – 555 Main Street, lower level of Centennial Concert Hall (Office Hours: Monday-Friday 9:30am - 4:30pm) - 1 - Table of Contents Books GENERAL OPERA: Page 11-18 A Night at the Opera The Metropolitan Opera: Stories of the Great Operas A Short History of Opera Home Book of Opera Encyclopedia of the Opera First Intermissions The Pan book of Opera Stories of the Great Operas and their Composer Complete Stories of the Great Operas The New Milton Cross Complete Stories of the Great Operas More Stories of the Great Operas A Rage for Opera The World’s Great Operas The Pocket Kobbe’s Opera Book A Book of Operas The Victor Book of the Opera Don Carlos and Company Stories of Favorite Operas More Stories from the Operas American Operetta The World’s Great Operas Opera Opera 101: A Complete Guide to Learning and Loving Opera The Concise Oxford Dictionary of Opera A Concise History of Opera The Faber Book of Opera Opera: The Extravagant Art An Invitation to the Opera Opera & Its Symbols: The Unity of Words, Music, & Staging Opera Offstage: Passion and Politics Behind the Great Operas Stanislavski on Opera A Season of Opera: From Orpheus to Ariadne Opera: A History in Documents The Essence of Opera Opera Anecdotes Opera -
Operacanadavolume LV $5.95
Parables of public and private funding in tales from two cities Spring 2014 OperaCanadaVolume lV $5.95 GrOUP DYNamIcs An insider’s guide to the art of singing in the opera chorus Opera from Community On Stage Rayanne Dupuis the Truck Affairs Mark S. Doss How live Met Vancouver Opera Leslie Ann Bradley stagings get to sets strategy to build Robert Clark the silver screen a new audience Shirin Eskandani Contents opera Canada Spring 2014 20 group dynamiCS An insider’s guide to the colorful working world of the opera chorus. By Lydia perovic´ 26 opera from the truCk Film director Barbara Willis Sweete explains how she translates Metropolitan Opera productions from stage to silver screen. By Christopher Hoile 32 Community outreaCh Vancouver Opera sets strategy to build a new audience in a changing world. By rosemary Cunningham departments 4 Editor’s notebook 5 Opera in the news 8 Artists on Stage: rayanne Dupuis, Mark S. Doss Leslie Ann Bradley, robert Clark and Shirin Eskandani 14 new productions/new roles: How Winnipeg’s Michael Cavanagh found his voice as a stage director 16 Letters from Linz and Montreal: Two tales of public and privatge funding 34 Calendar: live performances and Saturday transmissions 36 Opera in review 56 Opera at Home: Jon Vickers and Louis Quilico live in Otello, Winterreise from gerald Finley, robert Carsen and Michael Levine stage Die Zauberflöte, Doug Macnaughton in recital …and more reVieWS 62 Final Take: music soprano Sondra radvanovsky madrid can’t live without Daniel Okulitch as Ennis del Mar in the Teatro Real -
Emergent Media and Opera Circulation in Twentieth-Century North America
Emergent Media and Opera Circulation in Twentieth-Century North America by Brianna Lindsay Wells A thesis submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in ENGLISH Department of English and Film Studies University of Alberta © Brianna Wells, 2017 ii Abstract In North America, opera constitutes both an art form and an industry. Because companies rely on philanthropy and ticket revenues, they respond to a mass audience among the public at large, and yet granting agencies’ and critics’ influence suggests restricted circulation and in some ways a “high” culture status. Opera’s multifaceted performance practices and its contradictory social roles in North America are reflected in the diverse disciplines currently engaging in its study. Critical musicology has, since the early 1990s, increasingly studied operatic texts through theoretical lenses of post-structuralism (Levin, Kramer) feminism (McClary), psychoanalysis (Abbate) and musical dramaturgy (Bianconi). More recently, issues of prominence include digital contexts of performance and composition (Morris, Michaels) and indigeneity (Karantonis, Robinson). Literary scholars have examined issues of adaptation and intertextuality (Lindenberger, Hutcheon, Wiesenthal). Historians have investigated the business of opera (Preston, Dizikes), and social science approaches, especially those related to Bourdieu’s formative study Distinction, focus on the relationships between the art form and its audiences (Calhoun, Benzecry, Johnson). As a richly multidisciplinary field, opera studies follows, in general, two trends. The first treats the opera score or performance context as its object of study, and the second focuses on political or social circumstances of opera production in specific historical periods or geographic locations. This study investigates the boundaries between these approaches. -
Central Opera Service Bulletin
CENTRAL OPERA SERVICE BULLETIN VOLUME 21, NUMBER 1 Sponsored by the Metropolitan Opera National Council Central Opera Service • Lincoln Center • Metropolitan Opera • New York, N.Y. IOO23 • (212) 799-3467 CENTRAL OPERA SERVICE COMMITTEE Founder MRS. AUGUST BELMONT Honorary National Chairman ROBERT L. B. TOBIN National Chairman ELIHU M. HYNDMAN National Co-Chairmen MRS. MORRIS DARRELL GEORGE HOWERTON Professional Committee KURT HERBERT ADLER San Francisco Opera WILFRED C. BAIN DAVID LLOYD Indiana University Lake George Opera Festival GRANT 8EGLARIAN LOTFI MANSOURI University of So. California Canadian Opera Company MORITZ BOMHARD GLADYS MATHEW Kentucky Opera Association Community Opera SARAH CALDWELL RUSSELL D. PATTERSON Opera Company of Boston Lyric Opera of Kansas City TITO CAPOBIANCO MRS. JOHN DEWITT PELTZ San Diego Opera Metropolitan Opera KENNETH CASWELL EDWARD PURRINGTON Memphis Opera Theatre Tulsa Opera ROBERT J. COLLINGE GLYNN ROSS Baltimore Opera Company Seattle Opera Association JOHN CROSBY JULIUS RUDEL Santa Fe Opera New York City Opera WALTER DUCLOUX MARK SCHUBART University of Texas Lincoln Center ROBERT GAY ROGER L. STEVENS Northwestern University John F. Kennedy Center DAVID GOCKLEY GIDEON WALDROP Houston Grand Opera The juilliard School BORIS GOLDOVSKY MARY ELAINE WALLACE Goldovsky Opera Theatre University of Southern Illinois Editor, COS Bulletin MARIA F. RICH Assistant Editor JEANNE HANIFEE KEMP Don't miss the announcements on pages 12/13 and 32/33 The Central Opera Service Bulletin is published quarterly for its members by Central Opera Service. Permission to quote is not necessary but kindly note source. We would appreciate receiving any information pertaining to opera and operatic productions in your region. Please address inquiries or material to: Central Operi Service Bulletin Met Opera, Lincoln Center New York, N Y.