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examined are Alexander Calder, Marcel Duchamp, Isamu Noguchi, Louise Bourgeois, Carl Andre, Robert Art History Irwin, and Hiroshi Sugimoto. Internet access required & Theory to retrieve course materials. Arts Reg# Z0538CA For information on enrollment, location, and space Through Apr 22: $195 / After: $215 availability call (310) 825-9971. For information Westwood: 413 1010 Westwood Center 13 Art History & Theory on course content call (310) 206-1422 or email Wed 7-10pm, May 22 & 29 [email protected]. Pasadena: Norton Simon Museum 14 Art Studio Workshops ✷✷Sat 11am-2pm, Jun 1, 3 mtgs 16 Photography New Course Roni Feinstein, PhD, Institute of Fine Arts, New York Royals, Romance, and Rococo: University The 18th-Century French Interior 862.45 Art 0.9 CEU Survey of Western Art History: Part III One of the focal points of elite life in the mid-18th X 446.3 Art 4 units century was the ostentatious display of artworks in and This art history survey concentrates on the masterpieces around the home. Functional yet artistic objects were of architecture, painting, sculpture, and related arts from simultaneously in the background and forefront of daily the late 17th through early 20th centuries. The course life. French collectors put a wide variety of objects on begins with the transition from Baroque to the Age of view, such as paintings, sculpture, furniture, decorative Enlightenment and Romantic-Classicism in the 18th arts, books, and dress, as a means of exhibiting wealth, century. Continuing with Realism, Impressionism, and intellect, and taste. In this course, students explore the Post-Impressionism, instruction emphasizes the work of period of Louis XV and Madame de Pompadour, in Goya, Monet, Degas, Cézanne, van Gogh, and Rodin. concert with the extraordinary creative virtuosity and Special emphasis is given to contemporaneous develop- talent of artists, designers, and such craftsmen as Wat- ments in architecture from Jefferson’s Monticello and teau, Boucher, Clodion, Meissonier, and van Risenburgh. the Arc de Triomphe to the skyscraper. The variety of Internet access required to retrieve course materials. movements that ushered in the 20th century include a Reg# Z0786CA study of Munch and German Expressionism, Matisse and Through Mar 23: $115 / After: $125 Fauvism, and Picasso and Cubism, continuing through Westwood: 413 1010 Westwood Center the work of Mondrian and the architecture of Gaudí and Tue 7-10pm, Apr 23 & 30 Frank Lloyd Wright. Courses in this survey series may Los Angeles: Getty Center, be taken in any order. Pricing for Skirball Members Gary Baseman 1200 Getty Center Dr. is $105 through May 15/$115 thereafter; call (310) ✷✷Sat 1-4pm, May 4, 3 mtgs 206-1422 for promotional code. Internet access Lilit Sadoyan, MA, UC Riverside, Gallery Teacher, J. required to retrieve course materials. & Perversion and Play Paul Getty Museum. Ms. Sadoyan’s museum experi- Reg# Z0523CA ence includes former and current positions held at the Through Mar 2: $495 / After: $539 In partnership with the Skirball J. Paul Getty Museum, Museum of Modern Art in New Westwood: 416 1010 Westwood Center ­Cultural Center, this course presents­ a York, and Huntington Library & Art Collections. Tue 6:30-9:30pm, Apr 2-Jun 11 lecture on artist Gary Baseman’s work Los Angeles: Getty Center, and practice. Students also have the New Course 1200 Getty Center Dr. ✷✷Sat 10am-1pm, May 4, 12 mtgs opportunity to tour his first museum From Modernism to Gehry No refund after Apr 9. survey, and participate in a conversa­ and Beyond Mary Beth Carosello, MA, University of Chicago. Ms. tion with the artist afterward. 865.77 Art 0.9 CEU Carosello has most recently worked in the education This course is offered in association with the Museum of and curatorial departments of the J. Paul Getty The lecture is given by Denise A. Contemporary Art and their exhibition “A New Sculptural- Museum, MOCA, and St. Louis Art Museum. ism: Contemporary Architecture from Southern Califor- Gray, an art and museum consultant nia.” Some have argued that, since the mid-80s, Los New Course who has worked with Baseman since Angeles has been become the creative center of Ameri- 2007. The museum tour is led by can architecture. This course begins with an overview Gary Baseman: Pervasion and Play Doris Berger of the Skirball. lecture on modernist architecture. The second session 861.12 Art 0.6 CEU includes an extensive tour of the exhibition, to examine Bridging fine and commercial arts, Gary Baseman has Page 13. the prolific and experimental architecture that has been worked prolifically in multiple media for over 3 decades. produced in the last 25 years in Los Angeles. The last Melding the worlds of illustration, toy and game design (Cranium), fine art, film, and animated television, this Gary Baseman, The Door Is Always Open, 2012, acrylic on session clarifies the complex social, economic, and board (courtesy of the artist). geographic conditions of this local phenomenon. Archi- course explores the artist’s career as presented in his tects discussed include Frank Gehry, Thom Mayne, Eric first museum survey at the Skirball Cultural Center. The Owen Moss, Michael Maltzan, Barbara Bestor, Lorcan course begins with a lecture which covers the trajectory O’Herlihy, Greg Lynn, Ball & Nogues, and many others. of his pervasive practice and examines its historical Pricing for MOCA Members is $185 through Apr 4/$205 context in both lecture and gallery components. You thereafter; call (310) 206-1422 for promotional code. then tour the exhibition for an opportunity to explore the Internet access required to retrieve course materials. artist’s idiosyncratic world, and to meet and participate in discussion with the Baseman himself, who is present Did You Know? Reg# Z0555CA for the tour of the exhibition. Pricing for Skirball Mem- Through Apr 4: $195 / After: $215 bers is $105 through May 15/$115 thereafter; call Art History, Studio Arts & Photography Courses Westwood: 416 1010 Westwood Center (310) 206-1422 for promotional code. Internet access ✷✷Sat 10am-1pm, May 4, & 18 required to retrieve course materials. Can Serve as DCA Electives Los Angeles: Museum of Contemporary Art ✷✷Sat 11am-1pm, May 11, 3 mtgs Reg# Z0659CA Many art history, studio arts, and Christopher Mount, BA, curator of “A New Sculpturalism: Through May 15: $115 / After: $125 ­photography courses can be taken Contemporary Architecture from Southern California”. Westwood: 416 1010 Westwood Center ✷✷Sat 10am-1pm, Jun 15 as electives toward the Design Former curator of architecture and design at The Museum of Modern Art, New York. Los Angeles: Skirball Cultural Center, ­Communication Arts Certificate 2701 N. Sepulveda Blvd. with approval. New Course ✷✷Sat 10am-1pm, Jun 22, 2 mtgs Denise Gray, Principal Consultant of MUSED, an art To learn more about applying Arts Brancusi and the Space of and museum consulting firm. Ms. Gray has worked with courses to the DCA Certificate call Modern Sculpture Gary Baseman since 2007, managing his fine and (310) 206-1422. 867.45 Art 0.9 CEU commercial art projects, producing his art perfor- Using the Norton Simon Museum’s exhibition “Beyond mances, and organizing his exhibitions in the United Brancusi: The Space of Sculpture” as a focal point, this States, the United Kingdom, and Italy. class considers methods, materials and concepts of modern sculpture, beginning in the early 20th century and extending to the present day. As per the influence of Constantin Brancusi, the importance of essential forms, of installation and display and of the viewer’s experience in space and time are explored. Brancusi’s Alison Blickle. photography and its impact on the perception of sculp- ture also is discussed. Among the artists to be 14 Arts Enroll at uclaextension.edu or call (310) 825-9971 New Course Art and Architecture in Los Angeles: Art Studio Workshops 1890-2015 X 450.11 Art 4 units For information on enrollment, location, and space Calligraphy Course fee does not include museum entry fees. availability call (310) 825-9971. For information on This art history course explores the formal, material and course content/prerequisites call (310) 206-1422 The Roman Majuscules theoretical aspects of one of Los Angeles’ greatest or email [email protected]. assets; our architectural heritage over the past 120 Fun and rewarding, calligraphy years. In recognition of the concurrent MOCA Exhibition Enrollment limited in all courses; early enroll- also builds strong design and visual “A New Sculpturalism,” special emphasis is given to the ment advised. Students should have com- radical built forms that characterize work designed in pleted all prerequisites prior to enrollment. ­literacy skills. An important step in Southern California during the last 25 years. Course mastering letterforms and typog­ begins with an exploration of parallel avant-garde art raphy, calligraphy today appears in movements from late 19th century Arts and Crafts, Art Drawing Nouveau, Cubism, and experiments with early skyscrap- everything from personal greetings ers, then move on to cutting edge Early Modernist Basic Drawing I and invitations to corporate logos, projects which in turn give way to iconic mid-century X 5A Art 2 units c advertising, and print pieces. Learn residences. Examples of corporate high modernism, Materials list discussed at first class. post-modernism, regional deconstructivism, and signa- A beginning course in drawing designed to develop and ­calligraphic alphabets through ture “big-box” masterpieces also are covered. Class expand one’s observational abilities and rendering skills. hands-on assignments and creative concludes with an in-depth consideration of the “LA Students learn methods for sensitively describing ­lettering projects, such as greeting School” architects of the 1990s and their offspring. objects in terms of line, shape, volume, cross-contour, Includes 2 weekend field trips and 2 guest speakers. proportion, light logic, perspective, and compositional cards, envelopes, hand-bound Calligraphy by instructor Carrie Imai. Internet access required to retrieve course materials. space. Each class focuses on a particular formal con- books, and frameable art. Reg# Y9825CA cept and its function in drawing. Students begin with Through Mar 4: $495 / After: $539 line drawings and conclude with fully modeled, tonal, Page 15. UCLA: 121 Dodd Hall volumetric still-life drawings. Also covered are funda- Thu 6:30-9:30pm, Apr 4-Jun 20 mentals of pictorial space structure, aesthetics, content, Los Angeles: Location by Itinerary and draftsmanship using still life and natural forms. ✷✷Sat & Sun 10am-1pm, Apr 28; Jun 8, 12 mtgs Includes work with pencil, pen, and charcoal. Enroll- Pastel Figure Drawing (no mtg 5/2 & 6/6;) ment limited. Bring a pencil and paper to the first class. Painting Internet access required to retrieve course materials. X 427.11 Art 3 units No refund after Apr 11. (Materials list sent prior to first class.) Jennifer Doublet, MArch, Southern California Institute Reg# Z0519CA Beginning Painting: Acrylics This course uses both hard and soft pastel to explore c of Architecture; Certificate in fine and decorative art Through Mar 1: $525 / After: $575 X 5D Art 2 units the eminent quality of color while advancing our under- Materials list discussed at first class; estimated sup- history, Christie’s Fine Arts Course in London; BA in art Westwood: 317 1010 Westwood Center standing of the figure. Used by such artists as Degas, history, BA in Economics, Stanford University; practicing Mon 7-10pm, Apr 1-Jun 10, 10 mtgs plies cost is $50. Cassat, and de Kooning, pastel is a versatile medium An introductory course in painting with acrylic: a fast- design professional in Los Angeles who has been (no mtg 5/27) combining the expressive sensibilities of both drawing published in Architecture magazine and The Architect’s No refund after Apr 8. drying, permanent, and clean water-based medium that and painting. In this course, students develop skills in permits easy correction and change. The medium Newspaper; Lecturer, Otis College of Art and Design Alison Blickle, MFA, Hunter College. Ms. Blickle has form and composition while experimenting with layer- exhibited extensively in solo and group shows in New integrates easily with drawing and can be worked ing, blending, and color building. Exercises include transparently or opaquely. Students develop skills in this Exploring the Los Angeles Art Scene: York, Los Angeles, and San Francisco. Her work has drawing from the nude, draped, and costumed model. A 6-Month Program been covered in The New York Times, The Huffington medium by painting from still life, natural forms, and Prerequisite: One beginning figure drawing course or abstract exploration. Ideally suited to the beginner, 851.42 Art 1.8 CEU Post, and Beautiful/Decay. She is represented by consent of instructor. Enrollment limited. This course explores the current L.A. art scene—artists, ­Thierry Goldberg Gallery in New York. students are encouraged to develop individual direc- Reg# Z0528CA tions in style and expression. Prerequisite: X 5A Basic dealers, galleries, and institutions—and the relation- Reg# Z0527CA Through Mar 4: $475 / After: $520 Drawing I or equivalent experience. Enrollment limited; ships between them. Participants visit artists in their Through Mar 4: $525 / After: $575 Westwood: 317 1010 Westwood Center early enrollment advised. Internet access required to studios, discuss their impressions of today’s art scene, Westwood: 317 1010 Westwood Center Thu 7-10pm, Apr 4-Jun 6, 10 mtgs retrieve course materials. and visit galleries and meet gallery directors. Enrollment ✷✷Thu 2:30-5:30pm, Apr 4-Jun 6, 10 mtgs No refund after Apr 11. Reg# Z0936CA limited; early enrollment advised. Itinerary sent via No refund after Apr 11. Stephanie Pryor, for credits see page 14. email. Visitors not permitted. Internet access required Stephanie Pryor, MFA, UCLA; artist who has exhibited Through Mar 3: $525 / After: $575 to retrieve course materials. extensively in solo and group shows in Los Angeles, Westwood: 318 1010 Westwood Center Drawing for Communication m ✷✷Wed 2:30-5:30pm, Apr 3-Jun 5, 10 mtgs Reg# Z0837CA New York, and Europe X 479.2A Art 4 units No refund after Apr 10. Through Mar 6: $319 / After: $350 Fee does not include the cost of art supplies. Ben Britton, MFA in Painting, UCLA. Mr. Britton has Westwood: 413 1010 Westwood Center Beginning Figure Drawing Enrollment limited. For more information see c exhibited in Los Angeles and New York. His work is in ✷✷Sat 10am-1pm, Apr 6 X 5B Art 2 units page 66. & Los Angeles: Location by Itinerary Encouraging the exploration of both contemporary and the West Collection and in 2010 he was awarded a J.B. Reg# Z0471CA ✷✷Sat 10am-1pm, May 4; Jun 1; Jul 6; Aug 3; traditional approaches to the figure while improving the Blunk Residency. He is represented by Frederieke Taylor Through Mar 4: $595 / After: $655 Sep 7, 6 mtgs student’s drawing techniques, this course provides a Gallery in New York City. Apr 4-Jun 20 Nick Brown, MFA, School of the Art Institute of strong foundation in figure structure, anatomical land- Alvalyn Lundgren, for credits see page 66. ­Chicago; former professor, Pratt Institute; Mr. marks, and proportion while expanding the vocabulary Beginning Painting: Figure c Brown’s exhibitions include Museum of Contemporary of line and tone. Students begin with contour and X 15 Art 2 units Art, Chicago and The Drawing Center, NYC. gesture drawing, then study the marking techniques of For students who have taken a figure drawing and such artists as Dürer and Rembrandt. Light “logic” is beginning painting class (acrylics or oils), this course studied in sustained charcoal drawings which explore focuses on the fundamentals of figure painting. Instruc- cast and core shadows as well as reflected light. This tion covers the use of the full palette, color mixing, course also covers composition, use of negative space, preparation of painting grounds, and other basic figure interaction of form and content, and the expressive painting procedures. Working directly from models, potential of the human figure with its psychological and students begin with quick painting sketches which emotional implications. Instruction includes work with record light, color, and flesh tones in simple planes of Course Icons pencil, charcoal, pen, and ink. Prerequisite: X 5A Basic color, then move on to longer poses, more sustained Drawing I or equivalent experience. Enrollment limited. paintings, and more complex compositions. Examples Provide Bring a soft pencil and 18”x24” bond paper pad to the which utilize the figure are drawn from traditional as first class; additional materials to be discussed. well as contemporary art to encourage students to develop their own expressive interest. Enrollment lim- Information Reg# Z0757CA ited. Students use either acrylics or oils. Bring either Through Mar 2: $555 / After: $605 inexpensive oils or acrylics, a palette, a palette knife, Westwood: 317 1010 Westwood Center At-a-Glance charcoal, and a canvas to the first class; additional ✷✷Tue 1-4pm, Apr 2-Jun 4, 10 mtgs materials to be discussed. Internet access required to m No refund after Apr 9. Online course. retrieve course materials. Joseph Blaustein, artist, UCLA Extension Outstanding & Textbook required Instructor of the Year 1992, 2006; co-founder FIG Art kkk Gallery, Bergamot Station; recipient, UCLA Extension C UC credit; may be Distinguished Instructor Award, 2011 transferable to other colleges and universities. M Meets during daytime hours. Enroll at uclaextension.edu or call (310) 825-9971 Arts 15

Reg# Z0937CA Through Mar 3: $555 / After: $605 Special Offerings Westwood: 318 1010 Westwood Center Wed 7-10pm, Apr 3-Jun 5, 10 mtgs New Course It’s Your Show No refund after Apr 10. Handmade Paper, Books, and Cards Ben Britton, MFA in Painting, UCLA. Mr. Britton has 865.55 Art 1.5 CEU Call for Entries for Exhibit of Student Work exhibited in Los Angeles and New York. His work is in Estimated supplies cost is $25. the West Collection and in 2010 he was awarded a J.B. Using various materials, including handmade paper It’s not too early to start Blunk Residency. He is represented by Frederieke Taylor from around the world, students learn how to create thinking about original Gallery in New York City. books and cards to hold poems, photographs, artwork, and special memories. Students also handmake their art and design work to Advanced Painting own sheets of paper to decorate their books. submit for the Visual Arts c X 135 Art 2 units Reg# Z0602CA Program juried student Estimated supplies cost is $75. Through Mar 6: $275 / After: $300 exhibit, “It’s Your Show,” Designed for intermediate to advanced students, this Westwood: 313 1010 Westwood Center opening May 3, 2013. course presents projects, discussions and critiques that ✷✷Sat 9am-12pm, Apr 6-May 11, 5 mtgs focus on intention, subject matter, and context. Instruc- (no mtg 4/13) We encourage you to tion includes lectures on contemporary painting and Peggy Hasegawa, papermaker and artist whose ­submit work you have discussion of conceptual strategies and studio prac- specialties include origami art, paper dyeing, printing, tices. Students are encouraged to investigate new ways and bookmaking ­produced in a studio arts, of thinking, broaden their range of materials and photography, or design techniques, and create work that is self-reflective and New Course communication arts course ambitious in scope. Open to all painting media, includ- ing oils, acrylics, watercolor, etc. Prerequisite: X 5D Acrylic Monoprints without Press during the past year. Beginning Painting: Acrylics or equivalent experience. X 436.22 Art 3 units Internet access required to retrieve course materials. Estimated supplies cost is $50. Monoprinting has long been considered the most Reg# Z0760CA painterly printmaking method, because the images For more information visit uclaextensionvisualarts.org. Through Mar 2: $525 / After: $575 cannot be reproduced, and no two prints are exactly Westwood: 318 1010 Westwood Center alike. This class will introduce students to an array of Tue 7-10pm, Apr 2-Jun 4, 10 mtgs techniques and skills used in hand-pulled printmaking No refund after Apr 9. Color Methodologies Reg# Z0537CA processes, without the need for a printing press. Class Nick Brown, for credits see page 14. X 482.10 Art 4 units Through May 1: $169 / After: $185 projects will include stenciling, trace monotype and Fee does not include the cost of art supplies. Westwood: 212 Extension Lindbrook Center blind monotype, reduction and additive technique, found Classical Oil Painting in the Style of Enrollment limited. Internet access required to retrieve ✷✷Sat 9:30am-11:30pm, Jun 1-22, 4 mtgs objects masking process and color separating printing. course materials. For more information see Kyoko Kassarjian, internationally recognized Ikebana the Venetian Masters In addition, the chine colle’, gel transfer and collagraph artist who has been granted the highest degree, RIJI, X 428.2 Art 3 units page 65. & will be covered. Only water soluble inks and acrylics by the Sogetsu School of Ikebana in Japan; recipient, Materials list sent upon enrollment. Reg# Z0948CA paints will be used. Students will have a series of UCLA Extension Distinguished Instructor Award, 2007. Designed for advanced students, this studio course Through Mar 3: $595 / After: $655 unique prints by the end of the class. Internet access Ms. Kassarjian and her Ikebana displays have been explores the oil painting techniques of the late Renais- Westwood: 415 1010 Westwood Center required to retrieve course materials. featured in numerous newspapers and publications. sance, with particular focus on the bottega of the Wed 7-10pm, Apr 3-Jun 19, 12 mtgs Reg# Z0087CA Venetian masters of color. Students are guided through Alvalyn Lundgren, for credits see page 65. Through Mar 8: $525 / After: $575 a series of exercises designed to help them create a Westwood: 321 1010 Westwood Center highly finished “masterpiece.” Working from both Mentorship Functional Arts & Crafts Mon 7-10pm, Apr 8-Jun 17, 10 mtgs reproductions and a live model, students first touch on X 482.14 Art 4 units (no mtg 5/27) canvas preparation, ground, and under painting; then Work 1-on-1 with an instructor who guides your devel- Handmade Jewelry I No refund after Apr 8. learn brushwork, impastos, scumbling and glazing, opment of a meaningful project geared toward a port- X 440.43 Art 3 units Kasia Czerpak-Weglinski, MFA in Painting and Print- sfumato and chiaroscuro, and the use of warm tones folio piece, competition, freelance assignment, or other Estimated cost for tools is $250; cost of metals making. Ms. Czerpak-Weglinski experiments with media and cool tints to create refined form. Finally, students advanced goal. Students choose their own mentors, is extra and varies with each project; materials and technology to address a wide range of environmen- learn the effects of bitumen, patinas, and varnishes to who are usually studio arts and photography instructors. discussed at first class. tal and ethical issues. Her work has appeared in group obtain the same rich, deep textures characteristic of the Together, the student and instructor arrange to meet at Intended for beginners, this course presents an intro- and solo shows throughout the U.S. and Europe. originals. Discussion covers materials, composition, and a museum, studio, cafe, or other site of interest for 6 duction to jewelry creation using fine silver. Through a lighting; art history and anecdotal information about the hours over the course of the quarter. Students may series of projects, students learn methods of drilling, artists; and how knowledge of classical art can open Calligraphy: The Roman Majuscules complete this mentorship online or in-person. Mentors sawing metal shapes, filing, soldering, and finishing to doors in the contemporary art world. Prerequisite: Previ- X 429.98 Art 4 units must sign the application form before enrollment can complete their projects without the use of wax or ous figurative drawing experience. Enrollment limited. Estimated supplies cost is $20. be processed. For an application email visualarts@ special casting procedures. Instruction also covers how Internet access required to retrieve course materials. The foundation of contemporary letterforms stems from uclaextension.edu or call (310) 206-1422. Restricted to make tubing, set stones, and make a bezel setting these majestic capital letters which were chiseled into course; web enrollments automatically generate a for a Cabochon. For their final class project, students Reg# Z0534CA the Trajan Column in Rome 2000 years ago. This create 1 of the following: ring, pendant, pin, or earrings. Through Mar 6: $475 / After: $520 “Permission to Enroll” request. Visitors not permitted. course provides an in-depth study of Roman majuscule Fee: $595 Internet access required to retrieve course materials. Westwood: 321 1010 Westwood Center letters, beginning with the user-friendly pencil and ✷✷Sat 10am-1pm, Apr 6-Jun 8, 10 mtgs Reg# Z0792CA progressing to the chisel-edged metal pen. You com- Ikebana Through Mar 2: $495 / After: $545 No refund after Apr 12. plete projects such as cards, books, and a manuscript 803.81 Art 0.8 CEU Westwood: 321 1010 Westwood Center Thomas Garner, Director of Graphic Design, Lucky Brand page. Instruction is appropriate for all levels of experi- Students must purchase textbook for $50 at first class. Tue 7-10pm, Apr 2-Jun 4, 10 mtgs Clothing; sculptor, painter, and graphic designer who has ence with hand-lettering. The skills of pen preparation Estimated additional supplies cost is $75-$100. No refund after Apr 9. worked and studied extensively in Italy and participant in and use, letter formation, spacing, lay-out, and design Ikebana expresses the beauty and elegance of nature Adham Refaat, jewelry designer; Owner, Nofert, a dozens of national and international exhibitions learned in this course transfer to all other hand-lettered through a transformation of plant materials into a work boutique specializing in ethnographic art and jewelry forms and design of corporate identity, logo design, of art. In Japan, Ikebana—or flower arranging—has advertising, and media. Enrollment limited. No fine art been perfected and elevated to an art form. Its beauty background or previous experience required. Internet dazzles shoppers in giant displays in the store windows access required to retrieve course materials. of Tokyo and graces temples and shrines. Ikebana is Reg# Z0677CA practiced by millions of people as an entrance to a rich Through Mar 4: $495 / After: $545 and creative world. Using fresh or dried branches, Westwood: 321 1010 Westwood Center leaves, and flowers, students create new and differ- Thu 7-10pm, Apr 4-Jun 20, 12 mtgs ently-styled arrangements each week. The first week Carrie Imai, President, Society for Calligraphy, Southern features a demonstration by the instructor, a video, and California; freelance calligrapher and designer information on supplies and materials to bring to future classes. Enrollment limited; early enrollment advised. kkk 16 Arts Enroll at uclaextension.edu or call (310) 825-9971

Reg# Z0864CA Through Mar 3: $629 / After: $689 Photography Westwood: 307 1010 Westwood Center Photography Certificate For information on enrollment, location, and space Wed 7-10pm, Apr 3-Jun 5, 12 mtgs availability call (310) 825-9971. For information (2 computer labs: 4/28 & 5/26, 10am-1pm in Improve your technical skills, hone your creative eye, and learn on course content call (310) 206-1422 or email Room B04) [email protected]. No refund after Apr 10. about the business side of photography in this newly revised Masood Kamandy, MFA, UCLA, former photo editor, ­certificate designed for beginners or hobbyists who want to take For online course technical requirements see The New York Times Magazine; Project Director, Visual their practice to the next level. page 4. Arts Foundation: Photography in Afghanistan Reg# Z0845CA Using a digital SLR camera, students gain experience in manual For detailed descriptions of our photography Through Mar 6: $629 / After: $689 certificates see page 16. Westwood: 407 1010 Westwood Center control, lighting, portraiture, composition, and more. Flexible ✷✷Sat 10am-1pm, Apr 6-Jun 22, 12 mtgs schedules and evening/weekend courses are designed with (2 computer labs: 4/27 & 5/11, 10am-1pm in ­working professionals in mind. Beginning Room B04) No refund after Apr 12. Instructor to be announced Curriculum Candidacy Benefits New Course m Lightroom I Photography I m 7 Required Courses Certificate students pay a $250 X 445.63 Art 4 units X 438.9 Art 4 units ­candidacy fee and receive a compli­ The Adobe Lightroom software offers the digital pho- Photography I Formerly Introduction to Digital Photography. tographer a comprehensive set of tools to organize, mentary 1-year APA membership photography or photo editing is required, students must manage, enhance, present, and share their work. This Photography II (American Photographic­ Artists), be familiar with such basic computer operations as course provides the student with a complete examina- discounts on Adobe software at opening and saving documents, file management, and tion of the application’s features, including image Lighting I copy/paste functions, etc. For more information see the UCLA student­ store, and archiving with Keywords and Metadata, color and page 16. Lighting II eligibility for a UCLA BruinCard tonality correction, creating special effects, electronic & (additional $10). and Web presentations, book publishing, printing, and Reg# Z0840CA Portraiture integrating image files with Adobe Photoshop. Light- Through Mar 3: $555 / After: $605 Apr 3-Jun 19 History of Photography Enroll now! This certificate room I emphasizes both technical skill development and (CF598) has open enrollment; no creative exploration. For technical requirements see Josh Cho, MFA, University of California, Irvine. Artist, Portfolio Workshop page 4. commercial photographer, and educator whose practice formal application required. Enroll investigates the medium of photography as it relates to Reg# Y9814CA online at uclaextension.edu or call issues of site, consent, and economic exchange. Plus 3 electives of your choosing from Through Mar 2: $555 / After: $605 (310) 825-9971 such areas as Photoshop, landscape, . Apr 2-Jun 18 documentary, fine art photography, Kenneth Wischmeyer, MA in Instructional Technologies, Intermediate and more. Mentorships also earn San Francisco State University; Adobe Certified Expert ­elective credit. Electives change Photography I Photography II each quarter; check catalog for X 438.9 Art 4 units X 439.90 Art 4 units ­current courses. In this practical hands-on introduction, the fundamental This course focuses on gaining control of all photo- technical and aesthetic principles of digital photo- graphic variables, while attempting various creative graphic processes are addressed, including instruction assignments. The use of manual controls is empha- on DSLR camera operation, composition, and digital sized, along with the capture and processing of .RAW Contact Us retouching and manipulation. Instruction also includes image files. Course assignments involve defining a point of view, emphasizing figure versus ground, storytelling, [email protected] | (310) 206-1422 Adobe Photoshop software acquisition techniques and output technologies. Discussion covers contemporary portraits, and the use of artificial light. Instruction also digital imaging and its application within commercial covers the RAW workflow, Photoshop for photogra- and fine arts. Assignments demonstrate mastery of phers, monitor calibration, and printmaking. For techni- technical skills and individual creative expression. cal requirements see page 4. Prerequisite: X 438.9 Enrollment limited. Although no previous knowledge of Photography I or equivalent experience; an advanced photography or photo editing is required, students knowledge of general photography and access to a must be familiar with such basic computer operations digital camera. Enrollment limited. Internet access as opening and saving documents, file management, required to retrieve course materials. and copy/paste functions, etc. Students are encour- Reg# Z0526CA aged to bring their camera and instruction manual to Through Mar 3: $629 / After: $689 the first class. Internet access required to retrieve Westwood: 416 1010 Westwood Center course materials. Wed 7-10pm, Apr 3-May 22, 12 mtgs Reg# Z0520CA (2 computer labs: 4/7 & 5/19, 10am-1pm in Through Mar 1: $629 / After: $689 Room B04; 2 location shoots: 4/7, 2-5pm & Westwood: 218 1010 Westwood Center 5/5, 10am-1pm) Mon 7-10pm, Apr 1-Jun 10, 12 mtgs No refund after Apr 5. (no mtg 5/27; 2 computer labs: 4/21 & 5/12, George Simian, leading corporate advertising photog- 10am-1pm in Room B04) rapher who illustrated over 200 annual reports over No refund after Apr 8. the past 25 years, many of which received awards Michael Miller, experienced commercial, product, and from Mead and AR100. Mr. Simian’s clients include figure photographer whose client list includes Disney, AT&T, Fidelity Investments, Georgia-Pacific, Johnson & Warner Brothers, Mattel Toys, MGM, Mitsubishi, and Los Johnson, Procter & Gamble, Staples, and Xerox. He Angeles Chamber Orchestra; Lecturer in Photography, received a UCLA Extension Department of the Arts CSU Northridge Outstanding Instructor Award in 2007 and serves as National Board Treasurer for the Advertising Photogra- kkk phers of America. Every summer, he leads photography workshops in Bali, Indonesia.

Photography students on a location shoot. Photo by Scott Stulberg. Enroll at uclaextension.edu or call (310) 825-9971 Arts 17 Lighting I Reg# Z0755CA X 440.22 Art 4 units Through Mar 1: $629 / After: $689 Whether you’re shooting people, products, still life, or Westwood: 416 1010 Westwood Center landscapes, understanding how light interacts with Mon 7-10pm, Apr 1-May 20, 11 mtgs Photographing the Familiar your subject matter is critical to mastering the art of (1 computer lab: 4/13, 10am-1pm in photography. This course covers both artificial (strobes Room B04; 1 studio shoot: 5/4, 10am-5pm; With Alyson Aliano and hot lights) and natural lighting as well as the 1 location shoot: 5/18, 10am-1pm) combination of both. Students photograph a variety of No refund after Apr 8. This photography workshop explores issues of self-identity and personal subjects to learn common lighting issues and powerful Todd Bigelow, Editorial and Corporate Photographer solutions needed to capture that great image. Instruc- handling assignment work for some of the world’s relationships. Students study the work of Sally Mann, Cindy Sherman, tion covers the use of light meters, reflectors, fill flash, leading publications. Mr. Bigelow’s clients include TIME, Catherine Opie, Larry Sultan, Nan Goldin, and Larry Fink for inspiration soft boxes, and the safe operation of studio strobe Sports Illustrated, Smithsonian, Der Spiegel, People, before beginning their equipment. This course consists of 3 hands-on meet- National Geographic Traveler, and Newsweek. own photo essay dealing ings at a fully equipped professional photography with themes of family studio in Hollywood and 5 classroom meetings that Visualizing the Urban Landscape include lecture, discussion, and critiques. Prerequisite: XL 129 Urban Planning 4 units c and friendship. Includes X 438.9 Photography I. Enrollment limited. Students Intended for those interested in photography, landscape, lecture, critique, a field may shoot digital or film in any format. Bring samples architecture, the built environment, and art history in trip, and talks from of your work to the first class. Internet access required the context of the city, this course examines photogra- visiting artists. to retrieve course materials. phy as a disciplined way of seeing and investigating the Reg# Z0529CA urban landscape. Lectures explore the work of a wide Page 17. Through Mar 11: $695 / After: $765 variety of photographers, providing a historical and Westwood: 214 Extension Lindbrook Center critical understanding of the evolution of photography Thu 7-10pm, Apr 11-May 9 of natural and built environments. In addition, each Hollywood: McCadden Space, student works on a self-initiated project. Students select a site in the Los Angeles region (urban, subur- 1041 N. McCadden Pl. Photo by Alyson Aliano. ✷✷Sat 10am-5pm, Apr 13, 20 & 27, 8 mtgs ban, or rural) for the focus of their work and develop a No refund after Apr 12. portfolio of photographs that express the qualities of Kevin Merrill, MA in Photography, Savannah College that particular place. Prerequisite: X 438.9 Photogra- of Art and Design; award-winning photographer whose phy I or equivalent experience. Course includes both art work has appeared in Vogue, Elle, and InStyle history lectures and creative photography assignments. Although instruction is nontechnical, students must Photographing the Familiar have a basic knowledge of camera use and be familiar X 445.20 Art 2 units with PowerPoint and such basic computer operations 10% Discount for UC Alumni How do we express our identity and interpersonal as opening and saving documents, file management, relationships through photographs? This workshop and copy/paste functions. Internet access required to explore self-portraiture and personal relationships retrieve course materials. Association Members within a photo essay context. Students study the works Reg# Z0543CA of such photographers as Sally Mann, Cindy Sherman, Through Mar 6: $495 / After: $545 Members of the UCLA Alumni Association and other UC Alumni Catherine Opie, Larry Sultan, Nan Goldin, and Larry Fink Westwood: 415 1010 Westwood Center Associations are eligible for a 10% discount (up to $50 maximum) on for inspiration before beginning their own project deal- ✷✷Sat 10am-1pm, Apr 6-Jun 22, 12 mtgs Extension instructor-led courses. ing with themes of identity and the dynamics of family No refund after Apr 12. and friendship. Instruction includes lighting demos, Richard Langendorf, BArch, PhD in urban and regional The Extension Advantage • Professional continuing education critique, visiting artists, and a field trip to Annenberg planning, MIT; architecture and planning consultant Space for Photography. By the end of the course, stu- specializing in computing and visualization with over 30 • Evening, daytime, and credit in a variety of fields dents should have an intimate and personal series of years of experience as a photographer weekend classes • Talented instructors with images. Prerequisite: X 438.9 Photography I or equiva- • Online courses and certificate real-world experience lent experience. Visitors not permitted. Internet access • Convenient locations required to retrieve course materials. Advanced programs Reg# Z0524CA • Degree-credit courses Browse this catalog and find the Through Mar 2: $295 / After: $325 Lighting II course that’s right for you! Westwood: 201 Extension Lindbrook Center X 440.221 Art 4 units Tue 7-10pm, Apr 2-Jun 4, 12 mtgs Creating and controlling artificial light is critical to suc- For complete discount information see page 148. (2 field trips: 5/12 & 6/9, 10am-1pm) cess in professional photography. This course specifi- No refund after Apr 9. cally addresses lighting people, the central concern of To join the UCLA Alumni Association call (800) 825-2586 or visit Alyson Aliano, photographer whose fine art work most editorial and commercial photography. Instruction UCLAlumni.net/Membership. includes Familiar Places about her family and Real focuses on using lighting to transform subject and Mother, environmental portraits about biological, step, environment to create striking and memorable images. adoptive, and lesbian mothers. Ms. Aliano’s commer- Using strobe and continuous light, students learn to cial assignments include The New York Times Maga- balance artificial and natural light, creating color with zine, Time, Newsweek, Wall Street Journal, and Los the lights and in the camera, and giving still images a Angeles Magazine. sense of motion. Students also learn to set a mood, create a personal style, and evoke emotion using arti- What’s New for Spring? Photographic Portraiture ficial light. The course includes lecture, demonstration, X 428.56 Art 4 units feedback, and 3 photo shoots at a fully equipped Hol- Looking for an educational adven­ture lywood studio. Prerequisite: X 440.22 Lighting I or This in-depth exploration of photographic portraiture with a fresh, up-to-the-minute covers approaching subjects, establishing a rapport, experience in controlling artificial light. Students are collaborating with your subject, and digital workflow. expected to attend all classes and show new work. Use perspective? Then explore UCLA Through a series of in-class projects and assignments, of film cameras is permitted, but digital capture is Extension’s new spring courses. students master simple and inexpensive set-ups that highly encouraged in order to make feedback and shar- result in strong and memorable portraits. Students also ing of results more efficient. Internet access required Whatever your personal or learn to simplify the decision-making process by to retrieve course materials. professional goals, choose from addressing basic choices, such as pre-planning vs. Reg# Z0531CA a wide array of new courses in improvisation, observing vs. directing, isolating the Through Mar 4: $695 / After: $765 a variety of subject areas and person vs. including environment, and natural vs. arti- Westwood: 416 1010 Westwood Center ficial light. Includes classroom and lab sessions plus Thu 7-10pm, Apr 4, 11, 18 & 25; May 2 formats—traditional classroom, location shoot field trips and a visit to a professional Hollywood: McCadden Space, weekend programs, online and lighting studio. Prerequisite: X 438.9 Photography I or 1041 N. McCadden Pl. hybrid courses, and more. equivalent experience. Internet access required to ✷✷Sun 10am-5pm, Apr 14, 21 & 28, 8 mtgs retrieve course materials. No refund after Apr 11. For a complete list of this quarter’s George Simian, for credits see 16. new courses see page 1. kkk