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Minerva 2014 from the Dean Contents
M INERVA a publication of THE HONORS COLLEGE AT THE UNIVERSITY OF MAINE 2014 GROWING A SIGNATURE PROGRAM From the Dean ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ A happy concordance of the calendar has us celebrating the 80th year of Honors at the University of Maine during its sesquicentennial. In this issue François G. Amar, Dean of MINERVA you will see evidence of the huge MINERVA changes since Honors started as a program in 1935, graduating its first cohort of 4 students in 1937. Editors That number has grown steadily over the years and Jennifer Ferguson Nicholas Moore in 2014, 83 students graduated with Honors. 2015 also marks the 13th year since we transitioned from Contributing Writers François G. Amar a Program to a College and are on track to graduate Jennifer Ferguson about 90 students this year, one of the largest classes Melissa Ladenheim in the history of the College. Nicholas Moore Printing The cover of this issue shows another big change: UMaine Printing Services the expansion of the Honors College into part of Estabrooke Hall. Our ‘Honors campus’ within the campus comprises Colvin Hall Readers should send comments to: [email protected] and the Thomson Honors Center in the middle of the photo with Balentine and Estabrooke Halls on the left and right, respectively. We moved the administrative MINERVA is produced annually by the staff of the UMaine Honors College, Thomson center of the College into the northwest corner of Estabrooke (nearest to Charlie’s Honors Center, Colvin Hall and Estabrooke Terrace) in August of 2014. The space also houses offices for the Honors faculty Hall, Orono, ME 04469, 207.581.3263. -
3/12/2015 – Press Release
3/12/2015 – Press Release: During COP21, in partnership with the UN, major contemporary artists mobilize and act for Climate Artists 4 Paris Climate 2015 During the 2015 Paris Climate Change Conference / COP 21 of the United Nations Framework Convention on Climate Change (UNFCCC), major contemporary artists are mobilizing action through art projects displayed in the public spaces of “Greater Paris.” On 9 December at 8pm, a charity auction of 30 works from 14 art projects will be organized by the premier international auction house, Christie’s. The benefits will go to 14 on-the-ground actions both fighting desertification and supporting adaptation to climate change. The initiative is supported by the United Nations Conventions on Climate Change and Desertification. Foundations, companies and NGOs support the implementation of projects in Paris as well as action around the world. 2 steps of the initiative: mobilization then action 1. Mobilization: during COP21, 7 projects will be paired with 7 symbolic locations • Deep breathing / resuscitation for the Reef by Janet Laurence, at the National Museum of Natural History, from 6 October to 14 December • Drowning World by Gideon Mendel, on 10 billboards in the centre of Paris, in the run-up to COP21, from 23 to 29 November • Little Sun by Olafur Eliasson and Frederik Ottensen, march from Clichy-Montfermeil to Bourget, on 2 December • Ice Watch by Olafur Eliasson and Minik Rosing, Place du Panthéon, from 3 to 13 December • Aeroscene by Tomas Saraceno, at the Grand Palais, from 4 to 10 December • Flying Shell, by Pavel Peppertein, and Sky Puzzle by Yin Xiuzhen, at Charles de Gaulle airport, from 8 December to 3 January (dates and location still to be confirmed) • Human Energy by Yann Toma, the Eiffel Tower, from 5t to 12 December 2. -
1 Martial POIRSON [email protected]
Martial POIRSON [email protected] Professeur des universités 06 63 71 73 51 Université Paris 8-Vincennes-Saint Denis Né le 06.02.74 Montreuil (93) FORMATION ACADÉMIQUE - 2011 : HDR soutenue à l’Université Paris Ouest-Nanterre-La Défense sous le parrainage de Christian Biet. Sujet : « Politique de la représentation : littérature, arts du spectacle, discours de savoir (XVII-XXIe siècles) ». Jury : Christian Biet (Université Paris Ouest) ; Yves Citton (Université Grenoble 3) ; Pierre Frantz (Université Paris 4-La Sorbonne) ; Christophe Martin (Université Paris Ouest) ; Isabelle Moindrot (Université Paris 8) ; Guy Spielmann (Georgetown University). - 2004 : Doctorat de l’Université Paris 10-Nanterre, sous la direction de Christian Biet. Félicitations du jury à l’unanimité et proposition de publication. Qualification CNU en 9e et 18e sections. Sujet : « Comédie et économie : argent, morale et intérêt dans le théâtre français ». Jury : Christian Biet (Université Paris 10-Nanterre), Pierre Frantz (Université Paris 4-La Sorbonne) ; John Dunkley (Aberdeen University) ; Alain Viala (Oxford University) ; Emmanuel Wallon (Université Paris 10-Nanterre). - 1998 : Agrégation de Sciences économiques et sociales (reçu second). - 1993-1997 : Université Paris 10-Nanterre, cursus Lettres modernes et Arts du spectacle. - 1993-1997 : École Normale Supérieure (Fontenay Saint-Cloud), double formation Lettres et arts / Sciences économiques et sociales. - 1991-1993 : Classe préparatoire au Lycée Henri IV. EXPÉRIENCES PROFESSIONNELLES Expérience universitaire - Depuis 2014 : Professeur de l’Université Paris 8, Département Théâtre, UFR Arts- esthétique-philosophie. - 2012-2014 : Professeur de l’Université Grenoble 3, UFR Lettres et Arts. - 2005-2011 : Maître de conférences de l’Université Grenoble 3, Département Lettres modernes. - 2003-2005 : Enseignant en classes préparatoires aux Écoles Normales Supérieures (Khâgne BL) au lycée Janson de Sailly, en sciences économiques et sociales. -
Official Selection 2013 / 2015 54 Artists from 9 European
Press release 1 Montrouge, July 9th 2013 officiAL SELEcTION 2013 / 2015 54 ARTiSTS FROM 9 EURoPEAN COUNTRiES WILL REPRESENT NEW TRENDS IN EMERGING ART AT THE 2013 / 2015 EDITION OF THE JCE Biennial. The JCE | Jeune Création Européenne Biennial stops in Montrouge From October 17th to November 6th 2013 – Open daily from 12 to 7 p.m. Le Beffroi – 2 place Émile Cresp – 92120 Montrouge Metro Line 4, Mairie de Montrouge station Free admission For this new edition, the JCE | Jeune Création Européenne Biennial continues to promote emerging artists inter- nationally and extends its networks of partners within the European Community. Today, the mayor of Montrouge Mr. Jean-Loup Metton and the executive curator of the JCE Mr. Andrea Ponsini will announce the official selection of 54 artists from 9 European countries. They were selected in each coun- try by the artistic curators of the JCE’s partner institutions. Their work will be exhibited from October 17th to November 6th 2013 at Le Beffroi in Montrouge. In 2000, as an extension of the Salon de Montrouge founded in 1955, the city of Montrouge furthered its commit- ment to “discovering and supporting emerging artists” by setting up a European network in order to encourage partner cities to support their countries’ young artists. This network of partners cities pledges to host a stop of JCE | Jeune Création Européenne Biennial 2013 / 2015 and to supply artists with residency studios for the duration of the Biennial. Each partner country provides the JCE with its expertise in the field of emerging art by naming an artistic curator in charge of singling out new talents. -
3Walls and Bridges)
a series of events presented by Lyon (France) WALLS AND BRIDGES) « We build too many walls and not enough bridges.» Isaac Newton [transatlantic insights) SEASON 3 – IDEAS & PERFORMANCES NYC ⁄ October 19th – 28th, 2011 3www.wallsandbridges.net n eWYorkcity WallsandBridges 2011/ OctoBer [ season3:ideas&Performances 19th-28th “Webuildtoomany wallsandnot enoughbridges.” isaacnewton WallsandBridges, the Franco-American arts and ideas, series is returning to New York for a third season. Curatedy b the Villa Gillet (director: Guy Walter) and presented by France’s conseildelacréation artistique (general representative: Marin o verboard! at the Invisible Dog / Salty Karmitz), WallsandBridges is a 10-day series of Brine and Dan Safer performances and critical explorations uniting French and American thinkers and performers from social sciences, philosophy and live arts. This season’s wide selection of events spans more than 20 debates, concerts, dance performances, screenings, exhibitions and even a transatlantic haute cuisine picnic. Adrien M / Claire B In addition, “Infinite Affinities,” a special series co-sponsored by the institut Français (www.institutfrancais.com) and co-curated by les Subsistances, a creative research laboratory based in Lyon (www.les-subs.com) and philosophers Avital Ronell and François Noudelmann, will bring many of France’s most La Scabreuse innovative performance artists and choreographers to New York for the first time. The Villa Gillet, based in Lyon, France, is a unique cultural institute interested in thought in all f rom ictiontoPhilosophy at Greenlight its expressions. It brings together thinkers and Bookstore / R. Spillman, B. Walker, A. artists from all over the world to encourage public Ronell, P. Cassou-Noguès, R. -
Open Engagement, Art + Social Practice
Friday, May 17 PUBLICS PROGRAMMING LUNCHTIME PROGRAMING Panel Exhibition Workshop Panel Open Platform For OE 2013 Lexa Walsh has collaborated with the curatorial teams to bring conference goers a selection of SOCIOLOGY (OF AND) FOR ALUMS AFRICAN SOLUTION TO AMERICAN PROBLEM: CARE AND RADICAL PEDAGOGY ARTIST TALK lunch time, food-related, programming. SOCIALLY ENGAGED ART PRACTICE A sampling of past, and current works made by alumni of PSU’s READ THE QUR’AN People take supplies from an abandoned school after hurricane For the last four years, Laurenn McCubbin has been working with If we understand the sociological imagination as one which MFA in Art and Social Practice program. Featured artists include Ghana ThinkTank will host a group reading and interactive dis- Katrina and start their own school in a grocery store. Teens and a group of sex workers, interviewing them about their lives in and FOODPHREAKING PDX searches out, designs and reveals interconnections between Katherine Ball, Varinthorm Christopher, Parallel University, Ar- cussion of the Qur’an with members from the community. This adults gather in a museum and lead 10-minute workshops on out of the industry. McCubbin asked them to send her an object FoodPhreaking PDX is a pop-up food hack lab that will be run- personal troubles and social issues, between biography and his- iana Jacob, Zach Springer, Hannah Jickling, Eric Steen, Lexa session will be used as an intercultural workspace, classroom, topics that they are passionate about. Adults with mental diver- that they associate with sex work, so that she could investigate ning in Portland, Oregon in May and June 2013. -
Sustainability
Queens Museum 2018 SUSTAINABILITY Open Engagement Table of Contents A note about this program: This document, just like the conference itself, is a Front and back cover: 4 Director’s Welcome Jökulsárlón Glacial Lagoon, Iceland, 2017 labor of love split between a tiny part-time staff and a Program Design: 5 Acknowledgments few interns. Please be kind and gentle with us if Lauren Meranda, Andrés Alejandro Chavez, 6 Curatorial Statement you see an error, omission, typo, or any other human Kate Heard mistake while reading this document. 7 OE 2018 Team 8 Locations Social Media 10 Queens Info Follow us on Instagram, Twitter and Facebook Schedule @openengagement 12 Overviews Share your posts from this year with #OE2018 18 Featured Presentations #OpenEngagement 19 Pre-Conference Find further details at 20 Open House www.openengagement.info 23 Saturday Parallel Sessions 26 Conversational Dinners OEHQ 28 Sunday Parallel Sessions OEHQ (information and registration) is our conference 31 Parties & Projects hub! OEHQ is the place for the most up-to-date 33 Open Platform information about the conference throughout the weekend, including any schedule or location changes. 36 Trainings Bronx Museum of the Arts Friday, May 11th: 6:00pm - 7:30pm 37 Featured Presenters 38 Contributor Bios Werwaiss Family Gallery, 2nd Floor, Queens Museum Saturday, May 12th: 9:00am – 5:00pm 42 Schedule at a Glance Sunday, May 13th: 9:00am – 4:00pm 2 3 Director’s Welcome Acknowledgements It is 6:12am and I have been in bed thinking about writing this I wish I could talk to Ted about where we are now. -
YBCA Presents Tania Bruguera
FOR IMMEDIATE RELEASE Media Contacts: Voleine Amilcar, 415.978.2700; [email protected] Lainya Magana, 347.395.4155; [email protected] Yerba Buena Center for the Arts Presents Tania Bruguera: Talking to Power / Hablándole al Poder An Unprecedented Collaboration with World-Renowned Cuban Political Artist Tania Bruguera Tania Bruguera reading from Hannah Arendt’s book The Origins of Totalitarianism during the opening session of the Hannah Arendt International Institute of Artivism, Havana, May 20-24, 2015. Courtesy Studio Bruguera and Yo También Exijo Platform. Photo Pablo León de la Barra. Friday, June 16, 2017 through Sunday, October 29, 2017 Opening Night Party: Friday, June 16, 2017, 7 pm Yerba Buena Center for the Arts, 701 Mission Street, San Francisco CA 94103 SAN FRANCISCO - (April 26, 2017) Yerba Buena Center for the Arts (YBCA) presents Tania Bruguera: Talking to Power / Hablándole al Poder a survey of long-term artworks by the political artist Tania Bruguera. For more than 30 years Bruguera has worked at the intersection of activism and performance art to address structures of power, devise new utopian models of authority, and create alternative structures that aim to transform and redistribute power. This has resulted in art projects that take the form of social movements, newspapers, and schools—and even Bruguera’s own provocative self-nomination for the 2018 Cuban presidential election. Organized by YBCA and curated by Lucía Sanromán, director of visual arts, and Susie Kantor, curatorial associate, Tania Bruguera: Talking to Power / Hablándole al Poder will present together for the first time Bruguera’s long-term projects initiated between 1985 and 2017 that have sought to transform the emotional and symbolic affect of art into political effectiveness. -
Caroline Woolard CV 2021 References Included
CV: Caroline Woolard CAROLINE WOOLARD Email [email protected] Portfolio https://art21.org/artist/caroline-woolard/ Phone XXX XXX XXXX TEACHING AND PROFESSIONAL EXPERIENCE ACADEMIC APPOINTMENTS 2017–present Assistant Professor of Fine Art, tenure-track, Hartford Art School, University of Hartford, Hartford, CT 2018-2020 Lecturer, Center for Public Action, Bennington College, Bennington, VT 2015–2018 Lecturer, MFA Fine Arts, School of Visual Arts, New York, NY 2011–2016 Lecturer, School of Design Strategies, The New School, New York, NY 2013–2014 Lecturer, BFA Sculpture, The Cooper Union for the Advancement of Science and Art, New York, NY 2013–2014 Lecturer, MFA Graduate Studies, Rhode Island School of Design, Providence, RI 2011 Lecturer, Art, Media, and Technology, The New School, New York, NY 2010 Part-Time Research Faculty, Steinhardt School, New York University, New York, NY 2009 Teaching Assistant, Steinhardt School of Art, New York University, New York, NY SELECTED ACADEMIC VISITING ARTIST APPOINTMENTS 2021 Finalist, Fulbright Scholar Program, (application, not awarded) Arnhem, Netherlands Finalist, The Marva and John Warnock Artist-in-Residence, (nominated, not received, $40,000) University of Utah, Salt Lake City, UT 2020 Harlan Boss Visiting Artist for Art, Participatory Culture, Social Practice, and Critical Theory at the University of Minnesota, Minneapolis, MN 2018–2020 Visiting Artist, Inaugural Walentas Fellow, Moore College of Art and Design, Philadelphia, PA 2019 Ruth Ann and Nathan Perlmutter Artist-in-Residence -
Olafur ELIASSON
EDWARD BURTYNSKY OLAFUR ELIASSON JANET LAURENCE VERA LUTTER GIDEON MENDEL ERNESTO NETO PAveL PEPPERSTEIN DAN PERJOVSCHI MICHELANGELO PISTOLETTO TOMAS SARACENO TARYN SIMON SUBOTZKY & WATERHOUSE YANN TOMA YIN XIUZHEN 1 ARTISTS 4 PARIS CLIMATE 2015 VENTE AUX ENCHÈRES Mercredi 9 décembre 2015 à 20h 9, avenue Matignon, Paris 8e EXPOSITION PUBLIQUE Vendredi 4 décembre 2015 14h - 18h Samedi 5 décembre 2015 10h - 18h Dimanche 6 décembre 2015 14h - 18h Lundi 7 décembre 2015 10h - 18h Mardi 8 décembre 2015 10h - 16h COMMISSAIRE-PRISEUR IMPORTANT Lionel Gosset La vente est soumise aux conditions générales imprimées en fin de catalogue. Il est vivement conseillé RENSEIGNEMENTS aux acquéreurs potentiels de prendre Didier Saulnier connaissance des informations [email protected] importantes, avis et lexique figurant également en fin de catalogue. Edmond Francey [email protected] ENCHÈRES ET ENREGISTREMENT [email protected] STOCKAGE ET TRANSPORT Transports Monin Aurélie Tourette Christie’s FranCE SNC [email protected] Agrément no. 2001/003 CONSEIL DE GÉRANCE François de Ricqlès, Président, Edouard Boccon-Gibod, Stephen Brooks, Gérant Conception graphique du catalogueConception graphique & Laurie Vidal : Manon Bucciarelli François Curiel, Gérant 2 1 FORE- PRÉ WORD -FACE The famous French artist Marc Chagall once said “great art picks up where nature ends”. Le célèbre artiste français Marc Chagall a dit un jour “Le grand art reprend là où finit la nature”. It is in many ways true: whether on social, economic or environmental issues art has not only the Il a raison à bien des égards : que ce soit sur les questions sociales, économiques ou potential to profoundly echo the challenges and humanity’s impacts on our one shared home - Earth. -
Visual Arts and Aesthetics-Light.Pdf
PARIS 1 PANTHEON-SORBONNE UNIVERSITY 2 Synoptique, 2007, public commission (8 Profile Spot Light; partial view : « Passage obligé»), Saline Royale by Claude Nicolas Ledoux, Arc et Senans, France ; photo : André Morin : André ; photo France et Senans, Ledoux, Arc by Claude Nicolas obligé»), Saline Royale Passage : « Spot Light; partial view (8 Profile Synoptique, 2007, public commission Michel Verjux - Michel Verjux PARIS 1 PANTHEON-SORBONNE UNIVERSITY 3 A few words from the Director The Department of Visual Arts and Aesthetics was created in 1969 and developed along a triple reflection on the practice, analysis and interpretation of Art. Its incorporation into Paris 1 Panthéon-Sorbonne University clearly inscribed it within the grand academic tradition of French university, and it now offers a wide range of courses in Visual Arts, Film and Audiovisual Studies, Aesthetics, Arts and Cultures, as well as Design, Media and Technologies, thus constituting a major artistic centre approaching arts and creation from the point of view of their relationships with creative processes, the works, the artists and society at large, embracing the major current problematics and summoning up the most recent technologies. Located 47 rue des Bergers, at the heart of Paris’s 15th district, in a recently fully refurbished 7000 square metres building exclusively dedicated to its programmes and known as Le Centre Saint-Charles, the department teaches around 3000 students, including about 600 who follow a distance learning programme in Visual Arts and Film Studies, in close collaboration with the Centre national d’enseignement à distance (CNED). The main originality of the training offered by the Department of Visual Arts and Aesthetics lies in its constant concern to link up practice and theory. -
A Project by the Association: in Partnership With: MASKBOOK // PRESENTATION
A project by the association: In partnership with: MASKBOOK // PRESENTATION Maskbook is an international and creative action for the climate, developed and implemented by the association Art of Change 21. Maskbook is the first action aimed at the general public on the link between health, pollution and climate and is an amazing, collective and international work of art. The Maskbook Project includes exhibitions, workshops, events, a mobile App and an international portrait gallery on maskbook.org. This cultural and environmental action already mobilizes thousands of people from more than 30 countries. ACTIONS // MASKBOOK W ORKSHOPS M OBILE A PP W EBSITE E XHIBITIONS MASKBOOK // MAIN FIGURES • More than 2 000 masked portraits on maskbook.org • 30 countries involved • About 50 creative mask workshops of creation of masks in France, China, Kenya… Having gathered more than 900 participants • 6 exhibitions in France, China... • 50 personalities in the field of sustainable development area (Achim Steiner, Jacqueline McGlade, Nicolas Hulot, Valérie Masson-Del- motte) and from the creation (Yann Toma, Lucy Orta, Wen Fang ...) have already created their masks. • More than 10 000 visitors on the web site www.maskbook.org within six months. MASKBOOK // ONGOING PROJECTS • A large number of Maskbook workshops will also be organised around the world: in Morocco during the COP22 in Marrakech during Art of Change 21’s BA- LAD_E events, in Belgium in partnership with Point Culture, in Ecuador during Ha- bitat III… In France during the CONVERGENCES Word Forum, on the programme of the UP Fest “The time for heroes” organised by UP Conférences in La Bellevil- loise in Paris… Maskbook will also be reinforcing its pedagogical impact by developing sup- port materials based on scientific data.