Director/Producer

Total Page:16

File Type:pdf, Size:1020Kb

Director/Producer PIP GILMOUR - DIRECTOR/PRODUCER T +1 202-550-0220 PROFILE E: [email protected] W: www.pipgtv.com Pip is an experienced director, producer, writer and show runner with a reputation for delivering quality specials, series and national commercials. Her sense of story combined with her strong directing skills come together to create illuminating programs that entertain, inform and engage audiences. Pip thrives in a team environment and values her reputation for delivering projects on time and on budget. RECENT WORK AMC/Movistar LA FORTUNA 2nd unit producer for US production. MOD Pictures. CNN FILMS DIANA Field producer for US production. October Films. NATIONAL GEOGRAPHIC 911 Field Producer for US production. 72 Films. DISCOVERY CHANNEL KILLERS OF THE COSMOS Segment field director. Wall To Wall. HULU DOPESICK Director for promotionals. Riverside Entertainment. CAMPING WORLD TRAVEL DIFFERENT Writer/Director for new ad campaign. Just East Of West. BBC2 THE TRUMP SHOW Field producer for US production. 72 Films. SMITHSONIAN CHANNEL BEYOND STONEWALL Executive producer. Highland Pictures. CALL ME DANCER Director, documentary feature in-production. Shampaine Pictures. PRODUCTION CREDITS SMITHSONIAN CHANNEL • SERIOUSLY AMAZING OBJECTS (3 x 60 produced by Pip Gilmour Productions) Executive Producer, Show Runner & development producer • INCREDIBLE FLYING JETPACKS (1 x 60 produced by Pip Gilmour Productions) Executive Producer, Writer, Director and Development • INCREDIBLE FLYING CARS (2 x 60 produced by Pip Gilmour Productions) Executive Producer, Writer, Director and Development NATIONAL GEOGRAPHIC • JURASSIC CSI (6 x 60 produced by NHNZ) Show Runner, Director • LOST IN CHINA WITH THE HUTCHENS BROTHERS (6 x 60 produced by Base Productions) Show Runner, Series Director INVESTIGATION DISCOVERY • VANISHING WOMEN (6 x 60 produced by Sirens Media) Director • HOUSE OF HORRORS Season 1 & 2 (6 x 60 produced by Sirens Media) Director, Producer, Writer • WHO KILLED JANE DOE Produced by Sirens Media - Field Producer • CRIMINALS AT WORK Produced by Sirens Media - Field Producer • GONE Produced by Sirens Media - Field Producer • NIGHTMARE NEXT DOOR Produced by Sirens Media - Field Producer • SOUTHERN FRIED HOMICIDE Produced by Sirens Media - Field Producer • I GOT AWAY Produced by Sirens Media - Field Producer DISCOVERY CHANNEL • KILLERS OF THE COSMOS wt (multi-part series produced by Wall to Wall Media Ltd) Field Director – currently in production. • ENGINEERING SUPERMAX PRISONS (1 x 60 produced by Powderhouse Productions) Writer, Producer, Director • EXTREME ENGINEERING: WIDENING THE PANAMA CANAL (1 x60 produced by Powderhouse Productions) Writer, Producer, Director • GREAT BOOKS: DANTE’S INFERNO, HOUNDS OF THE BASKERVILLES (2 x 60 produced by Cronkite Ward Company) Writer, Producer, Director HISTORY CHANNEL • LINCOLN’S DNA (2 x 60 produced by Half Yard Productions) Writer, Producer, Director • REAL COWBOYS & OUTLAWS: LONESOME DOVE, WYATT EARP, BILLY THE KID (3 x 60 produced by Half Yard Productions) Writer, Producer, Director • MYSTERIES OF THE FREEMASONS (2 x 60 produced by Powderhouse Productions) Producer, Director • SEARCH FOR THE REAL SCORPION KING (2 x 60 produced by Providence Pictures) Director LOCATION WORK China - Middle East - Africa - New Zealand - Europe SE Asia - S America - C America - USA MEMBERSHIPS Producers Guild of America Women in Film & Video EDUCATION Boston University – Film & Television Degree University of Vienna, Austria – German Culture LANGUAGES SPOKEN Spanish German.
Recommended publications
  • BILL THOMAS Director ​[email protected] Bill Is A
    NOTE RE DATA PROTECTION: I CONSENT TO YOU KEEPING MY DETAILS ON FILE AND DISTRIBUTING FOR EMPLOYMENT PURPOSES. BILL THOMAS Director [email protected] ​ Bill is a freelance director for TV. He’s directed documentary drama for nearly 100 episodes for various ​ ​ channels including BBC, National Geographic, Discovery, and Channel 5. In addition, he has directed ​ ​ ​ ​ a micro-budget feature film, shorts, online sketch comedy, 2nd Unit action, and miniature effects. He has also Edit Produced a number of documentaries, and directed audio drama plays. Bill has had a lot of experience directing units in the UK and abroad, including working with animals and children, pyrotechnics and action, various periods of history, modern day, blood/gore, VFX, and vehicles. He is passionate about creating high quality drama and has a reputation for getting the most out of limited time, resources, and budgets. BACKGROUND Originally from the North East of Scotland, Bill moved South and began working in film and TV art departments. Over the years he has worked as a Prop and Model Maker on many big budget movies. ​ ​ These include Star Wars, five of the Harry Potters, V for Vendetta, James Bond, and Christopher ​ ​ ​ ​ ​ ​ ​ Nolan’s “The Dark Knight Rises”, as well as making various action props for The Bill, Family Affairs, ​ ​ ​ and London’s Burning. ​ He also worked as an Art Director on around 40 productions for various companies including: BBC Arts, ​ ​ ​ Brook Lapping, Raw, Darlow Smithson, Wall to Wall, and Pioneer. ​ ​ ​ ​ ​ LINKS SHOWREEL http://bthomas.net/showreels/
    [Show full text]
  • Literature and Film B5.140
    ELiT Literaturehouse Europe Literature and Film B5.140 Ed. by Walter Grond and Beat Mazenauer Literature and Film Ed. by Walter Grond and Beat Mazenauer All contributions can be read on the website www.literaturhauseuropa.eu All rights reserved by the Authors/ELiT The Literaturehouse Europe is funded by the Creative Europe Programme of the European Union. Edition Rokfor Zürich/Berlin B5.140/18-12-2018 Konzeption: Rokfor Produktion: Gina Bucher Grafische Gestaltung: Rafael Koch Programmierung: Urs Hofer Gesamtherstellung: epubli, Berlin GET TO KNOW LITERATURE The Literaturhaus Europa was established in 2015 by institutions from six European countries and its mission was to spread the word about European contemporary literature. This set-up phase was achieved from 2015 to 2018 with support from the programme Creative Europe. A lively programme of events in Budapest, Hamburg, London, Ljubljana, Paris and in Wachau, Austria, was complemented with important publicity work under the title Observatory for European Contemporary Literature with weekly texts and blogs published about books, writers, trends or background analyses. The current fourth edition of «Trends in European Contemporary Literature» compiles a record of the European Literature Days 2018 with keynote texts by Katharina Hacker and Rüdiger Wischenbart on the topics of «Narrative in literature and film» and «The law of the series», plus a daily review by Ilinca Florian reflecting the content and atmosphere of the international festival. The main section of the fourth yearbook, as in previous years, com- prises texts published in the Observatory from January to December 2018 on the themes Europe, Trends in Contemporary Literature and Book Tips.
    [Show full text]
  • Customer Name Amount Description of Service
    NOT PROTECTIVELY MARKED Customer Name Amount Description of Service 2011-12 ANG Partnerships 708 Filming Bank of England 446,355 Security Escort BBC Accounts Payable 1,779 Filming Blackbeard Productions Ltd 2,180 Filming Blink Productions Limited 1,535 Filming Bugle Boy Films Ltd 661 Filming HM Revenue & Customs 12,041 Security Escort Intelligence Films Ltd 10,262 Filming Kerry Day 83,306 Training Kudos Film & Television 3,924 Filming Red Bee Media Ltd 354 Filming RSA Films Ltd 1,063 Filming Running Bare Pictures Ltd 333 Filming Winford Productions Ltd 15,985 Filming 580,485 2010-11 ANG Partnerships 708 Filming Anna Productions Ltd 1,266 Filming Bank of England 527,973 Security Escort BBC Accounts Payable 1,779 Filming Blackbeard Productions Ltd 2,180 Filming Blink Productions Limited 1,535 Filming British Broadcasting Corporation 2,495 Filming Bugle Boy Films Ltd 661 Filming Deep Blue Sea Production Ltd 649 Filming HM Revenue & Customs 17,150 Security Escort Intelligence Films Ltd 10,262 Filming Kerry Day 83,306 Training Kudos (WM) Ltd 5,105 Filming Locate Productions Limited 2,203 Filming Red Bee Media Ltd 354 Filming RSA Films Ltd 1,063 Filming Running Bare Pictures Ltd 333 Filming Private Individual 4,153 Training The Love Commercial Production Company Ltd 878 Filming Winford Productions Ltd 15,985 Filming 680,037 2009-10 1-800 Love Ltd 19,494 Filming Bank of England 581,343 Security Escort BBC 433 Filming Brighton Rock Productions Ltd 610 Filming BSKyB Ltd 2,223 Filming Channel 4 3,526 Filming Deutsche Bank 270 Security Dombey Street
    [Show full text]
  • Filming in Lincoln's
    Film Productions in Lincoln’s Inn Because of its varied architecture, beautiful gardens, spacious squares, historic halls and panelled rooms, Lincoln’s Inn has long been used by film production companies as a location, and by television companies for interviews as well as drama productions with either a legal theme or a period setting. Among productions which have used the Inn are: 2017 The Children’s Act (FilmNation Entertainment) 2016 Limehouse Golem (New Sparta Films) Richard III (Documentary, BFI) 2015 Wonder Woman (Warner Brothers) Suffragette (Gillerd Production Services Limited) Grantchester Limited (ITV) Downton Abbey (BBC) Spotless (Spotless Productions Ltd) Partners in Crime (BBC) SS-GB (BBC) Who Do You Think You Are? (Wall to Wall Media) Defenders of the Sky (History Channel) 2014 Suffragette (Gillerd Production Services Limited) Grantchester (ITV) The Suspicions of Mr Whicher (ITV) Welsh History Series – Huw Edwards (BBC) Secrets from the Clink (ITV) PAN (Dombey Street Productions) The Theory of Everything (Cosmos Ltd) Mr Holmes (Slight Trick Productions Ltd) The Man who knew Infinity (Pinewood Studios) Spotless (Spotless Productions Ltd) Partners in Crime (BBC) Silent Witness (BBC) 2013 Agatha Christies’ Poirot (ITV Studios Limited) Dracula (Carnival Productions Ltd) The Muppets…Again (More Muppets Productions Limited) Angelica (Angelica Film Productions Inc) Downtown Abbey Series Four (Carnival Productions Ltd) Fleming (Ecosse Films) Shakespeare’s London Theatres (Illuminations TV) 2012 Shakespeare’s London Theatres (Illuminations
    [Show full text]
  • From Media Hype to Twitter Storm from Media Hype to Twitter Storm
    Peter VastermanPeter (ed.) Peter Vasterman (ed.) From Media Hype to Twitter Storm News Explosions and From Media Hype to Twitter Storm Twitter to Hype Media From Their Impact on Issues, Crises and Public Opinion From Media Hype to Twitter Storm From Media Hype to Twitter Storm News Explosions and Their Impact on Issues, Crises, and Public Opinion Edited by Peter Vasterman Amsterdam University Press Cover illustration: Alain Delorme, MURMURATIONS Ephemeral Plastic Sculptures #2. www.alaindelorme.com Cover design: Coördesign, Leiden Lay-out: Crius Group, Hulshout Amsterdam University Press English-language titles are distributed in the US and Canada by the University of Chicago Press. isbn 978 94 6298 217 8 e-isbn 978 90 4853 210 0 doi 10.5117/9789462982178 nur 811 © P. Vasterman / Amsterdam University Press B.V., Amsterdam 2018 All rights reserved. Without limiting the rights under copyright reserved above, no part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of both the copyright owner and the author of the book. Every effort has been made to obtain permission to use all copyrighted illustrations reproduced in this book. Nonetheless, whosoever believes to have rights to this material is advised to contact the publisher. It is not difficult to see the similarities between massive starling flocks, flying as one and creating new shapes – murmurations – and the way media operate during explosive news waves, the main topic in this book. Table of Contents Acknowledgements 11 Preface 13 Hans Mathias Kepplinger Introduction 17 Peter Vasterman I.
    [Show full text]
  • Emergent Covid-19 and Sars-Cov-2 in Social Imagery and Social Video: Initial Three Months of Viral Dispersion
    PART I PART 1: GLOBAL PUBLIC HEALTH 13 11 EMERGENT COVID-19 AND SARS-COV-2 IN SOCIAL IMAGERY AND SOCIAL VIDEO: INITIAL THREE MONTHS OF VIRAL DISPERSION Shalin Hai-Jew 15 16 EMERGENT COVID-19 AND SARS-COV-2: THREE MONTHS VIRAL DISPERSION Abstract The pandemic potential of emergent SARS-CoV-2, a zoonotic virus which causes COVID-19, has captured the world’s attention, through formal mass media and informal social media (esp. social imagery and social video). This work explores multiple social imagesets (thousands of images) from Google Images (captured from various seeding terms related to the outbreak) and social video transcripts from Google’s YouTube platform to infer focuses of mass human attention in terms of (1) messaging and information sourcing, (2) meta-messaging and subtexts, and (3) invisibilities (what is not expressed). This compares the imageset messaging against mass media articles from the same time frame. This work has implications for a mass-scale social response to an unfolding global biosafety/biosecurity risk based on learning from more organic and emergent social communications. Key Words Novel Coronavirus, 2019-nCoV, COVID-19 disease, SARS- CoV-2, Severe Acute Respiratory Illness, Community Spread, Self-Quarantine, Quarantine, Social Distancing, Chains of Infec- tion, Contact Tracing EMERGENT COVID-19 AND SARS-COV-2: THREE MONTHS VIRAL DISPERSION 17 Introduction “Assume this virus is everywhere. This is a global influenza pan- demic caused by a coronavirus.” — Michael Osterholm in Peter Bergen’s “The disease expert who warned us” in CNN (March 10, 2020) COVID-19, the disease outbreak caused by the novel zoonotic virus termed SARS-CoV-2 (and prior, 2019-nCoV), is a major threat to human health in part because people do not have a natural immunity to this pathogen, which spreads quickly and invisibly.
    [Show full text]
  • Codes Used in D&M
    CODES USED IN D&M - MCPS A DISTRIBUTIONS D&M Code D&M Name Category Further details Source Type Code Source Type Name Z98 UK/Ireland Commercial International 2 20 South African (SAMRO) General & Broadcasting (TV only) International 3 Overseas 21 Australian (APRA) General & Broadcasting International 3 Overseas 36 USA (BMI) General & Broadcasting International 3 Overseas 38 USA (SESAC) Broadcasting International 3 Overseas 39 USA (ASCAP) General & Broadcasting International 3 Overseas 47 Japanese (JASRAC) General & Broadcasting International 3 Overseas 48 Israeli (ACUM) General & Broadcasting International 3 Overseas 048M Norway (NCB) International 3 Overseas 049M Algeria (ONDA) International 3 Overseas 58 Bulgarian (MUSICAUTOR) General & Broadcasting International 3 Overseas 62 Russian (RAO) General & Broadcasting International 3 Overseas 74 Austrian (AKM) General & Broadcasting International 3 Overseas 75 Belgian (SABAM) General & Broadcasting International 3 Overseas 79 Hungarian (ARTISJUS) General & Broadcasting International 3 Overseas 80 Danish (KODA) General & Broadcasting International 3 Overseas 81 Netherlands (BUMA) General & Broadcasting International 3 Overseas 83 Finnish (TEOSTO) General & Broadcasting International 3 Overseas 84 French (SACEM) General & Broadcasting International 3 Overseas 85 German (GEMA) General & Broadcasting International 3 Overseas 86 Hong Kong (CASH) General & Broadcasting International 3 Overseas 87 Italian (SIAE) General & Broadcasting International 3 Overseas 88 Mexican (SACM) General & Broadcasting
    [Show full text]
  • History and Temporal Tourism
    "SO YOU WANT TO BE A RETRONAUT?”: HISTORY AND TEMPORAL TOURISM Tiffany L. Knoell A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2020 Committee: Jeremy Wallach, Advisor Kenneth Borland Graduate Faculty Representative Esther Clinton Thomas Edge © 2020 Tiffany L. Knoell All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor In “So You Want to Be A Retronaut?”: History and Temporal Tourism, I examine how contemporary individuals explore and engage with the past beyond the classroom through nostalgic consumerism, watching historical reality television, visiting historical sites or living history museums, handling historical objects, and, in many cases, participating in living history or historical re-enactment. The phrase “make America great again” taps directly into a belief that our nation has been diverted from a singular history that was better, purer, or even happier. What it ignores, though, is that the past is fraught for millions of Americans because their history – based on generations of inequality – is not to be celebrated, but rather commemorated for those who died, those who survived, and those who made their place in a nation that often didn’t want them. To connect to that complicated history, many of us seek to make that history personal and to see a reflection of who we are in the present in the mirror of past. For this project I conducted 54 interviews of subjects gathered from a variety of historically significant commemorations and locations such as the 2013 and 2015 memorial observances at Gettysburg, PA, and sites at Mount Vernon, Historic Jamestowne, and Colonial Williamsburg, VA.
    [Show full text]
  • VIRGIN TV BRITISH ACADEMY TELEVISION AWARDS: Winners in Bold * 14 May 2017
    VIRGIN TV BRITISH ACADEMY TELEVISION AWARDS: Winners in Bold * 14 May 2017 FELLOWSHIP *JOANNA LUMLEY SPECIAL AWARD *NICK FRASER COMEDY & COMEDY ENTERTAINMENT PROGRAMME *CHARLIE BROOKER’S 2016 WIPE Production Team - House of Tomorrow/BBC Two CUNK ON SHAKESPEARE Charlie Brooker, Annabel Jones, Sam Ward, Lorry Powles - House of Tomorrow/BBC Two THE LAST LEG: LIVE FROM RIO Production Team - Open Mike Productions/Channel 4 TASKMASTER Alex Horne, Andy Cartwright, Andy Devonshire - Avalon/Dave CURRENT AFFAIRS INSIDE OBAMA’S WHITE HOUSE Norma Percy, Brian Lapping, Paul Mitchell, Sarah Wallis - Brook Lapping/BBC Two *TEENAGE PRISON ABUSE EXPOSED (PANORAMA) Production Team - BBC Productions/BBC One THREE DAYS OF TERROR: THE CHARLIE HEBDO ATTACKS (THIS WORLD) Dan Reed, Mark Towns, Luc Hermann - AMOS Pictures/BBC Two UNARMED BLACK MALE (THIS WORLD) James Jones, Sarah Foudy, Sarah Waldron, Sam Bagnall - BBC Current Affairs/BBC Two DRAMA SERIES THE CROWN Production Team - Left Bank Pictures/Netflix THE DURRELLS Production Team - Sid Gentle Films Ltd/Masterpiece/ITV *HAPPY VALLEY Sally Wainwright, Juliet Charlesworth, Nicola Shindler, Neasa Hardiman - Red Production Company/BBC One WAR & PEACE Production Team - BBC Studios/BBC Wales/Lookout Point/TWC/BBC One ENTERTAINMENT PERFORMANCE ADAM HILLS The Last Leg - Open Mike Productions/Channel 4 CLAUDIA WINKLEMAN Strictly Come Dancing - BBC Studios/BBC One GRAHAM NORTON The Graham Norton Show - So Television/BBC One *MICHAEL MCINTYRE Michael McIntyre's Big Show - Hungry McBear/BBC One ENTERTAINMENT PROGRAMME*
    [Show full text]
  • RTS Announces Winners for the RTS Programme Awards 2021
    PRESS RELEASE ROYAL TELEVISION SOCIETY ANNOUNCES WINNERS FOR RTS PROGRAMME AWARDS 2021 • Russell T Davies OBE presented with Outstanding Achievement Award • Michaela Coel sweeps three wins for I May Destroy You • Inaugural Comedy Entertainment Award goes to The Ranganation London, 16 March 2021 – The Royal Television Society (RTS), Britain’s leading forum for television and related media, has announced the winners for its RTS Programme Awards 2021, in partnership with Audio Network. Hosted by renowned British television and radio presenter Jonathan Ross, the prestigious awards were presented, and the winners and nominees celebrated, earlier this evening on the RTS website. In addition to the 29 competitive categories, three further awards were presented this evening on behalf of the judges. The ‘Judges’ Award’ was presented to Anne Mensah, Vice President, Original Series at Netflix, for her talent and success throughout her career, and her unwavering commitment to reflecting society’s diversity on screen and actively championing diverse production talent to bring new stories and voices to television. For 2021, the ‘Outstanding Achievement Award’ was awarded to celebrated screenwriter Russell T Davies OBE, whose work over the last 20 years was described by the judges as taking “television drama to places it’s never been before, explored themes never explored before, and – more than anything - told stories never allowed before.” Finally, the ‘Special Award’ went to trade association PACT, for its incredible contribution and support to the UK television industry throughout 2020. Across the competitive categories, the BBC took home 14 wins, three of which were for Michaela Coel’s I May Destroy You, which won in all three categories nominated.
    [Show full text]
  • The Insider's Guide to All Things Emmys
    The Insider’s Guide to All Things Emmys DOWN TO THE WIRE | AUGUST 12, 2013 COVERING HOLLYWOOD INSIDE: The Scandalous Kerry Washington, The underappreciated Bob Newhart, The new Susan Lucci (it's Bill Maher!) and The end of Breaking Bad a publication of thewrap.com of a publication Card Shark KEVIN SPACEY BEATS THE ODDS IN NETFLIX'S HOUSE OF CARDS Predictions, design+ secrets and the inside scoop on the 65th Emmy Awards TheWrap 2855 S. Barrington Ave. Los Angeles, CA 90064 CONGRATULATIONS TO ALL OUR 110 NOMINATIONS! 2013 PRIMETIME EMMY ® N O M I N E E S ! BEHIND THE CANDELABRA PHIL SPECTOR GAME OF THRONES® BOARDWALK EMPIRE® GIRLSSM REAL TIME WITH MEA MAXIMA CULPA: CROSSFIRE HURRICANE Jerry Weintraub Productions in association with Levinson/Fontana Productions in association with Bighead, Littlehead, Television 360, Startling Leverage, Closest to the Hole Productions, Apatow Productions and I am Jenni Konner BILL MAHER SILENCE IN THE Tremolo Productions, Milkwood Films, Eagle ® ® HBO Films HBO Films Television and Generator Productions in association Sikelia Productions and Cold Front Productions Productions in association with HBO Entertainment Bill Maher Productions and Brad Grey Television HOUSE OF GOD Rock Entertainment and the Rolling Stones in ® with HBO Entertainment in association with HBO Entertainment ® association with HBO Documentary Films OUTSTANDING MINISERIES OR MOVIE OUTSTANDING MINISERIES OR MOVIE OUTSTANDING COMEDY SERIES in association with HBO Entertainment HBO Documentary Films in association with Jerry Weintraub, Executive Producer; Barry Levinson, David Mamet, Executive Producers; OUTSTANDING DRAMA SERIES SUPPORTING ACTOR IN A DRAMA SERIES Judd Apatow, Jenni Konner, Lena Dunham, OUTSTANDING VARIETY SERIES Jigsaw Productions, Wider Film Projects and OUTSTANDING DOCUMENTARY OR NONFICTION Gregory Jacobs, Susan Ekins, Michael Polaire, Michael Hausman, Produced by David Benio , D.B.
    [Show full text]
  • BBC Diversity Commissioning Code of Practice Progress Report 2020/21 Welcome to the BBC Diversity Commissioning Code of Practice Report 2020/21
    BBC Diversity Commissioning Code of Practice Progress Report 2020/21 Welcome to the BBC Diversity Commissioning Code of Practice Report 2020/21 BBC One, I May Destroy You: Various Artists. Paapa Essiedu nominated BAFTA Best Actor, Michaela Coel winner BAFTA Director, Writer and Actress and Weruche Opia nominated BAFTA Best Supporting Actress Foreword Introduction Overview p3 p4 p5 1 2 3 Leading by example Authentic portrayal Casting should p6 p13 be open and fair p19 Our aim is to focus on being 4 5 more rather than less BBC. A diverse Measurement workforce makes p26 More distinctive. More committed for better content p23 to our unique mission. BBC Diversity Commissioning Code of Practice Progress Report 2020/21 Introduction Section 1: Leading by example Section 2: Authentic portrayal Section 3: Casting should be open Section 4: A diverse workforce Measurement and fair makes for better content 3 Foreword he BBC is here to provide great value to The commitment to diversity and inclusion has all of our audiences. We create bold and never been stronger. At the very top of the distinctive content that seeks to reflect a organisation the message is clear: the ambition is diverse range of voices from local to create an organisation which reflects more Tcommunities and appeal to both UK and global accurately the society we serve. audiences. We’re putting inclusion and accessibility at the The BBC continues to make bold creative choices heart of everything that we do; it’s not just about which benefit and reflect all 4 Nations of the UK; the future of the BBC, it’s about the impact we launching a series of daily educational make in the communities of the audiences we programmes that allowed children to study whilst serve across the UK and in the creative industry at schools were closed, Children in Need match- large.
    [Show full text]