The Forum Romanum: a Kaleidoscopic Analysis
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The Romanization of Romania: a Look at the Influence of the Roman Military on Romanian History and Heritage Colleen Ann Lovely Union College - Schenectady, NY
Union College Union | Digital Works Honors Theses Student Work 6-2016 The Romanization of Romania: A Look at the Influence of the Roman Military on Romanian History and Heritage Colleen Ann Lovely Union College - Schenectady, NY Follow this and additional works at: https://digitalworks.union.edu/theses Part of the Ancient History, Greek and Roman through Late Antiquity Commons, European History Commons, and the Military History Commons Recommended Citation Lovely, Colleen Ann, "The Romanization of Romania: A Look at the Influence of the Roman Military on Romanian History and Heritage" (2016). Honors Theses. 178. https://digitalworks.union.edu/theses/178 This Open Access is brought to you for free and open access by the Student Work at Union | Digital Works. It has been accepted for inclusion in Honors Theses by an authorized administrator of Union | Digital Works. For more information, please contact [email protected]. The Romanization of Romania: A Look at the Influence of the Roman Military on Romanian History and Heritage By Colleen Ann Lovely ********* Submitted in partial fulfillment of the requirements for Honors in the Departments of Classics and Anthropology UNION COLLEGE March 2016 Abstract LOVELY, COLLEEN ANN The Romanization of Romania: A Look at the Influence of the Roman Military on Romanian History and Heritage. Departments of Classics and Anthropology, March 2016. ADVISORS: Professor Stacie Raucci, Professor Robert Samet This thesis looks at the Roman military and how it was the driving force which spread Roman culture. The Roman military stabilized regions, providing protection and security for regions to develop culturally and economically. Roman soldiers brought with them their native cultures, languages, and religions, which spread through their interactions and connections with local peoples and the communities in which they were stationed. -
Three Main Groups of People Settled on Or Near the Italian Peninsula and Influenced Roman Civilization
Three main groups of people settled on or near the Italian peninsula and influenced Roman civilization. The Latins settled west of the Apennine Mountains and south of the Tiber River around 1000 B.C.E. While there were many advantages to their location near the river, frequent flooding also created problems. The Latin’s’ settlements were small villages built on the “Seven Hills of Rome”. These settlements were known as Latium. The people were farmers and raised livestock. They spoke their own language which became known as Latin. Eventually groups of these people united and formed the city of Rome. Latin became its official language. The Etruscans About 400 years later, another group of people, the Etruscans, settled west of the Apennines just north of the Tiber River. Archaeologists believe that these people came from the eastern Mediterranean region known as Asia Minor (present day Turkey). By 600 B.C.E., the Etruscans ruled much of northern and central Italy, including the town of Rome. The Etruscans were excellent builders and engineers. Two important structures the Romans adapted from the Etruscans were the arch and the cuniculus. The Etruscan arch rested on two pillars that supported a half circle of wedge-shaped stones. The keystone, or center stone, held the other stones in place. A cuniculus was a long underground trench. Vertical shafts connected it to the ground above. Etruscans used these trenches to irrigate land, drain swamps, and to carry water to their cities. The Romans adapted both of these structures and in time became better engineers than the Etruscans. -
Santamariaprrojadobe.Pdf
From: Virtual Reality in Archaeology, British Archaeological Reports International Series S 843, ed. J. A. Barcelo, M. Forte, and D. H. Sanders (ArcheoPress, Oxford 2000) 155-162. Virtual Reality and Ancient Rome: The UCLA Cultural VR Lab's Santa Maria Maggiore Project Prof. Bernard Frischer (UCLA Department of Classics; Director, UCLA Cultural VR Lab) Prof. Diane Favro (UCLA Department of Architecture and Urban Design) Dr. Paolo Liverani (Vatican Museums, Department of Classical Antiquities) Prof. Sible De Blaauw (Istituto Olandese di Roma) Dean Abernathy, Architect and Doctoral Student (UCLA Department of Architecture and Urban Design) (1) Introduction Since the fall of 1995, professors of Classics, Architecture, Education, and Information Science at UCLA, in conjunction with colleagues in the United States, Britain, and Italy, have been developing virtual reality (VR) models of buildings and monuments in ancient Rome (cf. fig. 1). This collaborative research effort is called the Rome Reborn Project in honor of the first systematic study of Roman topography, Flavio Biondo's mid-fifteenth century Roma Instaurata (de Grummond 1996: 160-61). Since January, 1998 the project has been housed in the UCLA Cultural VR Lab, which was created with support from Intel, the Creative Kids Education Foundation, Mr. Kirk Mathews, the UCLA Division of Humanities, the UCLA Humanities Computing Facility, the UCLA Center for Digital Innovation, the UCLA Graduate Division, the UCLA Office of the Vice Chancellor for Research, and the UCLA College of Letters and Science. The Lab's mission is to provide technology support for projects like Rome Reborn that strive to recreate authenticated three-dimensional computer models of sites of great historic and cultural interest around the world. -
Rodolfo Lanciani, the Ruins and Excavations of Ancient Rome, 1897, P
10/29/2010 1 Primus Adventus ad Romam Urbem Aeternam Your First Visit to Rome The Eternal City 2 Accessimus in Urbe AeternA! • Welcome, traveler! Avoiding the travails of the road, you arrived by ship at the port of Ostia; from there, you’ve had a short journey up the Via Ostiensis into Roma herself. What do you see there? 3 Quam pulchra est urbs aeterna! • What is there to see in Rome? • What are some monuments you have heard of? • How old are the buildings in Rome? • How long would it take you to see everything important? 4 Map of Roma 5 The Roman Forum • “According to the Roman legend, Romulus and Tatius, after the mediation of the Sabine women, met on the very spot where the battle had been fought, and made peace and an alliance. The spot, a low, damp, grassy field, exposed to the floods of the river Spinon, took the name of “Comitium” from the verb coire, to assemble. It is possible that, in consequence of the alliance, a road connecting the Sabine and the Roman settlements was made across these swamps; it became afterwards the Sacra Via…. 6 The Roman Forum • “…Tullus Hostilius, the third king, built a stone inclosure on the Comitium, for the meeting of the Senators, named from him Curia Hostilia; then came the state prison built by Ancus Marcius in one of the quarries (the Tullianum). The Tarquin [kings] drained the land, gave the Forum a regular (trapezoidal) shape, divided the space around its borders into building- lots, and sold them to private speculators for shops and houses, the fronts of which were to be lined with porticoes.” --Rodolfo Lanciani, The Ruins and Excavations of Ancient Rome, 1897, p. -
The Architecture of Roman Temples
P1: JzL 052181068XAgg.xml CB751B/Stamper 0 521 81068 X August 28, 2004 17:30 The Architecture of Roman Temples - The Republic to the Middle Empire John W. Stamper University of Notre Dame iii P1: JzL 052181068XAgg.xml CB751B/Stamper 0 521 81068 X August 28, 2004 17:30 published by the press syndicate of the university of cambridge The Pitt Building, Trumpington Street, Cambridge, United Kingdom cambridge university press The Edinburgh Building, Cambridge cb2 2ru, uk 40 West 20th Street, New York, ny 10011-4211, usa 477 Williamstown Road, Port Melbourne, vic 3207, Australia Ruiz de Alarcon´ 13, 28014 Madrid, Spain Dock House, The Waterfront, Cape Town 8001, South Africa http://www.cambridge.org C John W. Stamper 2005 This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 2005 Printed in the United Kingdom at the University Press, Cambridge Typefaces Bembo 11/14 pt., Weiss, Trajan, and Janson System LATEX 2ε [tb] A catalog record for this book is available from the British Library. Library of Congress Cataloging in Publication Data Stamper, John W. The architecture of Roman temples : the republic to the middle empire / John W. Stamper. p. cm. Includes bibliographical references and index. isbn 0-521-81068-x 1. Temples, Roman – Italy – Rome. 2. Temple of Jupiter Capitolinus (Rome, Italy) 3. Architecture, Roman – Italy – Rome – Influence. 4. Rome (Italy) -
Religion and Culture in Ancient Rome
SOCIAL FORMATIONS AND CULTURAL PATTERNS OF THE MEDIEVAL WORLD TDC 2ND SEMESTER (MAJOR) CBCS CHAP.IV (RELIGION AND CULTURE IN ANCIENT ROME) BY : DR. BIMAN HAZARIKA HO.D & ASSOCATE PROF., DEPT.OF HISTORY DHING COLLEGE 04-05-2020 [WEBSITE AND CONTACT DETAILS] RELIGION AND CULTURE IN ANCIENT ROME : Augustus brought to an end of the Roman Republic Republic. He had estblioshed unity and good government which the Mediterranean world had never known before. For the protecytion of the frontier of his country he made legions composed of Roman citizens and also auxiliary forces composed of men from the provinces. He took special care to protect the frontier on the Rhine and the Danube to check the incursions of the Barbarians. Reforms: Important reforms were introduced in the government to make it more efficient. He established an imp[erail civil service. It included the government officials chosen mostly from the misddle class and these officials were paid by the state. In the inner provinces senators wer allowed to stay on as governors.They were paid salaries and were under the personal supervision of Augustus so that they were not able to overtax the people for ttheir personal gains. Owing to peace and good government, the whole of Mediterranean which had become just like Roman lake, was having thousands sailining across it.There was flowing a brisk trade throughout the empire. As the ruins of Pompi and other cities show, they were full of wealth and prosperity. Age of Augustus why its called Golden Age ? Like Periclean age in ancient Greece the Augustan age in the Roman empire called a golden age because it was characteriseed by conditions of peace and prosperity.and development of artand literature.Virgil, Aeoneid Hoarce were well known literary figure for their lyrics. -
A Collection of Curricula for the STARLAB Greek Mythology Cylinder
A Collection of Curricula for the STARLAB Greek Mythology Cylinder Including: A Look at the Greek Mythology Cylinder Three Activities: Constellation Creations, Create a Myth, I'm Getting Dizzy by Gary D. Kratzer ©2008 by Science First/STARLAB, 95 Botsford Place, Buffalo, NY 14216. www.starlab.com. All rights reserved. Curriculum Guide Contents A Look at the Greek Mythology Cylinder ...................3 Leo, the Lion .....................................................9 Introduction ......................................................3 Lepus, the Hare .................................................9 Andromeda ......................................................3 Libra, the Scales ................................................9 Aquarius ..........................................................3 Lyra, the Lyre ...................................................10 Aquila, the Eagle ..............................................3 Ophuichus, Serpent Holder ..............................10 Aries, the Ram ..................................................3 Orion, the Hunter ............................................10 Auriga .............................................................4 Pegasus, the Winged Horse..............................11 Bootes ..............................................................4 Perseus, the Champion .....................................11 Cancer, the Crab ..............................................4 Phoenix ..........................................................11 Canis Major, the Big Dog -
An Introduction to Roman Epigraphy an Inscription in the Lapis Niger
To read or not to read: an introduction to Roman epigraphy An inscription in the Lapis Niger (‘Black Stone’) The Lapis Niger, an area of ill-omen and an early cult site in the Forum Romanum, was paved in black stone by Sulla around 80 BC. It provides the earliest evidence of Rome’s comitium (an assembly meeting-point) and contains one of the oldest surviving inscriptions in ancient Rome. The archaic inscription found within this area, often called a cippus (CIL 1.2.1), is an excellent case study, both for archaic Rome and for the use of inscriptions as evidence. This unassuming slab of grey tufa has the distinction of being one of the most confounding objects from antiquity. Even the name, Lapis Niger, often used by scholars for the inscription, is a term coined by the ancient sources for the area around Sulla’s pavement (not the inscription itself). To assess some of the mysteries behind this inscription one must examine it both as a text and as a monument. This involves looking not only at the writing but how it was displayed and in what context it was placed. In this respect the inscription falls within a number of fields, and requires literary, archaeological, geographic and sometimes geological analysis. This study will consider a number of different approaches to show to illustrate both the insights and the limitations of this source. The role of context: what can urban and archaeological contexts tell us about an inscription? The location of this inscription and the fact that it remains in situ provides a wealth of information (especially in Rome, a city that is notorious for ‘eating itself’: materials are often moved and reused). -
De Ornanda Instruendaque Urbe Anne Truetzel
Washington University in St. Louis Washington University Open Scholarship All Theses and Dissertations (ETDs) 1-1-2011 De Ornanda Instruendaque Urbe Anne Truetzel Follow this and additional works at: https://openscholarship.wustl.edu/etd Recommended Citation Truetzel, Anne, "De Ornanda Instruendaque Urbe" (2011). All Theses and Dissertations (ETDs). 527. https://openscholarship.wustl.edu/etd/527 This Thesis is brought to you for free and open access by Washington University Open Scholarship. It has been accepted for inclusion in All Theses and Dissertations (ETDs) by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY Department of Classics De Ornanda Instruendaque Urbe: Julius Caesar’s Influence on the Topography of the Comitium-Rostra-Curia Complex by Anne E. Truetzel A thesis presented to the Graduate School of Arts and Sciences of Washington University in partial fulfillment of the requirements for the degree of Master of Arts August 2011 Saint Louis, Missouri ~ Acknowledgments~ I would like to take this opportunity to thank the Classics department at Washington University in St. Louis. The two years that I have spent in this program have been both challenging and rewarding. I thank both the faculty and my fellow graduate students for allowing me to be a part of this community. I now graduate feeling well- prepared for the further graduate study ahead of me. There are many people without whom this project in particular could not have been completed. First and foremost, I thank Professor Susan Rotroff for her guidance and support throughout this process; her insightful comments and suggestions, brilliant ideas and unfailing patience have been invaluable. -
PERILLO TOUR to Italy!
PERILLO TOUR To Italy! Group Name: Are You Dense Fundraiser Trip to Italy Tour Name: Rome & Amalfi Coast Tour Travel dates: September 24 – October 2, 2020 Number of participants: 40 Contact: [email protected] For travel outside the United States U.S. citizens must have valid passports, with an expiration date of at least six months after the scheduled return date. Itinerary: Day 1 - Depart USA Boarding your overnight flight, you’re off on your Italy adventure. Buon viaggio! Day 2 - Arrive in Rome - Afternoon at Leisure - Dinner in Hotel Benvenuti a Roma! Your Perillo representative will be at the airport to greet you and guide you to your motorcoach transfer to the hotel. Enjoy some free time this afternoon - take a walk on Via Veneto, have a gelato or maybe do some shopping. Tonight, enjoy dinner in our hotel or local restaurant. Overnight in Rome (B,D) Day 3 - Rome Sightseeing - Afternoon at Leisure Hail Caesar! All aboard our chariot for a panoramic tour of Imperial Rome including the Roman Forum, Largo Argentina (where Caesar was stabbed by Brutus), the Jewish Ghetto and the Circus Maximus. Then we’ll enter the Colosseum, reliving the brutal entertainment of the gladiators and the lions, refereed by the Emperor himself. Overnight in Rome (B) Day 4 - Rome - Vatican Museum - Sistine Chapel - St. Peter's Basilica This morning, it’s a 5-minute drive to another country – Vatican City! With our expert local guide we’ll tour the Vatican Museums, a treasure trove of ancient Greek sculptures, medieval tapestries and Renaissance paintings. Our visit culminates in the Sistine Chapel, the room where the Pope is elected. -
Calendar of Roman Events
Introduction Steve Worboys and I began this calendar in 1980 or 1981 when we discovered that the exact dates of many events survive from Roman antiquity, the most famous being the ides of March murder of Caesar. Flipping through a few books on Roman history revealed a handful of dates, and we believed that to fill every day of the year would certainly be impossible. From 1981 until 1989 I kept the calendar, adding dates as I ran across them. In 1989 I typed the list into the computer and we began again to plunder books and journals for dates, this time recording sources. Since then I have worked and reworked the Calendar, revising old entries and adding many, many more. The Roman Calendar The calendar was reformed twice, once by Caesar in 46 BC and later by Augustus in 8 BC. Each of these reforms is described in A. K. Michels’ book The Calendar of the Roman Republic. In an ordinary pre-Julian year, the number of days in each month was as follows: 29 January 31 May 29 September 28 February 29 June 31 October 31 March 31 Quintilis (July) 29 November 29 April 29 Sextilis (August) 29 December. The Romans did not number the days of the months consecutively. They reckoned backwards from three fixed points: The kalends, the nones, and the ides. The kalends is the first day of the month. For months with 31 days the nones fall on the 7th and the ides the 15th. For other months the nones fall on the 5th and the ides on the 13th. -
1 the Festivals Lupercalia, Saturnalia, and Lemuria Were Three of Rome's
1 The festivals Lupercalia, Saturnalia, and Lemuria were three of Rome’s most important celebrations. Each were valuable to the empire, as they celebrated the gods that acted as the stitches of Rome that pulled the diverse parts of the land together. The festivals also dealt with the spirits that were thought to haunt the city, whether it was to dispel them or celebrate their memory. This trio of festivals impacted the development of Rome’s culture and influenced holidays celebrated today. Most importantly, though, while Lupercalia, Saturnalia, and Lemuria each honored various gods and had differing rituals, all of them helped to shape Rome into a dominant empire. Lupercalia is one of the oldest Roman festivals, meant to celebrate love, to purify the city from evil spirits, and to aid with fertility. Celebrated from the thirteenth of February to the fifteenth, Lupercalia dates possibly to before Rome was established as a city. Because it is celebrated to honor the shewolf who nursed Romulus and Remus, the twin founders of Rome, the festival’s name derives from the Latin word for wolf, “lupus” and translates to “wolf festival.” The festival has a number of rites to be performed. The priestly Luperci, who were considered to be brothers of wolves, took command of those rites. The Luperci would only wear goatskins during the festival. There were three sectors of Luperci: the Quinctiliani, the Fabiani, and the Julii (who were created in honor of Julius Caesar). Directed by the Luperci, the festival began with the sacrifice of two male goats and one dog.