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Postwar Urban Redevelopment and North Dallas Freedman's Town
Roads to Destruction: Postwar Urban Redevelopment and North Dallas Freedman’s Town by Cynthia Lewis Like most American cities following World War II, Dallas entered a period of economic prosperity, and city leaders, like their counterparts throughout the nation, sought to maximize that prosperity through various urban renewal initiatives.1 Black urban communities across the country, branded as blighted areas, fell victim to the onslaught of postwar urban redevelopment as city leaders initiated massive renewal projects aimed at both bolstering the appeal and accessibility of the urban center and clearing out large sections of urban black neighborhoods. Between the years 1943 and 1983, Dallas city officials directed a series of massive redevelopment projects that decimated each of the city’s black communities, displacing thousands and leaving these communities in a state of disarray.2 This paper, which focuses on the historically black Dallas community of North Dallas, argues that residential segregation, which forced the growth and evolution of North Dallas, ultimately led to the development of slum conditions that made North Dallas a target for postwar slum clearance projects which only served to exacerbate blight within the community. Founded in 1869 by former slaves, North Dallas, formerly known as Freedman’s Town, is one of the oldest black neighborhoods in Dallas.3 Located just northeast of downtown and bounded by four cemeteries to the north and white-owned homes to the south, east, and west, the area became the largest and most densely populated black settlement in the city. Residential segregation played a pivotal role in the establishment and evolution of North Dallas, as it did with most black urban communities across the country.4 Racial segregation in Dallas, with its roots in antebellum, began to take 1 For an in-depth analysis of the United States’ postwar economy, see Postwar Urban America: Demography, Economics, and Social Policies by John F. -
Dallas Striptease 1946-1960 A
FROM MIDWAY TO MAINSTAGE: DALLAS STRIPTEASE 1946-1960 A Thesis by KELLY CLAYTON Submitted to the Graduate School of Texas A&M University-Commerce in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2019 FROM MIDWAY TO MAINSTAGE: DALLAS STRIPTEASE 1946-1960 A Thesis by KELLY CLAYTON Approved by: Advisor: Jessica Brannon-Wranosky Committee: Sharon Kowalsky Andrew Baker Head of Department: Sharon Kowalsky Dean of the College: William Kuracina Dean of the Graduate School: Matthew A. Wood iii Copyright © 2019 Kelly Clayton iv ABSTRACT FROM MIDWAY TO MAINSTAGE: DALLAS STRIPTEASE 1946-1960 Kelly Clayton, MA Texas A&M University-Commerce, 2019 Advisor: Jessica Brannon-Wranosky PhD The entertainment landscape of post-World War II Dallas, Texas included striptease in different types of venues. Travelling and local striptease acts performed at the city’s annual fair and in several nightclubs in the city. In the late 1940s, the fair featured striptease as the headlining act, and one of the city’s newspapers, the Dallas Morning News, described the dancers as the most popular attraction of the largest fair in the United States. Further, the newspaper reporting congratulated the men who ran the fair for providing Texans with these popular entertainment options. The dancers who performed at the fair also showcased their talents at area nightclubs to mixed gender audiences. Dallas welcomed striptease as an acceptable form of entertainment. However, in the early 1950s, the tone and tenor of the striptease coverage changed. The State Fair of Texas executives decried striptease as “soiled” and low-class. Dancers performed in nightclubs, but the newspaper began to report on one particular entertainer, Candy Barr, and her many tangles with law enforcement. -
Oral History of Bonton and Ideal Neighborhoods in Dallas, Texas
ORAL HISTORY OF BONTON AND IDEAL NEIGHBORHOODS IN DALLAS, TEXAS Briana Payne Thesis Prepared for the Degree of MASTER OF ARTS UNIVERSITY OF NORTH TEXAS December 2015 APPROVED: Andrew Nelson, Committee Chair Beverly Ann Davenport, Committee Member Matthew Durington, Committee Member Lisa Henry, Chair of the Department of Anthropology Costas Tsatsoulis, Dean of the Toulouse Graduate School Payne, Briana. Oral History of Bonton and Ideal Neighborhoods in Dallas, Texas. Master of Arts (Applied Anthropology), December 2015, 145 pp., 3 tables, 67 figures, references, 223 titles. The Bonton and Ideal neighborhoods in Dallas Texas, developed in the early 1900s, experienced physical and social decay throughout the 1980s. Neighborhood organizations and resident activism were vital to the rebirth of the community in the 1990s. Current revitalization efforts taking place there have been a source of contention as the neighborhood continues to overcome inequalities created by decades of racialized city planning initiatives. This thesis focuses on how the structuring structure of whiteness has historically affected, and continues to affect, the neighborhoods of Ideal and Bonton, as well as acts to identify how black residents have navigated their landscape and increased their collective capital through neighborhood activism. Copyright 2015 By Briana Payne ii ACKNOWLEDGEMENTS First, I would like to thank the Neighborhood Investment Program for providing me with the opportunity to work with them as they continue to improve the Bonton and Ideal neighborhoods in South Dallas. Without their acknowledgement of the importance of conserving the history of this community, I would not have been able to share the important life stories of the residents. -
Copyright by Yuri Andrew Campbell 2014
Copyright by Yuri Andrew Campbell 2014 The Dissertation Committee for Yuri Andrew Campbell Certifies that this is the approved version of the following dissertation: The Brothers Johnson: The Lincoln Motion Picture Company, Black Business, and the Negro Image During the Progressive Era Committee: _________________________________ Juliet E. K. Walker, Supervisor _________________________________ Toyin Falola _________________________________ Leonard Moore _________________________________ Karl Miller _________________________________ Johnny S. Butler The Brothers Johnson: The Lincoln Motion Picture Company, Black Business, and the Negro Image During the Progressive Era by Yuri Andrew Campbell, B.A., J.D. Dissertation Presented to the Faculty of the Graduate School of The University oF Texas at Austin In Partial FulFillment of the Requirements for the Degree of Doctor of Philosophy The University oF Texas at Austin May 2014 Abstract The Brothers Johnson: The Lincoln Motion Picture Company, Black Business, and the Negro Image During the Progressive Era Yuri Andrew Campbell, PhD. The University oF Texas at Austin, 2014 Supervisor: Juliet E. K. Walker This dissertation looks at the Lincoln Motion Picture Company, the first Filmmaking concern owned and operated by African Americans with the intention oF producing dramas depicting the race in a positive Fashion. By undertaking a micro-level inquiry oF the LMPC the study provides an unusually detailed assessment oF the strengths and weaknesses of a Progressive-Era black entrepreneurial endeavor whose national reach had macro-level economic and cultural eFFect within the African-American commercial realm. On the micro-level, the dissertation adheres to the Cole model oF entrepreneurial history by addressing the Family, social, and employment backgrounds oF the two brothers who owned and operated the Film venture, Noble and George Johnson. -
Mcleod Bethune Papers: the Bethune Foundation Collection Part 2: Correspondence Files, 1914–1955
A Guide to the Microfilm Edition of BLACK STUDIES RESEARCH SOURCES Microfilms from Major Archival and Manuscript Collections General Editors: John H. Bracey, Jr. and August Meier BethuneBethuneMaryMary McLeod PAPERS THE BETHUNE FOUNDATION COLLECTION PART 2: CORRESPONDENCE FILES, 19141955 UNIVERSITY PUBLICATIONS OF AMERICA A Guide to the Microfilm Edition of BLACK STUDIES RESEARCH SOURCES Microfilms from Major Archival and Manuscript Collections General Editors: John H. Bracey, Jr. and August Meier Mary McLeod Bethune Papers: The Bethune Foundation Collection Part 2: Correspondence Files, 1914–1955 Editorial Adviser Elaine Smith Alabama State University Project Coordinator Randolph H. Boehm Guide Compiled by Daniel Lewis A microfilm project of UNIVERSITY PUBLICATIONS OF AMERICA An Imprint of CIS 4520 East-West Highway • Bethesda, MD 20814-3389 Library of Congress Cataloging-in-Publication Data Bethune, Mary McLeod, 1875–1955. Mary McLeod Bethune papers [microform] : the Bethune Foundation collection microfilm reels. : 35 mm. — (Black studies research sources) Contents: pt. 1. Writings, diaries, scrapbooks, biographical materials, and files on the National Youth Administration and women’s organizations, 1918–1955. pt. 2. Correspondence Files, 1914–1955. / editorial adviser, Elaine M. Smith: project coordinator, Randolph H. Boehm. Accompanied by printed guide with title: A guide to the microfilm edition of Mary McLeod Bethune papers. ISBN 1-55655-663-2 1. Bethune, Mary McLeod, 1875–1955—Archives. 2. Afro-American women— Education—Florida—History—Sources. 3. United States. National Youth Administration—History—Sources. 4. National Association of Colored Women’s Clubs (U.S.)—History—Sources. 5. National Council of Negro Women— History—Sources. 6. Bethune-Cookman College (Daytona Beach, Fla.)—History— Sources. -
George P. Johnson Negro Film Collection LSC.1042
http://oac.cdlib.org/findaid/ark:/13030/tf5s2006kz No online items George P. Johnson Negro Film Collection LSC.1042 Finding aid prepared by Hilda Bohem; machine-readable finding aid created by Caroline Cubé UCLA Library Special Collections Online finding aid last updated on 2020 November 2. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections George P. Johnson Negro Film LSC.1042 1 Collection LSC.1042 Contributing Institution: UCLA Library Special Collections Title: George P. Johnson Negro Film collection Identifier/Call Number: LSC.1042 Physical Description: 35.5 Linear Feet(71 boxes) Date (inclusive): 1916-1977 Abstract: George Perry Johnson (1885-1977) was a writer, producer, and distributor for the Lincoln Motion Picture Company (1916-23). After the company closed, he established and ran the Pacific Coast News Bureau for the dissemination of Negro news of national importance (1923-27). He started the Negro in film collection about the time he started working for Lincoln. The collection consists of newspaper clippings, photographs, publicity material, posters, correspondence, and business records related to early Black film companies, Black films, films with Black casts, and Black musicians, sports figures and entertainers. Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page. Language of Material: English . Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Portions of this collection are available on microfilm (12 reels) in UCLA Library Special Collections. -
1 REDISCOVERING the LOST CITY of BRONZEVILLE Judson L. Jeffries, Phd the Ohio State University Willis E. Brown Bexley Middle
1 REDISCOVERING THE LOST CITY OF BRONZEVILLE Judson L. Jeffries, PhD The Ohio State University Willis E. Brown Bexley Middle School Dana Moessner Near East Area Commission B. Malone Ridgill The Ohio State University John Ray Fulray Productions William E. Nelson Jr., PhD The Ohio State University Urbana: Urban Affairs and Public Policy Vol. XIV (Spring 2013): 1-40. 2 REDISCOVERING THE LOST CITY OF BRONZEVILLE Those who have no record of what their forebears have accomplished lose the inspiration which comes from the teaching of biography and history. Dr. Carter G. Woodson History is a people’s memory, and without memory, man is devoted to the lower animals Malcolm X Abstract This article is part of a larger effort to excavate, document and preserve the history of a storied Black city within the city of Columbus, Ohio. Bronzeville, once a bustling enclave, was governed by a Black mayor and all-Black cabinet. Unfortunately, this is a history that is unknown by many and underappreciated by others. This article chronicles a community’s effort to rediscover a lost story and in the process put Bronzeville in its proper cultural and political place in history. Keywords: Bronzeville, preservation, lost Black communities, historic, Columbus, Ohio Introduction Founded eight months into the War of 1812, the city of Columbus was named in honor of the explorer Christopher Columbus. Not only is Columbus the state capital, making it the seat of power, but one of the largest and oldest major cities in the Midwest. Despite the paucity1 of scholarly literature on the presence of Blacks in Columbus, the history of African Americans in this North Central Ohio city is a long one. -
University Microfilms, Inc., Ann Arbor, Michigan Copyright by WAYIÏE FISHER YOUNG 1964 TEE UNIVERSITY of OKLAHOMA
This dissertation has been 64— 13,358 microfilmed exactly as received Y O U N G , Wayne Fisher, 1911- OKLAHOMA POLITICS: WITH SPECIAL REFERr- ENCE TO THE ELECTION OF OKLAHOMA'S FIRST REPUBLICAN GOVERNOR. The University of Oklahoma, Ph.D., 1964 Political Science, general University Microfilms, Inc., Ann Arbor, Michigan Copyright by WAYIÏE FISHER YOUNG 1964 TEE UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE OKIAHOMA POLITICS: WITH SPECIAL REFERENCE TO THE ELECTION OF 0KIAHC»1A'S FIRST REPUBLICAN GOVERNOR A DISSERTATION SUH4ITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY BY WAYNE FISHER YOUNG Norman, Oklahoma 196k OKLAECm POLITICS; WITH SPECIAL REFERENCE TO THE ELECTION OF OKLAHOMA'S FIRST REPUBLICAN GOVERNOR APPRO DISSERTATION COMMITTEE ACKNOWLEDGMEHTS Extensive inquiries were made in approximately one-fourth of the counties of Oklahoma in collecting the data for this study, and this entailed considerable expense. The writer gratefully acknowledges grants from West Texas State University, Cemyon, Texas, and fïom the University of Oklahoma that helped to defray these expenses. A part-time position as research associate with the Bureau of Government Research, University of OklahOETu, helped to make it possible to take a year off to complete the collection of data and to write this dissertation. To my wife, Alma Glass foung, for her willingness to accept employment during this year go my most grateful thanks. As to the text, I am deeply indebted to Dr. Joseph C. Pray of the Department of Government, University of Oklahoma, for his direction of my efforts and for his many helpful suggestions. -
Under Asphalt and Concrete: Postwar Urban Redevelopment in Dallas and Its Impact on Black Communities, 1943-1983 a Thesis Submit
UNDER ASPHALT AND CONCRETE: POSTWAR URBAN REDEVELOPMENT IN DALLAS AND ITS IMPACT ON BLACK COMMUNITIES, 1943-1983 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF HISTORY IN THE GRADUATE SCHOOL OF THE TEXAS WOMAN’S UNIVERSITY DEPARTMENT OF HISTORY AND GOVERNMENT COLLEGE OF ARTS AND SCIENCES BY CYNTHIA LEWIS B.A. DENTON, TEXAS MAY 2019 Copyright © 2019 by Cynthia Lewis DEDICATION This, as everything else I do in life, is for my children, Ryan, Bradley, and Aubrey. ii ACKNOWLEDGMENTS First and foremost, I would like to thank Dr. Katherine Landdeck for being a brilliant advisor. Her guidance has proven invaluable to this research. Dr. Landdeck has taught me critical thinking, confidence, and perseverance, all of which proved vital to this research. I also owe sincere gratitude to my thesis committee, Dr. Paul Travis and Dr. Sara Fanning, for providing their precious time and instrumental advice. To Dr. Valentine Belfiglio, with whom I have worked as a Graduate Assistant for several semesters, I owe many thanks for his never-ending support and encouragement. These individuals not only changed the way I perceive the world, but the way I perceive myself, and for that I will be eternally grateful. I don’t know if this would have been possible without the encouragement and comradery of the dear friends that I have made while attending Texas Woman’s University. I consider Megan Joblin, Katerina Kvapilova, Rasha Talib, Paola Vega, and Cristina Hennigan my sisters for life! To my husband, Brandon Lewis, and our three amazing children, Ryan, Bradley, and Aubrey, I owe sincere gratitude for always believing in me, forgiving my craziness, and for motivating me to get it done and get it done well! I would also like to thank my parents, Julie and Tony Brown, and my sister, Alyse Brown, for being there through both calm and stormy seas. -
Proclamations - Nixon (1)” of the William J
The original documents are located in Box 34, folder “Proclamations - Nixon (1)” of the William J. Baroody Files at the Gerald R. Ford Presidential Library. Copyright Notice The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Gerald R. Ford donated to the United States of America his copyrights in all of his unpublished writings in National Archives collections. Works prepared by U.S. Government employees as part of their official duties are in the public domain. The copyrights to materials written by other individuals or organizations are presumed to remain with them. If you think any of the information displayed in the PDF is subject to a valid copyright claim, please contact the Gerald R. Ford Presidential Library. Digitized from Box 34 of the William J. Baroody Files at the Gerald R. Ford Presidential Library ---·~------~------------------~ ----j-----------------·----·-------- --1 I i ~-1-- -11----- ·--- \ AMERICAN COLLEGE OF CARDIOLOGY 9650 ROCKVU•. LE PIKE BETHESDA, MARYLAND :20014 PHONE: 301 530-JSOO .February 12, 1974 1 . \ Miss ·McAuleisse c/o Mr. Baroody's Office The White House 1600 Pennsylvania Avenue Washington, D. C. Dear Miss McAuleisse: Enclosed are the names and addresses of the Past Presidents and the Board of Trustees of the American College of Cardiology that you re quested in order to send the Heart Month Proc lamation. Sincerely, ~-+ 9LA,;, (Mrs.) Beverly J. Sandlin Secretary I I I I. I I. AMERICAN COLLEGE OF CARDIOLOGY PAST PRESIDENTS * * * ) I l ..~ .Ashton Graybiel, M. D., F .A. C. C. U. S. Naval .Aerospace Medical Institute Pensacola, Florida 32512 Walter S. -
The History and Memory of Quakertown, Denton, Texas
“REMOVING THE DANGER IN A BUSINESS WAY”: THE HISTORY AND MEMORY OF QUAKERTOWN, DENTON, TEXAS Chelsea Stallings Thesis Prepared for the Degree of MASTER OF ARTS UNIVERSITY OF NORTH TEXAS August 2015 Stallings, Chelsea. “Removing the Danger in a Business Way”: The History and Memory of Quakertown, Denton, Texas. Master of Arts (History), August 2015, 125 pp., references, 136 titles. Overall this thesis analyzes a strain of the white supremacist vision in Denton, Texas via a case study of a former middle-class black neighborhood. This former community, Quakertown, was removed by white city officials and leaders in the early 1920s and was replaced with a public city park. Nearly a century later, the story of Quakertown is celebrated in Denton and is remembered through many sites of memory such as a museum, various texts, and several city, county, and state historical markers. Both the history and memory of Quakertown reveal levels of dominating white supremacy in Denton, ranging from harmless to violent. Chapters 2, 3, and 4 focus on the history of Quakertown. I begin chapter 2 by examining as many details as possible that reveal the middle-class nature of the black community and its residents. Several of these details show that Quakertown residents not only possessed plentiful material items, but they also had high levels of societal involvement both within their community as well as around Denton. Despite being a self-sufficient and successful community, Quakertown residents were not immune to the culture of racial fear that existed in Denton, which was common to countless towns and communities across the South during the Jim Crow era. -
A Nnotations
Annotations C ENTRAL U NIVERSITY L IBRARIES AT S OUTHERN M ETHODIST U NIVERSITY • V OLUME IX, NUMBER 1, SPRING 2007 INSIDE The SMU library of the future By Ezra Greenspan Professor and Chair of English Hamon 2Arts’ latest discovery In current context, the title of this article may sound like an allu- sion to the Bush Presidential Library. In actuality, I mean it to apply to the university’s academic libraries. Few institutions on Women’s3 history in campus will play a more vital role in shaping the future of SMU for Washington our students and faculty in the years to come. We live, as we all know, in a period of sweeping changes in 4 human communications, changes that are fundamentally affecting Railroads through the transmission, preservation and accessibility of the written and the lens spoken word. These changes, in turn, are transforming the status and function of professor and student alike: what, where, even how we read and write; what texts we study and in what form they Touring5 Harlan Crow’s library exist; and what shapes our classrooms and libraries take. ~ Let me make a few observations about this emerging situation A filmmaker’s gift from the perspective of the SMU Department of English, which like many of its peers nationally views its relationship with the univer- sity libraries as central and mutually sus- ‘Vanity6 Fair’ at Hamon Arts taining. What we as professors of English From the DeGolyer Library collection: Billie (left) and Stanley Marcus (right) hosted French designer Coco Chanel at a ranch ~ teach, study and explicate is centered in Remembering a party in 1957 before the first Neiman Marcus Fortnight.