Struggle and Success Page I the Development of an Encyclopedia, Whether Digital Or Print, Is an Inherently Collaborative Process
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America's Favorite Pastime
America’s favorite pastime Birmingham-Southern College has produced a lot exhibition games against major league teams, so Hall of talent on the baseball field, and Fort Worth Cats of Famers like Babe Ruth, Lou Gehrig, Joe shortstop Ricky Gomez ’03 is an example of that tal- DiMaggio, Jackie Robinson, Roy Campanella, Pee ent. Wee Reese,Ted Williams, Stan Musial, and Hank Gomez, who played on BSC’s 2001 NAIA national Aaron all played exhibition games at LaGrave Field championship team, is in his second year with the against the Cats. Cats, an independent professional minor league club. Gomez encourages BSC faithful to visit Fort Prior to that, he played for two years with the St. Worth to see a game or two. Paul Saints. “It is a great place to watch a baseball game and The Fort Worth Cats play in the Central Baseball there is a lot to do in Fort Worth.” League. The team has a rich history in baseball He also attributes much of his success to his expe- going back to 1888. The home of the Cats, LaGrave riences at BSC. Field, was built in 2002 at the same location of the “To this day, I talk to my BSC teammates and to old LaGrave Field (1926-67). Coach Shoop [BSC Head Coach Brian], who was Many famous players have worn the uniform of not only a great coach, but a father figure. the Cats including Maury Wills and Hall of Famers Birmingham-Southern has a great family atmos- Rogers Hornsby, Sparky Anderson, and Duke Snider. -
Appendix File Anes 1988‐1992 Merged Senate File
Version 03 Codebook ‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐ CODEBOOK APPENDIX FILE ANES 1988‐1992 MERGED SENATE FILE USER NOTE: Much of his file has been converted to electronic format via OCR scanning. As a result, the user is advised that some errors in character recognition may have resulted within the text. MASTER CODES: The following master codes follow in this order: PARTY‐CANDIDATE MASTER CODE CAMPAIGN ISSUES MASTER CODES CONGRESSIONAL LEADERSHIP CODE ELECTIVE OFFICE CODE RELIGIOUS PREFERENCE MASTER CODE SENATOR NAMES CODES CAMPAIGN MANAGERS AND POLLSTERS CAMPAIGN CONTENT CODES HOUSE CANDIDATES CANDIDATE CODES >> VII. MASTER CODES ‐ Survey Variables >> VII.A. Party/Candidate ('Likes/Dislikes') ? PARTY‐CANDIDATE MASTER CODE PARTY ONLY ‐‐ PEOPLE WITHIN PARTY 0001 Johnson 0002 Kennedy, John; JFK 0003 Kennedy, Robert; RFK 0004 Kennedy, Edward; "Ted" 0005 Kennedy, NA which 0006 Truman 0007 Roosevelt; "FDR" 0008 McGovern 0009 Carter 0010 Mondale 0011 McCarthy, Eugene 0012 Humphrey 0013 Muskie 0014 Dukakis, Michael 0015 Wallace 0016 Jackson, Jesse 0017 Clinton, Bill 0031 Eisenhower; Ike 0032 Nixon 0034 Rockefeller 0035 Reagan 0036 Ford 0037 Bush 0038 Connally 0039 Kissinger 0040 McCarthy, Joseph 0041 Buchanan, Pat 0051 Other national party figures (Senators, Congressman, etc.) 0052 Local party figures (city, state, etc.) 0053 Good/Young/Experienced leaders; like whole ticket 0054 Bad/Old/Inexperienced leaders; dislike whole ticket 0055 Reference to vice‐presidential candidate ? Make 0097 Other people within party reasons Card PARTY ONLY ‐‐ PARTY CHARACTERISTICS 0101 Traditional Democratic voter: always been a Democrat; just a Democrat; never been a Republican; just couldn't vote Republican 0102 Traditional Republican voter: always been a Republican; just a Republican; never been a Democrat; just couldn't vote Democratic 0111 Positive, personal, affective terms applied to party‐‐good/nice people; patriotic; etc. -
Prior Player Transfers
American Association Player Transfers 2020 AA Team Position Player First Name Player Last Name MLB Team Kansas City T-Bones RHP Andrew DiPiazza Colorado Rockies Chicago Dogs LHP Casey Crosby Los AngelesDodgers Lincoln Saltdogs RHP Ricky Knapp Los AngelesDodgers Winnipeg Goldeyes LHP Garrett Mundell Milwaukee Brewers Fargo-Moorhead RedHawks RHP Grant Black St. LouisCardinals Kansas City T-Bones RHP Akeem Bostick St. LouisCardinals Chicago Dogs LHP D.J. Snelten Tampa BayRays Sioux City Explorers RHP Ryan Newell Tampa BayRays Chicago Dogs INF Keon Barnum Washington Nationals Sioux City Explorers INF Jose Sermo Pericos de Puebla Chicago Dogs OF David Olmedo-Barrera Pericos de Puebla Sioux City Explorers INF Drew Stankiewicz Toros de Tijuana Gary SouthShore Railcats RHP Christian DeLeon Toros de Tijuana American Association Player Transfers 2019 AA Team Position Player First Name Player Last Name MLB Team Sioux City Explorers RHP Justin Vernia Arizona Diamondbacks Sioux Falls Canaries RHP Ryan Fritze Arizona Diamondbacks Fargo-Moorhead RedHawks RHP Bradin Hagens Arizona Diamondbacks Winnipeg Goldeyes INF Kevin Lachance Arizona Diamondbacks Gary SouthShore Railcats OF Evan Marzilli Arizona Diamondbacks St. Paul Saints OF Max Murphy Arizona Diamondbacks Texas AirHogs INF Josh Prince Arizona Diamondbacks Texas AirHogs LHP Tyler Matzek Atlanta Braves Milwaukee Milkmen INF Angelo Mora BaltimoreOrioles Sioux Falls Canaries RHP Dylan Thompson Boston Red Sox Gary SouthShore Railcats OF Edgar Corcino Boston Red Sox Kansas City T-Bones RHP Kevin Lenik Boston Red Sox Gary SouthShore Railcats OF Colin Willis Boston Red Sox St. Paul Saints C Justin O’Conner Chicago White Sox Sioux City Explorers RHP James Dykstra CincinnatiReds Kansas City T-Bones LHP Eric Stout CincinnatiReds St. -
Postwar Urban Redevelopment and North Dallas Freedman's Town
Roads to Destruction: Postwar Urban Redevelopment and North Dallas Freedman’s Town by Cynthia Lewis Like most American cities following World War II, Dallas entered a period of economic prosperity, and city leaders, like their counterparts throughout the nation, sought to maximize that prosperity through various urban renewal initiatives.1 Black urban communities across the country, branded as blighted areas, fell victim to the onslaught of postwar urban redevelopment as city leaders initiated massive renewal projects aimed at both bolstering the appeal and accessibility of the urban center and clearing out large sections of urban black neighborhoods. Between the years 1943 and 1983, Dallas city officials directed a series of massive redevelopment projects that decimated each of the city’s black communities, displacing thousands and leaving these communities in a state of disarray.2 This paper, which focuses on the historically black Dallas community of North Dallas, argues that residential segregation, which forced the growth and evolution of North Dallas, ultimately led to the development of slum conditions that made North Dallas a target for postwar slum clearance projects which only served to exacerbate blight within the community. Founded in 1869 by former slaves, North Dallas, formerly known as Freedman’s Town, is one of the oldest black neighborhoods in Dallas.3 Located just northeast of downtown and bounded by four cemeteries to the north and white-owned homes to the south, east, and west, the area became the largest and most densely populated black settlement in the city. Residential segregation played a pivotal role in the establishment and evolution of North Dallas, as it did with most black urban communities across the country.4 Racial segregation in Dallas, with its roots in antebellum, began to take 1 For an in-depth analysis of the United States’ postwar economy, see Postwar Urban America: Demography, Economics, and Social Policies by John F. -
Music and the American Civil War
“LIBERTY’S GREAT AUXILIARY”: MUSIC AND THE AMERICAN CIVIL WAR by CHRISTIAN MCWHIRTER A DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History in the Graduate School of The University of Alabama TUSCALOOSA, ALABAMA 2009 Copyright Christian McWhirter 2009 ALL RIGHTS RESERVED ABSTRACT Music was almost omnipresent during the American Civil War. Soldiers, civilians, and slaves listened to and performed popular songs almost constantly. The heightened political and emotional climate of the war created a need for Americans to express themselves in a variety of ways, and music was one of the best. It did not require a high level of literacy and it could be performed in groups to ensure that the ideas embedded in each song immediately reached a large audience. Previous studies of Civil War music have focused on the music itself. Historians and musicologists have examined the types of songs published during the war and considered how they reflected the popular mood of northerners and southerners. This study utilizes the letters, diaries, memoirs, and newspapers of the 1860s to delve deeper and determine what roles music played in Civil War America. This study begins by examining the explosion of professional and amateur music that accompanied the onset of the Civil War. Of the songs produced by this explosion, the most popular and resonant were those that addressed the political causes of the war and were adopted as the rallying cries of northerners and southerners. All classes of Americans used songs in a variety of ways, and this study specifically examines the role of music on the home-front, in the armies, and among African Americans. -
Finding Aid for the Sheldon Harris Collection (MUM00682)
University of Mississippi eGrove Archives & Special Collections: Finding Aids Library November 2020 Finding Aid for the Sheldon Harris Collection (MUM00682) Follow this and additional works at: https://egrove.olemiss.edu/finding_aids Recommended Citation Sheldon Harris Collection, Archives and Special Collections, J.D. Williams Library, The University of Mississippi This Finding Aid is brought to you for free and open access by the Library at eGrove. It has been accepted for inclusion in Archives & Special Collections: Finding Aids by an authorized administrator of eGrove. For more information, please contact [email protected]. University of Mississippi Libraries Finding aid for the Sheldon Harris Collection MUM00682 TABLE OF CONTENTS SUMMARY INFORMATION Summary Information Repository University of Mississippi Libraries Biographical Note Creator Scope and Content Note Harris, Sheldon Arrangement Title Administrative Information Sheldon Harris Collection Related Materials Date [inclusive] Controlled Access Headings circa 1834-1998 Collection Inventory Extent Series I. 78s 49.21 Linear feet Series II. Sheet Music General Physical Description note Series III. Photographs 71 boxes (49.21 linear feet) Series IV. Research Files Location: Blues Mixed materials [Boxes] 1-71 Abstract: Collection of recordings, sheet music, photographs and research materials gathered through Sheldon Harris' person collecting and research. Prefered Citation Sheldon Harris Collection, Archives and Special Collections, J.D. Williams Library, The University of Mississippi Return to Table of Contents » BIOGRAPHICAL NOTE Born in Cleveland, Ohio, Sheldon Harris was raised and educated in New York City. His interest in jazz and blues began as a record collector in the 1930s. As an after-hours interest, he attended extended jazz and blues history and appreciation classes during the late 1940s at New York University and the New School for Social Research, New York, under the direction of the late Dr. -
African-American Parents' Experiences in a Predominantly White School
Syracuse University SURFACE Dissertations - ALL SURFACE June 2017 Opportunity, but at what cost? African-American parents' experiences in a predominantly white school Peter Smith Smith Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Education Commons Recommended Citation Smith, Peter Smith, "Opportunity, but at what cost? African-American parents' experiences in a predominantly white school" (2017). Dissertations - ALL. 667. https://surface.syr.edu/etd/667 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract National measures of student achievement, such as the National Assessment of Educational Progress (NAEP), provide evidence of the gap in success between African- American and white students. Despite national calls for increased school accountability and focus on achievement gaps, many African-American children continue to struggle in school academically, as compared to their white peers. Ladson-Billings (2006) argues that a deeper understanding of the legacy of disparity in funding for schools serving primarily African- American students, shutting out African-American parents from civic participation, and unfair treatment of African-Americans despite their contributions to the United States is necessary to complicate the discourse about African-American student performance. The deficit model that uses student snapshots of achievement such as the NAEP and other national assessments to explain the achievement gap suggests that there is something wrong with African-American children. As Cowen Pitre (2104) explains, however, “the deficit model theory blames the victim without acknowledging the unequal educational and social structures that deny African- American students access to a quality education (2014, pg. -
United States District Court Southern District of Texas Corpus Christi Division
UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF TEXAS CORPUS CHRISTI DIVISION DRAFT MARC VEASEY, ET AL., ) CASE NO: 2:13-CV-00193 ) Plaintiffs, ) CIVIL ) vs. ) Corpus Christi, Texas ) RICK PERRY, ET AL., ) Friday, September 5, 2014 ) (7:58 a.m. to 12:08 p.m.) Defendants. ) (1:08 p.m. to 6:16 p.m.) BENCH TRIAL - DAY 4 BEFORE THE HONORABLE NELVA GONZALES RAMOS, UNITED STATES DISTRICT JUDGE Appearances: See Next Page Court Recorder: Genay Rogan / Lori Cayce Clerk: Brandy Cortez Court Security Officer: Adrian Perez Transcriber: Exceptional Reporting Services, Inc. P.O. Box 18668 Corpus Christi, TX 78480-8668 361 949-2988 Proceedings recorded by electronic sound recording; transcript produced by transcription service. A DRAFT 2 APPEARANCES FOR: Plaintiffs: CHAD W. DUNN, ESQ. KEMBEL SCOTT BRAZIL, ESQ. Brazil and Dunn 4201 Cypress Creek Parkway, Suite 530 Houston, TX 77068 ARMAND DERFNER, ESQ. P.O. Box 600 Charleston, SC 29402 J. GERALD HEBERT, ESQ. Attorney at Law 191 Somervelle Street #405 Alexandria, VA 22304 NEIL G. BARON, ESQ. 914 FM 517 Rd. W, Suite 242 Dickinson, TX 77539 LUIS ROBERTO VERA, JR., ESQ. League of United Latin American Citizens (LULAC) 111 Soledad, Suite 1325 San Antonio, TX 78205 EMMA P. SIMSON, ESQ. Campaign Legal Center 215 E. Street NE Washington, DC 20002 Mexican American EZRA D. ROSENBERG, ESQ. Legislative Caucus, Dechert, LLP et al.: 902 Carnegie Center, Suite 500 Princeton, NJ 08540-6531 MARK A. POSNER, ESQ. AMY L. RUDD, ESQ. LINDSEY COHAN, ESQ. JENNIFER CLARK, ESQ. Lawyers’ Committee for Civil Rights 1401 New York Ave. NW, Suite 400 Washington, DC 20005 DRAFT 3 APPEARANCES FOR: (CONTINUED) United States RICHARD DELLHEIM, ESQ. -
Dallas Striptease 1946-1960 A
FROM MIDWAY TO MAINSTAGE: DALLAS STRIPTEASE 1946-1960 A Thesis by KELLY CLAYTON Submitted to the Graduate School of Texas A&M University-Commerce in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2019 FROM MIDWAY TO MAINSTAGE: DALLAS STRIPTEASE 1946-1960 A Thesis by KELLY CLAYTON Approved by: Advisor: Jessica Brannon-Wranosky Committee: Sharon Kowalsky Andrew Baker Head of Department: Sharon Kowalsky Dean of the College: William Kuracina Dean of the Graduate School: Matthew A. Wood iii Copyright © 2019 Kelly Clayton iv ABSTRACT FROM MIDWAY TO MAINSTAGE: DALLAS STRIPTEASE 1946-1960 Kelly Clayton, MA Texas A&M University-Commerce, 2019 Advisor: Jessica Brannon-Wranosky PhD The entertainment landscape of post-World War II Dallas, Texas included striptease in different types of venues. Travelling and local striptease acts performed at the city’s annual fair and in several nightclubs in the city. In the late 1940s, the fair featured striptease as the headlining act, and one of the city’s newspapers, the Dallas Morning News, described the dancers as the most popular attraction of the largest fair in the United States. Further, the newspaper reporting congratulated the men who ran the fair for providing Texans with these popular entertainment options. The dancers who performed at the fair also showcased their talents at area nightclubs to mixed gender audiences. Dallas welcomed striptease as an acceptable form of entertainment. However, in the early 1950s, the tone and tenor of the striptease coverage changed. The State Fair of Texas executives decried striptease as “soiled” and low-class. Dancers performed in nightclubs, but the newspaper began to report on one particular entertainer, Candy Barr, and her many tangles with law enforcement. -
The Legacy of Leland by Jacob N
The Legacy of Leland By Jacob N. Wagner ickey Leland. Houstonians with traveling experience ing guard at the school, decided to take matters into his own Mwill recognize the name of the international terminal hands. He snatched one of the boys chasing Mickey and at George Bush Intercontinental Airport (IAH). Houston beat him up and then walked Mickey home. From that day residents familiar with downtown will recall the forward, the two remained friends.3 name on the federal building. Even though the Supreme Alumni from the University Court’s 1954 Brown decision of Houston or Texas Southern Understanding Mickey Leland’s declared school segregation University will also know the legacy is almost like putting unconstitutional, Houston name. Unfortunately many “ schools still had not deseg- Houston residents, especially together pieces of a puzzle, and new regated by the early 1960s. those who are new to the city Mickey and other African or too young to remember him, pieces come up all the time.” American students had to will recognize Mickey Leland’s –Alison Leland deal with outdated textbooks name but lack a thorough understanding of the former and inferior facilities because black schools did not receive Houston lawmaker’s contributions. Leland dedicated his the same level of funding as white schools. Since Mickey political career to caring for his fellow man at home and attended schools made up primarily of African American abroad, demonstrating the importance of helping those in and Hispanic students, the school district did not give them need. In the process, he left a legacy of humanitarianism much attention.4 that remains a model for us today. -
BIGGERS, JOHN THOMAS, 1924-2001. John Biggers Papers, 1950-2001
BIGGERS, JOHN THOMAS, 1924-2001. John Biggers papers, 1950-2001 Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Collection Stored Off-Site All or portions of this collection are housed off-site. Materials can still be requested but researchers should expect a delay of up to two business days for retrieval. Descriptive Summary Creator: Biggers, John Thomas, 1924-2001. Title: John Biggers papers, 1950-2001 Call Number: Manuscript Collection No. 1179 Extent: 31 linear feet (62 boxes), 6 oversized papers boxes and 2 oversized papers folders (OP), 2 oversized bound volumes (OBV), 1 extra-oversized paper (XOP), and AV Masters: .25 linear feet (1 box) Abstract: Papers of African American mural artist and professor John Biggers including correspondence, photographs, printed materials, professional materials, subject files, writings, and audiovisual materials documenting his work as an artist and educator. Language: Materials entirely in English. Administrative Information Restrictions on Access Special restrictions apply: Use copies have not been made for audiovisual material in this collection. Researchers must contact the Rose Library at least two weeks in advance for access to these items. Collection restrictions, copyright limitations, or technical complications may hinder the Rose Library's ability to provide access to audiovisual material. Collection stored off-site. Researchers must contact the Rose Library in advance to access this collection. Terms Governing Use and Reproduction All requests subject to limitations noted in departmental policies on reproduction. Emory Libraries provides copies of its finding aids for use only in research and private study. -
THE CONNERS of WACO: BLACK PROFESSIONALS in TWENTIETH CENTURY TEXAS by VIRGINIA LEE SPURLIN, B.A., M.A
THE CONNERS OF WACO: BLACK PROFESSIONALS IN TWENTIETH CENTURY TEXAS by VIRGINIA LEE SPURLIN, B.A., M.A. A DISSERTATION IN HISTORY Submitted to the Graduate Faculty of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY Approved ~r·rp~(n oj the Committee li =:::::.., } ,}\ )\ •\ rJ <. I ) Accepted May, 1991 lAd ioi r2 1^^/ hJo 3? Cs-^.S- Copyright Virginia Lee Spurlin, 1991 ACKNOWLEDGMENTS This dissertation is a dream turned into a reality because of the goodness and generosity of the people who aided me in its completion. I am especially grateful to the sister of Jeffie Conner, Vera Malone, and her daughter, Vivienne Mayes, for donating the Conner papers to Baylor University. Kent Keeth, Ellen Brown, William Ming, and Virginia Ming helped me immensely at the Texas Collection at Baylor. I appreciated the assistance given me by Jene Wright at the Waco Public Library. Rowena Keatts, the librarian at Paul Quinn College, deserves my plaudits for having the foresight to preserve copies of the Waco Messenger, a valuable took for historical research about blacks in Waco and McLennan County. The staff members of the Lyndon B. Johnson Library and Texas State Library in Austin along with those at the Prairie View A and M University Library gave me aid, information, and guidance for which I thank them. Kathy Haigood and Fran Thompson expended time in locating records of the McLennan County School District for me. I certainly appreciated their efforts. Much appreciation also goes to Robert H. demons, the county school superintendent.