IASIL (IASAIL): the First Fifty Years
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Female Ulster Poets and Sexual Politics
Colby Quarterly Volume 27 Issue 1 March Article 3 March 1991 "Our Lady, dispossessed": Female Ulster Poets and Sexual Politics Jacqueline McCurry Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Quarterly, Volume 27, no.1, March 1991, p.4-8 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. McCurry: "Our Lady, dispossessed": Female Ulster Poets and Sexual Politics "Our1/Our Lady, dispossessed": Female Ulster Poets and Sexual Politics by JACQUELINE MCCURRY OETRY AND POLITICS, like church and state, should be separated," writes P Belfast critic Edna Longley (185); in Eire and in Northern Ireland this is not the case: the marriage of church and state in the Republic has resulted in constitutional bans on divorce and on abortion; Northern Ireland's Scots Presbyterian majority continues to preventminority Irish-Catholic citizens from having full participationin society. Butwhile mencontinue to control church and state, women have begun to raise their voices in poetry and in protest. Northern Ireland's new poets, through the 1960s and 1970s, were exclusively male: Jan1es Simmons, Seamus Heaney, Michael Longley, Derek Mahon, Paul Muldoon, Seamus Deane, Frank Ormsby, Tom Paulin, and Ciaran Carson dominated the literary scene until the early 1980s. In 1982 Medbh McGuckian published her first book ofpoetry. Since then, she has published two additional collections and achieved international fame, while younger women poets like Janet Shepperson and Ruth Hooley have made their debuts in print. -
Aguisíní Appendices Aguisín 1: Comóradh Céad Bliain Ollscoil Na Héireann Appendix 1: Centenary of the National University of Ireland
Aguisíní Appendices Aguisín 1: Comóradh Céad Bliain Ollscoil na hÉireann Appendix 1: Centenary of the National University of Ireland Píosa reachtaíochta stairiúil ab ea Acht Ollscoileanna na hÉireann, 1908, a chuir deireadh go foirmeálta le tréimhse shuaite in oideachas tríú leibhéal na hEireann agus a d’oscail caibidil nua agus nuálaíoch: a bhunaigh dhá ollscoil ar leith – ceann amháin díobh i mBéal Feirste, in ionad sean-Choláiste na Ríona den Ollscoil Ríoga, agus an ceann eile lárnaithe i mBaile Átha Cliath, ollscoil fheidearálach ina raibh coláistí na hOllscoile Ríoga de Bhaile Átha Cliath, Corcaigh agus Gaillimh, athchumtha mar Chomh-Choláistí d’Ollscoil nua na hÉirean,. Sa bhliain 2008, rinne OÉ ceiliúradh ar chéad bliain ar an saol. Is iomaí athrú suntasach a a tharla thar na mblianta, go háiriithe nuair a ritheadh Acht na nOllscoileanna i 1997, a rinneadh na Comh-Choláistí i mBaile Átha Cliath, Corcaigh agus Gaillimh a athbhunú mar Chomh-Ollscoileanna, agus a rinneadh an Coláiste Aitheanta (Coláiste Phádraig, Má Nuad) a athstruchtúrú mar Ollscoil na hÉireann, Má Nuad – Comh-Ollscoil nua. Cuireadh tús le comóradh an chéid ar an 3 Nollaig 2007 agus chríochnaigh an ceiliúradh le mórchomhdháil agus bronnadh céime speisialta ar an 3 Nollaig 2008. Comóradh céad bliain ón gcéad chruinniú de Sheanad OÉ ar an lá céanna a nochtaíodh protráid den Seansailéirm, an Dr. Garret FitzGerald. Tá liosta de na hócáidí ar fad thíos. The Irish Universities Act 1908 was a historic piece of legislation, formally closing a turbulent chapter in Irish third level education and opening a new and innovational chapter: establishing two separate universities, one in Belfast, replacing the old Queen’s College of the Royal University, the other with its seat in Dublin, a federal university comprising the Royal University colleges of Dublin, Cork and Galway, re-structured as Constituent Colleges of the new National University of Ireland. -
Ireland's Genealogical Gazette (January 2018).Pub
ISSN 1649 -7937 Cumann Geinealais na hÉireann “Cuimhnigí ar Ár Sinnsir —Remember Our Ancestors” Ireland’s Genealogical Gazette (incorporating “The Genie Gazette”) Vol. 13 No. 1 www.familyhistory.ie January : Eanáir 2018 Could Ireland follow Canada? GENEALOGY Good news from our colleagues in Canada as Although, the news from Canada is very encourag- HERALDRY new legislation has been enacted to release the ing, across the border in the United States, arguably one of the litigious societies in the world, the 1940 Canadian census returns after a closure period of - Federal Census is available to the public on line as VEXILLOLOGY 92 years. are each of the federal census returns back to 1790, The Act also establishes the Canadian Statistics with the exception of the 1890 census which was Advisory Council and no longer requires the destroyed by a fire in Washington on January 10th SOCIAL HISTORY consent of respondents to transfer their Census 1921. information to Library and Archives Canada. If the United States and Canada see no difficulty in Heritage Matters Richard Eastman in his excellent and highly recom- releasing census returns surely the Irish government could examine the possibility in respect of the 1926 mended ‘Daily Online Genealogy Newsletter’ Book Reviews www.blog.eogn.com summarises the provisions of Census. interest to genealogists as the following: Senator Fintan Warfield, the Society's successful nominee for Seanad Éireann (Irish Senate) has pub- Open Meetings • Transfer of census records to the Library and lished a Bill aimed at achieving the early release of Archives Canada 92 years from when the census the 1926 Census of Ireland. -
Michael Longley – the Captive of Various Traditions
UDC 821.111(415).09-1 Longley M. https://doi.org/10.18485/bells.2017.9.5 Tomislav Pavlović * Faculty of Philology and Arts, Kragujevac MICHAEL LONGLEY – THE CAPTIVE OF VARIOUS TRADITIONS Abstract Michael Longley (1939), one of the most famous modernist poets of Northern Ireland and the outstanding protagonist of the so-called Ulster Renaissance, was known for his long-standing interest in different cultural traditions or ideological paradigms that gradually became the inspirational sources he drew upon for years. The horrors of First World War experienced by his father, the sectarian violence known as the Troubles that used to shake Ulster for decades, different aspects of the centuries-old protestant – catholic controversy, the Classical heritage of his student days, the tradition of European modernism do coalesce and diverge in Longley’s lines. Our analysis will focus upon Longley’s poetic techniques transforming the aforementioned motifs into the landmarks breaking open new vistas of Ulster’s spiritual landscape. A special emphasis will be laid on the amazing syncretic power of Longley’s poetic genius helping us to penetrate the existential aporias imposed by a specific hermeticism of Ulster, customarily resistant to numerous historical and philosophical explanations. Key words : Michael Longley, Ulster Renaissance, existential aporias, hermeticism of Ulster * E-mail: [email protected] 81 Belgrade BELLS The poetry of Belfast-born and now legendary Ulster poet Michael Longley (1939) seems to be growing in popularity among the critics -
Medieval Clothing and Textiles
Medieval Clothing & Textiles 2 Robin Netherton Gale R. Owen-Crocker Medieval Clothing and Textiles Volume 2 Medieval Clothing and Textiles ISSN 1744–5787 General Editors Robin Netherton St. Louis, Missouri, USA Gale R. Owen-Crocker University of Manchester, England Editorial Board Miranda Howard Haddock Western Michigan University, USA John Hines Cardiff University, Wales Kay Lacey Swindon, England John H. Munro University of Toronto, Ontario, Canada M. A. Nordtorp-Madson University of St. Thomas, Minnesota, USA Frances Pritchard Whitworth Art Gallery, Manchester, England Monica L. Wright Middle Tennessee State University, USA Medieval Clothing and Textiles Volume 2 edited by ROBIN NETHERTON GALE R. OWEN-CROCKER THE BOYDELL PRESS © Contributors 2006 All Rights Reserved. Except as permitted under current legislation no part of this work may be photocopied, stored in a retrieval system, published, performed in public, adapted, broadcast, transmitted, recorded or reproduced in any form or by any means, without the prior permission of the copyright owner First published 2006 The Boydell Press, Woodbridge ISBN 1 84383 203 8 The Boydell Press is an imprint of Boydell & Brewer Ltd PO Box 9, Woodbridge, Suffolk IP12 3DF, UK and of Boydell & Brewer Inc. 668 Mt Hope Avenue, Rochester, NY 14620, USA website: www.boydellandbrewer.com A CIP catalogue record for this book is available from the British Library This publication is printed on acid-free paper Typeset by Frances Hackeson Freelance Publishing Services, Brinscall, Lancs Printed in Great Britain by Cromwell Press, Trowbridge, Wiltshire Contents Illustrations page vii Tables ix Contributors xi Preface xiii 1 Dress and Accessories in the Early Irish Tale “The Wooing Of 1 Becfhola” Niamh Whitfield 2 The Embroidered Word: Text in the Bayeux Tapestry 35 Gale R. -
Heaney and Ellmann at Emory Ronald Schuchard
Irish Studies South Issue 1 Remembering Seamus Heaney Article 5 August 2014 Heaney and Ellmann at Emory Ronald Schuchard Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/iss Part of the Celtic Studies Commons, and the Literature in English, British Isles Commons Recommended Citation Schuchard, Ronald (2014) "Heaney and Ellmann at Emory," Irish Studies South: Iss. 1, Article 5. Available at: https://digitalcommons.georgiasouthern.edu/iss/vol1/iss1/5 This article is brought to you for free and open access by the Journals at Digital Commons@Georgia Southern. It has been accepted for inclusion in Irish Studies South by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. Schuchard: Heaney and Ellmann at Emory Heaney and Ellmann at Emory Ronald Schuchard Seamus Heaney’s legacy is worldwide. It will take years to collect the stories and measure the impact of his personal presence and generosity on the peoples of Ireland, Great Britain, Eastern and Western Europe, America, Russia, Japan, South Africa their schools, colleges, universities, poetry festivals, and summer schools in Sligo, Cleggan, Dublin, Bellaghy, Belfast, Grasmere, Oxford, London, Berkeley, Boston, New York, Moscow, St. Petersburg, Copenhagen, Stockholm, Krakow, Kyoto, Cape Town, and other towns and cities and countries galore whose citizens have attended his classes, readings, lectures, signings, openings, and a cornucopia of civic ceremonies and literary occasions beyond the outreach of other poets. From this global satellite perspective, however, I want to zoom in on his bardic wanderings in the American South, recognizing in descent his contribution to the growth of Irish Studies in the Southern ACIS through his participation in annual conferences and special events in Atlanta, Wake Forest, Chapel Hill, Hickory, Lexington, Charlottesville, Williamsburg, Tulsa, Waco, and other college towns. -
MS1/204 Belfast Creative Writing Group Manuscripts
MS1/204 Belfast Creative Writing Group Manuscripts About the Collection: MS1/204 is a collection of typescripts in a folder marked “Complete file: Belfast Creative Writing Group 1963-6”. A note on the folder states that the contributions were acquired as a “Gift of Mr. Hobsbaum, creator of C.W.G.”. Philip Hobsbaum (1932-2005) was a lecturer in the Faculty of Arts at Queen’s University Belfast from 1962 to 1966. During that period, he established the Belfast Creative Writing Group, or “The Group”. Members included James Simmons, Stewart Parker, Bernard MacLaverty, Michael Longley and Seamus Heaney. The collection contains 67 discrete items, and all but one are typescripts by 29 different authors. Although this collection is comprised mostly of poetry, it also contains plays, short stories, prose pieces and book chapters including submissions from high profile contributors. MS1/204 Belfast Creative Writing Group 1963-6 Manuscripts MS1/204 is broken down into subsections MS1/204/1 – MS1/204/30 and consists of contributions by 29 different authors. All of the subsections are by different authors except for MS1/204/2 which is a cutting from a publication containing contributions by John Bond and James Simmons. There is also a handwritten ‘List of Contents’ enclosed with MS1/204/1. MS1/204/1 Ashton, Victor, 8 Poems, Typescript 3pp. 1. n.d. ‘Beyond the Pale (A Syrian Tribune Speaking)’ 2. n.d. ‘Invoking the Muses’ 3. n.d. ‘Down to Basics (From the Ivan Turgenov (sic) Novel, ‘Smoke’)’ 4. n.d. ‘The Fighting Cock’ 5. n.d. ‘Sense and Sensibility’ 6. -
MIXED CONTENT TALES in LEBOR NA HUIDRE Eric Patterson
John Carroll University Carroll Collected Masters Theses Theses, Essays, and Senior Honors Projects Summer 2016 OLD AND NEW GODS IN AN AGE OF UNCERTAINTY: MIXED CONTENT TALES IN LEBOR NA HUIDRE Eric Patterson Follow this and additional works at: http://collected.jcu.edu/masterstheses Part of the Arts and Humanities Commons Recommended Citation Patterson, Eric, "OLD AND NEW GODS IN AN AGE OF UNCERTAINTY: MIXED CONTENT TALES IN LEBOR NA HUIDRE" (2016). Masters Theses. 16. http://collected.jcu.edu/masterstheses/16 This Thesis is brought to you for free and open access by the Theses, Essays, and Senior Honors Projects at Carroll Collected. It has been accepted for inclusion in Masters Theses by an authorized administrator of Carroll Collected. For more information, please contact [email protected]. OLD AND NEW GODS IN AN AGE OF UNCERTAINTY: MIXED CONTENT TALES IN LEBOR NA HUIDRE A Thesis Submitted to the Office of Graduate Studies College of Arts and Sciences of John Carroll University in Partial Fulfillment of the Requirements for the Degree of Master of Arts By Eric A. Patterson 2016 The thesis of Eric A. Patterson is hereby accepted: _________________________________________ ________________________ Reader – Paul V. Murphy Date _________________________________________ ________________________ Reader – Brenda Wirkus Date _________________________________________ ________________________ Advisor – Valerie McGowan-Doyle Date I certify that this is the original document _________________________________________ ________________________ Author – Eric A. Patterson Date No, not angelical, but of the old gods, Who wander about the world to waken the heart, The passionate, proud heart – that all the angels, Leaving nine heavens empty, would rock to sleep. - William Butler Yeats, The Countess Cathleen Acknowledgements I would like to thank Dr. -
Geschichte Neuerwerbungsliste 1. Quartal 2001
Geschichte Neuerwerbungsliste 1. Quartal 2001 Geschichtsschreibung und Geschichtstheorie.......................................................................................................... 2 Historische Hilfswissenschaften.............................................................................................................................. 4 Ur- und Frühgeschichte, Mittelalter- und Neuzeitarchäologie ................................................................................ 7 Allgemeine Weltgeschichte, Geschichte der Entdeckungen, Geschichte der Weltkriege ..................................... 15 Alte Geschichte ..................................................................................................................................................... 23 Europäische Geschichte in Mittelalter und Neuzeit .............................................................................................. 24 Deutsche Geschichte ............................................................................................................................................. 28 Geschichte der deutschen Laender und Staedte..................................................................................................... 35 Geschichte der Schweiz, Österreichs, Ungarns, Tschechiens und der Slowakei................................................... 42 Geschichte Skandinaviens ..................................................................................................................................... 44 Geschichte der Beneluxländer.............................................................................................................................. -
Seamus Heaney and the Aesthetics of Enlightenment Shea Robert
Seamus Heaney and the Aesthetics of Enlightenment Shea Robert Atchison BA (Hons), M.A. Faculty of Arts, Humanities and Social Sciences Ulster University A thesis submitted for the Degree of Doctor of Philosophy January 2020 I confirm that the word count of this thesis is less than 100,000 excluding the title page, contents, acknowledgements, abstract, abbreviations, footnotes, and bibliography. in memoriam May Gallagher, 1938-2019 Contents Acknowledgements ................................................................................................................... i Abstract .................................................................................................................................... ii List of Abbreviations ............................................................................................................. iii 1. Heaney and Enlightenment: Introduction ..................................................................... 1 2. A Spiritual Intellect: Heaney’s Conceptualisation of Enlightenment ....................... 27 2.1. Proper Work in an Agnostic Time, 1963-1975 .................................................... 27 2.2. The Idea of Transcendence, 1977-1986 ............................................................... 33 2.3. Inclusive Consciousness, 1988-1991 ................................................................... 49 2.4. A Solemn Order of Reality, 1992-2008 ............................................................... 59 3. Glimmerings: Enlightenment in the Early Poems ..................................................... -
AMBIGUOUS SILENCES? WOMEN in ANTHOLOGIES of CONTEMPORARY NORTHERN IRISH POETRY1 ALEX PRYCE Ruth Hooley, Poet and Feminist Activi
AMBIGUOUS SILENCES? WOMEN IN ANTHOLOGIES OF CONTEMPORARY NORTHERN IRISH POETRY1 ALEX PRYCE Ruth Hooley, poet and feminist activist, observed that in 1985 women’s poetry seemed to be less prevalent in Northern Ireland as it was elsewhere, commenting, ‘[t]his silence is ambiguous. Does it mean an absence—there are hardly any women writing?’ (1). This article considers how anthologies of poetry published in the contemporary era in Northern Ireland can be seen as agents of exclusion for women writers at the same time as these anthologies were effectively instating a post– 1960s canon and restating a generational dimension for which poetry from the North of Ireland would become known. In drawing on the broad context of anthology publication, this article examines how female poets are absent from an otherwise thriving literary culture and questions whether this silence is, as Hooley suggests, ambiguous. In responding to these issues, this article addresses both the commercial business of poetry production alongside the literary representation of women in poetry published in representative publications such as anthologies in order to re–insert women into Northern Irish poetic discussion. By investigating women’s writing as unanthologized and addressing the lack of agency of women figures in verse published by male poets, this article argues that the way in which women are represented inside and outside publication in the second half of the twentieth–century is severelyllacking. i. As with most other studies of Northern Irish poetry in the twentieth century, there requires an acknowledgement of the necessarily heavy emphasis on the post–1960 period, an era of political turbulence accompanied by an increase in literary activity in Northern Ireland. -
A Further Shore: a Journey to Good Friday, 1998
A Further Shore A Journey to Good Friday, 1998 Aistear chuig Aoine an Chéasta, 1998 05.04.18 09.04.18 London | Londain Belfast | Béal Feirste A Further Shore A Journey to Good Friday, 1998 Aistear chuig Aoine an Chéasta, 1998 05.04.18 Milton Court Concert Hall, Barbican Centre, London | Londain 09.04.18 Poetry Ireland Lyric Theatre, Belfast | Béal Feirste Éigse Éireann Foreword Réamhrá Twenty years ago, the signing of the Good Fiche bliain ó shin, le síniú Chomhaontú No event marking the 20th anniversary of the Ní fhéadfaí aon ócáid a chur ar bun lena Friday / Belfast Agreement marked a new Aoine an Chéasta / Bhéal Feirste, cuireadh Good Friday Agreement would be complete chomóradh go bhfuil 20 bliain imithe beginning in the story of these islands. This tús nua le scéal na n-oileán seo. Anocht, trí without acknowledging and thanking the tharainn ó síníodh Comhaontú Aoine an evening, through poetry, music, image, and mheán na filíochta, an cheoil, an fhocail countless people – politicians, community Chéasta gan aitheantas a thabhairt don iomaí spoken word, we will trace a journey through labhartha agus íomhánna, déanfaimid rianú leaders, peacemakers, ordinary women and duine – polaiteoirí, ceannairí pobail, lucht na the tragic years of the Troubles towards the ar an aistear trí bhlianta tragóideacha na men – who individually and together showed síochánaíochta, fir agus mná an phobail – a great moment of hope and reconciliation dTrioblóidí i dtreo an dóchais agus an athm- great courage and took great risks to achieve léirigh misneach ollmhór, astu féin agus le which the Good Friday Agreement represents.