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ROCK-SHOP / ROCK - HOUR jeden 1., 3. + 5. Mittwoch 19.00 - 20.00 Uhr jeden 2. + 4. Mittwoch 18.00 - 20.00 Uhr Wiederholung am Dienstag darauf ab 22.00 Uhr Moderation: Theo Thon / E-mail: [email protected] Titelliste der Sendung vom 26.05.2021 (Wdh. 01.06.2021, 22.00 Uhr) 1. MIDNITE CITY: Crawlin’ in the dirt von CD “Itch you can’t scratch” (VÖ 28.05.21 / Roulette Media Rec.) 2. SUNBOMB: Born to win 3. ” Take me away von CD “Evil and divine” (VÖ 14.05.21 / Frontiers Music) 4. ORODRUIN: Into the light of the sun von LP “Epicurean mass“ (2003 / WVÖ 28.05.21 / Cruz Del Sur Music) 5. GUS G.: Exosphere digitale Single (2021) 6. BLOODBOUND: Eyes come alive von CD “Creatures of the dark realm” (VÖ 28.05.21 / AFM-Rec.) 7. THE OBSESSED: Lunar womb 8. “ No mas von CD “Lunar womb” (1991 / WVÖ 28.05.21 / High Roller Rec.) 9. EISENHAND: Steel city sorcery von CD “Fires within” (VÖ 28.05.21 / Dying Victim Rec.) 10. IRON JAWS: Evil bringer von CD “Declaration of war” (VÖ 28.05.21 / Pure Steel Rec.) 11. THE PRETTY RECKLESS: Witches burn 3. Single von CD “Death by Rock and roll” (Century Media Rec. / 2021) 12. THE DATSUNS: Dehumanise von CD “Eye to eye” (VÖ 28.05.21 / V2 Rec.) 13. BYZANTINE: The cicada tree von CD “The cicada tree” (2017) 14. BLAZON RITE: Put down your steel (Only for the night) von CD “Endless halls of golden totem” (VÖ 28.05.21 / Gates Of Hell Rec.) 15. STONETRIP: Runaway digitale Single (VÖ 03.05.21 / Golden Robot Rec.) 16. THOMSEN: Rise Vorab-Single von CD “III” (VÖ 20.08.21 / Artist Station) 17. STYX: Man in the wilderness von LP “The grand illusion” (1977) 18. CORNERS OF SANCTUARY: We all shall fall von EP “Blood and steel: Vol. One” (RFL Rec.) 19. HEAVY SENTENCE: Possession von CD “Bang to rights” (VÖ 28.05.21 / Dying Victims Rec.) 20. LAINO & BROKEN SEEDS: Spells and magic von CD “Sick to the bone” (VÖ 28.05.21 / Off Label Rec.) 21. PRESTIGE: You weep von 7”-Single “Exit” (VÖ 21.05.21 / Massacre Rec.) 22. PARISH: Apothecary von CD-EP “God’s right hand” (VÖ 28.05.21 / Dying Victims Prod.) .

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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
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