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Nick Cage Direction
craft production just because of what it does with sampling technology and that alone. It’s got quite a conservative form and quite a pop form as well just at the moment, in terms of the clarity of the sonics. When those elements are added to hip-hop tracks it must be difficult to make the vocal stand out. The biggest challenge is always getting the vocal heard on top of the track — the curse of the underground is an ill-defined vocal. When I went to bigger studios and used 1176s and LA2s it was a revelation, chucking one of them on gets the vocal up a bit. That’s how we were able to blag our way through Dizzee’s first album. What do you use in Dizzee’s vocal chain? With the budget we were on when I did Boy In Da Corner I used a Neumann TLM103B. When I bought it, £500 seemed a hell of a lot of money for a microphone. Then it goes to my Drawmer 1960 — I exchanged a couple of my keyboards for that. Certainly with Showtime, the new desk improved the vocal sound. It would be interesting to just step the gear up a notch, now we have the deal with XL, and see what happens. Do you have a label deal for Dirty Stank records with XL? I Love You came out first on Dirty Stank on the underground, plus other tunes like Ho and some beats. XL has licensed the albums from Dirty Stank so it’s not a true label deal in that sense, although with our first signings, it’s starting to move in that Nick Cage direction. -
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
The Cat's Whisker
cerdd gymunedol cymru community music THE CAT’S WHISKER wales Community Music Wales Summer Newsletter July 2009 Welcome ! Complete Control Music Reaches New Heights to the first CMW The Cat’s Whisker In May 2009 CMW was named as a recording opportunities, possible joint sponsor of the Reach the Heights releases, gigs, support and advice. We will be bringing you the latest project. This major project has This project works with a wide through the Community Music been awarded £27 million from the range of young people from many Wales new quarterly newsletter. European Social Fund. It aims to raise different musical genres, from singer This will be a way to stay in touch the skills and aspirations of young songwriters to bands to DJs. CCM and a place to find out about people across West Wales and the pairs young people with mentors who upcoming events and the latest Valleys to help them build a brighter have worked professionally within the news from the world of CMW. future by staying in education or music industry to provide specialised finding a job or training. It will target face to face mentoring. It targets Over the past year CMW has support locally to improve confidence, disaffected young people who may undergone a number of changes, decision-making and basic skills. not reach their full potential through amongst them, my appointment as traditional learning, and through the new Director last September. The Deputy First Minister Ieuan Wyn recognising and encouraging their I am primarily responsible for Jones said “Reach the Heights is a musical talents seeks to improve the effective creative and artistic major investment in the future of our their sense of worth, self confidence, management of the charity and will young people. -
Ian Watkins and B and P
Case No: 62CA1726112 The Law Courts, Cathays Park, Cardiff CF10 3PG Date: 18 December 2013 Before: THE HONOURABLE MR JUSTICE ROYCE - - - - - - - - - - - - - - - - - - - - - Between: THE QUEEN - v - IAN WATKINS AND B AND P SENTENCING REMARKS ............................. R V Watkins and P and B. Sentencing remarks. Mr Justice Royce : 1. Those who have appeared in these Courts at the Bar or on the Bench over many years see and hear a large number of horrific cases. This case however breaks new ground. 2. Any decent person looking at and listening to the material here will experience shock; revulsion; anger and incredulity. What you three did plumbed new depths of depravity. 3. You Watkins achieved fame and success as the lead singer of the Lostprophets. You had many fawning fans. That gave you power. You knew you could use that power to induce young female fans to help satisfy your apparently insatiable lust and to take part in the sexual abuse of their young children. Away from the highlights of your public performances lay a dark and sinister side. 4. What is the background ? Count 18 dates back to March 2007. You met TT after a Lostprophets concert when she was a 16 year old virgin. The prospect of taking her virginity excited you. You got her to dress in a schoolgirl’s outfit and you videoed her and you having oral, vaginal and anal sex. You asked her whether she enjoyed being your underage slut. At the end you urinated over her face and told her to drink it. That gives some insight into your attitude to young females at that time over 5 years before the counts relating to B and P. -
En Vogue L at Oya C R O S S
- Left to Right: Tem inimus sequiae veriatem quam, estibus amet et aborerro offici de rest, quam, tendand uscienti ut FROM QUARTET TO TRIO, THE FUNKY DIVAS STILL SHOW (AND PROVE) THEY WERE BORN TO SING :EN VOGUE L AT OYA C R O S S APRIL/MAY 2017 EBONY.COM 83 lion YouTube views. But wait, there’s connection that goes into play when to learn each of more: The sultry songstresses climbed blending voices, one that Bennett came En Vogue members, from left, Rhona Bennett, the girls and re- the charts six times with singles “Hold equipped with, Ellis explains. Terry Ellis and Cindy Herron-Braggs spect the difer- On,” “My Lovin’ (Never Gonna Get “It’s being conscious of each other ences,” says El- It),” “Free Your Mind,” “Giving Him when we’re singing,” she says. “Where lis, the youngest THE SUPREMES.The Marvelettes. Something He Can Feel,” “Don’t Let is she placing her vibrato? What’s the of fve siblings. The Pointer Sisters. Between the 1960s Go,” and “Whatta Man” featuring tempo or how is she executing this song, “For me, that’s and the 1980s, the music scene was Salt-N-Pepa. this line or this word? I never thought freeing your dominated by timeless female groups. On top of their silky siren abilities, about it, but maybe that does come with mind. I think the But when it comes to girl group dynam- pop culture embraced the clingy red some seasoning and time. Rhona is a key is to under- ics, the 1990s are defned by En Vogue— dresses the vocally gifed women se- veteran as well, so she came in with that stand that you a foursome equipped with efortless duced viewers with in the music video information and awareness already. -
Admissions Report Shows Black Student Applications Only 1/3 Of
Dizzee New Heights The Rascal returns: an interview with the man who fixed up, and looks sharp - Page 8 No. 616 The Independent Cambridge Student Newspaper since 1947 Friday February 25, 2005 ll we Bar Admissions report y shows black student Luc applications only 1/3 of national average Sam Richardson there is an increasing emphasis on year. Whilst this week’s admis- the outreach work done by sions figures have shown some TWO YEARS after Varsity first Colleges and Departments in improvement, it is clear that highlighted the scarcity of black educational enrichment, through there is much more to be done to students in Cambridge, there are the provision of masterclasses, encourage black students to still fewer black undergraduates study days and a myriad of excel- apply to Cambridge.” at the University than there are lent online resources.” Pav Akhtar, the NUS’s Black students or academics with the Nikhil Gomes, co-ordinator Students’ Officer, said that surname White. of GEEMA (Group to “When I went to Cambridge Last year’s admissions statistics, Encourage Ethnic Minority from a working class background which were revealed this week, Applications) said that the prob- it was a complete culture shock. show that only 1.4% of students lem with attracting black stu- Black students can often feel iso- who applied to Cambridge were dents to Cambridge lies in the lated”. The BBC documentary black. This is less than a third of perceptions of the University Black Ambition, which followed a the national average, and margin- both nationally and internation- number of black Cambridge stu- ally lower than Oxford. -
MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division -
Taylor Dayne Supermodel Download
Taylor dayne supermodel download Taylor Dayne Supermodel. Now Playing. Supermodel. Artist: Taylor Dayne. MB · Supermodel. Artist: Taylor Dayne. MB. Hymn. Artist: Taylor Dayne. MB · Supermodel. Artist: Taylor Dayne. MB · Supermodel. Artist: Taylor. Artist: Taylor Dayne. test. ru MB. Supermodel Free Mp3 Download Free RuPaul Supermodel You Better Work mp3. Kbps MB Free Taylor Dayne Supermodel. Taylor Dayne Supermodel mp3 high quality download at MusicEel. Choose from several source of music. Download Supermodel Taylor Dayne mp3 songs in. "Taylor Dayne - Supermodel" Music Lyrics. You better You better work! [covergirl]Work it girl! [give a twirl]Do your thing on the ! Stream Taylor Dayne - Supermodel Jack Smith Edit by Jack Smith from desktop or your mobile device. Listen to songs and albums by Taylor Dayne, including "Tell It to My Heart", of RuPaul's "Supermodel" for The Lizzie McGuire Movie -- acting kept her away. Watch the video, get the download or listen to Taylor Dayne – Supermodel for free. Supermodel appears on the album The Lizzie McGuire Movie. Discover more. Check out RuPaul. SuperModel (You Better Work) ReMixes from RuCo, Inc. on Beatport. Supermodel performed by Taylor Dayne taken from the Lizzie McGuire Motion Picture Soundtrack starring. Tags: Taylor Dayne Supermodel (You Better Work) Fashion Singing lyrics lyric with super model lizzie mcguire movie track hilary duff Full music Song Album. Supermodel - Taylor Dayne. What Dreams Are Made Of - Lizzie McGuire. On An Evening In Roma - Dean Martin. Girl In The Band - Haylie Duff. Floor On Fire written by Taylor Dayne, Niclas Kings, Ivar Lisinski & Tania Download now on iTunes: http. Taylor Dayne, Soundtrack: Win a Date with Tad Hamilton!. -
Spiritual Reality Or Obsession
Spiritual Reality or Obsession WATCHMAN NEE Christian Fellowship Publishers, Inc. New York Copyright ©1970 Christian Fellowship Publishers, Inc. New York All Rights Reserved ISBN 0-435008-41-1 Available from the Publishers at: 11515 Allecingie Parkway Richmond, Virginia 23235 PRINTED IN U.S.A. CONTENTS 1 Spiritual Reality: What It Is 5 2 Spiritual Reality: Its Relationships 23 3 Spiritual Reality: How to Enter In 35 4 Obsession: What It Is 43 5 Obsession: Causes and Deliverance 53 Scripture quotations are from the American Standard Version (1901) of the Bible unless otherwise indicated. Spiritual Reality: What It Is God is a Spirit: and they that worship him must worship in spirit and truth. (John 4.24) 1 Howbeit when he, the Spirit of truth, is come, he shall 1 guide you into all the truth. (John 16.13) And it is the Spirit that beareth witness, because the Spirit is the truth. (1 John 5.7) One thing which God’s people should take note of is that every spiritual matter has its reality before God. If what we have touched is mere appearance and not reality we shall find that it is of no spiritual value whatsoever. What then is spiritual reality? The reality of a spiritual thing is something spiritual not material. Although spiritual reality is often expressed in words, those words, however many, are not the reality. Although spiritual reality needs to be disclosed in our lives, the set formalities of our lives are not reality. Although spiritual reality must be manifested in conduct, human-manufactured pretension is not reality. -
Johannes Oerding Linkin Park Rammstein Die Toten Hosen Astral Doors Diana Krall Paul Weller Mando Diao the Beatles Inhalt
GRATIS | MAI 2017 Ausgabe 38 JOHANNES OERDING LINKIN PARK RAMMSTEIN DIE TOTEN HOSEN ASTRAL DOORS DIANA KRALL PAUL WELLER MANDO DIAO THE BEATLES INHALT INHALT EDITION – IMPRESSUM 03 BLONDIE HERAUSGEBER 04 JOHANNES OERDING AKTIV MUSIK MARKETING GMBH & CO. KG 05 RAMMSTEIN | DIE TOTEN HOSEN Steintorweg 8, 20099 Hamburg, UstID: DE 187995651 06 LINKIN PARK PERSÖNLICH HAFTENDE GESELLSCHAFTERIN: 07 MANDO DIAO | THE KOOKS | HELEN SCHNEIDER AKTIV MUSIK MARKETING 08 THE BEATLES | PAUL WELLER VERWALTUNGS GMBH & CO. KG 09 IRON MAIDEN | FOREIGNER | KRAFTWERK Steintorweg 8, 20099 Hamburg 10 HARRY STYLES | NATALIA AVELON | SITZ: Hamburg, HR B 100122 THOMAS AZIER GESCHÄFTSFÜHRER Marcus-Johannes Heinz 11 ÁSGEIR | FAYZEN | JAKE ISAAC FON: 040/468 99 28-0 Fax: 040/468 99 28-15 12 HELENE FISCHER | ALEJANDRA RIBERA | E-MAIL: [email protected] MIA AEGERTER 13 GUARDIANS OF THE GALAXY | ELIF | REDAKTIONS- UND ANZEIGENLEITUNG THE BOSSHOSS Daniel Ahrweiler (da) (verantwortlich für den Inhalt) 14 DIANA KRALL | LESLIE CLIO 15 JOHN MAYER | KENDRICK LAMAR | THE WHOLLS MITARBEITER DIESER AUSGABE 16 ASTRAL DOORS | DIE NEGATION | Marcel Anders (ma), Kai Florian Becker (kfb), WHILE SHE SLEEPS Helmut Blecher (hb), Dagmar Leischow (dl), 17 ALBUM-TIPPS Steffen Rüth (sr), Anja Wegner, Nadine Wenzlick (nw) 21 DAS LÄUFT IM LADEN 22 PLATTENLADEN DES MONATS | PLATTENLÄDEN FOTOGRAFEN DIESER AUSGABE 23 TOP 20 VINYL-CHARTS Kristina Wagenbauer (2 Alejandra Ribera), Alexander Thompson (3 Blondie), Marcel Schaar Bleibe auf dem Laufenden und bestelle unseren Newsletter auf (4 Johannes Oerding), -
“Brazil, Show Your Face!”: AIDS, Homosexuality, and Art in Post-Dictatorship Brazil1
“Brazil, Show Your Face!”: AIDS, Homosexuality, and Art in Post-Dictatorship Brazil1 By Caroline C. Landau Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Bachelor of Arts In the Department of History at Brown University Thesis Advisor: James N. Green April 14, 2009 1 Cazuza, “Brasil,” Ideologia, Universal Music Group, 1988. My translation Acknowledgements Writing this thesis would not have been possible without the help, guidance, and support of many people. While in Brazil, I had the tremendous pleasure of getting to know the archivists at Associação Brasileira Interdisciplinar de AIDS (ABIA) in Rio de Janeiro, particularly Aline Lopes and Heloísa Souto, without whose help, patience, enthusiasm, goodwill, suggestions, and encyclopedic knowledge of AIDS in Brazil this thesis would never have come to fruition. Thank you also to Veriano Terto, Jr. from ABIA for agreeing to speak with me about AIDS grassroots organization in an interview in the fall of 2007. I am grateful to Dr. Vânia Mercer, who served as a sounding board for many of my questions and a font of sources on AIDS in Brazil in the early 1990s and presently. Thank you to Patricia Figueroa, who taught me the ins-and-outs of the Brown University library system early on in the research of this thesis. Thank you also to the Brown University Department of History for the stipend granted to thesis writers. Part of my research is owed to serendipity and luck. I count as one of my blessings the opportunity to have met Jacqueline Cantore, a longtime friend of Caio Fernando Abreu’s and former MTV executive in Brazil. -
The Negritude Movements in Colombia
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations Dissertations and Theses October 2018 THE NEGRITUDE MOVEMENTS IN COLOMBIA Carlos Valderrama University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_2 Part of the Folklore Commons, Other Political Science Commons, and the Sociology Commons Recommended Citation Valderrama, Carlos, "THE NEGRITUDE MOVEMENTS IN COLOMBIA" (2018). Doctoral Dissertations. 1408. https://doi.org/10.7275/11944316.0 https://scholarworks.umass.edu/dissertations_2/1408 This Open Access Dissertation is brought to you for free and open access by the Dissertations and Theses at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. THE NEGRITUDE MOVEMENTS IN COLOMBIA A Dissertation Presented by CARLOS ALBERTO VALDERRAMA RENTERÍA Submitted to the Graduate School of the University of Massachusetts-Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY SEPTEMBER 2018 Sociology © Copyright by Carlos Alberto Valderrama Rentería 2018 All Rights Reserved THE NEGRITUDE MOVEMENTS IN COLOMBIA A Dissertation Presented by CARLOS ALBERTO VALDERRAMA RENTERÍA Approved as to style and content by __________________________________________ Agustin Laó-Móntes, Chair __________________________________________ Enobong Hannah Branch, Member __________________________________________ Millie Thayer, Member _________________________________ John Bracey Jr., outside Member ______________________________ Anthony Paik, Department Head Department of Sociology DEDICATION To my wife, son (R.I.P), mother and siblings ACKNOWLEDGMENTS I could not have finished this dissertation without the guidance and help of so many people. My mentor and friend Agustin Lao Montes. My beloved committee members, Millie Thayer, Enobong Hannah Branch and John Bracey.