The Shiloh Letters of George W. Lennard
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The Court Theatres of the Farnese from 1618 to 1690
This dissertation has been microfilmed exactly as received 68—2969 COBES, John Paul, 1932- THE COURT THEATRES OF THE FARNESE FROM 1618 TO 1690. [Figures I-V also IX and X not microfilmed at request of author. Available for consultation at The Ohio State University Library], The Ohio State University, Ph.D., 1967 Speech-Theater University Microfilms, Inc., Ann Arbor, Michigan (S) Copyright by- John Paul Cobes 1968 THE COURT THEATRES OF THE FARNESE FROM 1618 TO 1690 DISSERTATION Presented In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio S tate U niversity By John Paul Cobes, B.S., M.A. ******** The Ohio State University 1967 Approved by Z. Adviser Department of Speech PLEASE NOTE: Figures I-V also IX and X not microfilmed at request of auth or. Available for consultation at The Ohio State University Library. UNIVERSITY MICROFILMS. The author wishes to acknowledge, with dee nest gratitude, the assistance, suggestions, and guidance of the following persons, all of whom were instrumental in the camnletion of this study; Dr. Row H. Bowen, adviser to this study, and all the nersonnel of the Theatre Division of the Deonrtment of Speech at the Ohio State University. Dr. John ft. McDowell and Dr. John q . Morrow, advisers to this study, a".d nil +V> -•ersonnel of the Theatre Collection of the Ohio State Universit.w, D r. A l^ent M ancini of th e I t a l i a n D iv isio n o f th e Romance La.-wn.aTes Department of the Ohio State University’. -
NL-Spring-2020-For-Web.Pdf
RANCHO SAN ANTONIO Boys Home, Inc. 21000 Plummer Street, Chatsworth, CA 91311 (818) 882-6400 Volume 38 No. 1 www.ranchosanantonio.org Spring 2020 God puts rainbows in the clouds so that each of us - in the dreariest and most dreaded moments - can see a possibility of hope. -Maya Angelou A REFLECTION FROM BROTHER JOHN CONNECTING WITH OUR COMMUNITY I would like to share with you a letter from a parent: outh develop a sense of identity and value “Dear All of You at Rancho, Ythrough culture and connections. To increase cultural awareness and With the simplicity of a child, and heart full of sensitivity within our gratitude and appreciation of a parent…I thank Rancho community, each one of you, for your concern and giving of Black History Month yourselves in trying to make one more life a little was celebrated in Febru- happier… ary with a fun and edu- I know they weren’t all happy days nor easy days… cational scavenger hunt some were heartbreaking days… “give up” days… that incorporated impor- so to each of you, thank you. For you to know even tant historical facts. For entertainment, one of our one life has breathed easier because you lived, this very talented staff, a professional saxophone player, is to have succeeded. and his bandmates played Jazz music for our youth Your lives may never touch my son’s again, but I during our celebratory dinner. have faith your labor has not been in vain. And to each one of you young men, I shall pray, with ACTIVITIES DEPARTMENT UPDATE each new life that comes your way… may wisdom guide your tongue as you soothe the hearts of to- ancho’s Activities Department developed a morrow’s men. -
History of the Central Area
History of the Central Area Thomas Veith Seattle Historic Preservation Program City of Seattle Department of Neighborhoods 2009 Contents The Central Area Defined p. 3 Preliminaries p. 5 Territorial Period: 1853 – 1889 p. 12 Early Urbanization: 1890 – 1918 p. 25 Between the Wars: 1918 – 1940 p. 49 The Years of Transition: 1940 – 1960 p. 53 Period of Turmoil: 1960 - 1980 p. 63 The Central Area Today p. 85 Bibliography p. 89 Appendix A: Landmarks p. 93 The Central Area Defined Unlike some Seattle neighborhoods, the Central Area has never existed as a political entity separate from the City of Seattle. In addition the Central Area‟s development was not part of a unified real state scheme with coordinated public improvements (such as the Mount Baker community). For these reasons, it has never had official boundaries and various writers describe its extent in various ways. Almost all attempts to describe the neighborhood include a core area bounded by Madison Street on the north, Jackson Street on the south, 15th Avenue on the west, and Martin Luther King, Jr. Way (formerly Empire Way) on the east. In 1975, Nyberg and Steinbrueck identified the eastern boundary of the Central Area as 30th Avenue (more or less), and also included extensions to the north and south of the core area. The extension to the south of Jackson Street was bounded by 30th Avenue (approximately) on the east, Interstate 90 on the south, and the mid-block alley just east of Rainier Avenue South on the west. The extension to the north of Madison Street was bounded on the west by 23rd Avenue, on the east by the Washington Park Arboretum, and extended north to a line just north of East Helen Street marking the boundary between the plats known as the Madison Park Addition and the Hazelwood Addition Supplemental.1 Walt Crowley describes the neighborhood as a “sprawling residential district . -
News Release
NEWS RELEASE FOURTH STREET AT CONSTITUTION AVENUE NW WASHINGTON DC 20565 . 737-4215/842-6353 EXHBITION FACT SHEET Title; THE TREASURE HOUSES OF BRITAIN: FIVE HUNDRED YEARS OF PRIVATE PATRONAGE AND ART COLLECTING Patrons: Their Royal Highnesses The Prince and Princess of Wales Dates; November 3, 1985 through March 16, 1986, exactly one week later than previously announced. (This exhibition will not travel. Loans from houses open to view are expected to remain in place until the late summer of 1985 and to be returned before many of the houses open for their visitors in the spring of 1986.) Credits; This exhibition is made possible by a generous grant from the Ford Motor Company. The exhibition was organized by the National Gallery of Art, Washington, in collaboration v\n.th the British Council and is supported by indemnities from Her Majesty's Treasury and the U.S. Federal Council on the Arts and Humanities. Further British assistance was supplied by the National Trust and the Historic Houses Association. History of the exhibition; The suggestion that the National Gallery of Art consider holding a major exhibition devoted to British art was made by the British Council in 1979. J. Carter Brown, Director of the National Gallery, responded with the idea of an exhibition on the British Country House as a "vessel of civilization," bringing together works of art illustrating the extraordinary achievement of collecting and patronage throughout Britain over the past five hundred years. As this concept carried with it the additional, contemporary advantage of stimulating greater interest in and support of those houses open to public viewing, it was enthusiastically endorsed by the late Lord Howard of Henderskelfe, then-Chairman of the Historic Houses Association, Julian Andrews, Director of the Fine Arts Department of the British Council, and Lord Gibson, Chairman of the National Trust. -
FOR THOSE WHO STILL HEAR the Gunsrm by William Glenn Robertson
FOR THOSE WHO STILL HEAR THE GUNSrM by William Glenn Robertson Dave Rmh of B&G The Armies (~ollide Bragg }~orces His Way Across (~hickamattga (~reek The failure of Gen. Braxton Bragg's bold and bring the remainder to La Fayette, Ga. (see Mills on the previous day by elements of effort to cripple the Federal XIV Corps in Pg. 51). By 8:30a.m., Bragg had decided upon Thomas J. Wood's Federal division, was to McLemore's Cove on September 11, 1863 (see the next offensive action to take. Believing that remain in contact with the Federals in its Maps, Pp. 10-ll) did not break the offensive Maj. Gen. Thomas L. Crittenden's XXI Corps front. On Armstrong's right, Brig. Gen. John spirit of either the Army of Tennessee or its might be vulnerable, he resolved to send forces Pegram was to deploy his two brigades in an commander. After a few hours of fitful rest, north from La Fayette to strike any elements arc stretching southeast toward the hamlet Bragg was again issuing orders as early as of that corps that could be found. ofVillanow, Ga., on the direct route from La seven o'clock the morning of the 12th. At that Accordingly, Lt. Gen. Leonidas Polk was Fayette to Resaca. When he learned around hour he directed Brig. Gen. Bushrod R. told to move Frank Cheatham's large five noon that Armstrong had broken contact with Johnson to continue shielding the army's supply brigade division ten miles north on the the Federals at Lee and Gordon's Mills, line by blocking any Federal push toward Chattanooga road to Rock Spring Church (see Bragg sternly sent him forward again. -
The Phantom on Film: Guest Editor’S Introduction
The Phantom on Film: Guest Editor’s Introduction [accepted for publication in The Opera Quarterly, Oxford University Press] © Cormac Newark 2018 What has the Phantom got to do with opera? Music(al) theater sectarians of all denominations might dismiss the very question, but for the opera studies community, at least, it is possible to imagine interesting potential answers. Some are historical, some technical, and some to do with medium and genre. Others are economic, invoking different commercial models and even (in Europe at least) complex arguments surrounding public subsidy. Still others raise, in their turn, further questions about the historical and contemporary identities of theatrical institutions and the productions they mount, even the extent to which particular works and productions may become institutions themselves. All, I suggest, are in one way or another related to opera reception at a particular time in the late nineteenth century: of one work in particular, Gounod’s Faust, but even more to the development of a set of popular ideas about opera and opera-going. Gaston Leroux’s serialized novel Le Fantôme de l’Opéra, set in and around the Palais Garnier, apparently in 1881, certainly explores those ideas in a uniquely productive way.1 As many (but perhaps not all) readers will recall, it tells the story of the debut in a principal role of Christine Daaé, a young Swedish soprano who is promoted when the Spanish prima donna, Carlotta, is indisposed.2 In the course of a gala performance in honor of the outgoing Directors of the Opéra, she is a great success in extracts of works 1 The novel was serialized in Le Gaulois (23 September 1909–8 January 1910) and then published in volume-form: Le Fantôme de l’Opéra (Paris: Lafitte, 1910). -
MAGIC=, >WONDER= and a WHOLE LOT MORE in THIS TRAVERS
SATURDAY, AUGUST 25, 2018 >MAGIC=, >WONDER= AND SARATOGA: GRAVEYARD OF CHAMPIONS OR BIRTHPLACE? By Christie DeBernardis A WHOLE LOT MORE IN SARATOGA SPRINGS, N.Y.--Saratoga is arguably the most highly regarded racing venue in the country. Its prestige, history and THIS TRAVERS level of competition are just about unmatched. Part of that history, however, is a reputation as AThe Graveyard of Champions.@ One of the most famous examples of that is the mighty Secretariat=s loss to Onion in the 1973 Whitney S., which was a Grade II at the time. More recently, Triple Crown winner American Pharoah (Pioneerof the Nile)=s perfect sophomore season came to a halt at the Spa when Keen Ice (Curlin) surged past the champion late in the 2015 GI Travers S. However, an argument can be made that Saratoga has made as many champions as it has claimed, if not more. Cont. p4 IN TDN EUROPE TODAY Leading trainer Chad Brown talks Saratoga and STARS ALIGN FOR NUNTHORPE LONGSHOT his two Travers contenders in this TDN video Alpha Delphini provided trainer Bryan Smart with a career by Joe Bianca highlight in Friday’s G1 Nunthorpe S. while favoured Battaash checked in fourth. Click or tap here to go straight to TDN It may not have the box-office appeal that it would have had Europe. Triple Crown winner Justify (Scat Daddy) shown up, but there remains plenty of intrigue and an array of storylines in Saturday=s 11-horse GI Travers S. at Saratoga. And whoever leaves with their colors being painted on that famous canoe will have wholly earned it. -
Horse Racing During the Civil War: the Perseverance of the Sport During a Time of National Crisis Danael Christian Suttle University of Arkansas, Fayetteville
University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 8-2019 Horse Racing During the Civil War: The Perseverance of the Sport During a Time of National Crisis Danael Christian Suttle University of Arkansas, Fayetteville Follow this and additional works at: https://scholarworks.uark.edu/etd Part of the Cultural History Commons, Social History Commons, Sports Studies Commons, and the United States History Commons Recommended Citation Suttle, Danael Christian, "Horse Racing During the Civil War: The eP rseverance of the Sport During a Time of National Crisis" (2019). Theses and Dissertations. 3348. https://scholarworks.uark.edu/etd/3348 This Thesis is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected]. Horse Racing During the Civil War: The Perseverance of the Sport During a Time of National Crisis A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in History by Danael Suttle University of Arkansas Bachelor of Science in Agriculture, Food, and Life Sciences, 2010 University of Arkansas Bachelor of Arts in History, 2016 August 2019 University of Arkansas This thesis is approved for recommendation to the Graduate Council. _________________________________ Daniel E. Sutherland, Ph.D. Thesis Director _________________________________ _______________________________ Patrick Williams, Ph.D. James Gigantino, Ph.D. Committee Member Committee Member Abstract Horse racing has a long and uninterrupted history in the United States. The historiography, however, maintains that horse racing went into hiatus during the Civil War. -
Prominent and Progressive Americans
PROMINENTND A PROGRESSIVE AMERICANS AN ENCYCLOPEDIA O F CONTEMPORANEOUS BIOGRAPHY COMPILED B Y MITCHELL C. HARRISON VOLUME I NEW Y ORK TRIBUNE 1902 THEEW N YORK public l h:::ary 2532861S ASTIMI. l .;-M':< AND TILI'EN ! -'.. VDAT.ON8 R 1 P43 I Copyright, 1 902, by Thb Tribune Association Thee D Vinne Prem CONTENTS PAGE Frederick T hompson Adams 1 John G iraud Agar 3 Charles H enry Aldrich 5 Russell A lexander Alger 7 Samuel W aters Allerton 10 Daniel P uller Appleton 15 John J acob Astor 17 Benjamin F rankldi Ayer 23 Henry C linton Backus 25 William T . Baker 29 Joseph C lark Baldwin 32 John R abick Bennett 34 Samuel A ustin Besson 36 H.. S Black 38 Frank S tuart Bond 40 Matthew C haloner Durfee Borden 42 Thomas M urphy Boyd 44 Alonzo N orman Burbank 46 Patrick C alhoun 48 Arthur J ohn Caton 53 Benjamin P ierce Cheney 55 Richard F loyd Clarke 58 Isaac H allowell Clothier 60 Samuel P omeroy Colt 65 Russell H ermann Conwell 67 Arthur C oppell 70 Charles C ounselman 72 Thomas C ruse 74 John C udahy 77 Marcus D aly 79 Chauncey M itchell Depew 82 Guy P helps Dodge 85 Thomas D olan 87 Loren N oxon Downs 97 Anthony J oseph Drexel 99 Harrison I rwln Drummond 102 CONTENTS PAGE John F airfield Dryden 105 Hipolito D umois 107 Charles W arren Fairbanks 109 Frederick T ysoe Fearey Ill John S cott Ferguson 113 Lucius G eorge Fisher 115 Charles F leischmann 118 Julius F leischmann 121 Charles N ewell Fowler ' 124 Joseph. -
Tequesta : Number 5/1945
•• THE JOURNAL OF THE HISTORICAL &eI Cetsc ASSOCIATION OF SOUTHERN FLORIDA Editor: Leonard R. Muller CONTENTS PAGE Flagler Before Florida 3 Sidney Walter Martin Blockade-Running in the Bahamas during the Civil War 16 Thelma Peters A Canoe Expedition into the Everglades in 1842 30 George Henry Preble Three Floridian Episodes 52 John James Audubon Contributors 69 List of Members 70 COPYRIGHTED 1946 BY THE HISTORICAL ASSOCIATION OF SOUTHERN FLORIDA CT. is published annually by the Historical Association of Southern Florida T 1 and the University of Miami as a -bulletinof the University. Subscrip- tion, $1.00. Communications should be addressed to the editor at the University of Miami. Neither the Association nor the University assumes responsibility for statements of fact or of opinion made by the contributors. This Page Blank in Original Source Document JANUARY, 1946 NUMBER FIVE Flagler Before Florida by SIDNEY WALTER MARTIN IN 1883 Henry Morrison Flagler made his first visit to Florida. Other visits followed and he soon realized that great possibilities lay in the State. He saw Florida as a virtual wilderness and determined to do something about it. Flagler made no vain boasts about what he would do, but soon he began to channel money into the State, and before his death in 1913 he had spent nearly $50,000,000 building hotels and rail- roads along the Florida East Coast.' His money had been made when he began to invest in Florida at the age of fifty-five, and though his enter- prises there were based partially on a business basis, the greatest motive behind his new venture was the desire to satisfy a personal ambition. -
MAY 1958 -- Ale (9T 1V10 GAN HORSE
35c --( 4""41.11%111`------" MAY 1958 -- Ale (9t 1V10 GAN HORSE 46. TE rau s e. -him from Then for crmoment did he pause, *ilk fence, Neck arched andlo es i i s erect; My horse in gleeful pla A fire glowing in h' yes, His vigor seemed to multipt Commanding a s With the crispness Of the da y smiled sit hirn iri.'.s. He bucked and kicked and shook And then called a his head, turned and sow Reared full into the air, there, Then bounded off on winged heels, And to me quickly cu Free of thought o e. Around in mad cap flight he went, HisQostrils flaring red, And slaw) into a springy trot, To pron e about instead. O'NEILL HORSE TRAILERS Over 35 years experience in horse trailer manufacturinQ.. Built by a horseman, for the comfort of the horse, with the horseman's pocketbook in mind. O'NEILL OFF SET AXLE Deluxe Dual-Wheel Two Horse and Standard Two-Wheel-Two-Horse fully equipped with electric brakes — Easy-Lift-End-Gate. We build them fancy or plain, they haul with comfort and ease just the same. Any man or woman can handle our trailers. Other models built to specifications, write your needs. E. T. O'NEILL Phone: 8-2633 Manteno, Illinois Presenting At Stud . TWO PROVEN STALLIONS If you want disposition — Conformation — Stamina — Versatility or Action (which all adds up to True Morgan type) we have it in ORCLAND VIGILDON MELODY'S MORGAN BREED ONLY TO THE BEST ORCLAND VIGILDON Sire of New England Champion Colt 1957 (over all breeds) Townshend Morgan-Holstein Farm BOLTON, MASS. -
2020 International List of Protected Names
INTERNATIONAL LIST OF PROTECTED NAMES (only available on IFHA Web site : www.IFHAonline.org) International Federation of Horseracing Authorities 03/06/21 46 place Abel Gance, 92100 Boulogne-Billancourt, France Tel : + 33 1 49 10 20 15 ; Fax : + 33 1 47 61 93 32 E-mail : [email protected] Internet : www.IFHAonline.org The list of Protected Names includes the names of : Prior 1996, the horses who are internationally renowned, either as main stallions and broodmares or as champions in racing (flat or jump) From 1996 to 2004, the winners of the nine following international races : South America : Gran Premio Carlos Pellegrini, Grande Premio Brazil Asia : Japan Cup, Melbourne Cup Europe : Prix de l’Arc de Triomphe, King George VI and Queen Elizabeth Stakes, Queen Elizabeth II Stakes North America : Breeders’ Cup Classic, Breeders’ Cup Turf Since 2005, the winners of the eleven famous following international races : South America : Gran Premio Carlos Pellegrini, Grande Premio Brazil Asia : Cox Plate (2005), Melbourne Cup (from 2006 onwards), Dubai World Cup, Hong Kong Cup, Japan Cup Europe : Prix de l’Arc de Triomphe, King George VI and Queen Elizabeth Stakes, Irish Champion North America : Breeders’ Cup Classic, Breeders’ Cup Turf The main stallions and broodmares, registered on request of the International Stud Book Committee (ISBC). Updates made on the IFHA website The horses whose name has been protected on request of a Horseracing Authority. Updates made on the IFHA website * 2 03/06/2021 In 2020, the list of Protected