The Cambridge Companion to Latin A/O American Literature Edited by John Morán González Index More Information

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Cambridge University Press 978-1-107-04492-0 - The Cambridge Companion to Latin A/O American Literature Edited by John Morán González Index More information

INDEX

Abingdon Square (María Irene Fornés Alliance for Progress, 75 1988), 101 All-Union Day of the Shock Worker, The abolition, 13 , 19 (Edwin Torres 2001), 138 “Absence” (Pedro Juan Soto 1956), 50 – 51 Almaguer, Tomás, 182 , 189 Acardi, Millicent, 158 Alurista, xx , 64 , 104 , 148 , 154 Acevedo, David Caleb, 190 Alvarado, Lisa, 152 Acevedo, John “Chance,” 152 Alvarez, Julia: and 1990s, xxxi ; and Acheson, Dean, 72 , 73 bicultural, bilingual selves, 170 ; on Acosta, Grisel, 158 class and immigration, 119 ; and Cold Acosta, Oscar “Zeta,” xix , 60 , 168 , 176n2 War themes, 79 – 80 , 81 , 82 , 86 , 87 ; Across a Hundred Mountains (Reyna and education, 94 ; fi ction of, xx ; and Grande 2006), xxi , 240 , 242 – 243 invisibility, 124 – 125n41 ; and migration Acuña, Rudy, 153 narratives, 231 , 235 – 236 , 237 , 239 , 243 ; administrative colonialism, xxviii , 52 and multicultural canon, 111 ; personal Adventures of Juan Chicaspatas, The essays of, 172 – 173 ; poetry of, 149 (Rodolfo Anaya 1985), 107 Alvarez de Toledo, José, 4 aesthetics of politics, 58 , 64 . See also cultural Always Running (Luis Rodriguez 1993), xxi , nationalism 171 – 172 affi rmative action, 108 – 109 Ambientes: New Queer Latino Writing African Americans, 37 , 131 , 195 – 196 (2011), 190 African American women, xxx American Dream: Latina/o perspectives Afro-Latinos, 152 , 196 , 199 , 205 on, 26 – 29 ; and migration narratives, Agosin, Marjorie, 149 234 , 236 – 237 , 238 – 242 , 243 , 244 ; Agüero Sisters, The (Cristina García and minority literature, 231 – 232 ; and 1997), 84 1990s, 119 ; and Puerto Rican diaspora, AIDS crisis, xxx , 77 – 78 , 93 , 108 , 206n3 45 , 48 – 49 ; and reverse migration, 168 ; Alarcón, Francisco X., 157 – 158 underside of, 108 ; and U.S. Latina/os, Alarcón, Norma, 96 – 97 112 Albizu Campos, Pedro, 44 , 58 – 59 , 62 American Renaissance, 8 Aldama, Frederick Luis, 132 , 134 , 141 , 163 , American Studies, xxiv – xxv , 17 182 , 188 , 189 América’s Dream (Esmeralda Santiago Alemán, Jesse, 183 1997), xxi Algarín, Miguel, xx , 67 – 68 , 104 , 151 , Americas Review, The , 95 180 , 188 Ameriscopia (Edwin Torres 2014), Alire Saénz, Benjamin, 154 , 181 138 Allatson, Paul, xxxi – xxxii Amigoland (Oscar Casares 2009), xxii , Allen, Elizabeth, 137 139 – 140 Allende, Salvador, 73 “A Mongo Affair” (Miguel Algarín), 188

247

© in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-04492-0 - The Cambridge Companion to Latin A/O American Literature Edited by John Morán González Index More information

Index

Anaya, Rudolfo: and anthologies, 98 , 99 ; Aztlán: An Anthology of Mexican American fi ction of, xix , 60 , 67 , 107 , 233 ; and Literature (Luis Valdez and Stan Steiner mainstream publishing, 91 ; memoir 1972), 67 of, 109 ; on Puerto Rican–Chicana/o Aztlán: Essays on the Chicano Homeland relations, 68 (1989), 98 Andrews, George Reid, 195 – 196 Aztlan Libre Press, 158 And the Earth Did Not Devour Him (Tomás Rivera 1987), 105 Babín, María Teresa, 67 , 152 And We Sold the Rain (Rosario Santos), 115 Baca, Jimmy Santiago, 104 – 105 , 172 Anna in the Tropics (Nilo Cruz 2003), xxi “Backdoor to Eugenics” (Troy Duster), 201 Another Land (Richard Vasquez 1982), 107 (Bad) Boy Next Door, The (Tony anthologies, 98 – 100 Valenzuela), 181 anti-Black racism, 196 Bad Boys (Sandra Cisneros 1980), 105 anti-immigrant rhetoric, 232 , 243 Balaguer, Joaquín, xix , 79 – 80 anti-Mexican sentiment, 37 “Ballad of Billy Rivera” (Juan Anzaldúa, Gloria: and autobiography, 174 ; Gómez-Quiñones), 151 and border poetics, 153 – 155 , 167 – 168 ; Banana Wars, 30 and education, 94 ; as essayist, 172 ; and Bandido (Luis Valdez 1981), 102 intersectionality, 92 ; and Latina identity, Bantam Books, 67 96 ; and mestiza consciousness, 215 – 216 ; Barradas, Efraín, 181 , 188 and 1990s, xx , 109 ; and queer-of-color Batista, Fulgencio, xix , xxix critique, 179 ; and queer scholarship, 182 , Battle of Algiers (Gino Pontecorvo), 62 188 ; on sexism and homophobia, xxx “Bayaminiña” (Pedro Juan Soto Aragón, Francisco, 149 1956), 48 – 49 Arango Manzano, Pepilla, 14n1 Before Night Falls (Julian Schnabel Arbenz, Jacobo, 73 , 85 2000), 124n40 Archila, William, 88 Before Night Falls (Reinaldo Arenas 1993), Archways of Life (Mercedes de Acosta xxi , 77 – 78 , 118 – 119 , 188 1921), 187 Bejel, Emilio, 183 Arenas, Reinaldo, xxi , 77 – 78 , 87 , Beltrán, Cristina, 57 – 58 118– 119 , 188 Bencastro, Mario, xxi , 241 – 242 Argentina, 74 , 115 Ben Oni, Rosebud, 156 Arias, Arturo, 198 Bésame Mucho: New Gay Latino Fiction Arizona’s SB 1070, 232 , 243 (Jaime Manrique and Jesse Dorris Arte Público Press, 91 , 95 , 199 1999), 190 Art of Exile, The (William Archila 2009), 88 Between Dances (Erasmo Guerra 2001), 180 Asalto al tiempo (Giannina Braschi Beyond Stereotypes: The Critical Analysis of 1981), 187 Chicana Literature (1985), 98 ASCO, xix , 189 Beyond the Field: New Latin@ Writing “A Son of the Tropics” (María Cristina (2014), 151 Mena), 30 Bhabba, Homi, 164 – 165 Atomik Aztex (Sesshu Foster 2005), xxi , biculturalism, 164 – 165 133 – 134 bilingualism, xxix , 168 – 169 “A Town Sets a Black Man on Fire” (José Bilingual Review / La Revista Bilingüe , 95 Martí 1892), 21 – 22 Bilingual Review Press, 95 Augenbraum, Harold, 188 Binder, Wolfgang, 100 autobiography, xxxii , 161 – 163 , 171 – 172 . biracial Latinos, 196 , 205 See also life writing Bird of Paradise: How I Became Latina Autobiography of a Brown Buffalo, The (Raquel Cepeda 2013), xxii , xxxiii , (Oscar Zeta Acosta 1972), xix , 60 , 168 198 – 199 , 200 – 203 , 208 – 209n12 Ayala, Naomi, 156 Birds (Lisa Loomer 1986), 102 Aztlán, 66 , 98 – 99 . See also Chicano “Birth of the God of War” (María Cristina Movement Mena), 31 248

Index

Black Cuban, Black American (Evelio Brooks, Gwendolyn, 57 Grillo), 199 Brother, I’m Dying (Edwidge Danticat Black Hair (Gary Soto 1985), 106 2007), 83 Black Mesa Poems (Jimmy Santiago Baca Brown, John, 199 1989), 105 Brown Berets, 61 – 62 Blackwell, Maylei, 66 Brownsville (Oscar Casares 2003), xxi , 139 Blade Runner (Ridley Scott 1982), 224 Brown: The Last Discovery of America Blaine, James G., 22 (Richard Rodriguez 2002), 167 Blanco, Richard, xxii , 149 Brubaker, Rogers, 203 – 204 Bless Me, Ultima (Rudolfo Anaya 1972), Bruce-Novoa, Juan, 99 , 148 , 181 , 189 xix , 60 , 67 , 107 , 233 Burciaga, José Antonio, 103 – 104 , 107 , Bloom, Harold, 151 148 , 154 Blue Horse of Madness (Olivia Castellano Burton, Henry S., 11 1983), 105 Burunat, Silvia, 152 Blue Mandolin, Yellow Field (Olivia Bush, George H. W., 93 Castellano 1980), 105 Bush, George W., 136 Bodega Dreams (Ernesto Quiñonez By Lingual Wholes (Victor Hernandez Cruz 2000), xxi 1982), 106 Border Culture: The Multicultural Paradigm (Guillermo Gómez-Peña 1989), 104 Caballero (Jovita González and Margaret Borderlands/La Frontera (Gloria Anzaldúa Eimer/Eve Raleigh 1996), xviii , 1987): and border poetics, 154 ; and code 38 – 40 , 186 switching, 174 ; and identity, 92 ; and Cajigas, Chris “Chilo,” 152 Latina/o literary studies, 109 ; and life Calderón, Héctor, 100 writing, 167 – 168 , 172 – 173 ; publication Calderón de la Barca, 136 of, xx ; and queer scholarship, 188 ; and caló, 91 – 92 , 153 woman-centered poetics, 155 Calvo, Luz, 189 , 194n42 Borderlands literary tradition, 139 – 140 Caminero-Santangelo, Marta, xxxiii – xxxiv , border militarization, 238 xxxvn13 , 130 – 131 Borders (Pat Mora 1986), 105 Campo, Rafael, xxi , 180 Boricua Movement, xxix , xxxii , 52 , 59 – 60 , Campos, Pedro Albizu. See Albizu 69n4 . See also cultural nationalism Campos, Pedro Borinquen, 66 – 67 Candelaria, Cordelia, 100 Borinquen: An Anthology of Puerto Rican Candelaria, Nash, 107 Literature (María Teresa Babín and Stan Canícula: Snapshots of a Girlhood en la Steiner 1974), 67 , 152 Frontera (Norma E. Cantú 1995), xxi , 174 Boza, María, 100 CantoMundo, 156 – 157 , 158 bracero program, xviii Cantos de adolescencia (Américo Paredes Bradstreet, Anne, 186 1934), 150 , 151 Braschi, Giannina, xxi , xxxii , 129 , Cantú, Norma E., xxi , xxxii , 174 136 – 137 , 187 Capetillo, Luisa, 51 – 52 , 183 – 184 Brazil, 76 Capsule Course in Black Poetry Writing Breaking Boundaries: Latina Writing and (Gwendolyn Brooks 1975), 57 Critical Readings (1980), 99 “Captive” (Pedro Juan Soto 1956), 50 Breath, Eyes, Memory (Edwidge Danticat Caracol , 152 1994), xxi , 82 ¡Caramba! (Nina Marie Martínez 2005), Brickhouse, Anna, 17 xxi , 140 Brief Wondrous Life of Oscar Wao, The Caramelo (Sandra Cisneros 2002), xxi (Junot Díaz 2007), xxii , 82 , 132 – 133 , 239 Caraza, Xanath, 156 Brinson Curiel, Barbara, 148 , 158 Cardenas de Dwyer, Carlota, 152 Brito, Manuel, 134 Carey, Mariah, 195 Broadway theater, 103 , 116 “Cariboo Café” (Helena María Viramontes Broken Eggs (Eduardo Machado 1984), 103 1985), 240 – 241 249

Index

Carmona, Christopher, 154 Chicano Authors: Inquiry by Interview Carrasco, Barbara, 96 (1980), 99 Carraza, Xanath, 149 Chicano in China, A (Rudolfo Anaya Casares, Oscar, xxi , xxii , xxxii , 129 , 1986), 109 139 – 140 Chicano Literature (1982), 99 Castañeda, Antonia, 98 Chicano Literature, A Reference Guide Castellano, Olivia, 94 , 105 (1985), 99 Castillo, Ana: in Luz María Umpierre’s Chicano Movement: and Cold War themes, poem, 186 ; and migration narratives, 76 – 77 ; and feminism, 66 ; and fl oricantos , 70n15 , 231 , 242 ; and multicultural canon, 148 ; and Latina/o literature, xxix ; and 111 ; in 1980s, xx , xxxi , 91 , 97 , 108 ; and literary settings, 233 ; and masculinist 1990s, 120 – 121 ; poetry of, 105 ; and identifi cation, 65 ; and poetics, xxxii , woman-centered poetics, 155 150 – 151 ; and poetry, 63 – 64 , 104 ; Castro, Fidel, 73 , 76 , 78 , 118 , 164 symbolism of, 98 – 99 , 134 – 135 . See also Cave Canem, 157 Aztlán ; Chicana/os ; cultural nationalism Celso (Leo Romero 1985), 106 “Chicano Nationalism: The Key to Central America, xxx , 5 . See also specifi c Unity for La Raza” (Rodolfo “Corky” countries Gonzales), 63 – 64 Central American migration, xxvii , Chicano Nations: The Hemispheric Origins xxxiii – xxxiv , 240 , 241 – 242 of Mexican American Literature (Marissa Cepeda, Raquel, xxii , xxxiii , 198 – 199 , López 2011), 69 200 – 201 , 204 Chicano Poetry, A Critical Introduction Cervantes, Angela, 156 – 157 (1986), 100 Cervantes, Lorna Dee, xx , xxx , 65 – 66 , 105 , Chicano Poetry: A Response to Chaos 148 , 154 (1982), 99 , 148 Cesarco Elgin, Laura, 149 Chicanos: Antología histórica y literaria Cha Cha Files, The: A Chapina Poética (1980), 99 (Maya Chinchilla 2014), 131 Chicano Struggle, Analysis of Past and Chambers, Henry Kellett, 30 Present Efforts (1984), 99 “Champs” (Pedro Juan Soto 1956), 49 – 50 Chicano studies, xxiv , 41 – 42 , 59 , 77 Changing our Power: An Introduction to Chicano Theater: Themes and Forms Women’s Studies (1988), 97 (1982), 102 Chants (Pat Mora 1984), 105 Chicano Voices (Carlota Cardenas de charros , 27 Dwyer), 152 Chavarria, Isaac, 154 Chile, xxix Chávez, Denise, xx , 91 , 94 , 103 , 106 Chinchilla, Maya, xxxii , 128 , 131 Chávez, John, 149 , 151 Chinese Exclusion Act (1882), 23 Chávez-Silverman, Susana, xxxii , 129 , ChismeArte , 95 – 96 140 , 142n3 CIA-sponsored coups, xxix Chaviano, Daína, 141 Cinco poetisas cubanas 1935–1969 Chiapas, xxxi (1970), 152 Chicago Boys, 115 Cincuenta lecciones de exilio y desexilio Chica Lit, 140 (Gustavo Pérez Firmat 2000), 169 Chican@s, 134 – 135 , 139 , 148 , 149 , 153 , Cisneros, Sandra: and Arte Público Press, 156 . See also Chicana/os 95 ; and autobiographical fi ction, 174 ; and Chicana Lesbians: The Girls Our Mothers education, xxx , 94 ; and Macondo, 156 ; Warned Us About (Carla Trujillo 1991), and Midwest Latina Writers Workshop, 180 , 188 , 189 – 190 97 ; and migration narratives, 237 ; and Chicana/os, xxxiii – xxxiv , 69n4 , 139 , multicultural canon, 111 ; in 1980s, 91 ; 174 , 178 . See also Chican@s ; Chicano in 1980s and 1990s, xx ; and 1990s, xxxi , Movement 120 ; poetry of, 105 , 155 ; short stories of, Chicana Voices: Intersections of Class, Race 106 ; in 2000s, xxi and Gender (1986), 99 City of Night (John Rechy 1963), xix , 182 250

Index

class: and Afro-Latino-Caribbean-diasporic Conversaciones: Relatos por padres y madres identity, 82 ; and HIV/AIDS infection, de hijas lesbianas y hijos gay (Mariana 206n3 ; and Internet, xxxiii ; and Romo-Carmona 2002), 180 intersectionality, 179 ; and Latina/os, Córdova, Jeanne, 180 – 181 231 – 232 ; and Latina/o writers, xxviii ; and Córdova, Teresa, 99 1990s, 111 ; and queer Latina/o literature, Coronado Cuello, Hilario, 154 xxxii ; and María Amparo Ruiz de Burton, Corpi, Lucha, xx , 95 , 108 , 156 10 – 11 ; structuration of, xxxii – xxxiii Corral, Eduardo, 155 Clemente Chacón: A Novel (José Antonio Corrales, Javier, 114 – 115 Villarreal 1984), 108 Corretjer, Juan Antonio, 25 Clifford, James, 203 – 204 corridos , 40 , 148 , 150 , 151 code-switching, 91 – 92 , 105 , 136 , 140 , Corridos (Luis Valdez 1982), 102 168 – 169 , 174 Cortes, Hernán, 65 Cofer, Judith Ortiz, xx , 94 , 95 , 105 , 108 , Cortez, Jaime, 190 161 , 165 , 166 Coser y Cantar (Dolores Prida 1981), 103 Cold War: and Cristina García’s books, Cota-Cárdenas, Margarita, 99 , 108 84 – 85 ; and exiles, 75 – 76 ; and Guatemala, Cotera, María, 66 , 183 , 186 81 – 82 ; and Latina/o literary studies, xxvii ; Cotto-Thorner, Guillermo, 26 and Latina/o literature, xxix ; and migrant Country Between Us , The (Carolyn Forché fl ows, xxiv ; and U.S. policy toward Latin 1981), 87 America, 72 – 73 Coutin, Susan, 242 Coll, Ivonne, 187 Crazy Love (Elías Muñoz 1989), 108 Collapsible Poetics Theater (Rodrigo Create Dangerously: the Immigrant Toscano 2007), 134 Artist at Work (Edwidge Danticat Colombia, 76 2010), 82 – 83 Colombian Gold (Jaime Manrique Creativity and Criticism: Charting New 1983), 108 Frontiers in American Literature Colón, David, 32 (1988), 98 Colón, Jesús, 25 , 51 – 52 Criticism in the Borderlands (1991), 100 “Colonel, The” (Carolyn Forché crónica , 140 1978), 87 , 88 Crusade for Justice, 61 – 62 , 63 , 68 colonial modernity, 48 , 52 – 53 Cruz, Angie, xxi , 231 , 235 , 239 – 240 Columbian Quincentenary, xxiv – xxv , xxxi Cruz, Migdalia, 101 Comiendo Lumbre: Eating Fire (Gina Valdés Cruz, Nilo, xxi , xxx , 101 , 116 , 181 , 185 1986), 105 Cruz, Victor, 95 Compañeras: Latina Lesbians (Juanita Cruz González, José, 101 – 102 Ramos/Juanita Díaz-Cotto 1987), 100 , Cruz-Malavé, Arnaldo, 180 , 188 188 , 189 – 190 Cuatlicue, 31 compontes , 24 – 25 Cuba: and fi libustering expeditions, 5 ; Concierto de metal y otras orgías de soledad and independence, 19 , 118 ; and Jewish (Manuel Ramos Otero), 182 , 188 diaspora, 238 ; and migration to United Conduct of Life (María Irene Fornés States, xxvii , xxx ; and Ostend Manifesto, 1985), 101 xvii ; and repression, 78 ; and U.S. “Coney Island” (José Martí 1880), 21 intervention, xxix ; and U.S. relations, xix , Conquest, The (Yxta Maya Murray xxii ; and U.S.-Spanish War, xviii , xxviii 2002), 133 Cuba and His Teddy Bear (Reinaldo Povod Con Safos , 152 1986), 103 Contemporary Chicana Poetry: A Critical Cuban Americans, xxiv , 92 , 118 – 119 , 164 , Approach to an Emerging Literature 199 . See also specifi c writers (1985), 100 Cuban American Writers: Los Atrevidos Contemporary Chicano Poetry: An (1988), 99 Anthology (1986), 100 Cuban exiles, 11 , 13 , 239 ConTinta, 158 Cuban Revolution, xix , 84 – 85 , 118 251

Index

Cuba y los Estados Unidos (José Martí Dew Breaker, The (Edwidge Danticat 1889), 20 – 21 2004), 82 – 84 Cuentos Chicanos: A Short Story Anthology Diálogo , 157 (1984), 99 Diarios de motocicleta (The Motorcycle Cuentos: Stories by Latinas (1983), 96 Diaries, Walter Salles 2004, screenplay by cultural nationalism, 61 , 63 – 65 , 68 – 69 , José Rivera), 138 188 – 189 . See also aesthetics of politics ; “Diary of a Martyr” (Juan Clemente Zenea Boricua Movement ; Chicano Movement 1871), 14 Culture Clash, 92 , 103 – 104 , 131 – 132 diaspora: Central American, xx ; concept of, Culture Wars, 93 , 94 – 95 xxxiii ; Cuban, xix ; Hispaniolan, xxvn8 ; Curandera (Carmen Tafolla 1983), 105 Jewish, 238 ; Latin American, 18 , 149 ; Cyborg Theory, 213 – 214 , 215 , 220 , 226 Latin “diaspora,” 198 – 204 , 209n14 ; in literature, xxiii ; Mexican, 41 – 42 ; Puerto Dalleo, Raphael, 132 Rican, xxviii, xxvn10 , 25 , 31 , 45 – 52 , Danticat, Edwidge, xxi , 82 – 84 , 87 60 ; queer, 179 ; and status identifi cations, Danube, The (María Irene Fornés 1982), 101 112 – 113 Darío, Rubén, 30 Díaz, Junot: and Cold War themes, 82 – 84 ; Davis, Allison, 199 and Dominican American life stories, Daydí-Tolson, Santiago, 100 119 , 170 ; and education, 111 ; and fukú, Days of Awe (Achy Obejas 2001), 180 , 200 ; and invisibility, 124 – 125n41 ; and 237 , 238 migration narratives, 231 , 239 ; and 1990s, Days of Obligation: An Argument with my xxi , xxxi ; and postrace aesthetics, 132 – Mexican Father (Richard Rodriguez), 173 133 ; and Pulitzer, xxii , 116 , 181 , 191n10 ; Day the Cisco Kid Shot John Wayne, The on Spanglish, 206n4 (Nash Candelaria 1988), 107 Díaz, Porfi rio, 18 de Acosta, Mercedes, 186 – 187 , 193n29 Díaz-Cotto, Juanita, 188 debt peonage, 27 , 39 Díaz Guerra, Alirio, xviii de Burgos, Julia, xviii , 17 , 25 , 147 , 152 “Dictatorships and Double Standards” Decade of Hispanic Literature, A: An (Jeane Kirkpatrick 1979), 74 Anniversary Anthology (1982), 95 Dictionary of Literary Biography, The decimas , 149 , 150 (1989), 99 Deck of Deeds (Rodrigo Toscano 2012), digital natives, xxxiii 134 – 135 Dirty Girls Social Club, The (Alisa declamación , 147 , 150 Valdes-Rodriguez 2003), xxi “Declaration 1968” (Miguel Piñero), 63 disidentifi cation, xxxi – xxxii , 130 , 141n1 de Hoyos, Angela, 108 , 157 Disidentifi cations: Queers of Color and de la Luz, Caridad “La Bruja,” 152 the Performance of Politics (José Esteban de la Selva, Salomón, xviii , 17 , 18 – 19 , 20 , Muñoz 1999), 179 22 , 29 – 31 , 32 Disparities, The (Rodrigo Toscano de Leon, Nephtali, 148 2002), 134 Deleuze, Gilles, 8 DNA testing, 201 – 202 , 207n8 , 208n9 , Delgado, Abelardo, 148 208 – 209n12 Delgado, Lalo, 152 Dominican Republic: and migration to Delia’s Song (Lucha Corpi 1989), xx , 108 United States, xxiv , xxvii , xxx ; and Puerto Delille, Jacques (L’Abbé), 3 Rican communities, xxxiii – xxxiv ; and U.S. de los Reyes, Guillermo, 188 intervention, xviii , xxix , 79 – 80 ; and U.S. Denver Youth Conference, 68 occupation, xix . See also specifi c writers Desde el EpiCentro: An Anthology of US Don Chipote, Or When Parrots Breast-Feed Central American Poetry (2007), 131 (Daniel Venegas 1928), 25 , 26 – 27 Desert Blood: The Juarez Murders (Alicia Douglass, Frederick, 199 Gaspar de Alba 2006), 180 Down These Mean Streets (Piri Detained in the Desert (Josefi na López Thomas 1967), xix , 59 – 60 , 171 – 172 , 2010), xxii , 243 199 – 200 , 233 252

Index

Downtown (Jimmy Santiago Baca El Teatro Campesino, 102 1981), 105 “El Vendido” (José Montoya 1969), 65 Dreaming in Cuban (Cristina García 1992), Eminent Maricones: Arenas, Lorca, Puig, xx , 84 , 118 – 119 , 235 – 236 and Me (Jaime Manrique 1999), 185 Drown (Junot Díaz 1996), xxi , 82 , 119 , Empire of Dreams (Giannina Braschi 1994), 170 , 239 136 , 187 Du Bois, W. E. B., 199 , 205 Emplumada (Lorna Dee Cervantes 1981), Dufoix, Stéphane, 203 xx , 105 Dunbar, Paul Laurence, 199 En babia (José Isaac de Diego Padró Dúran, Isabel, xxxii , xxxvn9 1940), 183 Duster, Troy, 201 Enclave (Tato Laviera 1981), 104 Duvalier regimes, 74 , 76 , 82 – 84 Engel, Patricia, 131 English language: and assimilation, 169 – Ebed, Sheryl Carolina, 158 170 ; and Latina/o literary studies, xxv ; Editorial Bilingüe / Bilingual Review, 91 and literature, 42 – 43 ; and LULAC, 38 – 39 ; Eimer, Margaret, xviii , 186 and Mexican American writers, xxix ; and El Bronx Remembered: A Novella and María Amparo Ruiz de Burton, 10 Stories (Nicholasa Mohr 1986), 106 English-only laws, 94 El Cóndor and Other Stories (Sabine “Escape” (Margarita Virginia Sánchez Ulibarrí 1988), 107 1973), 64 – 65 El Coro: A Chorus of Latino and Latina Espada, Martín, xx , 106 , 149 , 152 Poetry (1997), 152 Espinoza, Dionne, 66 El cuento de la mujer del mar (Manuel Espinoza, Lauren, 154 Ramos Otero), 182 Esquibel, Catrióna Rueda, 185 , 189 , Elements of San Joaquin, The (Gary Soto 194n42 , 195 1977), xix , 106 essentialism, 68 , 129 , 167 , 217 – 219 , El Filibusterismo (José Rizal 1891), 22 – 23 220 – 222 , 228 El Grito: A Journal of Contemporary Estampas del Valle y otras obras (Rolando Mexican American Thought , 67 , 152 Hinojosa-Smith 1973), xix , 60 , 67 El imperio de los sueños (Giannina Braschi Esteves, Sandra María, 104 , 147 – 148 , 151 1988), 136 , 187 Estrada, Gabriel, 188 Eliot, T. S., 31 ethnicity, 10 – 11 , 179 . See also specifi c Elizondo, Sergio, 148 ethnicities El laúd del desterrado (1858), xvii , 7 , ethno-cyborgs, 217 , 220 – 225 , 226 , 228n3 12 – 13 , 14 “Ethno-Techno: A Virtual Museum of El libro de la muerte (Manuel Ramos Otero Radical Latino Imagery and Fetishized 1985), 185 Identities” (1998-2000), xxi El Louie (José Montoya 1970), xix Everything Begins and Ends at the Kentucky El Mensagero Semanal (Philadelphia and Club (Benjamin Alire Sáenz 2013), 181 New York 1828–29), 6 , 8 – 9 exiles: and Cold War, 75 – 76 ; and Cristina El Mundo Zurdo, 96 García’s books, 84 – 85 ; Cuban, xxviii , 4 , El Museo del Barrio, 152 11 – 13 , 92 , 239 ; and El Salvador, 87 ; and El Plan Espiritual de Aztlan (Rodolfo 1990s, 112 – 113 ; and Spanish language, 8 ; “Corky” Gonzales, Alurista, and Juan and trans-American writing, 14 Gómez-Quiñones), 64 Exiles of Desire (Juan Felipe Herrera El reino de la espiga (Víctor Fragoso 1973), 1983), 106 182 , 185 Exposition Park (Roberto José Tejada El Salvador: and exiles, 76 ; and migration to 2010), 137 United States, xix – xx , xxx ; and repression, 87 – 88 ; and U.S. intervention, xxix , 74 , 75 Fábregas, Virginia, 33n3 El Soldado Desconocido (The Unknown facultad , 155 Soldier ) (Salomón de la Selva 1922), 30 Falconer, Blas, 195 “El Sol y los de Abajo” (José Montoya), 151 Falconi, José Luis, 196 253

Index

Family Installments: Memories of Growing Gamber, John, 218 Up Hispanic (Edward Rivera 1982), Garbo, Greta, 187 xx , 109 Garbo’s Cuban Lover (Odalys Nanin Famous All Over Town (Daniel James/ 2001), 187 Danny Santiago 1983), 92 García, Cristina: and Cold War themes, Fanon, Frantz, 57 , 120 , 206 – 207n6 84 – 87 , 88 ; and Cuban American writing, Farming of Bones, The (Edwidge Danticat 118 – 119 ; and education, 94 ; and 1997), 82 migration narratives, 231 , 235 , 237 ; and Farolitos of Christmas, The (Rodolfo Anaya multicultural canon, 111 ; and 1990s, 1987), 107 xx , xxxi Father Is a Pillow Tied to a Broom (Gary García, John, 99 Soto 1980), 106 García, Ofelia, 152 Faymonville, Carmen, 165 Garcia, René, 225 – 226 Fefu and Her Friends (María Irene Fornés Garcia Camarillo, Cecilio, 152 1977), xix , 187 García Lorca, Federico, 185 , 186 feminism: Chicana, 31 , 66 , 120 – 121 , 153 ; Gaspar de Alba, Alicia, 98 , 105 , 180 , 185 and cyborgs, 215 ; and Latina/o literature, Gay and Lesbian Literary Heritage (David xx , xxvii , xxx , 96 – 97 ; and poetry, 104 Román 1995), 189 Fernandez, Evalina, 104 Gay Cuban Nation (Emilio Bejel), 183 Fernández, Roberto, 95 , 108 Gay Hegemony/Latino Homosexualities Fernández Olmos, Margarite, 188 (Manolo Guzmán), 182 Ferrá, Max, 101 Gay Latino Studies: A Critical Reader Ferrer, Ada, 24 (Michael Hames-García and Ernesto Fifth Horseman, The (José Antonio Villarreal Javier Martínez 2011), 179 , 180 – 181 , 189 1984), 108 gender: and American dream, 29 ; and Figueroa, Sotero, 24 cyborgs, xxxiii , 221 ; and Hispaniola, Fiol-Matta, Licia, 187 82 ; and Latina identity, 96 , 97 ; and Five Indiscretions: A Book of Poems latinidades , 5 ; and life writing, 174 ; and (Alberto Ríos 1985), 106 Mexican American culture, 38 – 39 , 42 – 43 , Five Poets of Aztlán (1985), 100 66 ; and migration, 165 ; and 1980s, 92 – 93 , Flaco Maldonado, Jesus, 158 107 ; and 1990s, 111 ; and Nuyoricans, 48 , Flores, Juan, 24 , 25 , 196 60 ; and poetry, 105 , 137 , 154 , 155 ; and Flores, Paul S., 152 queer scholarship, xxxii , 178 – 180 , Floricanto, 95 183 – 185 , 187 ; in Rag Doll Plagues , 218 Flor y Canto IV and V (1980), 99 Generacíon del ‘40, 51 – 52 Forché, Carolyn, 87 , 88 Geographies of Home (Loida Maritza Pérez Fornés, María Irene, xix , xxx , 100 – 101 , 187 1999), xxi , 119 – 120 Foster, Sesshu, xxi , 133 – 134 , 142n6 George Washington Gómez: A Mexicotexan Foster, Thomas, 224 Novel (Américo Paredes 1990), xviii , 40 – 42 Fractured Humorous (Edwin Torres Getting Home Alive (1986), 105 1999), 138 Gilb, Dagoberto, xxi , 107 , 173 Fragoso, Víctor, 182 , 185 , 188 Gilded Age, xxviii , 19 Friedman, Milton, 114 , 115 Giménez Smith, Carmen, 149 , 156 From Macho to Mariposa: New Gay Latino Giving Up the Ghost: Teatro in Two Acts Fiction (2011), 190 (Cherríe Moraga 1986), xx , 104 From the Restless Roots (Ray González “God in Harlem” (Pedro Juan Soto 1986), 106 1956), 50 – 51 Full Foreground (Roberto José Tejada Goldenboy (Michael Nava 1988), 108 , 180 2012), 137 Golden Glass (Alma Villanueva 1981), 105 Fusco, Coco, xx Goldman, Francisco, xxi , 231 , 240 “Gold Vanity Set, The” (María Cristina Galería de La Raza, 226 Mena), 31 Galvin, Mary, 155 Gómez, Alma, 96 254

Index

Gómez, Carlos Andrés, 152 Hernandez, Daniel, 140 – 141 Gomez, Marga, 103 – 104 Hernandez, Jason, 152 Gómez-Peña, Guillermo, xx , xxi , xxxiii , 104 , Hernandez, Lauro, 156 217 , 220 – 225 , 226 Hernandez, Leticia, 156 Gómez-Quiñones, Juan, 64 , 151 Hernández Ávila, Inés, 148 , 152 Gonzales, Rodolfo “Corky,” xix , 63 – 64 , Hernández Cruz, Victor, 106 148 , 151 Hernández-G, Manuel de Jesús, 187 Gonzales-Berry, Erlinda, 100 Hernández Tovar, Inés. See Hernández González, Genaro, 95 , 108 Ávila, Inés González, Jennifer, 214 – 215 , 217 , 227 – 228 Herrera, Brian, 116 González, John Morán, xxxivn4 , 15n14 Herrera, Juan Felipe, 106 González, Jovita, xviii , xxviii , 36 , 38 – 40 , Herrera-Sobek, María, 98 , 105 183 , 186 Hidden Law, The (Michael Nava 1993), 180 González, Ray, 106 Hijuelos, Oscar, xx , xxx , xxxi , 94 , 107 González, Rigoberto, 152 , 154 , 155 – 156 , Hinojosa, Rolando. See Hinojosa-Smith, 158 , 181 Rolando Good Neighbor Policy, xviii , 75 Hinojosa-Smith, Rolando, xix , 60 , 67 , Gordon-Reed, Annette, 201 – 202 95 , 107 Grande, Reyna, xxi , 231 , 240 , 242 – 243 Hispanic Caribbean Literature of Migration Great Depression, xviii , 36 – 37 , 42 , 52 (Vanessa Pérez Rosario), 239 Grillo, Evelio, 198 – 199 Hispanic Condition, The (Ilan Stavans), Gritos (Dagoberto Gilb 2004), 173 169 , 172 Gronk, 189 Hispanic Playwright Laboratory at INTAR, Growing Up Inside the Sanctuary of My xxx , 101 – 102 , 103 Imagination (Nicolasa Mohr 1994), 117 Hispanics in the United States: An Anthology Gruesz, Kirsten Silva, 4 , 17 , 18 of Creative Literature (1980), 98 Guam, xviii Hispaniola, xxx , 82 Guardians, The (Ana Castillo 2007), 242 Hoffnung-Garskof, Jesse, 24 Guatemala: and exiles, 76 ; and migration to Hoheb, Elena, 31 – 32 United States, xix – xx , xxx ; and repression, “Hollywood Memorabilia” (Manuel Ramos 77 – 78 ; and U.S. intervention, xxix , Otero), 188 73 – 74 , 75 homophobia, xxx , 181 – 182 , 189 , 191n10 Guattari, Félix, 8 Honduras, xix – xx , xxx Guerra, Erasmo, 180 Horno-Delgado, Asución, 99 Guerrero, Laurie Ann, 155 Hospital, Carolina, 99 Guevara, Ernesto “Che,” 138 House of Ramon Iglesia, The (José Rivera Guidotti-Hernández, Nicole, 186 1983), 103 , 138 Gutiérrez, Laura G., 185 – 186 House on Mango Street, The (Sandra Guzmán, Manolo, 182 Cisneros 1984), xx , 91 , 106 , 174 Howard, David, 203 Haiti, xviii , xxix , xxx How Else Am I Supposed to Know I’m Still Haley, Alex, 201 , 207n7 Alive (Evalina Fernández 1989), 104 Hames-García, Michael, 179 , 180 – 181 , How Junior Got Throwed in the Joint 188 , 189 (Denise Chávez 1981), 103 Handbook to Luck, A (Cristina García How the García Girls Lost Their Accents 2007), 84 – 85 (Julia Alvarez 1991), xx , 79 , 119 , 170 , Haraway, Donna, 213 – 214 , 215 , 216 , 235 , 239 220 , 224 Howtown (Michael Nava 1991), 180 Harden, Jacalyn D., 205 Huerta, Jorge, 102 Harth, Dorothy E., 152 Hughes, Langston, 199 Heredia, José María, 3 – 4 , 8 – 10 , 12 – 13 Hunger of Memory: The Education of Here Lies the Heart (Mercedes de Acosta Richard Rodriguez (1981), xx , 108 – 109 , 1960), 187 162 , 169 – 170 , 173 255

Index

Huxley, Aldous, 31 Invention of Ethnicity, The (Werner Huysmans, Joris-Karl, 183 Sollors), 167 Invitation, The (Ana Castillo), 155 I, Carmelita Tropicana: Performing Between Island of Eternal Love, The (Daína Chaviano Cultures (Alina Troyano 2000), xxi , 186 2008), 141 I, Rigoberta Menchú (1982), 77 – 78 Islas, Arturo, xx , 108 , 188 – 189 I Am Joaquin (Rodolfo “Corky” Gonzales 1967), xix , 63 – 64 , 151 Jacob Slovak (Mercedes de Acosta identity, xxv , 92 , 113 , 175 , 178 – 179 . See also 1923), 186 specifi c identities James, William, 19 I Don’t Have to Show You No Stinking Jehanne d’Arc (Mercedes de Acosta Badges (Luis Valdez 1986), 102 1922), 186 Iglesias, César Andreu, 184 Jewish diaspora, 238 Iguana Killer, The: Twelve Stories of the Jicoténcal (1826), xvii , 7 Heart (Alberto Ríos 1984), 107 Jim Crow, 199 Immigrants in Our Own Land & Selected Jiménez, Francisco, 98 Early Poems (Jimmy Santiago Baca Jiménez Román, Miriam, 196 1982), 105 Johnny Tenorio (Carlos Morton 1983), 103 immigration reform, xix , xx , 232 “John of God, the Water-Carrier” (María “Impressions of America (By a Very Fresh Cristina Mena 1928), 31 Spaniard)” (1880), 21 Johnson, James Rosamond, 199 In Cuba I Was a German Shepherd (Ana Johnson, James Weldon, 199 Menendez 2001), xxi , 239 Jones-Shafroth Act, xviii , 44 indigenous languages, xxiv , xxv , 155 Juana de Asbaje. See Sor Juana Inés de inequality, 22 , 60 , 113 , 115 – 116 la Cruz Inheritance of Strangers (Nash Candelaria Juárez, Benito, xvii , 12 1985), 107 “Innocents, The” (Pedro Juan Soto Kanellos, Nicolás, 26 – 27 , 29 , 95 , 102 1956), 49 Kazan, Elia, 62 In Nueva York (Nicholasa Mohr 1988), 106 Keating, AnnLouise, 187 , 189 In Search of Bernabé (Graciela Limón 1993), Keller, Gary, 95 , 98 xxi , 241 Kennan, George F., 72 – 75 , 87 interlingualism, 156 Kertbeny, Karl-Maria, 182 , 184 International Monetary Fund (IMF), 115 Killer crónicas: Bilingual memories/ Internet, xxi , xxvii , xxxiii , 157 , 187 , Memorias bilingües (Susana 220 – 226 Chávez-Silverman 2004), 140 intersectionality, 179 King, Rodney, 80 , 242 intertextual references, 136 , 141n1 King of Cuba (Cristina García 2013), 84 In the American Grain (William Carlos Kirkpatrick, Jeane, 74 – 75 , 87 Williams 1925), xviii , 32 Kitchen Table: Women of Color Press, 96 In the Eye of the Hurricane (Eduardo Klail City (Rolando Hinojosa 1987), 107 Machado 1989), 103 Krik? Krak! (Edwidge Danticat 1996), 82 In the Function of External Circumstances Kundiman, 157 (Edwin Torres 2010), 138 In the Name of Salomé (Julia Alvarez 2000), La Bamba (Columbia Pictures 1987), 102 79 , 237 La Bodega Sold Dreams (1980), 103 In the Time of the Butterfl ies (Julia Alvarez La carreta (René Marqués 1954), xix , 1994), 79 – 80 , 119 xxviii – xxix , 45 – 47 Into the Beautiful North (Luís Alberto Urrea La Carreta Made a U-Turn (Tato Laviera 2009), 237 1984), xx , 52 , 104 Inventing a Word: An Anthology of La comedia profana (Giannina Braschi Twentieth-Century Puerto Rican Poetry 1985), 187 (1980), 152 La Corregidora , 150 256

Index

La Crónica , 153 writing, 17 , 19 – 22 . See also specifi c La Crónica de Laredo , 150 writers Lady Matador’s Hotel, The (Cristina García latinidades : and identity, xxxi – xxxii , 5 – 6 , 2010), 84 – 87 , 88 132 , 142n1 ; and Latin@ literatures, 129 – La Fountain-Stokes, Lawrence, xxxii – xxxiii , 130 , 141 ; and Latina/o literary studies, xxxvn10 xxiv ; and migration, xxiii , xxvii , xxx , La Malinche, 65 , 215 xxxiii – xxxiv , 17 – 19 ; and poetry, 149 – 153 , Lambda Literary Awards, 180 , 191n7 156 – 157 ; and race, 24 , 142n4 Lambda Literary Foundation, 181 Latining America (Claudia Milian La novelabingo (Manuel Ramos Otero), 182 2009), 130 La Patria (New Orleans 1846–50), 6 Latin Jazz (Virgil Suárez 1989), xx , 108 La Pocha Nostra, xxi , xxxiii , 220 Latin Moon in Manhattan (Jaime Manrique La Prensa , 150 , 152 1992), 189 La Raza Techno-Crítica Collective, 226 Latino/a Canon and the Emergence of La República (San Francisco 1885), 6 Post-sixties Literature, The (2007), 132 Las Aventuras de Don Chipote, o Cuando Latino Writers Collective, 157 los pericos mamen (Daniel Venegas 1928), Laurencio, Angel Aparicio, 152 xviii , 25 , 26 – 29 La Verdad (New York 1848–60), 6 Las Mujeres Hablan: An Anthology of La vida es sueño (Calderón de la Barca), 136 Nuevo Mexicana Writers (1988), 100 Laviera, Tato, xx , xxx , 52 , 95 , 104 , 151 Las Poetas, 156 – 157 La Voz de la América (New York Last of the Menu Girls, The (Denise Chávez 1865–67), 6 1986), xx , 106 Lawrence, D. H., 31 Latin@: authors, 130 , 140 ; dramatists, 138 ; Lazo, Rodrigo, xxvii , xxxivn2 literature, xxxi – xxxii , 141 , 147 ; poetics, League of United Latin American Citizens 149 , 153 , 159 , 161 ; poets, 148 , 154 – 158 ; (LULAC), 38 , 40 – 42 , 52 population, 128 , 141 Leal, Luis, 98 Latina feminism. See feminism Leaños, John Jota, 225 – 226 Latina Feminist Group, 121 – 122 Lebrón, Lolita, 44 Latin America, xxvii – xxviii , 18 , 192n16 Legend of La Llorona, The: A Short Novel Latin American Studies, xxiv – xxv (Rodolfo Anaya 1984), 107 Latina/o identity, 94 , 196 – 197 Let It Rain Coffee (Angie Cruz 2006), xxi , Latina/o literature: in 1980s, 109 – 110 ; in 235 , 239 – 240 1990s, 122 – 123 ; and anthologies, 98 – 100 ; LGBTI Latina/o authors, 178 , 181 . See also and criticism, 97 – 98 ; and Culture Wars, queer U.S. Latina/o literature 93 , 94 ; and feminism, 96 – 97 ; and history, Life and Opinions of Tristram Shandy, 14 ; and journals, 95 – 96 ; and life writing, Gentleman, The (Laurence Sterne), 136 163 ; and literary studies, xxiv , 17 , 77 ; Life Span (Alma Villanueva 1984), 105 and neoliberalist individualism, xxxi ; and life writing, xxvii , xxxii , xxxvn9 , 163 – 165 , 1980s, 91 – 92 ; and poetics, xxxii ; and 171 – 172 , 175 . See also autobiography ; queer literature, 189 memoir ; testimonio Latina/o migrant workers, 234 – 235 Lima, Lázaro, 190 Latina/o playwrights, 100 – 104 Lima, Rossy Evelin, 149 , 156 Latina/o Studies, xxiv – xxv , 196 Limón, Graciela, xxi , 231 , 234 , 238 , 241 Latina/o writers: and art versus politics, Limón, José, 148, 150 101 – 102 ; and Cold War themes, 77 – 78 ; Line of the Sun, The (Judith Ortiz Cofer and cultural nationalism, 68 ; and life 1989), 108 writing, 122 – 123 , 163 – 164 , 167 ; and Literature Chicana – Creative and Critical migration narratives, 231 , 243 – 244 ; and Writings Through 1984 (1985), 100 modernism, 29 – 32 ; and 1980s, xxx , 91 , Little Death (Michael Nava 1986), 108 94 ; and 1990s, xxxi ; and pioneers, 60 – 61 ; Living Up the Street: Narrative Recollections and queer literature, 180 ; and symbolic (Gary Soto 1985), 109 homelands, 66 – 67 ; and trans-American Locke, Alain, 24 , 199 257

Index

Loida Pérez, Maritza, xxi , 119 – 120 , Maldonado, Sheila, 152 124 – 125n41 Mambo Kings Play Songs of Love, The Lomas, Laura, xxviii , xxxivn3 , 183 (Oscar Hijuelos 1990), xx , xxxi , 107 Lomelí, Francisco, 98 , 99 Manifest Destiny, xxvii , 11 Loomer, Lisa, 102 Manrique, Jaime, 108 , 185 , 189 “Loose Woman” (Sandra Cisneros), 155 Many Deaths of Danny Rosales, The, López, Antonio, 24 and Other Plays (Carlos Morton López, Josefi na, xxii , 102 , 104 , 231 , 243 1983), 103 López, Lorraine M., 195 Margarita Poems, The (Luz Maria Umpierre López, Marissa, 69 1987), xx , 105 , 155 , 186 , 188 López, Tiffany Ana, xxx María Irene Fornés: Plays (1986), 101 “Lorca” (Manuel Ramos Otero 1985), 185 Mariel exodus, xx , 118 , 236 Lorca in a Green Dress (Nilo Cruz Marín, Francisco Gonzálo, 24 2003), 185 MARIPOSAS: A Modern Anthology of Lorde, Audre, 96 Queer Latino Poetry (Emanuel Xavier Lord of the Dawn: The Legend of 2008), 190 Quetzalcóatl (Rodolfo Anaya 1987), 107 Marqués, René, xix , xxviii – xxix , 36 , 45 – 47 Los Angeles Latino Writers Márquez, Antonio, 99 Association, 95 – 96 Márquez, Teresa, 100 Los Cybrids, xxi , xxxiii , 217 , 225 – 227 Martí, José: on inequalities, xxviii ; as literary Los otros cuerpos: antología de temática fi gure, 7 ; and “Nuestra América,” xvii ; and gay, lésbica y queer desde Puerto Rico y su poetic legacy, 147 ; and queer scholarship, diáspora (2007), 190 183 ; and trans-American writing, 17 , los sediciosos , xviii , 38 18 – 19 ; and transculturation, 20 – 23 , 33n2 ; Los Vendidos (Luis Valdez 1967), xix , 65 and U.S. expansionist ideology, 5 lotería , 140 Martín: &, Meditations on the South Valley Loving in the War Years (Cherríe Moraga (Jimmy Santiago Baca 1987), 105 1983), xx , 92 , 109 , 155 , 174 – 175 , 188 Martinez, David Thomas, 156 Lowry, Elizabeth, 136 – 137 Martínez, Demetria, xxi , 98 , 105 , 241 Lozano-Hemmer, Rafael, 221 , 222 , 224 Martínez, Ernesto Javier, 180 – 181 , Lucas Guevara (Alirio Díaz Guerra 188 , 189 1914), xviii Martínez, Julio, 99 Lugo, A. B., 152 Martínez, Nina Marie, xxi , xxxii , 129 , Luna, Tito, 152 139 – 140 lynching, 23 Martínez, Pablo Miguel, 155 , 157 “Lynching of the Italians, The” (José Martí Martínez-Echazabál, Lourdes, 23 1891), 21 – 22 Marzán, Julio, 152 Matilla, Alfredo, 152 Maceo, Antonio, 23 Mayer, Oliver, 102 Machado, Eduardo, 102 , 103 Mazzotti, José Antonio, 196 Machado Sáez, Elena, 132 Melendez, Miguel “Mickey,” 62 MACHA Theater Company, 187 memoir, xxxii , 108 – 109 . See also life writing Macho Camacho’s Beat (Luis Sánchez Memorias (Hilario Coronado Cuello), 154 1980), 107 Memory Mambo (Achy Obejas 1997), Macondo, 156 , 157 xxi , 180 MacPherson, C. B., 114 Mena, María Cristina, xviii , 17 , 18 , 20 , 22 , Macum, Carl, 156 25 , 29 – 31 Madero, Francisco I., 18 Menchú, Rigoberta, 77 – 78 , 81 , 85 – 86 , 87 Magic of Blood, The (Dagoberto Gilb Méndez, Miguel, 60 , 148 1993), xxi Mendoza, Celeste, 157 Mainstream Ethics: Etica Corriente (Tato Menéndez, Ana, xxi , 231 , 239 Laviera 1988), 104 Mercado, Nancy, 152 Maldonado, Erik, 152 Mercado-López, Larissa, 155 258

Index

mestizaje : discourse of, 196 , 215 – 219 , 228 ; Modern Ladies of Guanabacoa, The and Latino identity, 69n4 , 163 ; and life (Eduardo Machado 1983), 103 writing, 167 ; and virality, 220 – 225 Mohr, Nicholasa, xix , 59 – 60 , 106 , 117 – 118 mestiza/o cyborgs, 215 – 216 , 226 , 228 Monkey Hunting (Cristina García 2003), Mexican American literature, xxix , 36 – 37 , 84 , 237 52 – 53 . See also specifi c writers Monroe Doctrine, xvii , xxvii Mexican Ballads, Chicano Poems: History Montalvo, Jose, 148 and Infl uence in Mexican American Social Monthly Criterion, The , 31 Poetry (José Limón), 150 – 151 Montoya, José, xix , 65 , 94 , 104 , 148 , Mexican Revolution, xviii , 42 , 59 151 , 154 Mexican Silhouettes (Josefi na Niggli Montoya, Richard, 92 , 103 – 104 1928), 150 Moods (Mercedes de Acosta 1919), 187 Mexico: and American dream, 168 ; and Mora, Pat, 105 , 154 Chicana/o movement, 66 – 67 , 98 ; and Moraga, Cherríe: on Chicano nationalism, Chicano literature, 60 – 61 ; and fronteriza 68 ; drama of, 104 ; and education, 94 ; and fi ction, 139 ; and Latina/o literature, 17 – intersectionality, 92 ; and Kitchen Table: 18 , 22 , 29 – 30 ; and life writing, 173 ; and Women of Color Press, 96 ; and María LULAC, 38 , 41 ; and mestizaje , 217 – 218 ; Irene Fornés, xxx , 101 ; memoir of, 109 , and Mexican American literature, 37 , 40 ; 174 – 175 ; in 1980s, xx ; poetry of, 155 ; and migration, xviii , 3 – 4 ; and migration and queer scholarship, 179 , 181 , 182 , narratives, 11 – 12 , 28 , 233 – 234 , 237 , 241 – 188 , 189 ; and South Coast Repertory’s 243 ; and NAFTA, xxi , xxx – xxxi , 115 ; Hispanic Playwrights Project, 102 ; and and 1990s, 111 ; and poetry, 149, 150 , Third Woman Press, 97 154 , 157 , 159n1 ; and queer literature, Morales, Alejandro, xx , 216 – 218 , 228 185 – 186 ; and U.S.-Mexican War, xvii , Morales, Aurora Levin, 105 xxvii , 5 , 10 , 39 Morales, Ed, 197 Midwest Latina Writers Workshop, 97 Morales, Rosario, 105 migration: and American dream, 238 – 244 ; Morán González, John. See González, and “double-crossing,” 205 ; and John Morán latinidades , xxx – xxxiv , 17 – 18 , 128 , Moreno, Dorinda, 152 130 ; and life writing, 165 ; narratives of, Morton, Carlos, 102 , 103 118 – 119 ; and 1990s, 111 ; and poetics, Mother Tongue (Demetria Martínez 1994), 150 ; and poverty, 116 – 117 , 125n42 ; and xxi , 241 queer literature, 181 ; and transnational Moths and Other Stories, The (Helena identities, 231 , 233 – 235 , 237 María Viramontes 1985), xx , 106 , Milian, Claudia, xxxiii , xxxvn11 , 130 – 131 , 240 – 241 141 , 142n4 Movement, Machete, 152 Millay, Edna St. Vincent, 30 Movements in Chicano Poetry , 156 Miller, Marilyn, 216 Mud (María Irene Fornés 1983), 101 minor literature, 8 , 10 , 14 , 20 Mujeres Fuertes, 157 Mi Opinión Sobre las Libertades, Derechos Mundo Cruel (Luis Negrón 2010), xxii , y Deberes de la Mujer (Luisa Capetillo 181 1911), 183 – 184 Muñoz, Carlos Jr., 63 – 64 Mirrors for Gold (Roberto José Tejada Muñoz, Elías, 95 , 108 2006), 137 Muñoz, José Esteban, 179 Mission, The (Culture Clash 1988), 104 Muñoz, Manuel, xxi Mission Street Manifesto: For All Varrios Muñoz Marín, Luis, 45 (Juan Felipe Herrera 1983), 106 Murray, Yxta Maya, 133 Mistral, Gabriela, 187 My Father Was a Toltec (Ana Castillo 1988), Mixquiahuala Letters, The (Ana Castillo xx , 105 1986), xx , 108 “My Protocol for our Sister Americas” modernism, 17 , 29 – 32 , 37 , 46 – 47 , 52 (María Cristina Mena 1943), 22 modernismo , 17 “My Race” (José Martí), 23 259

Index

My Visits with MGM (My Grandmother Obejas, Achy, xxi , 180 , 231 , 235 , 237 , Marta) (Edit Villareal), 102 238 – 239 My Wicked, Wicked Ways (Sandra Cisneros “Ode to Walt Whitman” (Federico García 1987), xx , 105 Lorca), 185 Odyssey to the North (Mario Bencastro Nagle, Robin, 198 1998), xxi , 241 – 242 Nanin, Odalys, 187 Off and Running (Gary Soto 1986), 106 Nava, Michael, 108 , 180 , 188 “Of Time and Song” (Salomón de la Navarro, J. L., 148 Selva), 32 Necessary Theater: Six Plays About the Olguín, Ben V., 153 , 154 Chicano Experience (1989), 102 Olivares, Julián, 100 “Negro Digs up his Past, The” (Arturo Olney, James, 164 , 175 Alfonso Schomburg 1925), 24 On Borrowed Words: A Memoir of Negrón, Luis, xxii , 181 , 190 Language (Ilan Stavans 2001), 169 Negrón Muntaner, Frances, 24 On Call (Miguel Algarín 1980), 104 Nelson, Alondra, 201 , 203 , 207n8 Once Removed (Eduardo Machado neoliberalism, xxvii , xxix , xxx – xxxi , 1986), 102 112 – 113 , 114 , 115 One Night for the Sleepy (Edwin Torres Nervo, Amado, 153 2012), 138 Nevada Diggs, Latasha N., 152 One Today (Richard Blanco 2013), xxii New Negro, The (Alain Locke 1925), 24 On New Ground: Contemporary Hispanic New York publishers, xxxi American Plays (1987), 103 Next Year in Cuba (Gustavo Onomalingua: Noise Songs and Poetry Pérez Firmat), 164 (Edwin Torres 2002), 138 Nicaragua: and Salomón de la Selva, 29 – 32 ; Operation Bootstrap, xix , 37 , 45 , 117 and exiles, 76 ; and migration to United Operation Gatekeeper, 232 , 238 States, xix – xx ; and U.S. intervention, Operation Wetback, xix xvii , xxix , 73 – 75 ; and U.S. occupation, Ordinary Seaman, The (Francisco Goldman xviii , 18 , 30 1997), xxi , 240 Nieves, Myrna, 152 Ortiz, Amalia, 154 Niggli, Josefi na, 150 Ortiz, Fernando, 20 Nilda (Nicholasa Mohr 1973), xix , 59 – 60 Ortiz, Richard, xxix , xxxvn7 Noel, Urayoán, 152 Ortiz Cofer, Judith. See Cofer, Judith Ortiz North American Free Trade Agreement Osborn, M. Elizabeth, 103 (NAFTA), xxi , xxx , 115 , 137 Ostend Manifesto, xvii Norton Anthology of Latino Literature , xxiv O’Sullivan, John L., 11 Nosotras: Latina Literature Today Other Latinos, The (José Luis Falconi and (1986), 100 José Antonio Mazzotti), 196 Not by the Sword (Nash Candelaria Other Man Was Me, The (Rafael Campo 1982), 107 1994), xxi Novena Narrative (Denise Chávez “Our America” (José Martí 1891), 1987), 103 18 – 19 , 22 – 23 “Nuestra América” (José Martí 1891), xvii Our House in the Last World: A Novel Nuevos Pasos: Chicano and Puerto Rican (Oscar Hijuelos 1983), 107 Drama (1989), 102 Outrageous: One Act Plays (Miguel Piñero Numbers (John Rechy 1981), 108 1986), 103 Nuyorican literature, xxix – xxx , 37 , “Over the Waves Is Out” (Américo Paredes 44 – 52 , 59 , 76 – 77 , 92 , 188 , 233 . See also 1953), 183 Nuyorican Poets Café ; Puerto Rican literature ; specifi c writers Padilla, Genaro, 164 Nuyorican Poets Café, 67 – 68 , 71n29 , Padró, Diego, 183 – 185 104 , 138 , 151 , 157 , 158 – 159 . See also Padró, José Isaac de Diego. See Padró, Diego Nuyorican literature Palacios, Monica, 103 – 104 260

Index

Palante: The Young Lords Party (1971), 62 Plessy vs. Ferguson (1896), 23 Palés Matos, Luis, 152 Pluecher, John, 188 Palomo Acosta, Theresa, 156 Pocho (José Antonio Villarreal 1959), Panama, xx , xxix xix , xxviii , 42 – 44 , 61 , 153 – 154 , Pantallas (Dolores Prida 1986), 103 182 , 233 Papoleto Meléndez, Jesús, 68 Poema en Veinte Surcos/Poems in Paradise Lost , 3 Twenty Furrows (Julia de Burgos Paredes, Américo, xviii , xxviii , 36 , 40 – 42 , 1938), 25 150 , 151 , 153 – 154 , 183 Poems Across the Pavement (Luis J. Paredez, Deborah, 157 , 158 Rodriguez 1989), 106 Parsley Massacre, xviii Poems Taken from My Yard (Jimmy Santiago Parsons, Lucy, 24 Baca 1986), 105 Partisans (Rodrigo Toscano 1999), 134 Poesías (José María Heredia 1825), 9 Partners in Crime (Rolando Hinojosa poetics, xxxii , 61 –62 , 147 1985), 107 Poet in New York (Federico García Partnoy, Alicia, 149 , 155 Lorca), 185 Passion (Ana Maria Simo 1987), 102 Poetry Magazine , 158 Patchwork Colcha (Carmen Tafolla Poetry of Healing, The (Rafael Campo 1980), 105 1998), 180 Peña Delgado, Grace, 196 Poetry Project, 138 People of Paper, The (Salvador Plascencia police brutality, 37 , 46 2005), xxi , 135 – 136 Ponce, Mary Helen, 91 , 95 , 107 , 108 Peregrina (Judith Ortiz Cofer 1986), 105 Ponce, Puerto Rico, massacre, xviii , 44 Peregrinos de Aztlán/Pilgrims of Aztlán Pond, The (La Charca ) (Manuel Zeno (Miguel Mendez 1974), 60 Gandía 1894), 24 – 26 Pérez, David, 62 PoPedology of an Ambient Language, The Pérez, Emma, 154 (Edwin Torres 2008), 138 Perez, Frank, 152 Portillo Trambley, Estela, 67 , 103 Pérez, Reymundo “Tigre,” 148 , 152 possessive individualism, 112 – 113 , 114 , Pérez Firmat, Gustavo, 164 , 165 – 166 , 169 115 – 116 Pérez Rosario, Vanessa, xxxvn5 , 239 postrace aesthetics, 132 – 135 , 140 Pérez-Torres, Rafael, 148 , 151 , Pot, Pol, 74 156 , 216 Pound, Ezra, 30 , 32 Performing Queer Latinidad: Dance, poverty, and stereotypes, 118 , 125n42 Sexuality, Politics (Ramón Rivera-Servera Poxo (Isaac Chavarria), 154 2013), 181 Pratt, Mary Louise, 20 periodization, xxv – xxvi , xxvii Precious (Sapphire), 197 – 198 , 205 Philippines, and U.S.-Spanish War, xviii Premio Quinto Sol, 67 Picano, Felice, 190 Prida, Dolores, 103 Pietri, Pedro, xix , 62 – 63 , 67 – 68 , 104 , 148 , Promenade and Other Plays (María Irene 151 , 180 Fornés 1987), 101 Pilar, Praba, 225 – 226 , 227 Promise, The (José Rivera 1987), 102 Piñero, Miguel, xix , xxx , 63 , 67 – 68 , 95 , Pueblos Hispanos , 25 102 – 103 , 151 , 180 Puerto Rican communities, Pinochet, Augusto, 73 , 115 xxxiii – xxxiv , 59 – 60 Pita, Beatrice, 11 – 12 Puerto Rican literature, xxviii – xxix , 52 – 53 . Pitman, Thea, xxxiii , xxxvn12 See also Nuyorican literature ; specifi c Place to Stand (Jimmy Santiago Baca writers 2001), 172 Puerto Rican nationalism, 44 , 58 – 59 Plascencia, Salvador, xxi , xxxii , 129 , “Puerto Rican Obituary” (Pedro Pietri 135 – 136 1969), xix , 62 – 63 Platform (Rodrigo Toscano 2002), 134 Puerto Rican Poets/ Los poetas Platt Amendment, xviii puertoriqueños (1972), 152 261

Index

Puerto Rico: and la Generacíon del ‘40, raúlsalinas, xx , 148 , 152 51 – 52 ; and life writing, 233 , 236 ; Reading Chican@ Like a Queer (Sandra K. literature of, 31 ; and migration narratives, Soto), 179 47 , 49 , 62 – 63 , 235 , 240 ; and migration Reagan, Ronald, 74 – 75 , 87 , 197 to United States, xxx ; and nationalism, Rebolledo, Tey Diana, 100 , 155 58 – 59 ; in 1980s, 107 , 109 ; and Operation Rechy, John, xix , 108 , 181 , 182 , 188 , 189 Bootstrap, xix , 44 – 45 , 117 ; and poetry, Recovering the U.S. Hispanic Literary 150 ; and Ponce massacre, xviii ; and Heritage Project, xxv , xxvi , xxxivn1 , queer literature, 181 , 183 , 184 , 190 ; 17– 18 , 70n13 , 150 , 199 and Spanish-language newspapers, 6 ; Recuerdo: Short Stories of the Barrio (Mary and symbolic homelands, 66 – 67 ; and Helen Ponce 1983), 107 transculturation, 166 ; and U.S. empire, refugees, xxx , 112 – 113 , 241 xxviii , 6 , 19 , 24 , 36 – 37 ; and U.S.-Spanish reggaeton, 148 War, xviii Republic of Haiti, xvii Puppet: A Chicano Novella (Margarita Republic of Texas, xvii Cota-Cárdenas 1985), 108 “Resolución” (Miguel Teurbe Tolón Push (Sapphire), 197 1858), 13 Retter Vargas, Yolanda, 188 Queer Latinidad: Identity Practices, Return To Centro Histórico: A Mexican Jew Discursive Spaces (Juana María Rodríguez Looks for His Roots (Ilan Stavans 2012), 2003), 179 173 – 174 queer studies, xxvii , 109 , 179 Return to Sender (Julia Alvarez 2009), 243 “Queer Theory Revisited” (Michael Revista Chicano-Riqueña , 95 Hames-García), 179 Revista XhismeArte , 95 – 96 queer U.S. Latina/o literature, 178 , 180 , 181 , Revolt of the Cockroach People (Oscar Zeta 183 , 187 – 188 . See also LGBTI Latina/o Acosta 1973), xix , 60 authors ; sexuality Rice-González, Charles, 181 , 190 Quiñonez, Ernesto, xxi Riofrio, John, 239 Quinto Sol Publications, 67 , 71n28 , 95 Ríos, Albert Alvaro, 94 Ríos, Alberto, 106 , 107 , 154 race, 10 – 11 , 20 , 82 , 111 , 179 , 227 Rites and Witnesses (Rolando Hinojosa racialization, xxv , xxxii – xxxiii , 20 – 21 1982), 107 Rag and Bone (Michael Nava 2002), 180 Rituals of Survival: A Woman’s Portfolio Rag Doll Plagues, The (Alejandro Morales (Nicholasa Mohr 1985), 106 1992), xx , 216 – 220 , 228 Rivera, Diego, 30 Rainbow’s End (Genaro González Rivera, Edward, xx , 109 1988), 108 Rivera, José, xxxii , 102 , 103 , 129 , 138 Rain God, The (Arturo Islas 1984), xx , 108 Rivera, Tomás, xix , 60 , 67 , 95 , 105 , 106 Raining Backwards (Roberto Fernández Rivera-Servera, Ramón, 181 1988), 108 River Flows North, The (Graciela Limón Rain of Scorpions and Other Writings 2009), 234 , 238 (Estela Portillo Trambley 1975), 67 Rizal, José, 22 – 23 Raleigh, Eve. See Eimer, Margaret Robeson, Paul, 199 Rama, Angel, 20 Rocafuerte, Vicente, 4 Ramírez, Catherine, 97 Rodríguez, Andrés, 100 Ramírez, Chente, 171 Rodríguez, Jesusa, 186 Ramírez, Sara Estela, 147 , 150 , 153 Rodríguez, Juana María, 179 Ramos, Juanita, 100 , 188 , 189 – 190 Rodríguez, Luis J., xxi , 95 – 96 , 106 , 171 – 172 Ramos Otero, Manuel, 182 , 185 , 188 Rodriguez, Richard, xx , 162 , 167 , 169 – 170 , Rancho Hollywood (Carlos Morton 172 , 188 – 189 1980), 103 Rodríguez, Richard T., xxix , xxxvn6 , 108 Rancière, Jacques, 58 Rodriguez-Morales, Maria, 152 Random House, 67 Rojas, Bonafi de, 152 262

Index

Román, David, 116 , 187 , 189 Scenes from la cuenca de Los Angeles Romano-V., Octavio I., 67 y otros natural disasters (Susana Romero, Leo, 106 Chávez-Silverman 2010), 140 Romo-Carmona, Mariana, 96 , 180 Scenes from the Movie GIANT (Tino Roosevelt, Franklin, xviii Villanueva 1993), xxi Roosevelt, Theodore, 21 Schnabel, Julian, 124n40 Roots: The Saga of an American Family Schomburg, Arturo Alfonso, 23 – 24 (Alex Haley), 201 , 207n7 School of the Americas (José Rivera Rosario, Moisés Agosto, 190 2006), 138 Rúa, Mérida, 196 Schulberg, Budd, 62 Rueda Esquibel, Catrióna. See Esquibel, Schurtermandl, Silvia, 166 Catrióna Rueda Ser islas/Being Islands (Víctor Fragoso), 182 Ruiz, Ramón E., 61 sexism, xxx , 117 , 174 Ruiz de Burton, María Amparo, xvii , 5 , sexuality: and Afro-Latino-Caribbean- 7 , 10 – 12 diasporic identity, 82 ; and Latin@ poetics, Rumbaut, Rubén, 235 155 ; and Latina/o literary studies, xxv ; Rushes (John Rechy 1981), 108 and 1990s, 111 ; and queer-of-color critique, 179 . See also queer U.S. Latina/o Sadowski-Smith, Claudia, 139 literature Said, Edward, 7 Sexuality of Latinas, The (1989), 97 Saldívar, José David, 17 , 100 , 142n6 Sexual Outlaw, The (John Rechy 1981), 108 Saldívar, Ramón, 132 – 135 , 140 “Shades of the Tenth Muse” (Jovita Saldívar-Hull, Sonia, 120 González), 186 Salinas, Raúl. See raúlsalinas Shadow of a Man (Cherríe Moraga), 102 Salinas, Ric, 92 , 103 – 104 Shaking Off the Dark (Tino Villanueva Salles, Walter, 138 1984), 106 Sammy y los Del Tercer Barrio (José Antonio Shirley, Don, 99 Burciaga 1983), 107 Short Eyes (Miguel Piñero 1974), xix , Sánchez, Alex, 180 102 , 188 Sánchez, Edwin, 102 short stories, xviii , 31 , 47 – 48 , 82 , 95 , Sánchez, Luis Rafael, 107 , 180 106 – 107 , 115 , 235 , 239 Sánchez, Margarita Virginia, 64 – 65 Sidibe, Gabourey, 195 Sánchez, Marta, 100 Sigüenza, Herbert, 92 , 103 – 104 Sánchez, Martha, 148 , 151 Silén, Iván, 152 Sánchez, Ricardo, 147 , 148 , 152 , 154 Silence of the Llano, The: Short Stories Sánchez, Rosaura, 11 – 12 (Rudolfo Anaya 1982), 107 Sánchez González, Lisa, 24 , 31 , 59 – 60 , 67 Silent Dancing (Judith Ortiz Cofer 1990), Sanctuary Movement, 241 xx , 165 Sandino, Agusto César, 30 Silva, Beverly, 100 Sandoval, Chela, 215 Simo, Ana Maria, 102 “San Onofre, California” (Carolyn Forché Simply María or The American Dream 1977), 87 (Josefi na López 1989), 104 Santiago, Esmeralda, xxi , xxxi , 111 , 118 , Sleeping on Fists (Alberto Ríos 1981), 106 165 , 166 , 231 , 236 Sleepy Lagoon murder trials, 233 Santiago, Roberto F., 152 Small Faces (Gary Soto 1986), 106 Santos, Rosario, 115 Smedley, Audrey, 113 – 114 Sapogonia (Ana Castillo 1990), 91 Smith, Barbara, 96 Sapphire, 197 – 198 , 205 , 206n3 Smuggler’s Blues (Miguel Piñero 1984), Sarita (María Irene Fornés 1984), 101 103 Savings (Dolores Prida 1985), 103 Society for the Study of Gloria Saving the World (Julia Alvarez 2003), Anzaldúa, 109 79 , 237 So Hard to Say (Alex Sánchez 2005), 180 Sayre, Amy, 156 Sollors, Werner, 167 263

Index

Something to Declare (Julia Alvarez 1995), Swanson, Clare, 181 170 , 172 – 173 Swords of Darkness (Jimmy Santiago Baca Somoza, Anastasio, 73 – 74 1981), 104 – 105 “Song for Wall Street, A” (Salomón de la Selva 1918), 18 – 19 Tafolla, Carmen, 105 , 156 , 157 “Sorcerer and General Bisco, The” (María Taking Control (Mary Helen Ponce Cristina Mena), 30 1987), 108 Sor Juana and Other Plays (Estella Tattooed Soldier, The (Héctor Tobar 1998), Portillo-Trambley 1983), 103 xxi , 80 – 82 , 86 , 242 Sor Juana Inés de la Cruz, 185 – 186 Tatum, Charles, 99 Sor Juana’s Second Dream (Alicia Gaspar de Teatro de la Esperanza, 102 Alba 1999), 185 Tejada, Roberto José, xxxii , 128 – 129 , 135 , Sor Juana: The Nightmare (Carmelita 137 – 138 Tropicana 2000), 186 Tejidos , 152 Soto, Gary, xix , 94 , 95 , 106 , 109 , 148 telenovelas , 140 Soto, Pedro Juan, xix , xxix , 36 , Telephone Booth Number 190 (Pedro Pietri 47 – 51 , 60 – 61 1980), 104 Soto, Sandra K., 179 , 183 , 188 Telling to Live: Latina Feminist Testimonios Spaces That Time Missed (Olivia Castellano (2001), 121 – 122 1986), 105 Tenepal, Malintzin, 65 Spanglish, 91 – 92 , 140 , 149 , 153 , 156 , Terms of Survival: Poems (Judith Ortiz Cofer 169 , 197 1987), 105 Spanic Attack Artist Collective, 138 testimonio , xxxii , 77 – 78 , 81 , 86 , 104 , 109 , Spanish colonialism, 22 – 23 , 118 121 – 123 , 165 , 172 . See also life writing Spanish language: and assimilation, 169 – Texas Centennial, xxviii , 36 – 37 , 41 – 42 170 ; and colonialism, 7 – 8 ; and Latina/o Texas Rangers, xviii , 38 literary studies, xxv ; and LULAC, 38 – 39 ; There Are No Madmen Here (Gina Valdés and newspapers, 42 – 43 ; and Puerto Rican 1981), 105 authors, xxix ; and slang, 140 ; and U.S. Third Woman , 97 journalism, 22 Thirty An’ Seen a Lot (Evangelina Spik in Glyph? (Alurista 1981), xx , 104 Vigil-Piñón 1982), 105 Spiks (Pedro Juan Soto 1956), xix , xxix , This Bridge Called My Back (Cherríe 47 – 51 , 60 – 61 Moraga and Gloria E. Anzaldúa 1981), Squatter and the Don, The (María Amparo xx , 96 , 155 , 179 , 182 , 188 Ruiz de Burton 1885), xvii , 10 , 15n14 , “This Earth” (William Archila 2009), 88 15 – 16n15 This Is How You Lose Her (Junot Díaz), 82 Stalin, Joseph, 74 Thomas, Lorrin, 200 Starobinski, Jean, 171 Thomas, Piri, xix , 59 – 61 , 151 , 180 , St. Augustine, 171 198 – 200 , 233 Stavans, Ilan, 169 , 173 – 174 , 187 Three Times a Woman: Chicana Poetry Steiner, Stan, 67 , 152 (1989), 98 , 105 Sterne, Laurence, 136 Tierra: Contemporary Short Fiction of New Stone, Rosanne Allucquère, 220 , 224 Mexico (1989), 99 Streets and Shadow (Mercedes de Acosta Tiger’s Wild (John Rechy 1986), 108 1922), 187 Time’s Now (Miguel Algarín 1985), xx , Suárez, Lucía, xxx , xxxvn8 68 , 104 Suárez, Virgil, xx , 108 Tobar, Héctor, xxi , xxxi , 80 – 82 , 85 – 86 , 87 , Sun Always Shines for the Cool, The; a 231 , 242 Midnight Moon at the Greasy Spoon; To Leveling Swerve (Rodrigo Toscano Eulogy for a Small Time Thief (Miguel 2004), 134 Piñero 1984), 103 Tolón, Miguel Teurbe, 13 “¡Surge!” (Sara Estela Ramírez 1911), 153 Tontons Macoutes, 83 Svich, Caridad, 101 , 138 Toro, Vincent, 158 264

Index

Torres, Edwin, xxxii , 129 , 138 – 139 , United Mexican American Students 152 , 180 (UMAS), 61 – 62 Torres, Justin, xxii , xxxii , 129 , 134 United States: and American dream, 26 – 29 , Torres, Manuel, 4 231 – 232 , 238 – 240 ; and Cuba, 84 – 85 ; Toscano, Rodrigo, xxxii , 129 , 134 – 135 and cultural translation, 20 ; and diaspora, To Split a Human: Mitos, Machos y la 204 ; and El Salvador, 87 – 88 ; and empire, Mujer Chicana (Carmen Tafolla 12 – 13 , 18 , 22 ; and English, xxix , 3 ; and 1985), 105 Latin@ poetics, 150 , 157 ; and Latin Traffi cking in Broken Hearts (Edwin America, xvii – xx , xxiii , xxvii – xxviii , Sánchez), 102 73 – 78 ; Latina/o population of, 111 , Traffi c Violations (Pedro Pietri 1983), 104 123n1 , 128 ; and latinidades , xxx – xxxi , Translating Empire: José Martí, Migrant xxxiv , 17 ; and life writing, 163 –164 ; and Latino Subjects, and American mestizaje , 167 ; and Mexico, 58 – 59 ; and Modernities (Laura Lomas), 183 minority literature, 233 ; and neoliberal transnational ties, xxvi – xxvii , 235 economic policies, 115 – 117 ; and Puerto Treaty of Guadalupe Hidalgo (1848), Rico, 44 – 45 , 58 – 59 ; and queer literature, xvii , 186 xxxii – xxxiii ; and queer migration, 181 ; Tristan and the Hispanics (José Yglesias and race, 23 – 24 , 36 , 216 ; and Spanish, 8 ; 1989), 108 and Spanish-language newspapers, 6 Tropical Rains: A Bilingual Downpour United States of Banana, The (Giannina (Sandra Maria Esteves 1984), 104 Braschi 2011), 136 – 137 , 187 Tropical Town (Salomón de la Selva 1918), Uno, Roberta, 103 xviii , 18 – 19 , 32 Unpeopled Eden (Rigoberto González Tropicana, Carmelita, 186 2014), 181 Troyano, Alina, xxi Unspeakable Violence (Nicole Trujillo, Carla, 180 , 188 , 189 – 190 Guidotti-Hernández), 186 Trujillo, Rafael: assassination of, xix ; Un trip through the mind jail (raúlsalinas brutality of, 82 ; and Dominican migration 1980), xx literature, 119 , 170 , 239 ; and exiles, 76 ; Ureña, Salomé, 237 and “Parsley Massacre,” xviii ; and U.S. Urista Heredia, Alberto Baltazar. See foreign policy, xxix , 74 , 79 – 80 Alurista Trujillo, Roberto, 100 Urrea, Luís Alberto, 237 Truman, Harry S., 44 Urrieta, Luis, Jr., 196 Trumpets from the Islands of Their Eviction U.S. Central Americans, and latinidades , (Martín Espada 1987), xx , 106 xxiv , 240 Truth, Sojourner, 199 U.S. citizenship, and Puerto Ricans, xviii “Truth about the United States, The” (José U.S. colonial domination, and Puerto Martí 1894), 22 Rico, 36 – 37 Tubman, Harriet, 199 U.S. foreign policy, xxix Turner, Nat, 199 U.S. Hispanic Autobiography (1988), 100 Twain, Mark, 19 U.S. interventions, xxiii , xxvii , xxix – xxx Twilights and Chants: Poems (Ray González U.S. Latino population, 76 1987), 106 U.S.-Mexican War, xvii , xxvii – xxviii , 5 , 98 , 178 Ulibarrí, Sabine, 95 , 107 , 152 U.S.-Spanish War, xviii , xxviii , 44 , 178 Ultraviolet Sky, The (Alma Villanueva 1988), 108 Valdés, Gina, 105 Umpierre, Luz Maria, xx , 105 , 107 , 152 , Valdes-Rodriguez, Alisa, xxi 155 , 186 , 188 Valdez, Luis, xix , xxx , 64 – 65 , 67 , 95 , Under the Feet of Jesus (Helena María 102 , 233 Viramontes 1995), xxi , 234 – 235 Valens, Ritchie, 102 Union Maceo-Martí, 24 Valenzuela, Liliana, 156 United Farm Workers (UFW), 61 – 62 Valenzuela, Tony, 181 265

Index

Valle, Carmen, 100 We the Animals (Justin Torres 2012), Vallejo, Mariano, 11 – 12 xxii , 134 Valle Senties, Raquel, 154 What of the Night (María Irene Fornés Valley, The (Rolando Hinojosa 1983), 107 1989), 101 Vargas, Roberto, 149 What’s Happening (Jimmy Santiago Baca Vasquez, Richard, 107 1982), 105 Vassilarakis, Roberto, 152 What the Body Told (Rafael Campo Vázquez, Charlie, 190 1997), 180 Vega, Bernardo, 25 , 51 – 52 , 183 , 184 When I Was Puerto Rican (Esmeralda Veinte años de literatura cubanoamericana: Santiago 1994), xxi , 118 , 165 , 236 Antología 1962–1982 (1988), 152 When We Were Outlaws: A Memoir of Love Velázquez, Loreta Janeta, 183 , 185 & Revolution (Jeanne Córdova 2012), Venegas, Daniel, xviii , 17 , 20 , 25 , 26 – 29 180 – 181 Venezuela, 76 , 115 Where Sparrows Work Hard (Gary Soto Versos sencillos (José Martí), 32 1981), 106 Vida (Patricia Engel 2010), 131 Whispering to Fool the Wind: Poems Viego, Antonio, 189 (Alberto Ríos 1982), 106 Vigil-Piñón, Evangelina, 99 – 100 , 105 , 148 , Whitman, Walt, 185 152 , 154 Who Would Have Thought It (María Villa, Pancho, 18 Amparo Ruiz de Burton 1872), Villanueva, Alma, 105 , 108 xvii , 10 – 11 Villanueva, Tino, 99 , 106 , 148 , 158 Wilde, Oscar, 183 Villarreal, Edit, 102 Williams, William Carlos, xviii , 17 , 18 , 20 , Villarreal, José Antonio, xix , xxviii , 36 , 22 , 29 , 31 – 32 , 148 42 – 44 , 61 , 108 , 182 , 233 Winners on the Pass Line (Dagoberto Gilb Villaseñor, Victor, 95 1985), 107 “Vindication of Cuba” (José Martí “With all and for the Good of All” (José 1889), 20 – 21 Martí), 23 viral latinidad , 227 – 228 , 229n5 With His Pistol in His Hand (Américo Viramontes, Helena María, xx , xxi , xxxi , Paredes), 151 94 – 96 , 98 , 106 – 107 , 231 , 234 – 235 , Woman, Woman (Angela de Hoyos 240 – 241 1985), 108 Virgins, Guerrillas, and Locas (Jaime Cortez Woman Hollering Creek and Other 1999), 190 Stories (Sandra Cisneros 1991), xx , Voces: An Anthology of Nuevo Mexicano 237 Writers (1987), 99 Woman in Battle: A Narrative of the Voices of Aztlán: Chicano Literature of Exploits, Adventures and Travels of Today (Dorothy E. Harth), 152 Madame Loreta Janeta Velázquez, Volando Bajito/Low Flying (Alicia Otherwise Known as Lieutenant Harry Partnoy), 155 J. Buford, Confederate States Army von Hayek, Friedrich, 114 (1876), 183 Vourvoulias, Sabrina, 141 Woman of Her Word – Hispanic Women Write (1983), 99 – 100 Walker, William, xvii Women Are Not Roses (Ana Castillo “Washington, A” (José María Heredia 1984), 105 1825), 9 – 10 Women of Color: Perspectives on Feminism Watson, James D., 198 – 199 and Identity (1985), 97 We Came All the Way From Cuba So You Women Singing in the Snow: A Cultural Could Dress Like This? (Achy Obejas Analysis of Chicana Literature (Diana 1994), 235 , 238 – 239 Rebolledo), 155 Wedding, The (Mary Helen Ponce 1989), 108 X, Malcolm, 57 West Side Story (theater 1957; fi lm 1961), 45 Xavier, Emanuel, 190 266

Index

Ybor City, Florida, 183 , 199 “You Cramp My Style, Baby” (Lorna Dee Year of the White Bear and Two Cervantes), 65 – 66 Undiscovered Amerindians Visit the West, Young Lords, 62 , 68 The (1992-1994), xx Young Valiant (Oliver Mayer), 102 Yerba Buena: Dibujos Y Poemas (Sandra Yo-Yo Boing! (Giannina Braschi 1998), xxi , Maria Esteves 1980), 104 136, 187 Yes Mrs. Williams (William Carlos Williams), 31 – 32 Zamora, Bernice, 148 , 152 Yes Thing, No Thing (Edwin Torres Zapata, Emiliano, 18 2010), 138 Zapatista uprising, xxi , xxxi Yglesias, José, 108 Zenea, Juan Clemente, 13 – 14 . . . y no se lo tragó la tierra (Tomás Rivera Zeno Gandía, Manuel, xvii , 17 , 18 , 22 , 24 – 26 1971), xix , 60 , 67 , 106 Zigzagger (Manuel Muñoz 2003), xxi ¡Yo ! (Julia Alvarez 1997), 79 , 170 Zoot Suit (Luis Valdez 1978), xix , 102 , 233 Y Otras Desgracias and Other Misfortunes Zoot Suit (Universal Pictures 1982), 102 (Luz María Umpierre 1985), 107 Zoot Suit riots, 233

267