The Hollow Hills Free
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Queen Guinevere
Ingvarsdóttir 1 Hugvísindasvið Queen Guinevere: A queen through time B.A. Thesis Marie Helga Ingvarsdóttir June 2011 Ingvarsdóttir 2 Háskóli Íslands Hugvísindasvið Enskudeild Queen Guinevere: A queen through time B.A. Thesis Marie Helga Ingvarsdóttir Kt.: 060389-3309 Supervisor: Ingibjörg Ágústsdóttir June 2011 Ingvarsdóttir 3 Abstract This essay is an attempt to recollect and analyze the character of Queen Guinevere in Arthurian literature and movies through time. The sources involved here are Welsh and other Celtic tradition, Latin texts, French romances and other works from the twelfth and thirteenth centuries, Malory’s and Tennyson’s representation of the Queen, and finally Guinevere in the twentieth century in Bradley’s and Miles’s novels as well as in movies. The main sources in the first three chapters are of European origins; however, there is a focus on French and British works. There is a lack of study of German sources, which could bring different insights into the character of Guinevere. The purpose of this essay is to analyze the evolution of Queen Guinevere and to point out that through the works of Malory and Tennyson, she has been misrepresented and there is more to her than her adulterous relation with Lancelot. This essay is exclusively focused on Queen Guinevere and her analysis involves other characters like Arthur, Lancelot, Merlin, Enide, and more. First the Queen is only represented as Arthur’s unfaithful wife, and her abduction is narrated. We have here the basis of her character. Chrétien de Troyes develops this basic character into a woman of important values about love and chivalry. -
Structure, Legitimacy, and Magic in <Em>The Birth of Merlin</Em>
Early Theatre 9.1 Megan Lynn Isaac Legitimizing Magic in The Birth of Merlin Bastardy, adultery, and infidelity are topics at issue in The Birth of Merlin on every level. Unfortunately, most of the critical examination of these topics has not extended beyond the title page. In 1662 Francis Kirkman and Henry Marsh commissioned the first known printing of the play from an old manuscript in Kirkman’s possession. The title page of their version attributes the play to Shakespeare and Rowley, and generations of critics have quarreled over the legitimacy of that ascription. Without any compelling evidence to substantiate the authorship of Shakespeare and Rowley, many critics have tried to solve the dilemma from the other end. Just as in the play Merlin’s mother spends most of the first act inquiring of every man she meets whether he might have fathered her child, these scholars have attempted to attribute the play to virtually every dramatist and combination of dramatists on record. Beaumont, Fletcher, Ford, Middleton, and Dekker, among others, have all been subjected to the literary equivalent of a blood-test; analyses of their spelling and linguistic preferences have been made in an effort to link them to The Birth of Merlin.1 Unlike the hero of the drama, however, the play itself is still without a father, though it does have a birthdate in 1622, as has been demonstrated be N.W. Bawcutt.2 Debates over authorship are not particularly uncommon in early modern studies, but the question of who fathered the legendary Merlin, the topic of the play, is more unusual and more interesting. -
Introduction: the Legend of King Arthur
Department of History University of Wisconsin-Eau Claire “HIC FACET ARTHURUS, REX QUONDAM, REXQUE FUTURUS” THE ANALYSIS OF ORIGINAL MEDIEVAL SOURCES IN THE SEARCH FOR THE HISTORICAL KING ARTHUR Final Paper History 489: Research Seminar Professor Thomas Miller Cooperating Professor: Professor Matthew Waters By Erin Pevan November 21, 2006 1 Copyright for this work is owned by the author. This digital version is published by McIntyre Library, University of Wisconsin – Eau Claire with the consent of the author. 2 Department of History University of Wisconsin-Eau Claire Abstract of: “HIC FACET ARTHURUS, REX QUONDAM, REXQUE FUTURUS” THE ANALYSIS OF ORIGINAL MEDIEVAL SOURCES IN THE SEARCH FOR THE HISTORICAL KING ARTHUR Final Paper History 489: Research Seminar Professor Thomas Miller Cooperating Professor: Matthew Waters By Erin Pevan November 21, 2006 The stories of Arthurian literary tradition have provided our modern age with gripping tales of chivalry, adventure, and betrayal. King Arthur remains a hero of legend in the annals of the British Isles. However, one question remains: did King Arthur actually exist? Early medieval historical sources provide clues that have identified various figures that may have been the template for King Arthur. Such candidates such as the second century Roman general Lucius Artorius Castus, the fifth century Breton leader Riothamus, and the sixth century British leader Ambrosius Aurelianus hold high esteem as possible candidates for the historical King Arthur. Through the analysis of original sources and authors such as the Easter Annals, Nennius, Bede, Gildas, and the Annales Cambriae, parallels can be established which connect these historical figures to aspects of the Arthur of literary tradition. -
Cornwall in the Early Arthurian Tradition It Is Believed That an Actual “King Arthur” Lived in 6Th Century AD in the Southwe
Cornwall in the Early Arthurian Tradition Heather Dale April 2008 It is believed that an actual “King Arthur” lived in 6th Century AD in the southwestern area of Britain. A brief history lesson is needed to provide the backdrop to this historical Arthur. In 43 AD, the Romans occupied Britain, subduing the northern Pictish & Scottish tribes, and incorporating the pre-literate but somewhat more civilized Celtic peoples into the Roman Empire. The Romans intermarried with the Celts, who emulated their customs and superior technology; these Romanized Celts became known as Britons. When the Romans abandoned Britain in 410 AD, the Britons found themselves attacked on all sides: the northern tribes pushed south, the Irish raided from the west, and fierce Germanic tribes (Angles, Saxons, Jutes, Franks, Frisians) and Norsemen slowly pushed the Celts into southwestern Wales and Cornwall. Some even fled across to the Continent, establishing Brittany in western France and becoming known as Bretons. It is in this turbulent post-Roman time that a brave man, perhaps a sort of tribal chieftain, led a small force of Britons into battle with the Germanic tribes. And due to tactical skill, superior fighting prowess and/or incredible luck (we will never know) this Artorius or Arthur held back the Germanic hordes from his corner of Britain for 30 years, a full generation. This incredible feat is first mentioned in a 6th century quasi-historical Latin chronicle by the monk Gildas. Later chroniclers added detail of dubious historical accuracy but great heroism to the tale of Arthur. The Venerable Bede wrote in 731 AD about the first great victory over the Saxons at Mount Badon (surmised by some to be Liddington Castle near Swindon), and the Welsh chronicler Nennius bases his 9th century story on material from the rich Welsh storytelling tradition. -
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Early Theatre 9.1 Megan Lynn Isaac Legitimizing Magic in The Birth of Merlin Bastardy, adultery, and infidelity are topics at issue in The Birth of Merlin on every level. Unfortunately, most of the critical examination of these topics has not extended beyond the title page. In 1662 Francis Kirkman and Henry Marsh commissioned the first known printing of the play from an old manuscript in Kirkman’s possession. The title page of their version attributes the play to Shakespeare and Rowley, and generations of critics have quarreled over the legitimacy of that ascription. Without any compelling evidence to substantiate the authorship of Shakespeare and Rowley, many critics have tried to solve the dilemma from the other end. Just as in the play Merlin’s mother spends most of the first act inquiring of every man she meets whether he might have fathered her child, these scholars have attempted to attribute the play to virtually every dramatist and combination of dramatists on record. Beaumont, Fletcher, Ford, Middleton, and Dekker, among others, have all been subjected to the literary equivalent of a blood-test; analyses of their spelling and linguistic preferences have been made in an effort to link them to The Birth of Merlin.1 Unlike the hero of the drama, however, the play itself is still without a father, though it does have a birthdate in 1622, as has been demonstrated be N.W. Bawcutt.2 Debates over authorship are not particularly uncommon in early modern studies, but the question of who fathered the legendary Merlin, the topic of the play, is more unusual and more interesting. -
Introduction 1
NOTES Introduction 1 . Siân Echard, Arthurian Narrative in the Latin Tradition , Cambridge Studies in Medieval Literature 36 (Cambridge: Cambridge University Press, 1998 ), p. 14; Helen Cooper, The English Romance in Time: Transforming Motifs from Geoffrey of Monmouth to the Death of Shakespeare (Oxford: Oxford University Press, 2004 ), pp. 26–27; Anne F. Sutton and Livia Visser-Fuchs, “The Dark Dragon of the Normans: A Creation of Geoffrey of Monmouth, Stephen of Rouen, and Merlin Silvester,” Quondam et Futurus: A Journal of Arthurian Interpretations 2.2 ( 1992 ): 2 [1–19]. 2 . Julia Briggs discusses the Vortiger and Uther Pendragon plays per- formed by Philip Henslowe’s company as well as William Rowley’s The Birth of Merlin and Thomas Middleton’s Hengist , “New Times and Old Stories: Middleton’s Hengist ,” Literary Appropriations of the Anglo-Saxons from the Thirteenth to the Twentieth Century , ed. Donald Scragg and Carole Weinberg, Cambridge Studies in Anglo-Saxon England 29 (Cambridge: Cambridge University Press, 2000 ), pp. 108–9 [107–21]. 3 . For evidence supporting a late 1138 date for Geoffrey’s HRB , see Wright, introduction to HRB Bern , p. xvi [ix-lix] and John Gillingham, “The Context and Purposes of Geoffrey of Monmouth’s History of the Kings of Britain ,” Anglo-Norman Studies 13 (1991 ): 100 n5 [99–118]. 4 . Clarke, introduction to VM , p. vii [vii-50]; Echard, Arthurian Narrative , p. 218. 5 . Lee Patterson, Negotiating the Past: The Historical Understanding of Medieval Literature (Madison, WI: The University of Wisconsin Press, 1987 ), pp. 160, 201, 170, and 187; Virgil, Aeneid in Eclogues, Georgics, Aeneid I-VI , trans. -
PDF Download King Arthur and His Knights
KING ARTHUR AND HIS KNIGHTS: SELECTED TALES PDF, EPUB, EBOOK Sir Thomas Malory, Eugene Vinaver | 272 pages | 27 Mar 1975 | Oxford University Press Inc | 9780195019056 | English | New York, United States King Arthur and his Knights: Selected Tales PDF Book Gwalchmei appeared not only as a hero and a nephew of Arthur, he was also son of the goddess Gwyar. Le Morte d'Arthur Thomas Malory. Kei was the companion of Bedwyr Bedivere , and one of the warriors of Arthur. Chretien say that Gawain that his valour matched his courtesy. Marhaus killed a Duke of the South March and his six sons. He later fought in disguise as the White Knight at the tournament of Crimson Heath. Gawain sent a letter to Lancelot asking for his forgiveness and hope that Lancelot would visit his tomb at Dover Castle. Under the spell of the necklace, Sir Pellias becomes deeply infatuated with Lady Ettard. With the instructions provided by the Lady of the Lake , Arthur takes Excalibur. Thomas Malory. Lionel was also the brother of Bors de Ganis Grail hero. It was there that he wrote most, if not all, of his works, completing the last in about Gawain and his brothers continued their feud with Lamorak. Paperback Arthur Conan Doyle Books. In other version about Palemedes, he never was baptised. The popularity of the romance was that it soon spread over other countries, such as France, Germany, Britain and Ireland. The Round Table is disbursed. Dec 19, Ami Samsuri rated it did not like it. Explain to the students that while "the sword in the stone" helped make Arthur king, another sword, Excalibur, became his favorite weapon. -
The Historia Regum Brittanniae of Geoffrey of Monmouth and Roman
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2013 Translating Arthur : the Historia regum Brittanniae of Geoffrey of Monmouth and Roman de Brut of Wace George Gregory Molchan Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the English Language and Literature Commons Recommended Citation Molchan, George Gregory, "Translating Arthur : the Historia regum Brittanniae of Geoffrey of Monmouth and Roman de Brut of Wace" (2013). LSU Doctoral Dissertations. 1975. https://digitalcommons.lsu.edu/gradschool_dissertations/1975 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. TRANSLATING ARTHUR: THE HISTORIA REGUM BRITANNIAE OF GEOFFREY OF MONMOUTH AND ROMAN DE BRUT OF WACE A Dissertation Submitted to the Graduate Faculty of the of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of English by George Gregory Molchan B.A., Indiana University of Pennsylvania, 1995 M.A., Louisiana State University and Agricultural and Mechanical College, 2005 December, 2013 DEDICATION For everyone who made this dissertation possible. ii ACKNOWLEDGEMENTS Writing this dissertation has been anything but a traditional process for me. I could not have seen this journey I have been on through to the end without the guidance, emotional support, strength, and love of everyone who helped me along the way. -
"Thou Art the Lorliest Lede That Ever I on Looked": Arthur and Kingship As
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Masters Theses Graduate School 12-2017 "Thou art the lorliest lede that ever I on looked": Arthur and Kingship as Represented by the Alliterative Morte Arthure, Sir Gawain and the Green Knight, and The Awntyrs off Arthur Samuel Hardin Cox University of Tennessee, Knoxville, [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_gradthes Part of the Literature in English, British Isles Commons, and the Medieval Studies Commons Recommended Citation Cox, Samuel Hardin, ""Thou art the lorliest lede that ever I on looked": Arthur and Kingship as Represented by the Alliterative Morte Arthure, Sir Gawain and the Green Knight, and The Awntyrs off Arthur. " Master's Thesis, University of Tennessee, 2017. https://trace.tennessee.edu/utk_gradthes/4946 This Thesis is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a thesis written by Samuel Hardin Cox entitled ""Thou art the lorliest lede that ever I on looked": Arthur and Kingship as Represented by the Alliterative Morte Arthure, Sir Gawain and the Green Knight, and The Awntyrs off Arthur." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Master of Arts, with a major in English. -
“Aluen Hine Iuengen”: Fairies, Arthur, and Ideal Kingship in Lawman's Brut
"Aluen hine iuengen": Fairies, Arthur, and Ideal Kingship “Aluen hine iuengen”: Fairies, Arthur, and Ideal Kingship in Lawman’s Brut Nicholas Dalbey Deans’ Distinguished Essay Award recipient Abstract The supernatural themes that most readers know from the Arthurian stories, such as Merlin and Avalon, did not always serve as the primary focus in early Arthurian myths. Instead, Arthurian writers attempted to establish a reliable historical link with the past. Between the mid-12th and early 13th century, Geoffrey of Monmouth, Wace, and Lawman wrote a series of historical narratives that helped establish the foundation myth of Britain. Although each author built on the work of his predecessor, each writer also expanded and redacted scenes for his own literary purposes—particularly in relation to supernatural events. Compared to Geoffrey and Wace, Lawman uses supernatural elements more freely and emphatically. Not only does Arthur in Brut possess spiritual overtones, he also becomes a kind of liminal figure who has one foot in the world of men and one foot in the world of fairies. Much of Arthur’s liminality stems from Lawman’s use of Anglo-Saxon heroic tradition, especially when compared to a hero like Beowulf. And while it is tempting to read English literature as a vehicle for creating English nationalism, especially considering that many scholars seem to read Lawman’s Arthur as a co-opted hero for English nationalism, literature can serve other purposes than ideologically upholding nascent notions of nationhood. Unlike Geoffrey and Wace, both of whom use Arthur for predominantly political purposes, I argue that Lawman’s emphasis on Arthur’s spiritual qualities is meant not just to be emblematic of an English king but also to create a complex literary character who functions primarily to critique both Norman and English forms of ideal kingship. -
“Be of Knightly Countenance”: Masculine Violence and Managing Affect in Late Medieval Alliterative Poetry and Batman: Under the Red Hood Lisa D
University of South Carolina Scholar Commons Theses and Dissertations 2018 “Be Of Knightly Countenance”: Masculine Violence And Managing Affect In Late Medieval Alliterative Poetry And Batman: Under The Red Hood Lisa D. Camp University of South Carolina Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the English Language and Literature Commons Recommended Citation Camp, L. D.(2018). “Be Of Knightly Countenance”: Masculine Violence And Managing Affect In Late Medieval Alliterative Poetry And Batman: Under The Red Hood. (Master's thesis). Retrieved from https://scholarcommons.sc.edu/etd/4710 This Open Access Thesis is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. “BE OF KNIGHTLY COUNTENANCE”: MASCULINE VIOLENCE AND MANAGING AFFECT IN LATE MEDIEVAL ALLITERATIVE POETRY AND BATMAN: UNDER THE RED HOOD by Lisa D. Camp Bachelor of Arts Clemson University, 2014 Submitted in Partial Fulfillment of the Requirements For the Degree of Master of Arts in English College of Arts and Sciences University of South Carolina 2018 Accepted by: Holly Crocker, Director of Thesis Mark Minett, Reader Cheryl L. Addy, Vice Provost and Dean of the Graduate School © Copyright by Lisa D. Camp, 2018 All Rights Reserved. ii DEDICATION For Aunt Cindy, Alicia, and Stacey, in memory of Danny, who was taken far too soon in circumstances which are far too normalized. Also, for my nieces, Milah and Maislyn, and my younger sister Serenity, who were all born in a post-Columbine and post-9/11 America: this thesis is dedicated to you. -
This Thesis Has Been Submitted in Fulfilment of the Requirements for a Postgraduate Degree (E.G
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. “the graciouseste gome that vndir God lyffede”: A Reconsideration of Sir Gawain in the Late Medieval Middle English and Middle Scots Romance Tradition Lauren Jessie Chochinov Doctor of Philosophy The University of Edinburgh 2015 Declaration This is to certify that that the work contained within has been composed by me and is entirely my own work. No part of this thesis has been submitted for any other degree or professional qualification. Signed: Lauren Jessie Chochinov Abstract In Sir Thomas Malory’s Le Morte Darthur, King Arthur’s nephew, Sir Gawain, is presented as a troublesome figure whose vengefulness hastens the collapse of Camelot. This characterization is unsurprising in the light of traditional French depictions of Gawain, but it is distinctly at odds with a rival, Anglo-Scottish tradition that depicts him rather differently as a figure of moderation, wise counsel, and courtesy.