God's Own Country
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Film Funding Grants Programme 2013
Film Funding Grants Programme 2013 Film Funding Grants Programme 2013 Doha Film Institute established its Grants We contribute to films that have strong directorial Programme with the vision of fostering creative vision and that are challenging, creative and talent in the Middle East and North Africa (MENA) thought-provoking. Support for grantees is holistic, region. We are proud that over its first three- with financial assistance bolstered by professional and-a-half years the programme supported the development, mentorship and creative development development of more than 137 projects from opportunities that are made available throughout 14 countries. a project’s life cycle. In 2013, the Institute embarked on a new phase of the Grants Programme designed to further the It is our hope that through the Grants Programme goal of nurturing emerging talent. Projects from and the growing number of its alumni, we will all over the world became eligible for funding, continue to widen our flourishing community with a special focus on first- and second-time of filmmakers. As we extend our reach, we also filmmakers. enable professional, cultural and creative exchanges between our local talent and the wider international Alongside this expansion, the Institute’s industry. commitment to talent from the MENA region remains strong, with specific categories and I am honoured to welcome our newest grant criteria in place. Our focus on first- and second- recipients to the Doha Film Institute family. time filmmakers will greatly enhance our ability to discover and nurture new voices, both at home in Abdulaziz Al-Khater Qatar and around the globe. -
Jewish Identity and German Landscapes in Konrad Wolf's I Was Nineteen
Religions 2012, 3, 130–150; doi:10.3390/rel3010130 OPEN ACCESS religions ISSN 2077-1444 www.mdpi.com/journal/religions Article Homecoming as a National Founding Myth: Jewish Identity and German Landscapes in Konrad Wolf’s I was Nineteen Ofer Ashkenazi History Department, University of Minnesota, 1110 Heller Hall, 271 19th Ave S, Minneapolis, MN 55455, USA; E-Mail: [email protected]; Tel.: 1-651-442-3030 Received: 5 January 2012; in revised form: 13 March 2012 / Accepted: 14 March 2012 / Published: 22 March 2012 Abstract: Konrad Wolf was one of the most enigmatic intellectuals of East Germany. The son of the Jewish Communist playwright Friedrich Wolf and the brother of Markus Wolf— the head of the GDR‘s Foreign Intelligence Agency—Konrad Wolf was exiled in Moscow during the Nazi era and returned to Germany as a Red Army soldier by the end of World War Two. This article examines Wolf‘s 1968 autobiographical film I was Nineteen (Ich war Neunzehn), which narrates the final days of World War II—and the initial formation of postwar reality—from the point of view of an exiled German volunteer in the Soviet Army. In analyzing Wolf‘s portrayals of the German landscape, I argue that he used the audio- visual clichés of Heimat-symbolism in order to undermine the sense of a homogenous and apolitical community commonly associated with this concept. Thrown out of their original contexts, his displaced Heimat images negotiate a sense of a heterogeneous community, which assumes multi-layered identities and highlights the shared ideology rather than the shared origins of the members of the national community. -
2021 International Day of Commemoration in Memory of the Victims of the Holocaust
Glasses of those murdered at Auschwitz Birkenau Nazi German concentration and death camp (1941-1945). © Paweł Sawicki, Auschwitz Memorial 2021 INTERNATIONAL DAY OF COMMEMORATION IN MEMORY OF THE VICTIMS OF THE HOLOCAUST Programme WEDNESDAY, 27 JANUARY 2021 11:00 A.M.–1:00 P.M. EST 17:00–19:00 CET COMMEMORATION CEREMONY Ms. Melissa FLEMING Under-Secretary-General for Global Communications MASTER OF CEREMONIES Mr. António GUTERRES United Nations Secretary-General H.E. Mr. Volkan BOZKIR President of the 75th session of the United Nations General Assembly Ms. Audrey AZOULAY Director-General of UNESCO Ms. Sarah NEMTANU and Ms. Deborah NEMTANU Violinists | “Sorrow” by Béla Bartók (1945-1981), performed from the crypt of the Mémorial de la Shoah, Paris. H.E. Ms. Angela MERKEL Chancellor of the Federal Republic of Germany KEYNOTE SPEAKER Hon. Irwin COTLER Special Envoy on Preserving Holocaust Remembrance and Combatting Antisemitism, Canada H.E. Mr. Gilad MENASHE ERDAN Permanent Representative of Israel to the United Nations H.E. Mr. Richard M. MILLS, Jr. Acting Representative of the United States to the United Nations Recitation of Memorial Prayers Cantor JULIA CADRAIN, Central Synagogue in New York El Male Rachamim and Kaddish Dr. Irene BUTTER and Ms. Shireen NASSAR Holocaust Survivor and Granddaughter in conversation with Ms. Clarissa WARD CNN’s Chief International Correspondent 2 Respondents to the question, “Why do you feel that learning about the Holocaust is important, and why should future generations know about it?” Mr. Piotr CYWINSKI, Poland Mr. Mark MASEKO, Zambia Professor Debórah DWORK, United States Professor Salah AL JABERY, Iraq Professor Yehuda BAUER, Israel Ms. -
Wanting, Not Waiting
WINNERSdateline OF THE OVERSEAS PRESS CLUB AWARDS 2011 Wanting, Not Waiting 2012 Another Year of Uprisings SPECIAL EDITION dateline 2012 1 letter from the president ne year ago, at our last OPC Awards gala, paying tribute to two of our most courageous fallen heroes, I hardly imagined that I would be standing in the same position again with the identical burden. While last year, we faced the sad task of recognizing the lives and careers of two Oincomparable photographers, Tim Hetherington and Chris Hondros, this year our attention turns to two writers — The New York Times’ Anthony Shadid and Marie Colvin of The Sunday Times of London. While our focus then was on the horrors of Gadhafi’s Libya, it is now the Syria of Bashar al- Assad. All four of these giants of our profession gave their lives in the service of an ideal and a mission that we consider so vital to our way of life — a full, complete and objective understanding of a world that is so all too often contemptuous or ignorant of these values. Theirs are the same talents and accomplishments to which we pay tribute in each of our awards tonight — and that the Overseas Press Club represents every day throughout the year. For our mission, like theirs, does not stop as we file from this room. The OPC has moved resolutely into the digital age but our winners and their skills remain grounded in the most fundamental tenets expressed through words and pictures — unwavering objectivity, unceasing curiosity, vivid story- telling, thought-provoking commentary. -
Richard Winkler
[email protected] VideoRichard Editor Winkler& Graphic Designer 703.850.7093 • Fast, efficient, and creative video editor with strong story telling ability. • Experience in long form documentary and reality programming; development sizzle reels and pilots; promos; live broadcast news; and corporate branding, events, and training. • Motion graphics, video compositing, and broadcast design skills. Skills Education Video editing, graphics, and compositing: James Madison University, Harrisonburg, Virginia Avid Media Composer Bachelor of Science, 1998 Adobe Premiere Pro School of Media Art and Design Adobe After Effects Adobe Photoshop Reel Adobe Illustrator Work samples available at RichWinkler.com Final Cut Pro Mac & PC Compatible linkedin.com/in/richwinkler/ Reality/Documentary Corporate/Sports/News Junkyard Empire Hillbilly Handfishin’* Washington Wizards: In the City Reality series for Velocity Reality series for Animal Planet Graphic open for 2016 season Dr. Oakley: Yukon Vet Strange Sex* Nixon Library Exhibit Space Reality series for NatGeo Wild Series for TLC Video and graphics: multimedia exhibits for Nixon Library Evil Twins Worlds Deadliest Sharks True Crime series for ID National Geographic Andrew Jackson: Born for a Storm Andrew Jackson’s Hermitage American Titans I Married the Beltway Sniper Museum Exhibit Documentary for American Heroes Documentary for MSNBC Discovery Education America’s Next Cat Star* Paranatural Edit & Graphics, bilingual Game show for Animal Planet Documentary series for National education series Geographic Air Warriors Pentagon Channel Documentary series for Smithsonian 2012: Countdown to Armageddon Hourly reports and live newscast Channel Telly Award-winning program for National Geographic Washington Capitals & Wizards Matt Wright, Cowboy Pilot In-Arena Production & Commercials Reality for Red Bull TV Real NCIS Graphics & edit work for live event True crime series for ID presentation and commercial spots. -
Efforts to Combat Wildlife Trafficking at the Department of Justice
Fact Sheet – February 11, 2015 Efforts to Combat Wildlife Trafficking at the Department of Justice Today, the Presidential Task Force on Wildlife Trafficking issued the Implementation Plan for the National Strategy for Combating Wildlife Trafficking that President Obama released on February 11, 2014. The Task Force, which is led by the Departments of State, Justice, and the Interior, and includes 14 additional federal departments and agencies, was established by Executive Order No. 13648 (July 1, 2013) and charged with developing a government-wide strategy for fighting poaching and other wildlife trafficking. Wildlife trafficking has become an international crisis that threatens security, hinders sustainable economic development, and undermines the rule of law. The illicit trade in wildlife is decimating many species worldwide and threatens iconic species such as rhinoceroses, elephants, and tigers with extinction. The Implementation Plan builds upon the National Strategy’s roadmap and is a robust, focused reaffirmation of our Nation’s commitment to work in partnership with governments, local communities, nongovernmental organizations, and the private sector to stem the pernicious illegal trade in wildlife. The agencies on the Task Force have been working to implement the National Strategy since its inception, and the Implementation Plan lays out next steps toward each of the National Strategy’s three key objectives – strengthening domestic and global enforcement, reducing demand for illegally traded wildlife, and expanding international -
Download This Issue As A
ROY BRAEGER ‘86 Erica Woda ’04 FORUM: JOHN W. CELEBRATES Tries TO LEVel KLUGE ’37 TELLS GOOD TIMES THE FIELD STORIES TO HIS SON Page 59 Page 22 Page 24 Columbia College September/October 2010 TODAY Student Life A new spirit of community is building on Morningside Heights ’ll meet you for a I drink at the club...” Meet. Dine. Play. Take a seat at the newly renovated bar grill or fine dining room. See how membership in the Columbia Club could fit into your life. For more information or to apply, visit www.columbiaclub.org or call (212) 719-0380. The Columbia University Club of New York 15 West 43 St. New York, N Y 10036 Columbia’s SocialIntellectualCulturalRecreationalProfessional Resource in Midtown. Columbia College Today Contents 24 14 68 31 12 22 COVER STORY ALUMNI NEWS DEPARTMENTS 30 2 S TUDENT LIFE : A NEW B OOK sh E L F LETTER S TO T H E 14 Featured: David Rakoff ’86 EDITOR S PIRIT OF COMMUNITY ON defends pessimism but avoids 3 WIT H IN T H E FA MI L Y M ORNING S IDE HEIG H T S memoirism in his new collec- tion of humorous short stories, 4 AROUND T H E QU A D S Satisfaction with campus life is on the rise, and here Half Empty: WARNING!!! No 4 are some of the reasons why. Inspirational Life Lessons Will Be Homecoming 2010 Found In These Pages. 5 By David McKay Wilson Michael B. Rothfeld ’69 To Receive 32 O BITU A RIE S Hamilton Medal 34 Dr. -
P32-34New Layout 1
32 Friday TV Listings Friday, January 19, 2018 09:30 It Takes A Killer 04:10 Art Attack 07:15 Right Now Kapow 03:25 Kate’s Wardrobe Secrets 10:00The Murder Of Laci Peterson 04:35 Loopdidoo 07:40 Disney Mickey Mouse 04:25 Martin Clunes: Islands Of 11:00 Cold Case Files 04:50 Calimero 07:45 Walk The Prank Australia 12:00 The First 48 05:05 Art Attack 08:10 Walk The Prank 05:15 Surprise Surprise 13:00 Crimes That Shook Britain 05:30 Henry Hugglemonster 08:35 Right Now Kapow 06:10 Masterpiece With Alan 01:05 S.W.A.T.: Under Siege 14:00 It Takes A Killer 05:45 Henry Hugglemonster 09:00 Right Now Kapow Titchmarsh 02:40 Frontera 14:30 It Takes A Killer 00:10 Sabrina Secrets Of A 06:00 Art Attack 09:25 Mighty Med 07:05 Cash Trapped 04:25 Batman Unlimited: Mechs vs. 15:00The Murder Of Laci Peterson Teenage Witch 06:30 Henry Hugglemonster 09:50 Mighty Med 08:00 Kate’s Wardrobe Secrets Mutants 16:00 Cold Case Files 00:35 Binny And The Ghost 06:45 Loopdidoo 10:20 Star Wars: The Freemaker 09:00 Martin Clunes: Islands Of 05:45 The Net 17:00 Homicide Hunter 01:00 Hank Zipzer 07:00 Henry Hugglemonster Adventures Australia 07:40 The Reckoning 18:00 It Takes A Killer 01:25 Alex & Co. 07:15 Calimero 11:10 Gamer’s Guide To Pretty 10:00 Surprise Surprise 09:15 S.W.A.T.: Under Siege 19:00 The First 48 01:45 Disney Mickey Mouse 07:30 PJ Masks Much Everything 10:55 Masterpiece With Alan 10:50 Crossfire 20:00 The Murder Of Laci 01:50 Evermoor Chronicles 08:00 P-King Duckling 12:00 Kid vs. -
The Picture of Abjection: Film, Fetish, and the Nature of Difference
The Picture of Abjection: Film, Fetish, and the Nature of Difference By Tina Chanter Bloomington: Indiana University Press, 2008. ISBN: 9780253219183. 15 illustrations, 377 pp. £19.99 (pbk) A review by Adrienne Angelo, Angelo, University of West Georgia, USA How do scholars and others with an interest in film studies and psychoanalysis engage with existing theoretical discourses on race, gender, culture and sexual difference in order to bypass the often polemicized and contested paradigm of fetishism and voyeurism, two critical modes that have dominated and continue to dominate film theory? It is this problematic that Tina Chanter explores in The Picture of Abjection: Film, Fetish and the Nature of Difference. For Chanter, drawing largely upon Kristeva's theoretical considerations of abjection, a point of entry to this endeavor lies precisely in further developing the implications of abjection as a "staging of a defensive dynamic that has the potential to significantly rework the imaginary commitments of Oedipal theory, specifically its privileging of masculinity and femininity" (17). Chanter's primary goal appears to be to develop a new critical model at the very center of which lies that which is otherwise neglected, excluded and expelled from dominant cultural discourse for being "too much", too "other". However, for as much as Chanter promotes a consideration of film and film theory, there is less an in-depth reading of films per se than a highly informed reconsideration of theoretical notions of subjectivity and the subject, one read through the lens of abjection and its destabilizing and thus subversive potential for considering marginalized identities and their representation in film theory. -
The End of Japanese Cinema
THE END OF JAPANESE CINEMA TIMES ALEXANDER ZAHLTEN THE END OF JAPA NESE CINEMA studies of the weatherhead east asian institute, columbia university. The Studies of the Weatherhead East Asian Institute of Columbia University w ere inaugurated in 1962 to bring to a wider public the results of significant new research on modern and con temporary East Asia. alexander zahlten THE END OF JAPA NESE CINEMA Industrial Genres, National Times, and Media Ecologies Duke University Press · Durham and London · 2017 © 2017 DUKE UNIVERSITY PRESS All rights reserved Printed in the United States of Amer i ca on acid- free paper ∞ Text designed by Courtney Leigh Baker Typeset in Arno Pro and Din by Westchester Publishing Ser vices Library of Congress Cataloging- in- Publication Data Names: Zahlten, Alexander, [date] author. Title: The end of Japa nese cinema : industrial genres, national times, and media ecologies / Alexander Zahlten. Description: Durham : Duke University Press, 2017. | Series: Studies of the Weatherhead East Asian Institute, Columbia University | Includes bibliographical references and index. | Description based on print version rec ord and cip data provided by publisher; resource not viewed. Identifiers: lccn 2017012588 (print) lccn 2017015688 (ebook) isbn 9780822372462 (ebook) isbn 9780822369295 (hardcover : alk. paper) isbn 9780822369448 (pbk. : alk. paper) Subjects: lcsh: Motion pictures— Japan— History—20th century. | Mass media— Japan— History—20th century. Classification: lcc pn1993.5.j3 (ebook) | lcc pn1993.5.j3 Z34 2017 (print) -
P32-34New Layout 1
32 Friday TV Listings Friday, April 20, 2018 03:45 The Zodiac Killer: Case 21:05 Obsession: Dark Desires 02:05 Art Attack 07:40 Disney Mickey Mouse 12:45 Emmerdale Closed? 22:00 The 1980s: The Deadliest 02:30 The Hive 07:45 Gamer’s Guide To Pretty 13:45 Coronation Street 04:30 Cold Case Files Decade 02:40 Loopdidoo Much Everything 14:15 Guess This House 05:15 The First 48 22:55 Beauty Queen Murders 02:55 Henry Hugglemonster 08:10 Gamer’s Guide To Pretty 15:10 The Chase 06:00 Live PD: Police Patrol 23:50 Bride Killa 03:10 Art Attack Much Everything 16:00 The Queen’s Worst Year 00:10 Time Trap 06:30 Live PD: Police Patrol 03:35 Loopdidoo 08:35 Supa Strikas 16:55 The Royal Good Guys 01:40 A Kind Of Magic 07:00 It Takes A Killer 03:50 Calimero 09:00 Supa Strikas 17:50 Paul O’grady’s Animal Or- 03:15 Rumble 07:20 The First 48 04:05 Art Attack 09:25 Mighty Med phans 04:55 Fantastic Four 08:05 Cold Case Files 04:30 Henry Hugglemonster 09:50 Mighty Med 18:50 Emmerdale 06:50 Roadside 08:50 Homicide Hunter 05:00 Art Attack 10:20 Phineas & Ferb 19:15 Emmerdale 08:20 Boerning II 09:35 The First 48 05:30 Henry Hugglemonster 10:45 Phineas & Ferb 19:45 Coronation Street 10:00 Deepwater Horizon 10:30 Cold Case Files 05:45 Loopdidoo 11:10 Lab Rats 20:10 The Chase 11:50 Fantastic Four 11:25 Crimes That Shook Britain 00:00 Hank Zipzer 06:00 Henry Hugglemonster 11:35 Lab Rats 21:00 The Queen’s Worst Year 13:40 Star Wars: Episode IV - A 12:20 Cold Case Files 00:25 Alex & Co. -
„Ich Finde Frauen- Power Super“ Jessy Wellmer – Das Neue Gesicht Der Sportschau Seite 6
N TV-PROGRAMM 12.8 - 18.8 Nr. 32/2017 10 000 € – Ihre Chance beim großen prisma- Sommerrätsel Seite 16 „Ich finde Frauen- power super“ Jessy Wellmer – das neue Gesicht der Sportschau Seite 6 FIT FÜRS MUSEUM Das große Kunst-Quiz von prisma und Städel Seite 4 BLITZEBLANK Elektrische Zahnbürsten im Test Seite 8 LIVE-TYP Johannes B. Kerner im prisma-Interview Seite 14 START Schwarmintelligenz Ich weiß nicht mehr, in welcher Stadt Kino-Tipp der Woche: es war, aber das erste Mal, dass ich an einem Fitness-Studio mit Schau- fenster vorbeikam, war im Urlaub. Milchmädchen Dahinter: schwitzende Menschen auf Die 14-jährigen Mädchen Nini (Flora Thiemann) und Jamee- Fahrrädern oder Steppern, an Ruder- lah (Emily Kusche) sind beste Freundinnen. Die Sommer- geräten und Hantel- ferien stehen vor der Tür und die beiden stürzen sich in die bänken. Auffallend: schulfreie Zeit. Dafür mixen sie sich ihr Lieblingsgetränk, Keiner blickte nach Tigermilch. Eine Mischung aus Milch, Maracuja-Saft und draußen, alle nach Mariacron. Damit streifen sie durch Berlin und wollen in unten. Es war wie diesem Sommer ihre Unschuld verlieren – doch die Ereig- im Aquarium, bloß, nisse überschlagen sich. Jameelah und ihre Mutter sind dass es Fische kaum irakischer Herkunft. Ihnen droht plötzlich die Abschiebung. stört, von wildfrem- Damit nicht genug: Die Mädchen werden zufällig Zeugen den Menschen angeglotzt zu werden. eines Mordes. Der Film Tigermilch basiert auf dem gleich- Schon seltsam: Fit werden lag im namigen Roman von Stefanie de Velasco und startet am Freunde fürs Leben: Die beiden Mädchen Trend, aber dabei gesehen werden Nini und Jameelah müssen gemeinsam 17.