Partner Songs

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PARTNER SONGS Partner songs are two different songs that have a similar harmonic structure and length, so they may be sung together. A quodlibet (or quodlibot) is a four-section song (or four songs) that can be sung together. Sometimes the partner songs work only if one of the songs is sung twice, or slowed. Some are simple tunes that could be played on recorder or barred instruments instead of sung. Orff accompaniments usually work well. Some combinations of these songs work better than others. An effective lesson can also be taught analyzing where 2 songs don’t seem to “go together”. Row, Row, Row, Your Boat Bow Belinda Good Night Ladies Here Comes a Bluebird Sandy Land Pickalittle, Talkalittle (Music Man) Frere Jacques/Are you Sleeping? This Old Man When the Saints Go Marching In Three Blind Mice 10 Little Indians Swing Low Sweet Chariot London Bridge Skip to My Lou This Train The Old Grey Mare Paw Paw Patch Nobody Knows the Trouble I've Mary Had a Little Lamb Mulberry Bush Seen Merrily We Roll Along Oh, Dear, What Can the Matter Gospel Train Boola, Boola Be? She'll be Comin' Round the The Farmer in the Dell Irish Washerwoman Mountain Here We Go Looby Loo Liza Jane All Night, All Day Go Tell Aunt Rhody Old Brass Wagon Rock-a My Soul Hot Cross Buns Michael Finnegan Where is Thumbkin? He’s Got the Whole World in His Hands Rock-a My Soul Joshua Fought the Battle of Jericho Juanita Arkansas Traveler Hey Ho, Nobody Home Santa Lucia Oh, Susanna When Johnny Comes Marching Home Bicycle Built for Two Turkey in the Straw Wondrous Love Sidewalks of New York Camptown Races (verse) Kookaburra In the Good Old Summertime Wade in the Water Humoresque Child of God One Bottle of Pop Old Folks at Home Mary Had a Baby Don't put your Dust Put on Your Old Gray Bonnet Sing Hallelu Fish and Chips and Vinegar My Bonnie Lies Over the Ocean (refrain) Home on the Range Old Texas Cielito Lindo (refrain) My Home’s in Montana Old Chisholm Trail Man on the Flying Trapeze Ta-Ra-Ra-Boom-De-Ay All Night, All Day I Love the Mountains Long, Long Ago Swing Low Sweet Chariot Heart and Soul Bluetail Fly (refrain) Dixie Zum Gali Gali Shoo Fly (refrain) Yankee Doodle Shalom Chavarim I am a Poor Wayfaring Stranger Land of the Silver Birch Be Bow Wow Wow Scarborough Fair My Paddle Hot Cross Buns Sally Go Round the Sun We Wish You a Merry Christmas Mango Walk See Saw, Margery Daw O Christmas Tree Sweet Potatoes Lida Rose (Music Man) Go Tell It on the Mountain Mr. Frog Went A-Courtin’ Will I Ever Tell You? Some Folks Do Goin’ Down to Cairo Jubilate (Hark! The Vesper Bells are Ringing Haul Away Joe Hush-a-bye Chumbara Early in the Morning Lullaby What Shall We Do with a Drunken Sailor Sing a Song of Peace Little Red Caboose Sinner Man This is My Country Sourwood Mountain .

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Religious Folk-Songs of the Southern Negroes Howard W
Valdosta State University Archives and Special Collections Digital Commons @Vtext Slavery Papers and Speeches Collection M S/146-034 1909 Religious Folk-Songs of the Southern Negroes Howard W. Odum For this and additional works see: https://vtext.valdosta.edu/xmlui/handle/10428/718 UUID: 425DF310-A5E8-9792-490F-B4BE30977EA3 Recommended Citation: Odum, Howard W. "Religious Folk-Songs of the Southern Negroes." PhD. diss., Clark University. American Journal of Religious Psychology and Education, vol.3, pp 265-365. July, 1909. http://hdl.handle.net/10428/2992. This item is free and open source. It is part of the Civil Rights Papers Collection at Odum Library Valdosta State University Archives and Special Collections. If you have any questions or concerns contact [email protected] Religious Folk-Songs OF THE Southern Negroes By HOWARD W. ODUM Fellow in Psychology, Clark University a. dissertation subm itted to t h e faculty of CLARK UNIVERSITY, WORCESTER, MASS., IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY, AND ACCEPTED ON THE RECOMMENDATION OF G. STANLEY HALL Reprinted from the A m. J our, of R eligious P sy. and E d. July, 1909. Vol. 3, pp. 265-365. * ML 'iV'sqa /WACReligious ^ # Folk-Songs OF THE Southern Negroes By HOWARD W. ODUM Fellow in Psychology, Clark University a dissertation su bm itted to t h e faculty of CLARK UNIVERSITY, WORCESTER, MASS., IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY, AND ACCEPTED ON THE RECOMMENDATION OF G. STANLEY HALL Reprinted from the Am. Jour, of Religious Psy.
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Alvin Ailey American Dance Theater Thursday, March 6, 2008 at 11 A.M
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Spiritual, Blues, and Jazz People in Mrican American Fiction: Living in Paradox / A
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Conducting the Coded Message Songs of Slavery: Context
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Charlie Cobb, Furrows
i I I I r • ~ [ / [ ~ ~ - ---------·--- published by .f lute publications phot<) credits credits: cover t om "rakayama page 1 bob f letcher others julius lester , t"oy lewis rufus hinton n1a r y varela sncc photo department 360 nelson st sw atlanta georgia I I I FLUTE PUBLICATIONS FURROWS, copyright Box 109 Charles Cobb , 1967 Tougal oo, Mississippi Flute Publications I In the furrows' of the world the paths of planting the hoe-trails of our people \VE can only be do from what we are. by charlie cobb Our hands have clenched hammers hoes and hope our backs have broken ground a round the world our cries have crashed through cerror torn nights our bodies burnt the . earth a bitter black t o r i se in anger. And i suppose it will come someday , t'tis thing t hi s bl ack i am t hat has to bat tle new to be We , will not have t o say someday nor fight f or what we a r e We Will Be simply be We. 2 1 for i am of long, roots which grow into the world We shall know. the tree Meanwhile i search seeds words for We spread Nation strength take root people grow (now~) WORDS YOU WANT? speak my poetry, tvhere Words O.K. listen baby a scream maybe or fitful war cr ~ es from this black body feeling a knee in the nuts flung to battle Speak, how! with all the shit shoveled into my moutn I got spit I (a bit off tongue ragged red it bleeds inside) that waits to wet and wash a stink-holed mama's mothafuckin cracker son in piss from my mouth drowned and flush, 4 Words, in rational rhymes constructed imagery cannot come with my mouth worthless in agony • raging rampant on fire ON FIRE ! rather tom tom rhythms of words thundering through searches for substance , sight, to see my people clearly s ub s tantiate what represents the reality of We , I , t ur n toward today.
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Alvin Ailey's Embodiment of African American Culture
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