{FREE} Caught in the Light Pdf Free Download

Total Page:16

File Type:pdf, Size:1020Kb

{FREE} Caught in the Light Pdf Free Download CAUGHT IN THE LIGHT PDF, EPUB, EBOOK Robert Goddard | 448 pages | 29 Jun 2011 | Transworld Publishers Ltd | 9780552162975 | English | London, United Kingdom Caught in the Light by Robert Goddard There was a wind of 25 to 32 miles an hour, so if they'd been balloons they would have moved". Another witness saw "two balls of fire" about 4 a. On Friday night, 19 August , Sgt. Berger, RA , a member of this organization was operating a standard Army General Electric antiaircraft searchlight on a volunteer basis for a local group who were using the light for publicity purposes. Between the hours of and he picked up an object in the light beam in the sky which presented an unusual appearance and was not readily identifiable. This subject appeared to change color in the light beam from a sort of phosphorescent appearance to a bluish color if held in the light and when the beam was removed the object remained visible with what has been described as a luminous appearance. The object was North but slightly East of Cincinnati at an elevation of mils or approximately directly overhead. Judging from the atmospheric conditions and the range of light, the object appeared to be at an altitude of 4 to 5 miles and at about the same range. It did not seem to move but remained as far as could be determined approximately stationary for the entire period of the three and one-half hours Sgt. Berger observed it. This phenomenon, whatever it was, was seen by several hundred people in this city, a number of whom called it to the attention of Sgt. Berger while he was operating the searchlight. A notice of this incident although not released by military personnel appeared in at least one daily newspaper of this city. The letter was then passed on to Project Grudge , the Air Force's investigative body for such incidents and the predecessor to Project Bluebook with a cover slip THE LACK OF ACTION by Project Grudge was not surprising, for the covert objective of those in charge was to 'debunk' all such reports, and the incident occurred at just the same time that Grudge filed its report concluding that all such incidents were the result of misidentification, hysteria, hoaxes and psychopathological imaginings. Berger's log, continued apace: Sept. Gertrude Church, Madeira, Ohio. Picked up object at 15, to 20, ft. The object disappeared within a few seconds, traveling straight up. I picked it up again at much greater altitude. Then, when I changed carbons I lost it again until hrs. As soon as it reappeared, I phoned Wright-Patterson Field. The sky was clear with no visible clouds or haze. Several thousand people also saw object. Place: Milford, Ohio. Testing the searchlight about dusk, I had it set at mils. I could see an object which looked like a white glow. When I turned the light off, I could see nothing. I did this several times. As soon as it became dark I turned on the light at same elevation and caught object in the beam. Peter and Paul, Norwood. I turned on the light and picked up object at mils. About hours, two distinct groups of triangular-shaped objects seemed to come out of the main disc. Each group had about five objects. They came down the beam then turned out of the beam. The same performance was repeated about half hour later. The disc was still visible when I turned out the light for the night. Peter and Paul. Set light at mils. The object appeared immediately in the beam. Held object in beam for about half hour until covered by clouds. Especially intriguing are the notations that calls had been made to Wright-Patterson on two occasions, and that an 'ATIC agent' had been present for one incident. But the witness who would propel Air Force action was William R. At different times recently we have picked up an object at altitudes over 30, feet which we speak of as a flying saucer - it is not a flying saucer or anything like it - according to the popular conception. I have been trying to obtain an interview with Wright-Patterson officials but they are not interested - which leads me to believe you are aware of its identity. On Sunday Oct. I have been very careful to keep a record of all weather conditions and have made sketches on the spot which convey all details fresh in mind. If by any chance the Air Corps does not have knowledge of the character of this object you may be sure someone has quite a jump on us in the department of aircraft - aircraft basing and launching or possibly radar extension. I would appreciate an interview with a responsible officer with advanced scientific background and a knowledge of recent aircraft development. There have been local members of FBI, one or two antiquated Colonels and amateur scientists blustering around [illegible] the issue and offering ridiculous solutions, but this is too serious in my mind to stop your investigation on such advice. Please acknowledge. Respectfully Wm. Winkler, Pres. Please forgive this hand written letter. My secretary has gone for the day. And this time, Grudge finally sat up and took notice. Under the direction of Colonel Watson at ATIC, Grudge had -- unknown to the upper chain of command -- been purposely inactive when it came to investigations, with one exception: when pressure was applied from without. This time the order had come down as the result of a letter to the Chief of Staff himself, and the matter could not be overtly ignored. William R. Winkler Your letter to General Vandenburg [sic], dated 28 October , has been forwarded to this Command for necessary action. As a result of your telephone call on 26 October, this Command has taken steps to investigate the phenomenon you described. If you have not yet been contacted, you may expect to be contacted soon regarding this matter. Berger had continued to make entries in his log: Nov. Place: Norwood, Ohio. At hours the beam of the light flashed on the object. Guiding the light back on the object, it then disappeared immediately. About a minute later I picked it up again much higher. The elevation was between and mils. Many witnesses, including William Winkler. Sky was covered with low broken clouds. At time objects appeared much brighter. Turned light on at and picked up object immediately. At first it was faint and small. As haze cleared, object brightened. At it got much brighter and spread out almost as large as beam, then disappeared. Present were D. Wells, Dr. Again, the named witnesses were intriguing. Wells was a physicist at the University of Cincinnati, and Dr. Herget was a professor of astronomy there. Object was picked up in a searchlight beam. Searchlight beam has always been vertical and sky conditions have been practically the same on each occasion. This investigation was requested by Lt Colonel A. The object was last picked up on 23 October , at which time certain smaller objects were picked up in the light beam along with the original object. On 16 December Mr. The object appeared to be beyond the tip of the beam. The object was kept in the searchlight from to hours. At approximately hours a string of small indefinite triangular objects appeared to emanate from the large object, dived down the searchlight beam towards the light, and then turned out of the beam towards the south-east and disappeared. He advised that there were two groups of objects. He estimated that there were twelve to fifteen objects and the size of those diving objects was approximately three times the size of a fighter aircraft. The telescope was a 20x prismatic telescope with a 40x eyepiece. He stated that he believed that he had a much better sight of the diving object than anyone else present but that all in the crowd of some fifty people who were present saw the diving objects. He estimated the height of the main object at more than 35, feet. He further advised that at a previous sighting of the object at Milford, Ohio on 17 September he and [BERGER] triangulated the height of the object by using the searchlight beam as 67 miles or better. This triangulation was crudely done and little attention was given to taking exact measurements. The object was picked up for approximately thirty minutes on 24 October and then was lost due to being covered by clouds. On 19 November [Blacked Out] attempted to take some pictures of the object but nothing appeared on the negatives. The object remained in the beam of light from to hours, at which time it disappeared for approximately ten minutes and then was picked up again in the same position. At approximately hours the object grew faint and then disappeared. It was not picked up again before hours when the searchlight was turned off. He advised that he has no other explanation for the object. SCOTT, Official in Charge, Weather Bureau, Greater Cincinnati Airport, Covington, Kentucky, was contacted on 15 December and, after reviewing the weather files for 23 October , stated that there had been a thin overcast at 15, to 16, feet and another thin overcast at 25, to 30, feet; visibility was better than 15 miles. On 21 October [sic, probably should be 21 December ] the weather sequences for the preceding 24 hour period, 20 December , were checked at the CAA Flight Advisory Service, Provident Bank Building, Cincinnati, Ohio and revealed that the Greater Cincinnati Airport Weather Station, which is located approximately 20 miles from Norwood, Ohio, reported a thin overcast at 30, feet and a visibility of better than 15 miles during the period from to hours.
Recommended publications
  • User Manual Mellotron V - WELCOME to the MELLOTRON the Company Was Called Mellotronics, and the First Product, the Mellotron Mark 1, Appeared in 1963
    USER MANUAL Special Thanks DIRECTION Frédéric BRUN Kévin MOLCARD DEVELOPMENT Pierre-Lin LANEYRIE Benjamin RENARD Marie PAULI Samuel LIMIER Baptiste AUBRY Corentin COMTE Mathieu NOCENTI Simon CONAN Geoffrey GORMOND Florian MARIN Matthieu COUROUBLE Timothée BÉHÉTY Arnaud BARBIER Germain MARZIN Maxime AUDFRAY Yann BURRER Adrien BARDET Kevin ARCAS Pierre PFISTER Alexandre ADAM Loris DE MARCO Raynald DANTIGNY DESIGN Baptiste LE GOFF Morgan PERRIER Shaun ELLWOOD Jonas SELLAMI SOUND DESIGN Victor MORELLO Boele GERKES Ed Ten EYCK Paul SCHILLING SPECIAL THANKS Terry MARDSEN Ben EGGEHORN Jay JANSSEN Paolo NEGRI Andrew CAPON Boele GERKES Jeffrey CECIL Peter TOMLINSON Fernando Manuel Chuck CAPSIS Jose Gerardo RENDON Richard COURTEL RODRIGUES Hans HOLEMA SANTANA JK SWOPES Marco CORREIA Greg COLE Luca LEFÈVRE Dwight DAVIES Gustavo BRAVETTI Ken Flux PIERCE George WARE Tony Flying SQUIRREL Matt PIKE Marc GIJSMAN Mat JONES Ernesto ROMEO Adrien KANTER Jason CHENEVAS-PAULE Neil HESTER MANUAL Fernando M RODRIGUES Vincent LE HEN (editor) Jose RENDON (Author) Minoru KOIKE Holger STEINBRINK Stephan VANKOV Charlotte METAIS Jack VAN © ARTURIA SA – 2019 – All rights reserved. 11 Chemin de la Dhuy 38240 Meylan FRANCE www.arturia.com Information contained in this manual is subject to change without notice and does not represent a commitment on the part of Arturia. The software described in this manual is provided under the terms of a license agreement or non-disclosure agreement. The software license agreement specifies the terms and conditions for its lawful use. No part of this manual may be reproduced or transmitted in any form or by any purpose other than purchaser’s personal use, without the express written permission of ARTURIA S.A.
    [Show full text]
  • Nova Lepidoptera
    nova lepidoptera Contents News ......................................................................................................................................................... page 4 Live Special................................................................................................................................................ page 8 Live Feedback ................................................................................................................................. page 10 Poll Results ..................................................................................................................................... page 14 Album Portfolio: Welcome To The Show ........................................................................................... page 16 Song Lyrics ............................................................................................................................................. page 19 Tell Me The Answer ............................................................................................................................... page 20 Prize Puzzle ..................................................................................................................................... page 21 Marketplace ............................................................................................................................................ page 22 The NL Songbook: “Giving It Up” ......................................................................................................
    [Show full text]
  • Barclay James Harvest XII Mp3, Flac, Wma
    Barclay James Harvest XII mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: XII Country: Spain Released: 1978 Style: Symphonic Rock MP3 version RAR size: 1566 mb FLAC version RAR size: 1240 mb WMA version RAR size: 1205 mb Rating: 4.6 Votes: 311 Other Formats: AU VOC AHX WAV MP3 VQF RA Tracklist Hide Credits Fantasy: Loving Is Easy A1 4:00 Backing Vocals – John*, Les*Words By, Music By, Vocals – John Lees Berlin A2 4:47 Words By, Music By, Vocals – Les Holroyd Classics: A Tale Of Two Sixties A3 3:34 Backing Vocals – John*, Les*Words By, Music By, Vocals – John Lees Turning In Circles A4 3:30 Backing Vocals – John*, Les*Words By, Music By, Vocals – Les Holroyd Fact: The Closed Shop A5 3:46 Backing Vocals – John*, Les*Words By, Music By, Vocals – John Lees In Search Of England A6 4:12 Vocals – Stuart J. Wolstenholme*Words By, Music By – Stuart John Wolstenholme* Sip Of Wine B1 4:22 Backing Vocals – John*, Les*Words By, Music By, Vocals – Les Holroyd Harbour B2 Backing Vocals – John*, Les*, Woolly*Vocals – Stuart J. Wolstenholme*Words By, Music By 3:42 – Stuart John Wolstenholme* Science Fiction: Nova Lepidoptera B3 5:45 Words By, Music By, Vocals – John Lees Giving It Up B4 4:35 Backing Vocals – John*, Les*Words By, Music By, Vocals – Les Holroyd Fiction: The Streets Of San Francisco B5 5:41 Backing Vocals – John*, Les*Words By, Music By, Vocals – John Lees Companies, etc. Record Company – Polydor, S.A. Manufactured By – COFASA Printed By – Gráficas Foco, S.A.
    [Show full text]
  • Artist Album Albel Year Genre Sub Genres Format
    ARTIST ALBUM ALBEL YEAR GENRE SUB GENRES FORMAT COUNTRY PRICE RY COODER INTO THE PURPLE VALLEY REPRISE RECORDS 1972 BLUES COUNTRY BLUES - TEXAS BLUES LP US 125 ARAM KHATSCHATURIAN.JIRI BELOHLAVEK MASQUERADE.GAYANEH SUPRAPHON 1983 CLASSICAL MODERN LP CZECH 85 BACH.MAX GOBERMAN BRANDENBURG CONCERTOS ODYSSEY CLASSICAL BAROQUE 2LP UK 125 BACH.YEHUDI MENUHIN THE SIX BRANDENBURG CONCERTOS.THE FOUR SUITES.THE MUSICAL OFFERING EMI CLASSICAL BAROQUE 5LP UK 195 BEETHOVEN.SEIJI OZAWA SYMPHONY NO. 5 IN C MINOR OP. 67 TELARC 1981 CLASSICAL ORCHESTRAL LP JAPAN 175 CARL ORFF.HERBERT KEGEL CARMINA BURANA HELIODOR CLASSICAL MODERN LP UK 85 CHOPIN.LIDIA GRYCHTOLOWNA DZIELA WSZYSTKIE.SCHERZA MUZA CLASSICAL ROMANTIC LP POLAND 105 CHOPIN.SCHUMANN.SANDOR FALVAI PIANO SONATA IN B MINOR.IN G MINOR HUNGAROTON 1978 CLASSICAL ROMANTIC LP HUNGARY 75 CSAJKOVSZKIJ.DAVID OJSZTRAH D-DUR HEGEDUVERSENY OP. 35 HUNGAROTON 1978 CLASSICAL ROMANTIC LP HUNGARY 75 CSAJKOVSZKIJ.RICHTER.KARAJAN B-MOLL ZONGORAVERSENY OP. 23 HUNGAROTON 1978 CLASSICAL ROMANTIC LP HUNGARY 75 DIE 12 CELLISTEN.BACH.BERNSTEIN.BERTALI.VILLA LOBOS VOL 2. BACH.BERNSTEIN.BERTALI.VILLA LOBOS TELEFUNKEN 1981 CLASSICAL ORCHESTRAL LP GERMANY 85 DIE 12 CELLISTEN.VILLA LOBOS.XENAKIS VOL 1.BACHIANAS BRASILEIRAS NR. 1.WINDUNGEN... TELEFUNKEN 1978 CLASSICAL MODERN LP GERMANY 85 DINU LIPATTI.CHOPIN VIERZEHN WALZER DACAPO 1973 CLASSICAL ROMANTIC LP GERMANY 85 GEZA ANDA.CHOPIN 14 WALZER.LES VALSES EURODISC 1975 CLASSICAL ROMANTIC LP GERMANY 95 GIUSPPE VERDI.RICCARDO MUTI NABUCCO EMI 1978 CLASSICAL OPERA 3LP GERMANY 165
    [Show full text]
  • Titelliste Rollercoaster 1 1. Jethro Tull: Teacher 2
    Titelliste Rollercoaster 1 1. Jethro Tull: Teacher 2. Frijid Pink: House of the rising sun 3. Mandrill: Mandrill 4. Chris Rea: The road to hell 5. GesmbH: Move on 6. Roger Chapman: Moth of a flame 7. Wah Wah Watson: Goo goo wah wah 8. Temptations: Aint no justice 9. Juicy Lucy: Willie the pimp 10. Cressida: Munich 11. Leon Redbone: My walking stick Titelliste Rollercoaster 2 1. Steppenwolf: Born to be wild 2. Family: The weavers answer 3. Kevin Ayers: Heartbreak hotel 4. Weather Report: Black market 5. Golden Earring: The wall of dolls 6. Stooges: Down the street 7. Pink Floyd: Let there be more light 8. Chicago: I'm a man 9. Gentle Giant: The house, the street, the room 10. King Crimson: In the court of the crimson king 11. Leon Redbone: Somebody stole my gal Titelliste Rollercoaster 3 1. Black Sabbath: Paranoid 2. Pat Martino: Deeda 3. Camel: Slow yourself down 4. Frank zappa: Muffin man 5. Pete Brown & Piblokto: Station song platform two 6. Chase: Bochawa 7. Deep Purple: No no no 8. Electric Flag: Sunny 9. Iron Butterfly: In a gaddda da vida 10. Leon Redbone: Desert blues Titelliste Rollercoaster 4 1. Jimi Hendrix: All along the watchtower 2. Barclay James Harvest: Ball and chain 3. El Chicano: I'm a good woman 4. Bob Dylan: Knocking on heavens door 5. Quicksilver Messenger Service: Fresh air 6. Passport: Jadoo 7. Blood, Sweat & Tears: Hi-de-Ho 8. Walpurgis: Queen of Saba 9. Climax Blues Band: Amerita/Sense of direction 10. Beggars Opera: Light cavalry 11.
    [Show full text]
  • King Crimson Barclay James Harvest
    King Crimson Barclay James Harvest Oplæg af Flemming Vestergaard til Gladsaxe Bib. Rocklytteklub nov. 2016 King Crimson & Barclay James Harvest Koncertaktuelle efterår 2016 i København Dannet i slut-60'erne og stadig aktive Spiller progressiv rock og anvender mellotron King Crimsons musik er intellektuel, eksperimentel, kompleks og abstrakt. Teksterne er ofte litterære, filsofiske, dybsindige eller sarkastiske Barclay James Harvests musik er lyrisk, melodisk, ofte folkemusikinspireret. Teksterne er fortællende og fyldt med poesi og følelser. Vi hører King Crimson - ”Moonchild” King Crimson – Robert Fripp Født 1946 i Dorset, Storbritanien Ingen musikalsk baggrund i familien Lærte at spille guitar som 11- årig Er den eneste som har spillet med King Crimson i alle årene. Spiller guitar og mellotron på næsten alle albums Dannede trioen Giles, Giles & Fripp i 1967 som spillede tidens psykedeliske musik iblandet tale og eksperimenter. Dannede King Crimson i 1968 med Ian McDonald (voc,ts,fl,kb), Michael Giles (voc,dr, perc), Greg Lake (voc,b) In the Court of the Crimson King Udkom 1969 på Island Records Vi hører ”In the Court of the Crimson King” Anses for et banebrydende album for den progressive rock. Musikken er symfonisk og eksperimenterende. Teksterne blev skrevet af Pete Sinfield, som fulgte bandet nogle år Greg Lake forlod KC året efter og gik med i Emerson, Lake & Palmer. Mellotron Analog sampler opfundet 1963 Vi ser Paul McCartney demonstrere den Fungerer ved at hver tangent er tilknyttet sin egen båndafspiller med 8 sekunders bånd Hvert bånd har et antal forudindspillede orkesterlyde. Visse af dem blev meget populære i rock. De første modeller var meget dyre og kostede 1/3 af prisen for et hus.
    [Show full text]
  • Record Store Day Releases
    RECORD STORE DAY RELEASES Number Barcode Label Artist Title Type Title Extra 1 0888430492912 SONY AC/DC BALLBREAKER LP RSD 2014 // 180 GRAM VINYL 2 0888430492813 SONY AC/DC STIFF UPPER LIP LP RSD 2014 // 180 GRAM VINYL 3 5014797890701 EDSEL ACTION 7-SINGLES BOXSET 12in 8 X 7"S + 40 PAGE BOOKLET + 2-SIDED A2 POSTER, RSD 2014 4 8718469534678 MOV AEROSMITH DRAW THE LINE LP RSD 2014 / REMASTERED / INSERT / 1500 NUMBERED COPIES 5 8718469534685 MOV AEROSMITH NIGHT IN THE RUTS LP RSD 2014 / REMASTERED / INSERT / 1500 NUMBERED COPIES 6 8718469534692 MOV AEROSMITH ROCK IN A HARD PLACE LP RSD 2014 / REMASTERED / INSERT / 1500 NUMBERED COPIES 7 8718469534661 MOV AEROSMITH ROCKS LP RSD 2014 / REMASTERED / INSERT / 1500 NUMBERED COPIES 8 0602537714520 BLUEN AMMONS, ALBERT BOOGIE WOOGIE STOMP 12in RSD 2014 9 8714691029425 COAST AMSTERDAM KLEZMER BAND BLITZMASH -LTD- LP RSD 2014 // INCLUDES DOWNLOAD CODE 10 0802644886213 KSCOP ANATHEMA PD-UNTOUCHABLE EP LP RSD 2014 11 0698458860675 SALVO ART OF NOISE PD-AT THE END OF THE.. 12in .. CENTURY, RSD 2014 12 0803341419957 RO.CL BACHMAN & TURNER LIVE AT ROSELAND.. -LTD- LP .. BALLROOM, NYC // =BLACK VINYL= // RSD 2014 13 0602537765096 UNIV BADE 7-HIDE NO MORE 12in RSD 2014 14 8717127019595 KSPIR BALLAKE, AMADOU BAR KONON.. -DELUXE- LP .. MOUSSO BAR // 180GR / 500 COPIES // RSD 2014 15 5060281618078 BECA BANGER, ED CLASSICS DELUXE BOXSET 12in 5X10"... RSD 2014 16 5013929470187 ES.AN BARCLAY JAMES HARVEST ANCIENT WAVES -LTD- 12in RSD 2014 EXCLUSIVE BY JOHN LEES' BARCLAY JAMES HARVEST 17 8713748984335 SHLV BASKERVILLE DISCO BISCUITS LP RSD 2014 - GATEFOLD 180 GRAMS COLOURED VINYL 18 0602276010419 BL.MA BATHORY PD-BLOOD FIRE DEATH -LTD- LP LIM.500 // RSD 2014 19 0602276010518 BL.MA BATHORY PD-HAMMERHEART -LTD- LP LIM.500 // RSD 2014 20 4012743010211 BL.MA BATHORY PD-RETURN.....
    [Show full text]
  • The Ultimate Playlist This List Comprises More Than 3000 Songs (Song Titles), Which Have Been Released Between 1931 and 2018, Ei
    The Ultimate Playlist This list comprises more than 3000 songs (song titles), which have been released between 1931 and 2021, either as a single or as a track of an album. However, one has to keep in mind that more than 300000 songs have been listed in music charts worldwide since the beginning of the 20th century [web: http://tsort.info/music/charts.htm]. Therefore, the present selection of songs is obviously solely a small and subjective cross-section of the most successful songs in the history of modern music. Band / Musician Song Title Released A Flock of Seagulls I ran 1982 Wishing 1983 Aaliyah Are you that somebody 1998 Back and forth 1994 More than a woman 2001 One in a million 1996 Rock the boat 2001 Try again 2000 ABBA Chiquitita 1979 Dancing queen 1976 Does your mother know? 1979 Eagle 1978 Fernando 1976 Gimme! Gimme! Gimme! 1979 Honey, honey 1974 Knowing me knowing you 1977 Lay all your love on me 1980 Mamma mia 1975 Money, money, money 1976 People need love 1973 Ring ring 1973 S.O.S. 1975 Super trouper 1980 Take a chance on me 1977 Thank you for the music 1983 The winner takes it all 1980 Voulez-Vous 1979 Waterloo 1974 ABC The look of love 1980 AC/DC Baby please don’t go 1975 Back in black 1980 Down payment blues 1978 Hells bells 1980 Highway to hell 1979 It’s a long way to the top 1975 Jail break 1976 Let me put my love into you 1980 Let there be rock 1977 Live wire 1975 Love hungry man 1979 Night prowler 1979 Ride on 1976 Rock’n roll damnation 1978 Author: Thomas Jüstel -1- Rock’n roll train 2008 Rock or bust 2014 Sin city 1978 Soul stripper 1974 Squealer 1976 T.N.T.
    [Show full text]
  • Rock Album Discography Last Up-Date: September 27Th, 2021
    Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least.
    [Show full text]
  • Barclay James Harvest
    1 Barclay James Harvest: The Fandom of a Progressive Rock Band I certify that this dissertation is entirely my own work and no part of it has been submitted for a degree or other qualification in this or another institution. I also certify that I have not collected data nor shared data with another candidate at Exeter University or elsewhere without specific authorization. _________________________ _________________________ Sarah Warren 27th March 2015 620007154 Word Count: 9,902 2 Contents List of Figures: 3 Abstract: 4 Acknowledgements: 5 Introduction & Methodology: 6 Literature Review: 9 Chapter 1: Changes in the Fandom over Time 12 Chapter 2: Gender Imbalance 20 Chapter 3: Fan Objects and Behaviour 23 Conclusions: 25 References: 35 3 List of Figures Figure Description Page Front cover John Lees’ Barclay James Harvest 1 and fans at Metropolis Studios 2.1 Barclay James Harvest 1974, 22 Promotional photo for the release of ‘Everyone is Everybody Else’ 2.2 Barclay James Harvest 1981, 23 Promotional photo for the release of ‘Turn of the Tide’ 3.1 Photograph of Ian Alexander’s ticket 26 display 3.2 Photograph of Rob Price’s framed 29 tour programmes 4 Abstract Fandom is hugely underrepresented in geographical literature and this dissertation aims to begin filling that gap with a focus on fans of music; one of the least studied cohorts in existing fan studies. The case study for this research is that of the fans of a relatively obscure progressive rock band; Barclay James Harvest. Through a combination of interviews, questionnaires and participant observation this study examines changes that have occurred in the fandom over time.
    [Show full text]
  • 20.02.2011 LP-Archiv Seite 1 Nr. Interpret Titel Stilrichtung JG 5588
    LP‐Archiv 20.02.2011 Nr. Interpret Titel Stilrichtung JG 5588 "1991" bbfc hatt auberson andate patriotico ma non fanatico Jazz 88 6943 "o" within reach HardRock / HeavyMetal 76 9334 10'000 maniacs in my tribe Pop 87 2732 101 strings grand canyon suite EasyListening 50 2991 101 violins impressions de russland Ethno / WorldMusic 5846 101strings orchestra play songs of carol king EasyListening 72 237 10cc live and let live Pop 79 238 10cc are you normal Pop 80 1821 10cc are you normal Pop 80 2673 10cc how dare you Pop 75 2674 10cc The original soundtrack Pop 75 2675 10cc ten out of 10 Pop 81 2676 10cc bloody tourists Pop 78 2677 10cc live and let live Pop 75‐77 2678 10cc deceptive bends Pop 77 4598 10cc greatest hits Pop 72‐78 4994 10cc ten out of 10 Pop 7812 10cc deceptive bends Pop 76 7813 10cc bloody tourists Pop 78 8821 10cc are you normal Pop 80 2527 14 bis II 14 bis Pop 80 8328 14bis11 (brasil) 14bis Pop 80 8835 1occ bloody tourists Pop 78 5030 1st light same Pop 82 6792 220 volt young and wild HardRock / HeavyMetal 87 4134 23 skidoo coup NeueDeutscheWelle / NewWave / Punk 7502 23 skindo language NeueDeutscheWelle / NewWave / Punk 667 3 paraguayos, los same EasyListening 75 2587 3 paraguayos, los guantanamera EasyListening 75 7563 3 paraguayos, los same EasyListening 2105 38 special wild eyed southern boys HardRock / HeavyMetal 80 2106 38 special tour de force HardRock / HeavyMetal 83 2107 38 special rock&Roll strategy HardRock / HeavyMetal 88 8291 4 coringas (brasil) mpb Ethno / WorldMusic 84 823 4 non blondes bigger, better, faster, more Pop 93 1313 4 seasons,the the genuine imitation life gazette Pop 73 6836 44magnum street rock n'roller HardRock / HeavyMetal 84 6838 44magnum danger HardRock / HeavyMetal 84 719 45 geräusche in stereo geräusche Andere Seite 1 LP‐Archiv 20.02.2011 Nr.
    [Show full text]
  • ARTIST / BANDNAVN ALBUM TITTEL UTG.ÅR LABEL/ KATAL.NR. LAND LP a AC/DC HIGH VOLTAGE 1975 ATL 50257 GER LP Debuten Til Hardrocker'ne Fra Down Under
    ARTIST / BANDNAVN ALBUM TITTEL UTG.ÅR LABEL/ KATAL.NR. LAND LP A AC/DC HIGH VOLTAGE 1975 ATL 50257 GER LP Debuten til hardrocker'ne fra Down Under. AC/DC POWERAGE 1978 ATL 50483 FRA LP 6.albumet i rekken av mange utgivelser. ACKLES, DAVID AMERICAN GOTHIC 1972 EKS-75032 USA LP Strålende låtskriver, albumet produsert av Bernie Taupin, kompisen til Elton John. AEROSMITH PUMP 1989 GEFFEN REC924254 USA LP 1982 Fengende synthpop/new wave fra flinke gutter med sær frisyre. Produsert av Bill Nelson A FLOCK OF SEAGULLS A FLOCK OF SEAGULLS HOP 201 UK LP (Be Bop Deluxe) AFZELIUS & WIEHE AFZELIUS & WIEHE 1986 TRAM 70 SWE LP Flott låtskriverpar,her med god hjelp av bl.a Marius Muller. AKKERMAN, JAN JAN AKKERMAN 1977 ATL 50420 HOL LP Soloalbum fra den glimrende gitaristen fra nederlandske Focus. AKKERMAN, JAN & CLAUS OGERMAN ARANJUEZ 1978 CBS 81843 HOL LP Jazz / klassisk fra gitaristen fra Focus,med arrangør og dirigent Claus Ogerman ALAN PARSONS PROJECT, THE TALES OF MYSTERY AND IMAGINATION 1976 20TH CENT. FOX SPA LP Spansk LP utgivelse, basert på tekster av Edgar Allan Poe.Hipgnosis cover. ALAN PARSONS PROJECT, THE I ROBOT 1978 ARTISTA 062-99168 SWE LP Coverdesign av Hipgnosis En av de beste med Alan P., med tysk symf.orkester,vocalhjelp fra Leslie Duncan, Clare 1979 Torry (P:Floyd), hun med den utrolige bra vocalen i Great gig in the sky (Dark side of the ALAN PARSONS PROJECT, THE EVE ARTISTA 201 157 HOL LP moon). 1980 Hjelp av Elmer Ganrtry (Velvet Opera) på vocal.Tysk symf.orch.Cover av K.Godley & ALAN PARSONS PROJECT, THE THE TURN OF A FRIENDLY CARD ARTISTA I-203000 SPA LP L.Creme 1983 ALAN PARSONS PROJECT, THE THE BEST OF ALAN PARSONS PROJECT ARI 90066 HOL LP Alan Parson,produsent og tekniker fra Dark side of the moon med Pink Floyd.
    [Show full text]