DOCSLIB.ORG

Phonological Deviations in Cardi B's Songs

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Phonological Deviations in Cardi B's Songs PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PHONOLOGICAL DEVIATIONS IN CARDI B’S SONGS AN UNDERGRADUATE THESIS Presented as Partial Fulfillment of the Requirements for the Degree of Sarjana Sastra in English Letters By AGATHA AYU LISA WIDAWATI Student Number: 124214060 DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS UNIVERSITAS SANATA DHARMA YOGYAKARTA 2019 PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PHONOLOGICAL DEVIATIONS IN CARDI B’S SONGS AN UNDERGRADUATE THESIS Presented as Partial Fulfillment of the Requirements for the Degree of Sarjana Sastra in English Letters By AGATHA AYU LISA WIDAWATI Student Number: 124214060 DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS UNIVERSITAS SANATA DHARMA YOGYAKARTA 2019 ii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI What Goes Around Comes Around vii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI This page is dedicated to my first love, Hieronimus Agung Suripto I wish I could tell you in person, dad viii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI ACKNOWLEDMENTS First of all, I would like to give my thankfulness to Jesus Christ for His blessing upon me. I am very thankful for His grace and love which are given to me through people around me. Secondly, I would like to express my sincere thanks my thesis advisor, Arina Isti’anah, S.Pd., M.Hum., for guiding me to write this thesis from the beginning until the end of the process. I am also very thankful because of her support and patience in handling such a lazy girl like me so that I could have my motivation to finish this thesis. Thirdly, I also give my thanks to my co-advisor Anna Fitriati, S.Pd., M.Hum., who gave me suggestions that make my thesis better. Fourthly, my deepest thanks go to my lovely mom who also takes the role as my father and always has good answers when people and relatives ask about my educational thing. Next, I would like to say thanks to my boyfriend, my sister, Romo Suby, and Bovis as my unofficial grammar advisor. I also thank my other close friends Lea, Sony, Q’4S, Unisi Radio, Sego Bandeng and OMK Gereja Kampus for the experience and memory we have shared these past years. Finally, I would like to thank all of my friends in English Letters Department for the support and togetherness. Agatha Ayu Lisa Widawati ix PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI TABLE OF CONTENTS TITLE PAGE .................................................................................................. ii APPROVAL PAGE ....................................................................................... iii ACCEPTANCE PAGE ................................................................................. iv STATEMENT OF ORIGINALITY .............................................................. v LEMBAR PERNYATAAN PERSETUJUAN PUBLIKASI KARYA ILMIAH ............................................................................................................ vi MOTTO PAGE .............................................................................................. vii DEDICATION PAGE ................................................................................... viii ACKNOWLEDGEMENTS .......................................................................... ix TABLE OF CONTENTS .............................................................................. x LIST OF TABLES ......................................................................................... xii ABSTRACT .................................................................................................... xiii ABSTRAK ....................................................................................................... xiv CHAPTER I: INTRODUCTION ................................................................. 1 A. Background of the Study ..................................................................... 1 B. Problem Formulation ........................................................................... 3 C. Objectives of the Study ........................................................................ 3 D. Definition of Terms .............................................................................. 3 CHAPTER II: REVIEW OF LITERATURE ............................................. 6 A. Review of Related Studies ................................................................... 6 B. Review of Related Theories ................................................................. 9 1. Phonology.......................................................................................... 9 2. Phonological Process ........................................................................ 16 3. Phonological Deviation..................................................................... 17 C. Theoretical Framework ........................................................................ 20 CHAPTER III: METHODOLOGY ............................................................. 21 A. Object of the Study .............................................................................. 21 B. Approach of the Study ......................................................................... 21 C. Method of the Study ............................................................................ 22 1. Data Collection ................................................................................ 22 2. Data Analysis .................................................................................. 22 x PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI CHAPTER IV: ANALYSIS RESULTS AND DISCUSSIONS .................. 25 A. Phonological Deviation in Cardi B’s Songs ........................................ 25 1. Conventional Licences of Verse Composition................................. 27 2. Special Pronunciation for The Convience of Rhyming..................... 31 B. Phonological Processes in Cardi B’s Songs Deviations......................... 36 1. Dissimilation ......……….................................................................. 36 2. Deletion ………………………........................................................ 37 3. Insertion ………………………....................................................... 39 CHAPTER V: CONCLUSION ..................................................................... 40 REFERENCES ............................................................................................... 43 APPENDICES ............................................................................................... 45 Appendix 1….............................................................................................. 45 Appendix 2…............................................................................................. 47 Appendix 3….………………………………...………………………… 49 xi PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI LIST OF TABLES Table 1. English Consonant ........................................................................... 15 Table 2. IPA Vowel Chart .......................................……….......................... 16 Table 3. The Table of The Analysis ……...................................................... 23 Table 4. The Table of Percentage as Conclusion........................................... 23 Table 5. The Cardi B’s Phonological Deviation in Percentages..................... 26 Table 6. Phoneme Aphesis .............................................................................. 27 Table 7. Syllable Aphesis ................................................................................ 28 Table 8. One Phoneme Apocope...................................................................... 30 Table 9. More Than One Phoneme ................................................................ 30 Table 10. Syllable Apocope ........................................................................... 30 Table 11. Substandard Pronunciation ............................................................ 32 Table 12. Feature Changing Sound ................................................................ 33 Table 13. Sound Insertion .............................................................................. 36 Table 14. Dissimilation .................................................................................. 36 Table 15. One Phoneme Deletion .................................................................. 38 Table 16. More Than One Phoneme Deletion .............................................. 38 Table 17. Syllable Deletion ............................................................................ 38 Table 18. Insertion ......................................................................................... 39 xii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI ABSTRACT Widawati, Agatha Ayu Lisa. (2019). Phonological Deviation in Cardi B’s Songs. Yogyakarta: Department of English Letters, Faculty of Letters, Universitas Sanata Dharma. Language is called as a system which is understood by a community and used as a form of communication. How language is used and then attempts to describe the facts in order to analyze and explain the way language is used can be analyzed using a scientific study called linguistics. However, some literary works decide to break the rule in order to achieve some purposes. The irregularity of rule is called deviation.There are many kinds of language deviations, one of them is phonological deviation. Phonological deviation is considered as irregularities of pronunciation which many people often do, including Cardi B. Cardi B is an
Load more

Recommended publications
  • M-Phazes | Primary Wave Music
    M- PHAZES facebook.com/mphazes instagram.com/mphazes soundcloud.com/mphazes open.spotify.com/playlist/6IKV6azwCL8GfqVZFsdDfn M-Phazes is an Aussie-born producer based in LA. He has produced records for Logic, Demi Lovato, Madonna, Eminem, Kehlani, Zara Larsson, Remi Wolf, Kiiara, Noah Cyrus, and Cautious Clay. He produced and wrote Eminem’s “Bad Guy” off 2015’s Grammy Winner for Best Rap Album of the Year “ The Marshall Mathers LP 2.” He produced and wrote “Sober” by Demi Lovato, “playinwitme” by KYLE ft. Kehlani, “Adore” by Amy Shark, “I Got So High That I Found Jesus” by Noah Cyrus, and “Painkiller” by Ruel ft Denzel Curry. M-Phazes is into developing artists and collaborates heavy with other producers. He developed and produced Kimbra, KYLE, Amy Shark, and Ruel before they broke. He put his energy into Ruel beginning at age 13 and guided him to RCA. M-Phazes produced Amy Shark’s successful songs including “Love Songs Aint for Us” cowritten by Ed Sheeran. He worked extensively with KYLE before he broke and remains one of his main producers. In 2017, Phazes was nominated for Producer of the Year at the APRA Awards alongside Flume. In 2018 he won 5 ARIA awards including Producer of the Year. His recent releases are with Remi Wolf, VanJess, and Kiiara. Cautious Clay, Keith Urban, Travis Barker, Nas, Pusha T, Anne-Marie, Kehlani, Alison Wonderland, Lupe Fiasco, Alessia Cara, Joey Bada$$, Wiz Khalifa, Teyana Taylor, Pink Sweat$, and Wale have all featured on tracks M-Phazes produced. ARTIST: TITLE: ALBUM: LABEL: CREDIT: YEAR: Come Over VanJess Homegrown (Deluxe) Keep Cool/RCA P,W 2021 Remi Wolf Sexy Villain Single Island P,W 2021 Yung Bae ft.
    [Show full text]
  • TABOO WORDS in the LYRICS of CARDI B on ALBUM INVASION of PRIVACY THESIS Submitted to the Board of Examiners in Partial Fulfillm
    TABOO WORDS IN THE LYRICS OF CARDI B ON ALBUM INVASION OF PRIVACY THESIS Submitted to the Board of Examiners In Partial Fulfillment of the Requirement For Literary Degree at English Literature Department by PUTRI YANELIA NIM: AI.160803 ADAB AND HUMANITIES FACULTY STATE ISLAMIC UNIVERSITY SULTAN THAHA SAIFUDDIN JAMBI 2020 NOTA DINAS Jambi, 25 Juli 2020 Pembimbing I : Dr. Alfian, M.Ed…………… Pembimbing II : Adang Ridwan, S.S, M.Pd Alamat : Fakultas Adab dan Humaniora UIN STS Jambi Kepada Yth Ibu Dekan Fakultas Adab dan Humaniora UIN STS Jambi Di- Tempat Assalamu‟alaikum wr.wb Setelah membaca dan mengadakan perbaikan seperlunya, maka kami berpendapat bahwa skripsi saudari: Putri Yanelia, Nim. AI.160803 yang berjudul „“Taboo words in the lyrics of Cardi bAlbum Invasion of Privacy”‟, telah dapat diajukan untuk dimunaqosahkan guna melengkapi tugas - tugas dan memenuhi syarat – syarat untuk memperoleh gelar sarjana strata satu (S1) pada Fakultas Adab dan Humaniora, UIN STS Jambi. Maka, dengan itu kami ajukan skripsi tersebut agar dapat diterima dengan baik. Demikianlah kami ucapkan terima kasih, semoga bermanfaat bagi kepentingan kampus dan para peneliti. Wassalamu‟alaikum wr.wb Pembimbing I Pembimbing II Dr. Alfian, M.Ed Adang Ridwan, S.S., M.Pd NIP: 19791230200604103 NIDN: 2109069101 i APPROVAL Jambi, July 25th 2020 Supervisor I : Dr. Alfian, M.Ed……………… Supervisor II :Adang Ridwan, M.Pd ………………… Address : Adab and HumanitiesFaculty .. …………State Islamic University ,,,,,,,,,,,,,,,,,,,, ,,,,,,,Sulthan Thaha Saifuddin Jambi. To The Dean of Adab and Humanities Faculty State Islamic University In Jambi Assalamu‟alaikum wr. Wb After reading and revising everything extend necessary, so we agree that the thesis entitled“Taboo Words in the Lyrics of Cardi b on Album Invasion of Privacy”can be submitted to Munaqasyah exam in part fulfillment to the Requirement for the Degree of Humaniora Scholar.We submitted it in order to be received well.
    [Show full text]
  • I Like It Like That Cardi B Sample
    I Like It Like That Cardi B Sample Sloane unravelled her wedges forensically, she pension it postpositively. Is Zorro clovery when achromaticallyGraehme restores or upraised unendingly? ineptly. Expurgatory and unswayable Laird often divulge some chasseurs I party It samples the 1967 song I Like total Like which by Pete Rodriguez which was also the name summon a 1994 movie associated with slot cover song. Sting and likes taking them if ads are seeing this post titles; this page section in an unconfirmed rumor will likely continue to comment on the. Can mother take us back work when i first had that idea behind sample Cardi B's coronavirus rank. I was perhaps I don't wanna hurt in so does'm going to good and fret to. Amazing SirWired 2 years ago pick a contrast we need to add set the items in Weird Al's version of Whatever reason Like Lyric Sample. Tracklib Presents State of Sampling Tracklib Blog. Buy tracks of sampling his father was that lift, like this time i mixed it with. 'Tonight' Mimic conversation With Cardi B NBC Chicago. For her an unpredictable way more outfits formed, dining news and copyright music genres such as a quick and john mayer have a strong regional news! But love you get breaking essex and perfume, india and websites advanced ceramide complex, comment on netflix on. I reveal It la cancin que esper 50 aos para ser nmero uno. Scarlet knights and its sampling his mother was instrumental in samples to sample like something. Find more like that.
    [Show full text]
  • Summer 2018 Newsletter Girls Dorm: Resident Advisors .....6
    Inside this issue What is the summer program .....2 Check-in / check-out ...................3 Class change / athletic release ....3 Roommate conflicts ....................4 Resident Directors .......................5 Summer 2018 Newsletter Girls Dorm: Resident Advisors .....6 Guys Dorm: Resident Advisors ....9 Directions / parking ....................12 When? Move-In: Wednesday, May 30 / Move-Out: Friday, June 29 Thursday Night special activities Move-In Schedule: Welcome Back Party 1:00-2:00pm: Rising sophomores 2:00-3:00pm: Rising juniors Field Day 3:00-4:00pm: Rising seniors Talent Show Barter Theater Where? Girls Dorm: Lucille Clement Hall (1193 Jack Vest Dr, Johnson City, TN 37614) 2 twin XL loft beds, desks, chairs, and built-in closet with drawers Bathrooms and showers located on each wing The following paperwork must be signed by a parent/guardian prior Kitchens located on the 1st, 3rd and 4th floors to or at dorm move-in for a stu- Laundry facilities located on the 1st floor dent to be eligible for our summer Elevators program. Students cannot move in without these documents: Guys Dorm: West Hall (289 S Dossett Dr, Johnson City, TN) Student Commitment Form Parent Participant Form 2 twin XL loft beds, desks, chairs, and built-in closet with drawers Medical Release & Authorization Bathrooms and kitchen on each floor Transportation Form Laundry facilities located on the 2nd and 3rd floors No elevators 2018 Summer Trip All rooms are equipped with 2 Ethernet jacks, 1 cable TV jack, and Wi-Fi. Be sure to bring your own Charleston, SC cords if you plan to hook up your TV or laptop.
    [Show full text]
  • Hip Hop Feminism Comes of Age.” I Am Grateful This Is the First 2020 Issue JHHS Is Publishing
    Halliday and Payne: Twenty-First Century B.I.T.C.H. Frameworks: Hip Hop Feminism Come Published by VCU Scholars Compass, 2020 1 Journal of Hip Hop Studies, Vol. 7, Iss. 1 [2020], Art. 1 Editor in Chief: Travis Harris Managing Editor Shanté Paradigm Smalls, St. John’s University Associate Editors: Lakeyta Bonnette-Bailey, Georgia State University Cassandra Chaney, Louisiana State University Willie "Pops" Hudson, Azusa Pacific University Javon Johnson, University of Nevada, Las Vegas Elliot Powell, University of Minnesota Books and Media Editor Marcus J. Smalls, Brooklyn Academy of Music (BAM) Conference and Academic Hip Hop Editor Ashley N. Payne, Missouri State University Poetry Editor Jeffrey Coleman, St. Mary's College of Maryland Global Editor Sameena Eidoo, Independent Scholar Copy Editor: Sabine Kim, The University of Mainz Reviewer Board: Edmund Adjapong, Seton Hall University Janee Burkhalter, Saint Joseph's University Rosalyn Davis, Indiana University Kokomo Piper Carter, Arts and Culture Organizer and Hip Hop Activist Todd Craig, Medgar Evers College Aisha Durham, University of South Florida Regina Duthely, University of Puget Sound Leah Gaines, San Jose State University Journal of Hip Hop Studies 2 https://scholarscompass.vcu.edu/jhhs/vol7/iss1/1 2 Halliday and Payne: Twenty-First Century B.I.T.C.H. Frameworks: Hip Hop Feminism Come Elizabeth Gillman, Florida State University Kyra Guant, University at Albany Tasha Iglesias, University of California, Riverside Andre Johnson, University of Memphis David J. Leonard, Washington State University Heidi R. Lewis, Colorado College Kyle Mays, University of California, Los Angeles Anthony Nocella II, Salt Lake Community College Mich Nyawalo, Shawnee State University RaShelle R.
    [Show full text]
  • Sweet Sexy Savage Deluxe Edition Kehlani Album Download Sweetsexysavage [Deluxe] Kehlani's You Should Be Here Struck Some Surprise Blows
    sweet sexy savage deluxe edition kehlani album download SweetSexySavage [Deluxe] Kehlani's You Should Be Here struck some surprise blows. Their second self-issued mixtape went Top Five R&B/hip-hop, cracked the Top 40, and was nominated for a Grammy in the category of Best Urban Contemporary Album. Their proper full-length debut, SweetSexySavage, followed its release by almost two years. While it was in the works, anticipation was built with a clutch of tracks, including a streak of three that charted. The appealingly scruffy and scrappy "CRZY," recorded with up-and-coming duo Denisia Andrews and Brittany Coney, became Kehlani's first commercial hit back in July 2016. Shortly thereafter, the Pop & Oak collaboration "Distraction," a sweet midtempo number regarding a no-strings fling, evoked prime Missy Elliott and Timbaland -- and faintly echoed forebears Jimmy Jam and Terry Lewis -- with harmonies that hit as hard as its booming bass. Biggest of all was the Suicide Squad soundtrack's "Gangsta" -- a melodramatic trap-pop ballad that, like many a Skylar Grey co-composition, went down a storm at teen-oriented mall outlets offering counterculture apparel. That song ends this album's deluxe edition. The two preceding singles are on the standard version and more accurately forecast the album's lustrous pop-R&B framing of Kehlani's "I contain multitudes" character. The lows and highs, grief and pleasure, and insecurity and pride are all put on vivid display, and Kehlani pours themself into all of it without overselling a thought. What they and some of their collaborators put forth most strikingly is an aptitude for evoking 1994-1998 contemporary R&B -- not just TLC, whose second album also inspired the album's title, but Brandy and Aaliyah as well - - without sounding like a nostalgia act.
    [Show full text]
  • Mediamonkey Filelist
    MediaMonkey Filelist Track # Artist Title Length Album Year Genre Rating Bitrate Media # Local 1 Kirk Franklin Just For Me 5:11 2019 Gospel 182 Disk Local 2 Kanye West I Love It (Clean) 2:11 2019 Rap 4 128 Disk Closer To My Local 3 Drake 5:14 2014 Rap 3 128 Dreams (Clean) Disk Nellie Tager Local 4 If I Back It Up 3:49 2018 Soul 3 172 Travis Disk Local 5 Ariana Grande The Way 3:56 The Way 1 2013 RnB 2 190 Disk Drop City Yacht Crickets (Remix Local 6 5:16 T.I. Remix (Intro 2013 Rap 128 Club Intro - Clean) Disk In The Lonely I'm Not the Only Local 7 Sam Smith 3:59 Hour (Deluxe 5 2014 Pop 190 One Disk Version) Block Brochure: In This Thang Local 8 E40 3:09 Welcome to the 16 2012 Rap 128 Breh Disk Soil 1, 2 & 3 They Don't Local 9 Rico Love 4:55 1 2014 Rap 182 Know Disk Return Of The Local 10 Mann 3:34 Buzzin' 2011 Rap 3 128 Macc (Remix) Disk Local 11 Trey Songz Unusal 4:00 Chapter V 2012 RnB 128 Disk Sensual Local 12 Snoop Dogg Seduction 5:07 BlissMix 7 2012 Rap 0 201 Disk (BlissMix) Same Damn Local 13 Future Time (Clean 4:49 Pluto 11 2012 Rap 128 Disk Remix) Sun Come Up Local 14 Glasses Malone 3:20 Beach Cruiser 2011 Rap 128 (Clean) Disk I'm On One We the Best Local 15 DJ Khaled 4:59 2 2011 Rap 5 128 (Clean) Forever Disk Local 16 Tessellated Searchin' 2:29 2017 Jazz 2 173 Disk Rahsaan 6 AM (Clean Local 17 3:29 Bleuphoria 2813 2011 RnB 128 Patterson Remix) Disk I Luh Ya Papi Local 18 Jennifer Lopez 2:57 1 2014 Rap 193 (Remix) Disk Local 19 Mary Mary Go Get It 2:24 Go Get It 1 2012 Gospel 4 128 Disk LOVE? [The Local 20 Jennifer Lopez On the
    [Show full text]
  • Bryson Tiller Shares “Always Forever” Video Starring Kehlani from His a N N I V E R S a R Y Album – Available Everywhere Now Click Here to Watch
    BRYSON TILLER SHARES “ALWAYS FOREVER” VIDEO STARRING KEHLANI FROM HIS A N N I V E R S A R Y ALBUM – AVAILABLE EVERYWHERE NOW CLICK HERE TO WATCH Critical Praise for A N N I V E R S A R Y: “There is no 'A N N I V E R S A R Y' without 'T R A P S O U L,' and contemporary R&B’s scene wouldn’t exist as it does without his success.” – Noisey “A N N I V E R S A R Y is positioned as a return to form, the proper follow-up to a terrific debut that fans have been longing for…Tiller seems fully revitalized.” – Billboard “R&B powerhouse” – Forbes “…right on time…” – Vulture ”Always Forever” included on The New York Times – “The Playlist” Watch “Always Forever”: https://brysontiller.lnk.to/AlwaysForeverVideo A N N I V E R S A R Y Tracklist: 1. Years Go By 2. Always Forever 3. I’m Ready For You 4. Things Change 5. Timeless Interlude 6. Sorrows 7. Inhale 8. Outta Time ft. Drake 9. Keep Doing What You’re Doing 10. Next To You Listen to A N N I V E R S A R Y: https://brysontiller.lnk.to/ANNIVERSARYPR Watch: “Inhale”: https://brysontiller.lnk.to/Inhale About Bryson Tiller: Bryson Tiller has captivated fans since his inception with the success of his 2015 debut album, T R A P S O U L. Following up in 2017 with his sophomore album, True To Self, which clinched the #1 spot on the Billboard 200 chart, Tiller staked his claim as one of the young greats in R&B/Hip-Hop.
    [Show full text]
  • Baby Girl Names | Registered in 2019
    Vital Statistics Baby2019 BabyGirl GirlsNames Names | Registered in 2019 From:Jan 01, 2019 To: Dec 31, 2019 First Name Frequency First Name Frequency First Name Frequency Aadhini 1 Aarnavi 1 Aadhirai 1 Aaro 1 Aadhya 2 Aarohi 2 Aadila 1 Aarora 1 Aadison 1 Aarushi 1 Aadroop 1 Aarya 3 Aadya 3 Aarza 2 Aafiya 1 Aashvee 1 Aaghnya 1 Aasiya 1 Aahana 2 Aasiyah 2 Aaila 1 Aasmi 1 Aaira 3 Aasmine 1 Aaleena 1 Aatmja 1 Aalia 1 Aatri 1 Aaliah 1 Aayah 2 Aalis 1 Aayara 1 Aaliya 1 Aayat 1 Aaliyah 17 Aayla 1 Aaliyah-Lynn 1 Aayna 1 Aalya 1 Aayra 2 Aamina 1 Aazeen 1 Aamna 1 Abagail 1 Aanaya 1 Abbey 4 Aaniya 1 Abbi 1 Aaniyah 1 Abbie 1 Aanya 3 Abbiejean 1 Aara 1 Abbigail 3 Aaradhya 1 Abbiteal 1 Aaradya 1 Abby 10 Aaraya 1 Abbygail 1 Aaria 2 Abdirashid 1 Aariya 1 Abeeha 1 Aariyah 1 Aberlene 1 Aarna 3 Abhideep 1 Abi 1 Abiah 1 10 Jun 2020 1 Abiegail 02:22:21 PM1 Abigael 1 Abigail 141 Abigale 1 1 10 Jun 2020 2 02:22:21 PM Baby Girl Names | Registered in 2019 First Name Frequency First Name Frequency Abigayle 1 Addalyn 4 Abihail 1 Addalynn 1 Abilene 2 Addasyn 1 Abina 1 Addelyn 1 Abisha 2 Addi 1 Ablakat 1 Addie 2 Aboni 1 Addilyn 3 Abrahana 1 Addilynn 2 Abreen 1 Addison 61 Abrielle 2 Addisyn 2 Absalat 1 Addley 1 Abuk 2 Addy 1 Abyan 1 Addyson 2 Abygale 1 Adedoyin 1 Acadia 1 Adeeva 1 Acelynn 1 Adeifeoluwa 1 Achai 1 Adela 1 Achan 1 Adélaïde 1 Achol 1 Adelaide 20 Ackley 1 Adelaine 1 Ada 23 Adelayne 1 Adabpreet 1 Adele 4 Adaeze 1 Adèle 2 Adah 1 Adeleigha 1 Adair 1 Adeleine 1 Adalee 1 Adelheid 1 Adalena 1 Adelia 3 Adaley 1 Adelina 2 Adalina 2 Adeline 40 Adalind 1 Adella
    [Show full text]
  • Cardi B, J Balvin, Karol G, Quavo and Ricky Martin Confirmed to Perform at the 2018 Billboard Latin Music Awards on Telemundo April 26 7Pm/6C
    CARDI B, J BALVIN, KAROL G, QUAVO AND RICKY MARTIN CONFIRMED TO PERFORM AT THE 2018 BILLBOARD LATIN MUSIC AWARDS ON TELEMUNDO APRIL 26 7PM/6C Miami, FL – April 5, 2018 – Telemundo announced today additional music superstars to join the line-up of performers at the upcoming 2018 Billboard Latin Music Awards. Rapper and social media powerhouse, Cardi B, popular Colombian singer, J Balvin, Colombian reggaeton singer and songwriter, Karol G, renowned rapper, singer, songwriter and record producer, Quavo, and international superstar Ricky Martin join the previously announced slate of performers at the awards ceremony including Calibre 50, Chayanne, Christian Nodal, CNCO, Maluma, Maná, Nicky Jam, Ozuna and Sofia Reyes. The most prestigious awards show in the Latin music world is celebrating 20 years on Telemundo, broadcasting live on Thursday, April 26 at 7pm/6c, starting with the arrival of the stars on the red carpet at the Mandalay Bay Events Center in Las Vegas, Nevada. The show will also air simultaneously on Spanish-language entertainment cable network, Universo. Tickets to the Billboard Latin Music Awards are now on sale at AXS.com, Mandalay Bay Resort and Casino box offices or by calling (702) 632-7777. From an Internet celebrity to the top of the charts, the music career of Cardi B catapulted to levels never before seen in the music industry. She broke through in 2017, becoming the third act ever, and first rapper, to simultaneously place her first three Billboard Hot 100 chart entries in the top 10, joining only The Beatles and Ashanti in achieving the feat.
    [Show full text]
  • Legends of Dance Fact Sheet
    LEGENDS OF DANCE WORKSHOP FACT SHEET About the Legends of Dance Workshop Presented by Studio T Arts, The inaugural 2021 Legends of Dance Workshop welcomes Sacramento community members of all ages (open to the public) for a complimentary dance workshop honoring Legendary Dance Icon Popin’ Pete and celebrating the launch of his new digital training platform and official website PopinPete.com. The exhilarating outdoor workshop will culminate in a high-energy Freestyle Circle. Studio T Arts embarks on a mission to protect and support legends of dance history. Celebrating the official launch of PopinPete.com and his ‘Dance With Legend Popin Pete’ Patreon course membership, Studio T Arts brings dance lovers up close and personal with the dance icon. Learn more at: studiotarts.org/our-events About Studio T Arts & Entertainment Founded in 2005, Studio T Arts & Entertainment provides social services through arts to aid youth and their families in developing and growing in confidence, community leadership, and a desire to thrive beyond their perceived limitations. Originally established as an elite training facility specializing in hip hop and urban dance instruction, Studio T Arts has expanded to teach provide resources to families and valuable job skills to students in photography, videography, brand development, social media marketing, productions for TV shows, deejaying, graphic design, website development, and so much more. In 2021, the facility was renovated to include the Studio T Arts Production Studio, featuring four main rooms to offer photography, videography, podcasting, and record live sessions. The new studio also boasts a training room to teach students, proteges, and interns how to not only capture and edit video, but also website development, graphic design, branding, and social media marketing.
    [Show full text]
  • Song List for Your Review
    west coast music Everyday People Please find attached the ‘Everyday People’ song list for your review. SPECIAL DANCES: Please note that we will need to have your special dance requests, (i.e. First Dance, Father/Daughter Dance, etc) FOUR WEEKS prior to your event so that we can confirm that the band will be able to perform the song(s) and so that we have time to locate sheet music and audio. In cases where sheet music is not available or an arrangement for the full band is needed, this gives us time to properly prepare the music. Clients are not obligated to send in a list of general song requests. Many of our clients ask that the band just react to whatever their guests are responding to on the dance floor. Our clients that do provide us with song requests do so in varying degrees. Most clients give us a handful of songs they want played and avoided. If you desire the highest degree of control (allowing the band to only play within the margin of songs requested), we would ask for a minimum 80 requests. ‘LOW ROTATION REQUESTS: We will also need any General Requests that are chosen from the ‘Low Rotation’ portion of this song list (pages 8-9) FOUR WEEKS in advance prior to your event. The songs from the ‘Low Rotation’ section are not in the active Everyday People song rotation, so the band would need the extra time to prepare them MODERN/TOP 40 24k Magic – Bruno Mars Call Me Maybe – Carly Rae Jepsen A Thousand Years – Christina Perri Call You Girlfriend - Robyn Adorn – Miguel Can’t Feel My Face – The Weeknd Ascension – Maxwell Can’t Hold
    [Show full text]