SWEENEY TODD University of British Columbia
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Don Giovanni Sweeney Todd
FALL 2019 OPERA SEASON B R AVO Don Giovanni OCTOBER 19-27, 2019 Sweeney Todd NOVEMBER 16-24, 2019 2019 Fall Opera Season Sponsor e Katherine McGregor Dessert Parlor …at e Whitney. Named a er David Whitney’s daughter, Katherine Whitney McGregor, our intimate dessert parlor on the Mansion’s third oor features a variety of decadent cakes, tortes, and miniature desserts. e menu also includes chef-prepared specialties, pies, and “Drinkable Desserts.” Don’t miss the amazing aming dessert station featuring Bananas Foster and Cherries Jubilee. Reserve tonight’s table online at www.thewhitney.com or call 313-832-5700 4421 Woodward Ave., Detroit Pre- eater Menu Available on performance date with today’s ticket. Choose one from each course: FIRST COURSE Caesar Side Salad Chef’s Soup of the Day e Whitney Duet MAIN COURSE Grilled Lamb Chops Lake Superior White sh Pan Roasted “Brick” Chicken Sautéed Gnocchi View current menus DESSERT and reserve online at Chocolate Mousse or www.thewhitney.com Mixed Berry Sorbet with Fresh Berries or call 313-832-5700 $39.95 4421 Woodward Ave., Detroit e Katherine McGregor Dessert Parlor …at e Whitney. Named a er David Whitney’s daughter, Katherine Whitney McGregor, our intimate dessert parlor on the Mansion’s third oor features a variety of decadent cakes, tortes, and miniature desserts. e menu also includes chef-prepared specialties, pies, and “Drinkable Desserts.” Don’t miss the amazing aming dessert station featuring Bananas Foster and Cherries Jubilee. Reserve tonight’s table online at www.thewhitney.com or call 313-832-5700 4421 Woodward Ave., Detroit Pre- eater Menu Available on performance date with today’s ticket. -
Fall Season Oct
2018-19 Concert Series SEP. 15 Philharmonia Boston Orchestra String Players NOV. 10 From Ella FALL SEASON Saturday, Sept. 15, 7:30 p.m. Jazz Band Lorimer Chapel Eric Thomas, director (Funded by the Robert J. Strider Concert Fund) Saturday, Nov. 10, 7:30 p.m. Founded in 2008, Philharmonia Boston Orchestra is Given Auditorium, Bixler Art and Music Center composed of professional musicians from the Greater We tour Ella Fitzgerald’s musical life, from her audition at Boston area. Their vision is to serve and inspire the the Apollo Theater to her work at the helm of the Chick Webb SEP. 15 OCT. 6 OCT. 27 community by engaging in educational outreach programs, Band, and give a special nod to her Live in Berlin album. “A providing vibrant musical experiences, and introducing young Tisket A Tasket,” “Black Coffee,” “Angel Eyes,” “I Can’t Give talented musicians. Led by Jinwook Park, Colby Symphony You Anything But Love,” “Mack the Knife,” and other classic Orchestra’s dynamic director, the PBO string players will tunes will be featured. We’ll also touch on hits from Nelson present works by Bartók, Respighi, and Tchaikovsky. Riddle, Ray Brown, Joe Pass, the Duke, and the Count, and some of the other artists she influenced. OCT. 6 Traditional Flamenco with Bourassa Dance and Friends Sandeep Das and the HUM Ensemble: NOV. 11 (Funded by the Clark/Comparetti Concert Fund) Delhi to Damascus NOV. 3 NOV. 17 Saturday, Oct. 6, 7:30 p.m. Sunday, Nov. 11, 3 p.m. Page Commons Room, Cotter Union Page Commons Room, Cotter Union Flamenco artists Lindsey Bourassa (dance), Barbara (Funded by the Robert J. -
Harrington's Pie and Mash Shop 3 Selkirk Road Tooting, London
Harrington’s Pie and Mash Shop 3 Selkirk Road Tooting, London. Open for business since 1908. RACHEL EDWARDS JENNY GERSTEN SEAVIEW PRODUCTIONS NATE KOCH, Executive Producer FIONA RUDIN BARROW STREET THEATRE JEAN DOUMANIAN REBECCA GOLD “A Customer!” present My name is Rachel Edwards and I am the originating producer of Tooting Arts Club’s Sweeney The Tooting Arts Club production of Todd. On behalf of myself, and my producing partners Jenny Gersten, Greg Nobile, Jana Shea and Nate Koch, it is our pleasure to welcome you to Harrington’s Pie and Mash Shop! In the spring of 1908, number 3 Selkirk Road Tooting, London, became the home of Harrington’s Pie and Mash shop when it was bought by Bertie Harrington and his wife Clara. Little has changed in this tiny Tooting eatery since it first opened for business some 109 years ago. The Harrington fam- ily still run the shop, the original green tiles still adorn the walls and the menu remains unchanged since the days of Queen Victoria. A Musical Thriller Music and Lyrics Book by The idea to stage Sweeney Todd in London’s oldest pie and mash shop was one which I lived with for several years before I dared to say it out loud. It felt too outrageous, too complicated, in essence – it felt impossible. A simple ‘yes’ from Beverley Mason – owner of Harrington’s, and great STEPHEN SONDHEIM HUGH WHEELER grand-daughter of Bertie and Clara – changed everything. Subsequently, an unforgettable collabora- tion was born that set in motion a chain of events that was nothing short of extraordinary. -
Malcolm Arnold Catalogue
FM174-Malcolm4ppCover 18/12/03 4:32 pm Page 1 Sir Malcolm Arnold The complete catalogue of published works FM174-Malcolm32ppText 18/12/03 4:34 pm Page 1 Sir Malcolm Arnold The complete catalogue of published works CONTENTS THE MUSIC OF MALCOLM ARNOLD .........................2 BIOGRAPHICAL NOTE..............................................................6 List of published works ...........................................8 INDEX Abbreviations ...............................................................................8 Stage Works............................................................................... 10 Orchestra................................................................................... 10 Solo Instrument(s) & Orchestra .............................................. 15 Chamber Orchestra .................................................................. 16 String Orchestra........................................................................ 17 Chamber Ensemble................................................................... 19 Instrumental.............................................................................. 20 Piano.......................................................................................... 21 Choral........................................................................................ 22 Vocal .......................................................................................... 23 Brass Band................................................................................. 24 Brass Ensemble -
Sweeney Todd Educational Resource Pack
1 Contents 1. Synopsis 2. Context: Victorian London 3. Interviews - Walter Sutcliffe, Director - Sinead Hayes, Conductor - Dorota Karolczak, Designer - Jessica Hackett, Singer 4. Costume Sketches 5. A Sweeney Todd Chronology 6. Set design drafts 7. Biographies Stephen Sondheim and Hugh Wheeler 8. Rehearsal exercises 9. Production shots 2 Synopsis ACT I Years after his transportation to Australia, Benjamin Barker returns to Victorian London under the name of Sweeney Todd, seeking revenge for the loss of his family at the hands of the “honourable” Judge Turpin. His companion is young sailor Anthony, who rescued Sweeney at sea. Upon their arrival, the men are greeted by a beggar woman. “Don’t I know you”, she asks Sweeney as he shoves her out of his way. Back on his old stomping ground on Fleet Street, he meets hardy pie shop owner Mrs Lovett. She recognises him as the barber Benjamin Barker who was convicted under wrong charges, his helpless wife Lucy lured to the Judge Turpin’s house by his assistant Beadle, and there, abused by the guardian of the law. To his inquiry about the whereabouts of Lucy and his daughter Johanna, Mrs Lovett professes that Lucy poisoned herself and Johanna has since been in the care of the Judge. Sweeney swears to seek justice and Mrs Lovett persuades him to take up his old trade. She has kept his knives. The pair make an ingenious plan: while waiting for the Judge, Sweeney will practice "on less honourable throats". Mrs Lovett delights at the unexpected meat supply for her pie shop.” ACT II Business is flourishing at Mrs Lovett’s pie shop, and Sweeney is busy disposing of his customers. -
SWEENEY TODD Is Presented Through Special Arrangement with Musical Theatre International (MTI)
July 22-August 7, 2021 Music and Lyrics by Book by Stephen Sondheim Hugh Wheeler From an Adaptation by CHRISTOPHER BOND Originally Directed On Broadway by HAROLD PRINCE Orchestrations by Jonathan Tunick Scenic Designer Costume Designer Lighting Designer Sound Designer Diggle† Sarita P Fellows† Marika Kent Sun Hee Kil† Music Director Choreographer Casting Director Simone Allen Ben Hobbs Michael Cassera Production Stage Manager Production Manager Assistant Musical Director Amanda Spooner* Adam Zonder Megan Smythe Assistant Directors/Dramaturgs Deck Stage Manager/ Dialect Coach/ Fight Captain Intimacy Consultant Kate Semmens~, Arianna Tilley~ Vicki Whooper* Robin Christian McNair * Directed by Member of the Actors' Equity Association, Sanaz Ghajar the Union of Professional Actors and Stage Managers in the United States. Originally Produced on Broadway by Richard Barr, Charles Woodward, Robert Fryer, Mary Lea Johnson, Martin Richards in Association with Dean and Judy Manos † USA - Member of United Scenic Artists Local 829 SWEENEY TODD Is presented through special arrangement with Musical Theatre International (MTI). ‡ Member of the Hangar Theatre All authorized performance materials are also supplied by MTI. Company Design Fellows www.mtishows.com ~ Member of the Hangar Theatre Any video and/or audio recording of this production is strictly prohibited. 2021 Lab Company Premier Performance Sponsor Mainstage Media Sponsor Partner In The Arts Partner In Health CAST Sweeney Todd.............................................................................................................................................................Nik -
SWEENEY TODD: the Demon Barber of Fleet Street a Musical Thriller
MUSICAL THEATRE LIZA GENNARO, ASSOCIATE DEAN AND CHAIR MUSICAL THEATRE LIZA GENNARO, ASSOCIATE DEAN AND DIRECTOR SWEENEY TODD: The Demon Barber of Fleet Street A Musical Thriller Music and Lyrics by Book by STEPHEN SONDHEIM HUGH WHEELER From an Adaptation by CHRISTOPHER BOND Originally directed on Broadway by HAROLD PRINCE Orchestrations by Jonathan Tunick Originally produced on Broadway by Richard Barr, Charles Woodward, Robert Fryer, Mary Lea Johnson, Martin Richards in association with Dean and Judy Manos Ted Pappas, Director and Choreographer David Loud, Music Director Friday, November 8, 2019 | 7:30 PM Saturday, November 9, 2019 | 7:30 PM Sunday, November 10, 2019 | 2:30 PM Neidorff-Karpati Hall SWEENEY TODD: The Demon Barber of Fleet Street A Musical Thriller Music and Lyrics by Book by STEPHEN SONDHEIM HUGH WHEELER From an Adaptation by CHRISTOPHER BOND Originally Directed on Broadway by HAROLD PRINCE Orchestrations by Jonathan Tunick Originally Produced on Broadway by Richard Barr, Charles Woodward, Robert Fryer, Mary Lea Johnson, Martin Richards in association with Dean and Judy Manos Ted Pappas, Director and Choreographer David Loud, Music Director James Noone, Scenic Advisor Martha Bromelmeier, Costume Designer Shawn Kaufman, Lighting Designer Loryn Pretorius, Hair and Makeup Designer Paul Huntley, Wig Designer Scott Stauffer, Sound Designer Megan Garner, Props Coordinator Shannon Marie Sullivan, Dialect Coach Ruth E. Kramer,* Production Stage Manager Tinc Productions, Production Management There will be one 15-minute intermission. The videotaping or other video or audio recording of this production is strictly prohibited. *The Stage Manager appears through the courtesy of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. -
Character Breakdown August 16, 2019
Sweeney Todd Character Breakdown August 16, 2019 Yale Dramatic Association · P.O. Box 209037 · New Haven, CT 06520 · (860) 531-8224 Sweeney Todd Character Breakdown A note about casting: Today, London is—as it has long been—one of the most diverse cities in the world. Historically, productions of Sweeney Todd have whitewashed this fact. Reimagined for the 21st century, our production of Sweeney Todd is looking to cast an inclusive and diverse company of actors who reflect the world we live in today. In reference to the character descriptions below: The characters as written are on the binary and are written with he/him or she/her pronouns, which you will see in the following descriptions. But however limiting the descriptions are, our casting seeks to be as inclusive as possible and we invite gender non-conforming, genderqueer, transgender and non-binary actors to audition for the roles they most identify with. We will also list race/ethnicity when specific to the character but are otherwise seeking all races and ethnicities. In addition, we will list disability when specific to a character, but are otherwise seeking actors with disabilities as well as non-disabled actors for all roles. Please let us know if you have any questions, concerns, or if there are any accommodations we can provide. A note about accents: Accents listed are not expected at auditions and will be worked on throughout the rehearsal process. That said, if you’re comfortable performing any of these accents, please let us know during auditions! Roles: Sweeney Todd Sweeney escaped from prison after being wrongfully accused and jailed for fifteen years. -
SWEENEY TODD the Demon Barber of Fleet Street a Musical Thriller with Music and Lyrics by Stephen Sondheim and Book by Hugh Wheeler
The English Theatre Frankfurt Education Pack SWEENEY TODD The Demon Barber of Fleet Street A musical thriller with music and lyrics by Stephen Sondheim and book by Hugh Wheeler. Based on the 1973 play Sweeney Todd: The Demon Barber of Fleet Street by Christopher Bond. SYNOPSIS The story of an East End of London barber with revenge in his heart and murder on his mind is an old one. Benjamin Barker, a skilled barber, was happily married to Lucy and they had one child, a daughter, Johan- na. A cruel and evil judge called Turpin took a liking towards Lucy and contrived to send her husband to the Australian penal colonies for life. After 15 years of what he called ‘a living hell’, Barker escaped and re- turned to London on a ship where he met up with a sailor, Anthony, who only knew him as Sweeney Todd. This was his new, adopted name and he is described as ‘a heavy-set, saturnine man in his forties.’ Almost at once he is accosted by a beggar woman who is also a prostitute. This character appears throug- hout the play and has an ironic and tragic role to play at the end. He revisits his old premises now owned by a Mrs Nellie Lovett, a pie maker who remembers Barker and was sweet on him in the past and happily kept his shaving blades when he was arrested. Nobody has rented the old barber’s shop since he left it, so it is available for him to set up business again. -
Todd / Lovett MRS. LOVETT (Coolly): So It Is You — Benjamin Barker
Todd / Lovett MRS. LOVETT (Coolly): So it is you — Benjamin Barker. TODD (Frighteningly vehement): Not Barker! Not Barker! Todd now! Sweeney Todd! Where is she? MRS. LOVETT: So changed! Good God, what did they do to you down there in bloody Australia or wherever? TODD: Where is my wife? Where's Lucy? MRS. LOVETT: She poisoned herself. Arsenic from the apothecary on the corner. I tried to stop her but she wouldn't listen to me. TODD: And my daughter? MRS. LOVETT: JOHANNA? He's got her. TODD: He? JUDGE TURPIN? MRS. LOVETT: Even he had a conscience tucked away, I suppose. Adopted her like his own. You could say it was good luck for her .. almost. TODD: Fifteen years sweating in a living hell on a trumped up charge. Fifteen years dreaming that, perhaps, I might come home to a loving wife and child. (Strikes ferociously on the pie counter with his fists) Let them quake in their boots — JUDGE TURPIN and the BEADLE — for their hour has come. MRS. LOVETT (Awed): You're going to — get 'em? You? A bleeding little nobody of a runaway convict? Don't make me laugh. You'll never get His 'igh and Mightiness! Nor the BEADLE neither. Not in a million years. (No reaction from TODD) You got any money? (Still no reaction) Listen to me! You got any money? TODD: No money. MRS. LOVETT: Then how you going to live even? TODD: I'll live. If I have to sweat in the sewers or in the plague hospital, I'll live — and I'll have them. -
Composer David Lyon: an Autobiography
Composer David Lyon: An Autobiography 1938-1950: Early Years I was born in Walsall, Staffordshire on December 29th, 1938, and educated at the local Queen Mary’s Grammar School. Although my parents were not particularly musical, my paternal grandmother possessed a rather nice piano, and from an early age I became fascinated with it, plonking away randomly on our regular Sunday afternoon visits. Eventually, probably when I was around 8 years old, my parents decided I needed a piano of my own, together with lessons from a recommended local teacher. The resulting instrument was not exactly of the highest quality, with a rather harsh, bright tone, but it was good enough for the purpose. My teacher, Mr Manton, gave me a thorough technical grounding, and I made steady progress towards a reasonably accomplished repertoire, with works such as Beethoven’s Pathétique and the Chopin A major Polonaise. I was able to memorise the music as I worked through it bar-by-bar, which meant that I had no further need to refer to the score. Although this aroused a certain admiration from my teacher, it unfortunately meant I didn’t learn a fluent sight-reading technique, which became a considerable handicap later on. I also discovered the ability to play ‘by ear’, especially popular songs and show tunes (which also impressed my teacher), and which, conversely, really did become an advantage as my career developed. My other grandparents possessed an equally fascinating musical resource, a wind-up gramophone (this was the late 1940s), together with a selection of classical records which I eagerly explored on my occasional visits. -
Sweeney Todd Study Guide.Qxd
Civil War Study Guide.qxd 9/13/01 10:31 AM Page 3 MUSIC THEATRE INTERNATIONAL MUSIC THEATRE INTERNATIONAL is one of the world’s major dramatic licensing agencies, specializing in Broadway, Off-Broadway and West End musicals. Since its founding in 1952, MTI has been responsible for supplying scripts and musical materials to theatres worldwide and for protecting the rights and legacy of the authors whom it represents. It has been a driving force in cultivating new work and in extending the production life of some of the classics: Guys and Dolls, West Side Story, Fiddler On The Roof, Les Misérables, Annie, Of Thee I Sing, Ain’t Misbehavin’, Damn Yankees, The Music Man, Evita, and the complete musical theatre works of composer/lyricist Stephen Sondheim, among others. Apart from the major Broadway and Off- Broadway shows, MTI is proud to represent youth shows, revues and musicals which began life in regional theatres and have since become worthy additions to the musical theatre canon. MTI shows have been performed by 30,000 amateur and professional theatrical organizations throughout the U.S. and Canada, and in over 60 countries around the world. Whether it’s at a high school in Kansas, by an all-female troupe in Japan or the first production of West Side Story ever staged in Estonia, productions of MTI musicals involve over 10 million people each year. Although we value all our clients, the twelve thousand high schools who perform our shows are of particular importance, for it is at these schools that music and drama educators work to keep theatre alive in their community.