DOCSLIB.ORG

February 2019

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

For The Technical And Production Professionals in Asia FEBRUARY 2019 Protec Reflects on 2018 and Expectations in 2019 Chameleon Welcome The New Year With Stagesmarts SNAPSHOT: Ron Schilling at the Guns N’ Roses Concert ALEX SCHLOESSER What is More Important - Gear or Ear? www.e-techasia.com WE LISTENED, NOW IT'S YOUR TURN Compatible Rigging System with all VTX-A Series Products New JBL Transducers for Best Sound Quality and Output Multiple Horizontal Coverage Options (90°|110°|120°) Best-in-Class Rigging System for Fast and Safe Deployment Compact, Truck-Friendly Dimensions Full-Range of Innovative Accessories Complete Solution Including Software and Amplification Small-Format Application Subwoofer Improved Linearity and Wider Dynamic Range Full Series Compatible Rigging (8” and 12” arrays) Reduced System Amplifier Requirements Learn more now at JBLpro.com. A12 A12 W A8 B18 NEW NEW For Product demos and enquiries write to us at [email protected] or contact your authorized country partner CONTENTS 3 February 2019 39 49 IN THIS ISSUE VOL 20 ISSUE 2 FEBRUARY 2019 04 FIRST WORDS 06 NEWS ALEX COLUMN 28 VIDEO FILES 44 What is More Important - Gear or Ear? LIVE 30 ENNOVATIONS 45 CHINA: HARMAN Professional Solutions at Traditional Chinese Theatre EXHIBITION PREVIEW 46 AUSTRALIA: Chameleon Welcome the New Year with StageSmarts 38 Prolight + Sound Guangzhou 2019 to Inculcate Full Solutions for the Entertainment Industry 48 CHINA: Jason Zhang Delivers Exceptional Performance 49 THAILAND: Cameo Fixtures Light Up Little Nemo in SNAPSHOT Slumberland Performance 39 Ron Schilling at the Guns N’ Roses Concert 50 ABU DHABI: Golden Disc Awards Celebrate K-Pop with Nexo SPOTLIGHT 51 EVENTS CALENDAR 40 Protec Reflects on 2018 and Gives Us an Insight Into What to Expect in 2019 56 MARKET PLACE ENTERTAINMENT TECHNOLOGY ASIA | www.e-techasia.com FIRST WORDS 4 RamFebruary Bhavanashi 2019 Editor, India And Middle East [email protected] The beginning of the year as always has started off with a buzz. CES, NAMM and ISE has definitely got the industry pumping. At NAMM, Adamson launched the Milan-ready CS7p RamJulie BhavanashiTan point source; Mackie has gone all out with Editor,AdminEditor, India& Circulation And Middle East their new flagship range of DRM professional [email protected]@spinworkz.com loudspeakers and NEXO has added to its GEO range with the top tier GEO M12 aimed at the mid-size rental company. Of course we have been promoting within the magazine as well as on our online collaterals d&b’s international introduction of the SL-Series’ KSL JulieNatalie TanTan Chew Admin && Circulation System at NAMM - a line array offering nothing short of full range directivity Writer [email protected] control to sound reinforcement projects of any genre, medium or large, mobile [email protected] or installed. Powersoft has released their T series amplifiers that are designed with the Daniel Ngiam rental market in mind. The T Series consists of both 2- and 4-channel models Daniel Ngiam MEDIANatalie Rep Chew for Spinworkz PtePte Ltd.Ltd available in 3,000 W and 6,000 W versions. Electrovoice has introduced the Tel:TWriterel: +65 8441025884410258 new RE3 UHF wireless microphone product family with dbTechnologies [email protected]fi[email protected]@spinworkz.com following suit with the RS16000 Touring Rack that is operable within the UHF spectrum between 470-870 MHz. OUR COLLABORATORS There are certainly a lot more new solutions to talk about which we hope to Atmaram Rawool DanielShankar Ngiam Venugopal ART / LAYOUT ETA cover in the coming issues. MEDIAART / LARepYOUT for Spinworkz Pte Ltd [email protected] Elissa Nadine Tel: +65 84410258 Our cover story this month highlights Protec. The company with its roots in the Web Content and Socialfi[email protected] MediaTIVE Specialist CULT Middle East has grown rapidly over the years and seeks to continue to serve Rosalind Tan the events industry with their creative ideas and technical agility. Of particular Website Management Wizard interest is the establishment of their new office and warehouse in Saudi Arabia Shankar Venugopal PV Anthony where they certainly are upbeat of the potential business the country has to ART / LAYOUT Server and IT Security Guru offer. [email protected] Halim, TrueDesignLab.com HTML Design and CodingCREA MaestroTIVE CULT Thomas Richard Prakasam Publisher / Editorial Director [email protected] To subscribe to Entertainment Technology Asia click here: https://www.e-techasia.com/subscribe/ Disclaimer : Entertainment Technology Asia is published 12 times a year. All rights reserved. No part of this magazine is to be reproduced, whether mechanical or electronic without the PUBLISHED BY prior written consent of the publisher. Views expressed in this magazine do not necessarily reflect those of the editor or the publisher. Unsolicited contributions are welcome but the editor reserves the discretion to use them. Whilst every care is taken to ensure the accuracy and honesty in both editorial and advertising content at press time, the publisher will not be liable for any inaccuracies. Please be informed that products and company names mentioned in this publication may be protected with tradenames, trademarks or registered trademarks of their respective 71, Bukit Batok Crescent, #06-13, Prestige Centre, owners. Our non inclusion of such symbols is not an indication of us not recognising the copyright but rather to have a common look across our articles. Misuse of tradenames, Singapore 658071. Tel: (65) 6316 2716 trademarks or registered trademarks is strictly prohibited. It is the obligation of our readers Fax: (65) 63162715, www.spinworkz.com to check if company names and products are protected with tradenames, trademarks or registered trademarks. ENTERTAINMENT TECHNOLOGY ASIA | www.e-techasia.com sl-series.com Applied evolution. Many years ago, a stepwise voyage of discovery took hold. It’s seen great leaps made in the breadth of the audio bandwidth that can be tamed, coupled with streamlining of system usability and performance. Born from this journey, the KSL System line array loudspeakers are bestowed with comprehensive attributes carefully honed to fulfil every expectation. Dependably strengthened by all that came before, and all that’s still to come. By a heritage and bloodline, and by the steady advance of applied evolution. More art. Less noise. NEWS 6 February 2019 HONG KONG A-Team Plus Invests in X4 Bars for Clockenflap Festival A-Team Plus has been the main stage supplier for a number of years. Although the stage structure this year was shipped in 15 containers from Megaforce in Germany, all AV for the main stage was provided by A-Team Plus. The company purchased the new GLP fixtures specifically for the event. “They were always keen to get them,” confirmed GLP Asia’s Michael Muenz. The company was already familiar with the versatile battens, having received a demo in Hong Kong, and seen them multiple times at the Prolight+Sound Show in Frankfurt. Clockenflap Music and Arts Festival, which takes place annually on Hong Kong’s Central Harbourfront Event Space, once again proved a major Michael Muenz recalls: “I still remember at the 2018 PL+S where success. 2018 headliners included such names as David Byrne, Erykah [A-Team Plus owner] Ray Mok sent me a Whatsapp after seeing the Badu, Jarvis Cocker, Interpol, The Vaccines, Khalid and Wolf Alice, which PRG lightshow in the Festhalle with Jerry Appelt`s famous ground delighted the crowds of more than 60,000. shaking effect. They were so excited that they wanted to see me immediately … and half an hour later they were at our booth for further GLP’s award-winning X4 Bars were pressed into action by event talks and a cold beer!” management and production company, A-Team Plus (HK) Ltd, who had made their first investment in the German manufacturer’s The X4 Bar specification comfortably met the requirement for a reliable groundbreaking LED fixtures. They had added eight impression X4 Bar and frequently specified fixture on tour riders. “There have always been 10 battens and 16 of the longer X4 Bar 20 - all of which were specified requests for X4 Bars in Hong Kong,” continues Muenz, “and finally we We love what you do, too. and deployed at Clockenflap. have now an even bigger quantity available.” The fixtures were used throughout the Festival and were re-rigged overnight for the second day to realise David Byrne’s signature design. Commenting on the fixtures, Ray Mok, said: “This fixture is awesome. It is very bright, has extremely vivid colours and super smooth dimming and zooming.” Photos©Kitmin Lee www.glp.de Trademark and patent info: etcconnect.com/IP visual environment technologies | etcconnect.com ENTERTAINMENT TECHNOLOGY ASIA | www.e-techasia.com We love what you do, too. Trademark and patent info: etcconnect.com/IP visual environment technologies | etcconnect.com NEWS 8 February 2019 GLOBAL Crosby Acquires Straightpoint Ayling said: “SP has built a very strong team focused on innovation and high service levels and we wanted to ensure we could maintain and capitalize on these important features of the company. Crosby’s brand, its channel strength, global reach, and management team will enable us to build on our strengths and take the business to a new level. Becoming part of Crosby represents an opportunity to deliver our solutions to more customers and increase the pace of our innovation. It is an exciting new chapter for SP, its team members, and customers.” Desel said: “We’ve had a close relationship with SP for quite a while—its load shackles are based on the industry standard Crosby G2130 shackle, and we use SP products on our Safe Rigging trucks. SP’s position as a leader and innovator in load measurement and monitoring,and the opportunity to integrate its technology into our already strong portfolio, made this a compelling addition to Crosby.
Recommended publications
  • Terms and Lingo – the Roadie’S Lexicon for the Layman

    Terms and Lingo – the Roadie’S Lexicon for the Layman

    Terms and Lingo – The Roadie’s Lexicon for the Layman A handy and fun selection of Terms and Lingo used throughout the industry, some serious, and some not so! ACOUSTICS – the science of sound; invented to make otherwise good sound men look like complete fools. AIR IMPEDANCE – also known as not plugged in. APRON – front edge of stage. BACKLOUNGE – rear section of a tour bus, generally the smoking area. BACKLINE – band equipment which is not an actual instrument, but some type of reinforcement equipment, for example Amplifiers. BAND ENGINEER – person who mixes the group. BEST BOY – movie term for the lead assistant electrician answering to the gaffer. BOAT ANCHOR – a piece of heavy equipment which isn’t performing to expectations and has been presumed dead, or is otherwise obsolete. BUMPERS – sturdy frames from which speakers are hung. BUS FACTOR – the degree to which bad movies improve due to extended bus rides. Lower bus factor is better, but requires better movies. Formula: B = DMN/S Where: B = Bus factor, D = Bus time (# days on bus), M = Distance (# miles), N = Number of passengers on bus, S = Bus stock (# gallons of alcoholic beverages). BUS STOCK – consumables stored in the bus. BUS SURFING – the art of walking and/or standing upright on a moving bus. BUS HAIR – what you get if you go to sleep with wet hair. Stagecraft Technical Services Ltd. Tel: 0845 838 2015 Email: [email protected] Fax: 0845 838 2016 Website: www.stagecraft.co.uk CABLE MONKEY – an entry level roadie position, one who wrangles cables. CABLE RAMP – neither actually, a portable trough used to place cable to allow traffic to cross a cable run.
  • Technical Crew Information Performance Dates: October 20 (3 & 7 PM) October 21 (3 PM)

    Technical Crew Information Performance Dates: October 20 (3 & 7 PM) October 21 (3 PM)

    Technical Crew Information Performance Dates: October 20 (3 & 7 PM) October 21 (3 PM) Thank you for your interest in being on the Tech Crew for the McDuffee Music Studio 2018 Musical Theatre Production of Disney’s The Little Mermaid Jr. There are 5 different possible Crew positions available for students in 5th – 12th grades at any school, up to 15 people max. Each crew position is vital to the success of a show and the responsibilities should be taken seriously. Sign ups are open now and will close when all the spots are filled, on a first-come, first-served basis. Being part of any production requires commitment and hard-work. I compare theater to a team-sport: EVERYONE is important and necessary. I have told the cast that Sea Urchin #3 is every bit as important as Ariel in this production. The Technical Crew is just as important as the people on the stage as well. BEFORE YOU SIGN UP, PLEASE CONSIDER ALL OF THE FOLLOWING: DATES/TIME COMMITTMENT: Please double check family, school, and extra-curricular calendars against the schedule below. You need to be at all of the above rehearsals for their full times. Crew members need to be at ALL of the following rehearsals: • 10/10 (Wed) 5 – 8 PM at Faith United Church of Christ (Faith UCC – 4040 E Thompson Rd) o 5 - 6: we will meet and discuss the positions and answer any questions o 6 – 8: we watch the run of the show so that the crew can start to become familiar with the production.
  • Properties Run Crew

    Properties Run Crew

    Longwood University 2013 Properties Run Crew Rehearsal Period: • Attend crew watch. • Stage management will inform you of when you need to attend rehearsal. • Come to the theatre to practice your duties on your own time. Technical and Dress Rehearsals: • Attend all technical and dress rehearsals. o Sign-in sheet on the callboard. • If the properties manager comes to you in the middle of rehearsal to make an adjustment, do so to the best of your ability. o Inform your stage manager of the change. • Make any adjustments based on the notes given to you by the stage manager and properties manager. o If you receive a note that the stage manager does not know about, tell him/her. Headset: • Be courteous and respectful while on headset. o You can never be sure who is listening. • Speak clearly and quietly into the headset. o Do not breath heavily into the headset, tap on the mic, chew gum, or make other unnecessary noises. • Enunciation will help you to be heard while speaking quietly. • You should take their cues on the word “go” and, more specifically, on the “guh” sound of that word. o Do not “go” without the stage manager’s say so. • The stage manager will signify your cues by specify “properties” or “scene change” before the cue. • The stage manager will talk-through any difficult sequences of cues before they happen. • Stage management will issue a “Warning” one page ahead of the cue in question. o After hearing a “Warning” you should be preparing for the upcoming cue in whatever way necessary.
  • 8Th Euroseas Conference Vienna, 11–14 August 2015

    8Th Euroseas Conference Vienna, 11–14 August 2015

    book of abstracts 8th EuroSEAS Conference Vienna, 11–14 August 2015 http://www.euroseas2015.org contents keynotes 3 round tables 4 film programme 5 panels I. Southeast Asian Studies Past and Present 9 II. Early And (Post)Colonial Histories 11 III. (Trans)Regional Politics 27 IV. Democratization, Local Politics and Ethnicity 38 V. Mobilities, Migration and Translocal Networking 51 VI. (New) Media and Modernities 65 VII. Gender, Youth and the Body 76 VIII. Societal Challenges, Inequality and Conflicts 87 IX. Urban, Rural and Border Dynamics 102 X. Religions in Focus 123 XI. Art, Literature and Music 138 XII. Cultural Heritage and Museum Representations 149 XIII. Natural Resources, the Environment and Costumary Governance 167 XIV. Mixed Panels 189 euroseas 2015 . book of abstracts 3 keynotes Alarms of an Old Alarmist Benedict Anderson Have students of SE Asia become too timid? For example, do young researchers avoid studying the power of the Catholic Hierarchy in the Philippines, the military in Indonesia, and in Bangkok monarchy? Do sociologists and anthropologists fail to write studies of the rising ‘middle classes’ out of boredom or disgust? Who is eager to research the very dangerous drug mafias all over the place? How many track the spread of Western European, Russian, and American arms of all types into SE Asia and the consequences thereof? On the other side, is timidity a part of the decay of European and American universities? Bureaucratic intervention to bind students to work on what their state think is central (Terrorism/Islam)?
  • The Owl and Nightingale Playersin

    The Owl and Nightingale Playersin

    THE PROMPTER Volume 45, No. 3 February 22 - 26, 2008 Season LXXXXIV The Department of Theatre Arts at Gettysburg College presents The Owl and Nightingale Players in Production Design by Jerome O. Hanson Costume Design by Zennis Goshorn CAST LISTS Woman ..................................................................................................... Chelsea Bucklin Eunice Hubbell ............................................................................................Quiana Young Stanley Kowalski................................................................................... Phillip Ballantine Stella Kowalski ..........................................................................................Devon Johnson Steve Hubbell ..............................................................................................Jacob Henkoff Harold Michell (Mitch) ................................................................................. Matt Gross Mexican Woman ..................................................................................... Laura Martinez Blanche DuBois ...........................................................................................Ashley Stuart Pablo Gonzales ..............................................................................................Chris Rustin Paperboy ............................................................................................................Peter Mele Nurse ..........................................................................................................
  • The Great Chicago Theater Disaster (1904) Pdf, Epub, Ebook

    The Great Chicago Theater Disaster (1904) Pdf, Epub, Ebook

    THE GREAT CHICAGO THEATER DISASTER (1904) PDF, EPUB, EBOOK Marshall Everett | 390 pages | 07 Dec 2009 | Kessinger Publishing | 9781120761088 | English | Whitefish MT, United States The Great Chicago Theater Disaster (1904) PDF Book A nearly identical book was published under a different title, Chicago's Awful Theater Horror. It was soon apparent that the fire could not be contained. Hard Cover. From the testimony presented to us we, the jury, find the following were the causes of said fire: Grand drapery coming in contact with electric flood or arc light, situated on iron platform on the right hand of stage, facing the auditorium. About this Item: Condition: Good. More information about this seller Contact this seller 7. As word of the staggering death toll spread, the city would be overcome by a state of collective mourning. It includes many pictures. World History. This Day In History. It includes many pictures. Online Resources Illinois Periodicals Online--A Matinee to Remember This account, originally published in Illinois Heritage magazine, describes the fire from the perspective of year- old Elson Barnes, a survivor of the fire. Forgotten Fires of Chicago by John F. The task of proving culpability, however, became hopelessly complex. Human Behavior. Try Mobile App. Monday — Friday. As these are old books, we processed each page manually and make them readable but in some cases some pages are blur or missing or black spots. We hold William H. This work was reproduced from the original artifact, and remains as true to the original work as possible. Add to Watchlist Add to wish list.
  • Belgian Technologies for International Sporting Events Sponsored by 611997:BOIC Boekje 26-07-2010 14:08 Pagina 2

    Belgian Technologies for International Sporting Events Sponsored by 611997:BOIC Boekje 26-07-2010 14:08 Pagina 2

    611997:BOIC boekje 26-07-2010 14:08 Pagina 1 Would you like to benefit from the expertise that these Club member companies have to offer for your sportingevent? Are you looking for more information on the Club and its activities? Or are you thinking of becoming a member yourself? If so, please contact Mr Dimitri Huygen: Belgian Technologies for International Sporting Events Sponsored by 611997:BOIC boekje 26-07-2010 14:08 Pagina 2 STEERING COMMITTEE BELGIAN SPORTS TECHNOLOGY CLUB Johan Vanneste President of the Belgian Sports Technology Club CEO, CityJet John De Winter General Manager Automatic Systems Paul Anderson International Business Development Manager Sports Barco Piet Moons Marketing Director Belgian Olympic and Interfederal Committee Mark Beyst Commercial Director Besix Yves De Cocker International Sales Manager DESSO Sports Systems Ludo Ost Sales & Marketing Manager Veldeman Structure Solutions Peter Demuynck Director International Business Agoria Dimitri Huygen Project Manager 2 www.sportstechnology.be 611997:BOIC boekje 26-07-2010 14:08 Pagina 3 BELGIAN SPORTSTECHNOLOGY CLUB BELGIAN SPORTS TECHNOLOGY CLUB Belgian Technologies for International Sporting Events Belgium-based companies are trusted contributors to the success- ful organization of major international sporting events, such as the Olympic Games, the FIFA World Cup and the UEFA European Johan Vanneste Football Championship. The main reason? Their deep know-how and advanced technolo- gies have, in past decades, extensively proven their worth in numerous of sporting events the world over. The Belgian Sports Technology Club groups these strong players into a tight network that firmly puts Belgium-based know-how in sports technologies on the world stage.
  • A Livestream Event! Written and Created by ROGER BEAN Vocal Arrangements by ROGER BEAN & BRIAN BAKER Musical Arrangements by BRIAN BAKE

    A Livestream Event! Written and Created by ROGER BEAN Vocal Arrangements by ROGER BEAN & BRIAN BAKER Musical Arrangements by BRIAN BAKE

    A Livestream Event! Written and Created by ROGER BEAN Vocal Arrangements by ROGER BEAN & BRIAN BAKER Musical Arrangements by BRIAN BAKE Winter Wonderettes premiered at Milwaukee Repertory Theater. Joseph Hanreddy, Artistic Director and Timothy J. Shields, Managing Director. PRESENTED BY SPECIAL ARRANGEMENT WITH STAGE RIGHTS, LOS ANGELES, CA. Director/Choreographer MADDIE TWEED Production Stage Manager Musical Director REBECCA GOSSETT DEBBIE ANDERSON Lighting Designer/Technical Director Props Designer MATTHEW SWINDELL PATTI FENZEL Costume Designer Sound Designer/Audio Engineer SANDY DAWSON JULIANNE SLATON THIS IS A LIVE STREAMING THEATRICAL EVENT. ANY DOWNLOAD, SALE OR DISTRIBUTION OF ANY RECORDED PORTION OF THIS EVENT IS STRICTLY PROHIBITED UNDER FEDERAL COPYRIGHT LAW. Presented by special arrangement with Stage Rights (www.stagerights.com) The videotaping or other video or audio recording of this production is strictly prohibited {<The Cast> Chelcy Cutwright Kirin Wilson Courtlyn Holt Christie Lamb Missy Suzy Cindy Lou Betty Jean Cheryl Linda Brooke Myers Alyssa Flowers Missy/Cindy Lou Suzy/Betty Jean Understudy Understudy The Author ROGER BEAN created the long-running Off-Broadway smash hit The Marvelous Wonderettes (Westside Theatre), along with the sequels Wonderettes: Caps & Gowns, Winter Wonderettes, and Wonderettes: Dream On. Original cast albums for all Wonderettes shows are available from iTunes and Amazon. The Marvelous Wonderettes received the 2007 LA Ovation Award for Best Musical for its record-breaking Los Angeles run and continues to be an audience favorite in regional and amateur theatre companies throughout the country. Mr. Bean’s doo-wop hit Life Could Be A Dream had a record- breaking 12-month run in Los Angeles, receiving the Los Angeles Drama Critics Circle Award, the LA Weekly Theatre Award, and the Backstage Garland Award for Outstanding Musical.
  • Backstage Auctions, Inc. the Rock and Pop Fall 2020 Auction Reference Catalog

    Backstage Auctions, Inc. the Rock and Pop Fall 2020 Auction Reference Catalog

    Backstage Auctions, Inc. The Rock and Pop Fall 2020 Auction Reference Catalog Lot # Lot Title Opening $ Artist 1 Artist 2 Type of Collectible 1001 Aerosmith 1989 'Pump' Album Sleeve Proof Signed to Manager Tim Collins $300.00 AEROSMITH - TIM COLLINS COLLECTION Artist / Musician Signed Items 1002 Aerosmith MTV Video Music Awards Band Signed Framed Color Photo $175.00 AEROSMITH - TIM COLLINS COLLECTION Artist / Musician Signed Items 1003 Aerosmith Brad Whitford Signed & Personalized Photo to Tim Collins $150.00 AEROSMITH - TIM COLLINS COLLECTION Artist / Musician Signed Items 1004 Aerosmith Joey Kramer Signed & Personalized Photo to Tim Collins $150.00 AEROSMITH - TIM COLLINS COLLECTION Artist / Musician Signed Items 1005 Aerosmith 1993 'Living' MTV Video Music Award Moonman Award Presented to Tim Collins $4,500.00 AEROSMITH - TIM COLLINS COLLECTION Awards, Plaques & Framed Items 1006 Aerosmith 1993 'Get A Grip' CRIA Diamond Award Issued to Tim Collins $500.00 AEROSMITH - TIM COLLINS COLLECTION Awards, Plaques & Framed Items 1007 Aerosmith 1990 'Janie's Got A Gun' Framed Grammy Award Confirmation Presented to Collins Management $300.00 AEROSMITH - TIM COLLINS COLLECTION Awards, Plaques & Framed Items 1008 Aerosmith 1993 'Livin' On The Edge' Original Grammy Award Certificate Presented to Tim Collins $500.00 AEROSMITH - TIM COLLINS COLLECTION Awards, Plaques & Framed Items 1009 Aerosmith 1994 'Crazy' Original Grammy Award Certificate Presented to Tim Collins $500.00 AEROSMITH - TIM COLLINS COLLECTION Awards, Plaques & Framed Items 1010 Aerosmith
  • IPM10 Delegates List for Web 170228.Xlsx

    IPM10 Delegates List for Web 170228.Xlsx

    First Name Surname Company Country Phil Addyman Star Events Ltd UK Melanie Altbuerger The Maya Power GmbH Germany Sophie Amable A&E Visas USA UK Emma Andersson YouChip GmbH Germany Nigel Beaton GCC Events LLC UAE Tom Bilsen Stageco Belgium Belgium Danielle Bleazby AFL Australia David Bloch David Bloch International South Africa Boyan Boiadjiev Pan Harmony Bulgaria Alex Borger Mojo Barriers The Netherlands Neil Bracegirdle Audience Media Ltd UK Viktoria Breithecker GPS Global Germany Giovanni Broccu Sardinia Promotion Srl Italy Michael Brombacher MEGAFORCE GmbH Germany Kees Brouwer Pieter Smit The Netherlands Graham Brown Plaster Creative Communications UK Knute Brye eps america llc USA Titus Carole Electric Castle Festival Romania Jon Chapple IQ Magazine UK Lee Charteris Event Consultant Roberto Ciucci Vertigo Italy Jon Corbishley The Safety Officer Pty Ltd Australia Claire Cosgrave SSE Arena Belfast UK Dan Craig Loudsound UK Balint Cser Live Nation CEE Hungary Dirk De Decker Stageco Belgium Belgium Hedwig de Meyer Stageco Belgium Belgium Andreas Degen eps gmbh Germany Vanessa Denman MEGAFORCE GmbH Germany Steve Dixon Roadwerx Touring, LLC USA Martin Doetterl eps holding GmbH Germany Malcolm Louis Domingo esp Afrika Cape Town International Jazz Festival South Africa Ivana Dragila eps holding GmbH Germany Jon Drape Ground Control Production Ltd UK Martyn Drew 360° Show Production AG Switzerland Bells Driver Shure Distribution UK Heather Fitsell NEC Group UK Fiona Flynn Integro Insurance Brokers UK Andy Franks Music Support UK Kimberley
  • Delegate List

    Delegate List

    First Name Surname Company Country Phil Addyman Star Events Ltd UK Sophie Amable A&E Visas USA UK Emma Andersson YouChip GmbH Germany Nigel Beaton GCC Events LLC UAE Tom Bilsen Stageco Belgium Belgium Danielle Bleazby AFL Australia David Bloch David Bloch International South Africa Boyan BoiadJiev Pan Harmony Bulgaria Alex Borger MoJo Barriers The Netherlands Neil Bracegirdle Audience Media Ltd UK Viktoria Breithecker GPS Global Germany Giovanni Broccu Sardinia Promotion Srl Italy Michael Brombacher MEGAFORCE GmbH Germany Kees Brouwer Pieter Smit The Netherlands Graham Brown Plaster Creative Communications UK Knute Brye eps america llc USA Titus Carole Electric Castle Festival Romania Jon Chapple IQ Magazine UK Lee Charteris Event Consultant UAE Roberto Ciucci Vertigo Italy Jon Corbishley The Safety Officer Pty Ltd Australia Claire Cosgrave SSE Arena Belfast UK Dan Craig Loudsound UK Balint Cser Live Nation CEE Hungary Dirk De Decker Stageco Belgium Belgium Hedwig de Meyer Stageco Belgium Belgium Andreas Degen eps gmbh Germany Vanessa Denman MEGAFORCE GmbH Germany Steve Dixon Roadwerx Touring, LLC USA Martin Doetterl eps holding GmbH Germany Malcolm Louis Domingo Cape Town International Jazz Festival South Africa Ivana Dragila eps holding GmbH Germany Jon Drape Ground Control Production Ltd UK Martyn Drew 360° Show Production AG Switzerland Bells Driver Shure Distribution UK Heather Fitsell NEC Group UK Fiona Flynn Integro Insurance Brokers UK Andy Franks Music Support UK Kimberley Fraser Live Nation - Indonesia Indonesia Oleg Gaidar Artist
  • Internationalisation Strategy (“GCA’S Internationalisation Strategy”)

    Internationalisation Strategy (“GCA’S Internationalisation Strategy”)

    Ref. Ares(2019)4111434 - 28/06/2019 Global Content Alliance Grant Agreement n° 783405 Internationalisation Strategy (“GCA’s Internationalisation Strategy”) Grant Agreement Deliverable D4.1 Actual Date submission date: 07/01/2019 Due date of deliverable: M11 Start date of the Project: 01/01/2018 Duration: 18 months 06/01/2019 GCA D4.1 Internationalisation Strategy – PUBLIC DOCUMENT Page 1 of 64 Credits This document has been elaborated in the frame of the GCA - Global Content Alliance - project (Agreement N°783405) co-funded by the European Commission COSME programme (2014-2020). The contributors to this Document: Editor: Emre Koca, GCA WP4 leader at Transmedia Bayern, Germany Coached by Philippe Dubois, in-house consultant at Transmedia Bayern, Germany Contributors: Egbert Van Wyngaarden, CEO at Transmedia Bayern, Germany Pierre Collin, CEO at Cluster TWIST, Belgium Pervenche Beurier, CEO at Pôle Média Grand Paris, France Pernilla Lavesson, Community Manager at Media Evolution, Sweden Disclaimer The content of this document represents the views of the authors only and is their sole responsibilities; it cannot be considered to reflect the views of the European Commission and/or the Executive Agency for Small and Medium-sized Enterprises (EASME) or any other body of the European Union. The European Commission and the Agency do not accept any responsibility for use that may be made of the information it contains. This document is part of the project GCA which has received funding from the European Commission COSME programme (2014-2020) - grant agreement No. 783405. 06/01/2019 GCA D4.1 Internationalisation Strategy – PUBLIC DOCUMENT Page 2 of 64 Table of Contents 1 THE KEY CHALLENGES FOR INTERNATIONALISATION .............................................................................................................