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NATIONAL FILM BOARD of CANADA FEATURED at Moma
The Museum off Modern Art 50th Anniversary NO. 16 ID FOR IMMEDIATE RELEASE March 3, 1981 DOCUMENTARY FILMS FROM THE NATIONAL FILM BOARD OF CANADA FEATURED AT MoMA NATIONAL FILM BOARD OF CANADA: A RETROSPECTIVE is a three-part tribute presented by The Museum of Modern Art in recog nition of NFBC's 41 years Of exceptional filmmaking. PART TWO: DOCUMENTARY FILMS, running from March 26 through May 12 in the Museum's Roy and Niuta Titus Auditorium, will trace the develop ment of the documentary form at NFBC, and will be highlighted by a selection of some of the finest films directed by Donald Brittain, whose work has won wide acclaim and numerous awards. PART TWO: DOCUMENTARY will get off to an auspicious start with twelve of Donald Brittain's powerful and unconventional portraits of exceptional individuals. Best known in this country for "Volcano: An Inquiry Into The Life and Death of Malcolm Lowry" (1976), Brittain brings his personal stamp of creative interpretation to such subjects as America's love affair with the automobile in "Henry Ford's America" (1976) ; the flamboyant Lord Thompson of Fleet Street (the newspaper baron who just sold the cornerstone of his empire, The London Times) in "Never A Backward Step" (1966); Norman Bethune, the Canadian poet/ doctor/revolutionary who became a great hero in China when he marched with Mao ("Bethune" 1964); and the phenomenal media hysteria sur rounding the famous quintuplets in "The Diorme Years" (1979) . "Memo randum" (1965) accompanies a Jewish glazier from Tcronto when he takes his son back to the concentration camp where he was interned, an emotion al and historical pilgrimage of strong impact and sensitivity. -
Film Reference Guide
REFERENCE GUIDE THIS LIST IS FOR YOUR REFERENCE ONLY. WE CANNOT PROVIDE DVDs OF THESE FILMS, AS THEY ARE NOT PART OF OUR OFFICIAL PROGRAMME. HOWEVER, WE HOPE YOU’LL EXPLORE THESE PAGES AND CHECK THEM OUT ON YOUR OWN. DRAMA 1:54 AVOIR 16 ANS / TO BE SIXTEEN 2016 / Director-Writer: Yan England / 106 min / 1979 / Director: Jean Pierre Lefebvre / Writers: Claude French / 14A Paquette, Jean Pierre Lefebvre / 125 min / French / NR Tim (Antoine Olivier Pilon) is a smart and athletic 16-year- An austere and moving study of youthful dissent and old dealing with personal tragedy and a school bully in this institutional repression told from the point of view of a honest coming-of-age sports movie from actor-turned- rebellious 16-year-old (Yves Benoît). filmmaker England. Also starring Sophie Nélisse. BACKROADS (BEARWALKER) 1:54 ACROSS THE LINE 2000 / Director-Writer: Shirley Cheechoo / 83 min / 2016 / Director: Director X / Writer: Floyd Kane / 87 min / English / NR English / 14A On a fictional Canadian reserve, a mysterious evil known as A hockey player in Atlantic Canada considers going pro, but “the Bearwalker” begins stalking the community. Meanwhile, the colour of his skin and the racial strife in his community police prejudice and racial injustice strike fear in the hearts become a sticking point for his hopes and dreams. Starring of four sisters. Stephan James, Sarah Jeffery and Shamier Anderson. BEEBA BOYS ACT OF THE HEART 2015 / Director-Writer: Deepa Mehta / 103 min / 1970 / Director-Writer: Paul Almond / 103 min / English / 14A English / PG Gang violence and a maelstrom of crime rock Vancouver ADORATION A deeply religious woman’s piety is tested when a in this flashy, dangerous thriller about the Indo-Canadian charismatic Augustinian monk becomes the guest underworld. -
Frombaie-Comeautochi
From Baie-Comeau to Chicago DEFENDING CANADIAN CULTURAL SOVEREIGNTY Jeremy Kinsman Prime Minister Mulroney and President Reagan in the Rose Garden of the White House in 1984. Mulroney’s special relationship with Reagan, writes Jeremy Kinsman, was one reason Canada secured the cultural exemption in the FTA. White House photo Even before the free trade talks began in 1986, the Mulroney government defended Canadian cultural sovereignty in areas such as the Baie Comeau Policy on book publishing. In a major 1985 speech in Chicago, Brian Mulroney himself warned the Americans: “In Canada, we cast the net of cultural sovereignty more widely than you.” Both of Mulroney’s Communications ministers in that period, Flora MacDonald and Marcel Masse, were strong promoters of Canadian cultural in- dustries. Jeremy Kinsman, who then served as assistant deputy minister in that department, recalls how Mulroney finessed the issue with the Reagan administration and within his own government. Avant même le début des important discours prononcé étaient aussi de grands promo- pourparlers sur le libre- à Chicago, Brian Mulroney teurs des industries culturelles échange, en 1986, le gouver- lui-même prévenait ainsi les canadiennes. Jeremy Kinsman, nement Mulroney défendait Américains : « Au Canada, la alors sous-ministre adjoint la souveraineté culturelle du souveraineté culturelle a une de ce ministère, décrit com- Canada dans des domaines plus grande portée que chez ment Brian Mulroney a sub- comme l'édition, protégée vous. » Ses deux ministres tilement imposé la question par la politique de Baie-Co- des Communications, Flora à l'administration Reagan et à meau. Et dès 1985, dans un MacDonald et Marcel Masse, son propre gouvernement. -
Chef D'orchestre
sm20-6_BI_p01_cover_sm20-1_BI_pXX 15-03-31 6:53 PM Page 1 sm20-6_BI_p02_cmimAD_sm20-1_BI_pXX 2015-03-31 6:57 PM Page 2 cmim_LaScena_15.04_F_Layout 1 15-03-24 11:59 Page 1 RÉVEILLEZ VOS SENS ! 24 CHANTEURS LYRIQUES EN COMPÉTITION INTERNATIONALE QUART DE FINALE 25-26-27 mai DEMI-FINALE 29-30 mai 514 285-2000 option 4 FINALE 2-3 juin CONCERT DES LAURÉATS 5 juin DU 25 MAI AU 5 JUIN Orchestre symphonique de Montréal Chef d’orchestre : Johannes Debus CONCOURSMONTREAL.CA 514 842-2112 BILLETS EN VENTE MAINTENANT ! sm20-6_BI_p03-ClassicaAD_sm20-1_BI_pXX 2015-03-31 6:57 PM Page 3 2727 auau 3131 mmaiai 22015015 SAINT-LAMBERTSAINT-LAMBERT • BOUCHERVILLEBOUCHERVILLE • BROSSARDBROSSARD EN COLLABORAATTION AVEC ! #! !!!!!!!!! # "#!#!!#"# # #"#!#!#!#"!"# # # #" ##"!#!#"!!# # "!" ! !! !!! e!"" !!#"!$ !! #" !$ DANIEL RICHARD STÉPHANE LAVOIE DESJARDINS TÉTREAULT CHRISTOPHER ÉTIENNE HALL KONGERO DUPUIS CONCERTSCONCERTS EENN SALLESALLE +++ + ++++ 45+45+ ETET DANSDANS LESLES RUESRUES + + + + + + ++ ++++++++ + + +++ + + +++ +++ + AAchetezchetez ++ + ++ ++ + + + T/KEITHT/KEITH JARRETTJARRETT vvosos bbilletsillets ouou votrevotre ppasseportasseport maintenantmaintenant BILLETSBILLETS EETT PPASSEPORTSASSEPORTS EENN VVENTEENTE --,+*)(',-$+#"!,++++*)(',-$ #"! +)+#-) #- www.festivalclassica.comwww.festivalclassica.com 450450 912-0868912-0868 SaisirSaisir lele codecode SCENACLASSICA2015SCENACLASSICA2015 % dansdans llee champchamp ccodeode ppromotionnel.romotionnel. 1010 $#""#!$#""#!! #!#!#!!#!!! # # !# !!!!! -
A SALUTE to the NATIONAL FILM BOARD of CANADA Includes Sixteen Films Made Between
he Museum of Modern Art 1^ 111 West 53 Street, New York, N.Y. 10019 Circle 5-8900 Cable: Modernart Mo, 38 FOR IMMEDIATE RELEASE Tuesday, April 25, 1967 On the occasion of The Canadian Centennial Week in New York, the Department of Film of The Museum of Modem Art will present A SALUTE TO THE NATIONAL FILM BOARD OF CANADA. Sixteen films produced by the National Film Board will be shown daily at the Museum from May U through May V->, except on Wednesdays. The program will be inaugu rated with a special screening for an invited audience on the evening of May 3j pre sented by The Consul General of Canada and The Canada Week Committee in association with the Museum. The National Film Board of Canada was established in 1939, with John Grierson, director of the British General Post Office film unit and leading documentary film producer, as Canada's first Government Film Commissioner, Its purpose is-to Jjiitdate and promote the production and distribution of films in the-uational int^rest^ \i\ par« ticular, films designed to interpret Canada to -Canadians and to other nations. Uniquely, each of its productions is available for showing in Canada as well as . abroad* Experimentation in all aspects of film-making has been actively continued and encouraged by the National Film Board. Funds are set aside for experiments, and all filmmakers are encouraged to attempt new techniques. Today the National Film Board of Canada produces more than 100 motion pictures each year with every film made in both English and French versions. -
Canadian Films: What Are We to Make of Them?
Canadian Films: What Are We to Make of Them? By Gerald Pratley Spring 1998 Issue of KINEMA This technically fine picture was shot in British Columbia, but care seems to have been taken toeradicate any sign of Canadian identity in the story’s setting, which is simply generic North American. Film critic Derek Elley in his review of Mina Shum’s Drive, She Said in Variety, Dec. 22, 1997. NO MATTER to what segment of society individuals may belong within the public at large most of those interested in the arts are contemplating what to make of Canadian cinema. Among indigent artists, out- of-work actors, struggling writers, publishers and bookshop proprietors, theatregoers and movie enthusiasts, the question being asked is, what do we expect from Canadian movies? The puzzle begins when audiences, after being subjected to a barrage of media publicity and a frenzy of flag waving, which would have us believe that Canadian movies and tv programmes are among the best in the world, discover they are mostly embarrassingly bad. Except that is, films made in Québec. Yet even here the decline into worthlessness over the past twoyears has become apparent. It is noticeable that, when the media in the provinces other than Québec talk about Canadian films, they are seldom thinking of those in French. This means that we are forced, whentalking about Canadian cinema, into a form of separation because Québec film making is so different from ”ours”, making it impossible to generalize over Canadian cinema as a whole. If we are to believe everything the media tells us then David Cronenberg, whose work is morbid, Atom Egoyan, whose dabblings leave much to be desired, Guy Maddin, who is lost in his own dreams, and Patricia Rozema, who seldom seems to know what she is doing, are among the world’s leading filmmakers. -
Ministerial Error and the Political Process: Is There a Duty to Resign? Stuart James Whitley
Ministerial Error and the Political Process: Is there a Duty to Resign? Stuart James Whitley, QC* In practice, it is seldom very hard to do one’s duty when one knows what it is. But it is sometimes exceedingly difficult to find this out. - Samuel Butler (1912) “First Principles” Note Books The honourable leader is engaged continuously in the searching of his (sic) duty. Because he is practicing the most powerful and most dangerous of the arts affecting, however humbly, the quality of life and the human search for meaning, he ought to have – if honourable, he has to have – an obsession with duty. What are his responsibilities? -Christopher Hodgkinson (1983) The Philosophy of Leadership Abstract: This article examines the nature of the duty to resign for error in the ministerial function. It examines the question of resignation as a democratic safeguard and a reflection of a sense of honour among those who govern. It concludes that there is a duty to resign for misleading Parliament, for serious personal misbehaviour, for a breach of collective responsibility, for serious mismanagement of the department for which they are responsible, and for violations of the rule of law. The obligation is owed generally to Parliament, and specifically to the Prime Minister, who has the constitutional authority in any event to dismiss a minister. The nature of the obligation is a constitutional convention, which can only be enforced by political action, though a breach of the rule of law is reviewable in the courts and may effectively disable a minister. There appears to be uneven historical support for the notion that ministerial responsibility includes the duty to resign for the errors of officials except in very narrow circumstances. -
09 T D Proposal 6 30
travel day. BY JIM MAKICHUK PROPERTYPRO OFPERTY BADLAND OF BADLAND COMPANY COMPANY DIRECTORDIRE SHIRLEYCTOR SHIRLEY PETCH PPETRAPCAH P PRODURAPA PRODUCER JIMC ERMAKI JIMC HUKMAKICHUK 818 995-4742(818)995-4742 [email protected] [email protected] Travel Day Proposal for a Feature Film Project Summary………………………………………… 2 Travel Day – The Story………………………………….. 3 The Cast………………………………………………….. 4 The Writer and Producer………………………………… 5 The Director………………………………………………5 The Company……………………………………………..6 Investment Participation & Recoupment…………………7 Sales Projections………………………………………….8 Marketing and Distribution ………………………………9 The Budget………………………………………………10 Schedule & Locations……………………………………10 Conclusion……………………………………………….11 Appendix “A” Independent Film Grosses Appendix “B” Actress credits Appendix “C” Director’s Vision & Credits Appendix “D” Writer/Producer Credits Appendix “E” The Budget Appendix “F” The Schedule 1 TRAVEL DAY - Project Summary The intent is to produce and distribute a character-driven comedy/drama feature film tentatively entitled TRAVEL DAY, for television and film markets worldwide for a budget of $900,000. The project is written and produced by Jim Makichuk and directed by Shirley Petchprapa, and with a cast that has the interest of world-acclaimed four-time Academy Award Nominee Liv Ullman and Academy Award nominee Sally Kirkland. There is a strong possibility of another as-yet unnamed actress of Academy Award status expressing interest. The producer will also bring in several exceptional and well-known actors in cameo roles, whose interest in the material will bring an added quality to a film of this budget. After major festival exposure, which will enhance the project further, a limited theatrical release is anticipated, followed by ancillary markets including but not restricted to both US and International television and theatrical markets, internet subscribers, pay- for-view and DVD sales. -
Daniel Petrie Ç”Μå½± ĸ²È¡Œ (Ť§Å…¨)
Daniel Petrie 电影 串行 (大全) The Bay Boy https://zh.listvote.com/lists/film/movies/the-bay-boy-4752658/actors Cocoon: The Return https://zh.listvote.com/lists/film/movies/cocoon%3A-the-return-1105466/actors East Side/West Side https://zh.listvote.com/lists/film/movies/east-side%2Fwest-side-1127377/actors The Neptune Factor https://zh.listvote.com/lists/film/movies/the-neptune-factor-1215256/actors The Revlon Mirror Theater https://zh.listvote.com/lists/film/movies/the-revlon-mirror-theater-18326174/actors The Gun and the Pulpit https://zh.listvote.com/lists/film/movies/the-gun-and-the-pulpit-1860307/actors A Howling in the Woods https://zh.listvote.com/lists/film/movies/a-howling-in-the-woods-18915038/actors Sybil https://zh.listvote.com/lists/film/movies/sybil-2580194/actors The Execution of https://zh.listvote.com/lists/film/movies/the-execution-of-raymond-graham-3520794/actors Raymond Graham Wild Iris https://zh.listvote.com/lists/film/movies/wild-iris-3568114/actors Seaway https://zh.listvote.com/lists/film/movies/seaway-3953687/actors The Betsy https://zh.listvote.com/lists/film/movies/the-betsy-3985948/actors My Name Is Bill W. https://zh.listvote.com/lists/film/movies/my-name-is-bill-w.-4290685/actors Kissinger and Nixon https://zh.listvote.com/lists/film/movies/kissinger-and-nixon-47063859/actors Eleanor and Franklin: The https://zh.listvote.com/lists/film/movies/eleanor-and-franklin%3A-the-white-house-years-5354423/actors White House Years Silent Night, Lonely Night https://zh.listvote.com/lists/film/movies/silent-night%2C-lonely-night-56283908/actors -
Reference Guide This List Is for Your Reference Only
REFERENCE GUIDE THIS LIST IS FOR YOUR REFERENCE ONLY. WE CANNOT PROVIDE DVDs OF THESE FILMS, AS THEY ARE NOT PART OF OUR OFFICIAL PROGRAMME. HOWEVER, WE HOPE YOU’LL EXPLORE THESE PAGES AND CHECK THEM OUT ON YOUR OWN. DRAMA ACT OF THE HEART BLACKBIRD 1970 / Director-Writer: Paul Almond / 103 min / 2012 / Director-Writer: Jason Buxton / 103 min / English / PG English / 14A A deeply religious woman’s piety is tested when a Sean (Connor Jessup), a socially isolated and bullied teenage charismatic Augustinian monk becomes the guest conductor goth, is falsely accused of plotting a school shooting and in her church choir. Starring Geneviève Bujold and Donald struggles against a justice system that is stacked against him. Sutherland. BLACK COP ADORATION ADORATION 2017 / Director-Writer: Cory Bowles / 91 min / English / 14A 2008 / Director-Writer: Atom Egoyan / 100 min / English / 14A A black police officer is pushed to the edge, taking his For his French assignment, a high school student weaves frustrations out on the privileged community he’s sworn to his family history into a news story involving terrorism and protect. The film won 10 awards at film festivals around the invites an Internet audience in on the resulting controversy. world, and the John Dunning Discovery Award at the CSAs. With Scott Speedman, Arsinée Khanjian and Rachel Blanchard. CAST NO SHADOW 2014 / Director: Christian Sparkes / Writer: Joel Thomas ANGELIQUE’S ISLE Hynes / 85 min / English / PG 2018 / Directors: Michelle Derosier (Anishinaabe), Marie- In rural Newfoundland, 13-year-old Jude Traynor (Percy BEEBA BOYS Hélène Cousineau / Writer: James R. -
Printemps 2012 Dea L’ Micale
BULLETIN Volume 13 numéro 1, Printemps 2012 deA l’ micale Jean Lesage, 1912-2012 L’assemblée générale du 16 mai 2012 Les prix de l’Amicale En couverture : Table des matières Jean Lesage Né à Montréal, le 10 juin 1912. Fit 3 Mot du rédacteur du Bulletin de l’Amicale ses études au Jardin de l’enfance Saint-Enfant-Jésus à Montréal, au 4 L’Amicale a une nouvelle présidente Pensionnat Saint-Louis-de-Gonzague 5 Mot de la présidente à Québec, au Séminaire de Québec et à l’Université Laval à Québec. 6 Rapport de la présidente Cécile Vermette Admis au Barreau de la province de Québec le 10 juillet 1934. 8 Les membres de l’Amicale à l’Assemblée générale du 16 mai 2012 9 Rapport du Comité sur le parlementarisme et la démocratie Exerça sa profession à Québec avec Me Paul Lesage en 1934, puis avec 10 Rapport du Comité des activités sociales Photographe : Cécile Weedon. Assemblée nationale du Québec Charles Gavan Power, Valmore 12 Rapport du Comité des archives et objets de mémoire Bienvenue, Paul Lesage et Jean Turgeon. Fut également l’associé 13 1er Forum mondial de la langue française de Jean Bienvenue. De 1939 à 1944, fut procureur de la couronne et procureur de la Commission des prix et du commerce en temps de guerre. 14 Victor Goldbloom reçoit le prix René-Chaloult 2012 16 Claude Lachance reçoit le prix Jean-Noël-Lavoie 2012 Élu député libéral à la Chambre des communes dans Montmagny-L’Islet en 1945. Réélu en 1949, en 1953, en 1957 et en 1958. -
Tke/ Tax—Skeitex Yea,S
Tke/ Tax—Skeitex Yea,s. By Wyndham Wise "I think they squandered a grand opportunity and it's largely the fault of producers who were shameless and greedy, people of dismal taste, who were more interested in making deals than films and who made a lot of money for themselves. And so Canadian films do not enjoy a larger reputation anywhere and it's a pity...a lot of damage has been done." — Mordecai Richter, Cinema Canada, May 1985 More feature films were made in a hectic 30—month period from the fall of 1978 to the spring of 1981 than at any other time in our short cinematic history. This essay, originally written as part of a master's degree program at York University, attempts to provide some insight into what happened when Canadian feature—film policy was made up by greedy producers, clueless politicians, bottom—line consultants and inventive lawyers and accountants. Its not apretty We. I TAKE ONE 17 CANADIAN CINEMA Claude Jutra (A tout prendre, 1964) from certifiably Canadian and therefore Quebec and Don Owen (Nobody Waved qualified for the benefits of the CCA. Good-bye, 1964) from Ontario gained international recognition for their original The fledgling corporation had some early work, while Allan King (Warrendale, 1967) successes under the directorship of Michael pioneered the techniques of direct cinema. Spencer. Don Shebib's Goin' Down The In response to this growing movement, Road, 1970, Bill Fruet's Wedding In White, the federal government of the day 1972, Peter Pearson's Paperback Hero, 1973, initiated certain policy changes.