Cosmopolis#45
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Abraham, 151 Abercrombie Station, 130 Achilles, 357 Aesop, 355
Index Abraham, 151 Chauser, 231, 233 366 Abercrombie Station, 130 Chesterton, G. K., 207 Faulkner, William, 15 Achilles, 357 Churchill, 55, 86 Flaubert, Gustave, 296 Aesop, 355 Cholwell’s Chickens, 130 Flesh Mask, The, 365-7, 379, 385 Alfred’s Ark, 123, 204, 242-4 Chrétien de Troyes, 248 & etc, Ford Madox Ford, 118 Allen, Woody; 96 250-52, 257 Fra Angelico, 380 Anaxagoras, 335, 342-53 Clarges, 16, 25, 30-32, 74, Frazetta, Frank, 209, 228 Aquinas, St. Thomas, 150 174, 177 Gainsborough, Thomas, 288 Arcimboldo, 380 Clarke, Arthur C., 17 Gesualdo, 380 Aristophanes, 398 Communism, 59, 82-6, 93, 143, Gift of Gab, The, 123 Aristotle, 280-1, 330, 336 & etc. 147, 249 319, 321, 329 & etc. Giotto, 228 Augmented Agent, The, 146 Coup de Grace, 16, 207 Gogol, Nicolai, 20, 195 Austen, Jane, 105 & etc, 191-2, Crusade to Maxus, 140 & etc. Gold and Iron, 20-1, 36, 81, 112, 241, 289, 380 Cugel (stories), 51, 106, 135-6, 118, 141, 143, 292, 383 Babeuf, Gracchus; 320 & etc. 155-6, 191, 200, 207, 231, Golden Girl, The, 20 Bad Ronald, 55, 221-2, 225, 248, 248-9, 251, 298, 340, Goncharov, 230 337, 340, 364- 6 355 & etc, 390, 392-3 Goya, Francesco, 23 Bain, Joe (stories), 205-6, 364, Dante, 15, 231, 233 Green Magic, 175-6, 387 378-9 Dark Ocean, The, 142, 201, 365 Grey, Zane, 46 Balzac, 52-54, 230, 379-83 Darwin, 68 & etc, 265, 287 Hardy, Thomas, 20 Beiderbecke, Bix, 136 Deadly Isles, The, 53, 365, 369 Hayden, 115 Benda, Julian, 80 Dickens, 112, 230, 289, 380 Heidegger, Martin, 214-9, 223, Big Planet, 12, 132, 231-32, Diderot, 16 227, 360-3, 367, 385 290, 383 Dodkin’s Job, 123, 153, 204, Hitchcock, Alfred, 289 Bird Island, 264, 370, 373 332 Hitler, 83-7, 201 Blake, William, 209 Dogtown Tourist Agency, The, Hogarth, 288 Blue World, The, 59, 189, 36, 38, 108, 332 Holbein, 289 228 & etc, 271 Domains of Koryphon, The, 15, Homer, 15, 216, 228, 355 & etc. -
Cosmopolis 3 (Editor’S Note: Mr
COSMOPOLIS Volume 1, Issue 3 March 2000 Cheers, Keeping the Gate Jeff On February 4 of this year, I received mail from Paul “This is preposterous! Must we welcome each scoundrel of time Rhoads, asking me if I were interested in joining VIE management. I answered with a hesitant “yes”; hesitant, into our midst, to satiate himself on our good things, meanwhile because I was standing in a different line when management perverting our customs?” skills were passed out. He responded that he had the “gatekeeper” function in mind, a job that had previously been Jack Vance, Rhialto the Marvellous done by him, as well as Mike Berro, Suan Yong, and now Tim When Bob Lacovara asked me to write this article, I Stretton, whose function as head of the proofreading team was immediately asked Jeff’s permission to quote him. This was his keeping him busy enough, thank you. I accepted. response: So from that day, I have been the human being on the I’m flattered...please quote whatever you like, with full attribution. other side of [email protected] and After all, I’m proud of my Vance geekness ;-) [email protected], the first person to get the good news that another discerning reader has thrown his lot in with Of course, the gatekeeper isn’t simply there to sign people the VIE or offered to assist in its realization. I have received up and pass them on to the webmasters and team leaders. A mail from Europe (Scandinavia and the Netherlands), North certain amount of time is spent answering questions that many America (including the LA suburb I grew up in), Australia and of you have about various aspects of the VIE. -
Cosmopolis#28
COSMOPOLIS Number 28 July, 2002 Contents Post Proofing Report by Chris Corley, Post Proofing Manager Post Proofing Report . 1 by Chris Corley Post Proofing for Wave 1 is complete! Post Proofing Wave 1 Post Proofing completed achieved this significant milestone through many hours of hard work, over many months, on the part of dozens Work Tsar Status Report . 2 of volunteers. The Subteam Managers have spent even by Joel Riedesel more time collating comments from their teams, compar- How To Kill Dogs . 2 ing them to TI docs, eliminating spurious or nuncupato- by David Alexander ry comments, and putting up with the cantankerousness And other Jack Vance reminiscences of the Post Proofing Manager in rejecting many of their comments. The VIE community, managers and sub- scribers alike, owe a large debt ofgratitude to Post 38’s Crucible. 4 by Paul Rhoads Proofing Subteams and their managers for their heroic e¥orts in completing Wave 1 Post Proofing. Library donations, frontispieces, censorship? and Some interesting data points: more - Post Proofing began at the end of April 2001. - Including Gift Volume texts, 66 Post Proofing jobs Fool Me Twice . A Review of 23 have been completed. by Luk Schoonaert - Of these 66 jobs, 41 have been completed in calen- Matthew Hughes’ second novel dar year 2002: more than 60% of the jobs in less than 40% of the total elapsed time since PP inception. You Have Done It!. 24 - Between April 27 and June 7 (a mere six weeks) an by Hans van der Veeke astonishing 764,200 words (about a third of the Wave 1 Volunteer work credits for completed texts: wordcount) were Post Proofed. -
By Title.Pdf
Afton House Books Title Pic Language Format Condition Comment 13 Science Fiction Stories 2680 German paperback good A Maquina de Matar 2610 Spanish trade good Aanval op een stad 2768 Dutch trade good Alastor: Trilogia del cumulo estelar 2697 Spanish trade good Alastor: Trullion Marune 2729 French hardback good ? Alastor: Trullion, Marune, Wyst 2643 Dutch trade good Araminta 2 2806 French trade good Araminta Station (Cyrillic) 2779 Russian hardback good Asutra 2725 Italian hardback fair Asutra ! 2841 French paperback good Blauwe Wereld + De machines van Maz 2644 Dutch paperback good Bonne Vieille Terre (Ecce & Old Earth) 2757 French trade good Bonne Vieille Terre (Ecce & Old Earth) 2807 French trade good Charmants Voisins 2734 French pg good Chateaux en espace #6 2611 French paperback good Chroniques De Cadwal: Throy 2603 French paperback good Crimes et enchantements #7 2602 French paperback good Crociata spaziale 2675 Italian paperback good Cugel der Schlaue 2801 German trade good Cugel gewroken 2597 Dutch paperback good Cugel Gewroken 2699 Dutch paperback good Cugel saga 2673 French paperback good cycle de Tschai: le Wankh 2658 French paperback good Das Auge der Uberwelt 2682 German paperback good Das Buch der Traume 2790 German trade good Das Gesich (The Face) 2810 German trade good Das grobe Lesebuch der klassischen: Aus dem Hantemple 2771 German trade good Das Segelim Sonnenwind 2670 German paperback good Das Weltraum-Monopol 2600 German paperback good De Domeinen van Koryphon 2714 Dutch trade good De drakenruiters 2853 Dutch hardback -
Cosmopolis#57
COSMOPOLIS Number 57 January, 2005 And So It Ends SUBSCRIPTION know, we’re not done yet, but for someone who’s been I with the VIE for as long as I have (Volunteer # 76) the time remaining is vanishingly small compared to the eons DEADLINE is that have gone before. I’ve just received my last assign- JANUARY 25th! ment, and it’s like... well, the ‘last’. You know, like when you leave some place—house, employment, country—and lvl you’ll suddenly find yourself doing ‘last’ things. The deadline to order the complete set of ‘Last’ things that you’re aware of. ‘Last’ things that mat- VIE books is the 25th. ter; punctuation marks in the course of your life that add meta-meaning and frame its content. Punctuation we notice, You cannot procrastinate any longer! as if we were proofing the copy and wondering if that Order on the VIE website. comma really belongs here, or if it’s just a stylistic quirk, or if that colon should really be a full-stop. In contrast to this consider those sentence marks we don’t notice, because they, like someone wrote about Jack’s style, are Contents invisible, and by their implicitness serve to make limpid that which otherwise would be hidden. And So It Ends . 1 For everything in life, every action we take, is a ‘last’, at the same time as it is a first; only our urge to generalize, Till Noever simplify and abstract makes us believe otherwise. And, Work Tsar Report . .2 let’s face it, everything could just be ‘last’—because of our ignorance about what will be tomorrow, or maybe in the Joel Riedesel next few minutes, that will retroactively turn any given action into a ‘last’, by anybody’s definition. -
EXTANT 22 December 2007
EXTANT 22 December 2007 THE INNER DARKNESS OF THE WINGED BEING Strange She Hasn’t Written The mystery novels, character development, Ports of Call . 1 UP WITH UPFIELD! The Bony novels of Arthur Upfi eld . .10 Vance, we say, wrote 14 ‘mystery’ novels, but many qualify A Tribute to Richard Heaps, Carol Barnes . 15 poorly. The Joe Bain stories, of course, are murder A GLIMMER OF MURIAL SPARK: Loitering With Intent . 16 mysteries, with a murder and a detective. But Bird Island is VIE DOCUMENTS: Gold and Iron; the VIE ending: an atmospheric idyl. There is no killing, no detective, no Steve Sherman, Tim Stretton, Patrick Dusoulier, Alun Hughes . 17 puzzle. The Man in the Cage, The Dark Ocean, The Flesh Mask, Bad THE FRENCH POLITICAL NEW WAVE Ronald, and The Telephone was Ringing in the Dark, to say nothing of Strange People Queer Notions and The View from Chickweed’s Window, Ségo versus Sarko : the Presidential Campaign of 2007. 2323 have elements of the mystery genre. None, however, has a FACES OF IMMORTALITY detective. Bad Ronald even lacks a mystery (for the reader), . 34 Except from a novel in progress, by J. Evertt while the murder in Chickweed could be eliminated without CYBER FOLLIES changing the plot. These books are less mysteries than tales Dan Gunter and the Washington State Bar Association . 35 of childhood pain, dramas of illusions and dreams, vistas of Lulu; easy gal?. 37 life’s magical richness. Father Gander’s Rhyming Flames (x rated) . 38 Of the three Ellery Queen mysteries one, Strange She Hasn’t LAST AND LEAST: Games, illustrations, End Note . -
Footnotes in Fiction: a Rhetorical Approach
FOOTNOTES IN FICTION: A RHETORICAL APPROACH DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Edward J. Maloney, M.A. * * * * * The Ohio State University 2005 Dissertation Committee: Approved by Professor James Phelan, Adviser Professor Morris Beja ________________________ Adviser Professor Brian McHale English Graduate Program Copyright by Edward J. Maloney 2005 ABSTRACT This study explores the use of footnotes in fictional narratives. Footnotes and endnotes fall under the category of what Gérard Genette has labeled paratexts, or the elements that sit above or external to the text of the story. In some narratives, however, notes and other paratexts are incorporated into the story as part of the internal narrative frame. I call this particular type of paratext an artificial paratext. Much like traditional paratexts, artificial paratexts are often seen as ancillary to the text. However, artificial paratexts can play a significant role in the narrative dynamic by extending the boundaries of the narrative frame, introducing new heuristic models for interpretation, and offering alternative narrative threads for the reader to unravel. In addition, artificial paratexts provide a useful lens through which to explore current theories of narrative progression, character development, voice, and reliability. In the first chapter, I develop a typology of paratexts, showing that paratexts have been used to deliver factual information, interpretive or analytical glosses, and discursive narratives in their own right. Paratexts can originate from a number of possible sources, including allographic sources (editors, translators, publishers) and autographic sources— the author, writing as author, fictitious editor, or one or more of the narrators. -
The Dragon Masters by Jack Vance
The Dragon Masters by Jack Vance Table of contents • Introduction • CHAPTER 1 • CHAPTER 2 • CHAPTER 3 • CHAPTER 4 • CHAPTER 5 • CHAPTER 6 • CHAPTER 7 • CHAPTER 8 • CHAPTER 9 • CHAPTER 10 • CHAPTER 11 • CHAPTER 12 • Annotation • Document information Introduction HOW can one explain the relative obscurity of a writer whose work has twice won the Hugo Award for best science fiction of the year in its category? A man who has been writing and publishing science fiction for over a quarter of a century. A man whose prose style is so unique that a random paragraph taken out of almost any piece of science fiction or fantasy he has written is sufficient to identify itself as unmistakably the work of Jack Vance: In the first place, the Rhune is exquisitely sensitive to his landscapes of mountain, meadow, forest and sky — all changing with the changing modes of day. He reckons his land by its aesthetic appeal; he will connive a lifetime to gain a few choice acres. He enjoys pomp, protocol, heraldic minutiae; his niceties and graces are judged as carefully as the figures of a ballet. He prides himself on his collection of sherliken scales; or the emeralds which he has mined, cut, and polished with his own hands; or his Arah magic wheels, imported from halfway across the Gaean Reach. He will perfect himself in special mathematics, or an ancient language, or the lore of fanfares, or all three, or three other abstrusities. — Marune: Alastor 933, p. 41. Yet Jack Vance seems to be an invisible man. Academics have written at great length and Byzantine complexity about science fiction writers with a far less substantial body of work and far less stylistic interest than Jack Vance. -
EXTANT 15 September 2006 CONTENTS a Letter from Bob Luckin, and VIE News
EXTANT 15 September 2006 CONTENTS A Letter From Bob Luckin, and VIE news. 1 Editions Andreas Irle Lyonesse Published. 1 A VISIT WITH THE VANCES IN 1995 by Paul Rhoads (illustrated with sketches of the time) . 2 Jack Kirby Illustrates Jack Vance ? . .10 The Symbolism of Color: from spengler to vance. 11 CYBER FOLLIES A Pathetic Farce, in a Prologue and 6 Acts . 14 Vance’s Work: an Overview, (wikipedia). 25 Echoes in the Ether: Joel Andersen, David Stuart, Acquired Taste. 26 David Reitsema, Mike Schilling, John A. Schwab, Steve Sherman, 3 Tim Stretton, Hans van der Veeke (the Legendary Locator ), and Bob Luckin himself at his old CRV stand sending Paul VIE NEWS Rhoads back to InDesign, again and again and again, with a Bob Luckin writes: seemingly endless series of amazing finds. All, That’s all, folks. I recently received my EQ volumes, each in their individual packages. 3 The books were well packed, arrived in fine condition, and are certainly up to the physical standards of the main sets. I’d like to express my thanks to everyone involved Edition Andreas Irle in producing the volumes; I know that this took some extra dedication due to the drop off in interest on the The three Andreas Irle Lyonesse paperbacks part of quite a few volunteers once the main waves were have been delivered to their subscribers. complete. Without their efforts I might never have read These are facsimiles of the VIE volumes Jack’s EQ stories, let alone have my own copy of them. except for the covers and the front matter. -
L'opera Di Jack Vance
RETROSPETTIVA www.clubcity.info CITYcircolo d’immaginazione L’opera di Jack Vance 1982. Silvio Sosio con cappello e capelli (a destra); Paolo Pavesi (a sinistra) tiene in mano il primo numero de “La Spada Spezzata“, da loro appena realizzata. CITYcircolo d’immaginazione retrospettiva L’opera di Jack Vance di Silvio Sosio Quattro mondi di Jack Vance da City fanzine bimestrale n.10, anno II aprile 1983 Altri quattro mondi di Jack Vance da City fanzine bimestrale n.11, anno II, giugno 1983 Ancora su Jack Vance: I principi Demoni da City fanzine bimestrale n.18, anno III, giugno 1984 Vance: il Pianeta Gigante [e altro] da City fanzine bimestrale n.19, anno IV, ottobre 1984 Questi quattro articoli dedicati alla narrativa di Jack Vance furono pubblicati a puntate sulla fanzine periodica del club City. Silvio Sosio aveva solo vent’anni quando li scrisse e riletti adesso ci fanno capire che Silvio aveva già in sé capacità di analisi, di confronto e una scrittura ricca e scorrevole, da premio. Quando vennero pubblicati l’indice di apprezzamento fu altissimo. E poi … vent’anni, da invidia! Silvio è riuscito a penetrare nella narrativa di Vance cogliendone le caratteristiche e i valori predominanti: l’estro paesaggistico, l’ironia, gli schemi di potere, e soprattutto la fascinazione della scrittura, che nell’autore di San Francisco è stile artistico. I suoi personaggi possono sconfinare nel bizzarro ma mai nello stereotipo e Vance li arricchisce con pennellate di creatività e fantasia. Questo vale per gli umani e per gli alieni. Le note bibliografiche sono state aggiornate, sebbene molti testi non siano stati più ristampati e .siano reperibili solo in rete nel mercato di libri usati e da collezione. -
Cosmopolis 24 • 2 Ence Fiction and Fantasypublishing Laterthis Year Would Not Be So Interested in Vance—But Engineers (
COSMOPOLIS Number 24 March, 2002 Contents Jack Vance Guest of Jack Vance Guest of Honor at Norwescon. 1 Honor at Norwescon Jack and Norma at the convention in SeaTac Jack will be a Guest of Honor at the Norwescon Science Fiction and Fantasy convention being held over the 38’s Crucible . 1 March 28th to March 31st weekend in the Seattle-Taco- by Paul Rhoads ma area. Jack will be present for the Opening and Clos- Project news, engineers and artists, Vance in ing Ceremonies, will be interviewed on Saturday, will France and more sign books, converse and answer questions, and be oth- erwise available. Norma will also be there, with VIE materials forinforming about orpresenting the VIE The Future of the CLS. project.. 8 by Till Noever More information concerning the convention can be The CLS lives on! found at their website: http://www.norwescon.org/ VIE volunteers and subscribers planning on attending please Work Tsar Status Report . 10 contact Cosmopolis editor Derek W. Benson in advance by Joel Riedesel of the convention. Text progress as of February 24, 2002 You Have Done It! . 11 2 t 1 by Hans van der Veeke Volunteer work credits for completed texts: Abercrombie Station, The Flesh Mask, The Vie w from Chickweed’s Window, The Rapparee, Bird 38's Crucible Is l e, Bad Ronald by Paul Rhoads Letters to the Editor. 14 Luk Schoonaert, Rob Gerrand, Paul Rhoads, Mark this rubric Paulin, David G.D. Hecht, Malcolm Bowers, Alain Schremmer, Derek W. Benson, Kelly Hughes, Ed What has formanymonths been called the ‘Project Winskill, Till Noever Report’—a rambling round-up of project news—I rename this month. -
Discussion About Jack Vance
Science Fiction Book Club Interview with John Vance II (April 2020) John H. Vance II is the only child of Jack and Norma Vance. And raised three children in the house that he and his father built with their own hands. He is now an “empty-nester” living in the old house with his fiancé, four cats and a dog (and the house remains a work in progress). John has worked actively with fans to preserve and promote his father's work, starting with Paul Rhoads in 1999, an association which led to publication of a subscription-funded set of 44 volumes known as the Vance Integral Edition, now sought after by collectors and hardcore fans alike. John manages his father's legacy through the publishing company Spatterlight Press LLC. John made his career designing and operating submersible systems and other marine equipment. Robert Matthew Knuckles: Vance's "Dying Earth" is often cited as the inspiration for the Magic System of earlier Editions of Dungeons & Dragons. How did he feel about the level of influence he had on such a phenomenally popular game and its many imitators? He was hardly aware of it. After a letter or two with Gary Gygax at the start he had little feedback, and of course zero income from the situation—so he had no way of knowing. Aldo Defraites: My question is this: When will Night Lamp be released on Kindle? Great book! Loved it Aldo, you can purchase and download .epub or .prc files of Night Lamp right now, on jackvance.com under our Spatterlight Press imprint.