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Fond Affection Music of Ernst Bacon
NWCR890 Fond Affection Music of Ernst Bacon Baritone Songs: Settings of poems by Walt Whitman (8-12); Carl Sandburg (13); Emily Dickinson (14-15); A.E. Housman (16); and Ernst Bacon (17). 8. The Commonplace ................................... (1:05) 9. Grand Is the Seen ..................................... (2:48) 10. Lingering Last Drops ............................... (1:57) 11. The Last Invocation .................................. (2:23) 12. The Divine Ship ....................................... (1:04) 13. Omaha ...................................................... (1:29) 14. It’s coming—the postponeless Creature ... (2:36) 15. How Still the bells .................................... (2:01) 16. Farewell to a name and a number ............. (1:28) 17. Brady ........................................................ (2:07) William Sharp, baritone; John Musto, piano Soprano Songs: Settings of poems by Emily Dickinson (18- 21); William Blake (22); 17th-century English text (23); Cho Wen-chun, tr. Arthur Waley (24); and Helena Carus (25) 18. It’s All I Have To Bring ........................... (1:16) 19. Velvet People ........................................... (1:37) 20. The Bat ..................................................... (1:56) 21. Wild Nights .............................................. (1:18) 22. The Lamb ................................................. (2:43) 23. Little Boy ................................................. (2:42) 24. Song of Snow-white Heads ...................... (2:35) 25. A Brighter Morning ................................. -
Curveball: the Remarkable Story of Toni Stone, the First Woman to Play Professional Baseball in the Negro League Online
vgoxR (Read ebook) Curveball: The Remarkable Story of Toni Stone, the First Woman to Play Professional Baseball in the Negro League Online [vgoxR.ebook] Curveball: The Remarkable Story of Toni Stone, the First Woman to Play Professional Baseball in the Negro League Pdf Free Martha Ackmann ebooks | Download PDF | *ePub | DOC | audiobook Download Now Free Download Here Download eBook #1505887 in Books 2017-02-01Original language:EnglishPDF # 1 9.00 x .70 x 6.00l, 1.20 #File Name: 1613736568288 pages | File size: 38.Mb Martha Ackmann : Curveball: The Remarkable Story of Toni Stone, the First Woman to Play Professional Baseball in the Negro League before purchasing it in order to gage whether or not it would be worth my time, and all praised Curveball: The Remarkable Story of Toni Stone, the First Woman to Play Professional Baseball in the Negro League: 0 of 0 people found the following review helpful. and recommended for allBy WriterToo little has been written about Toni Stone. This well-written biography covers her entire life, smoothly bringing together anecdotes, interviews, and facts (and you know how baseball loves its facts and stats!). It's a book boys and girls, and the men and women they become, should read to provide a woman's perspective in the early 1950s about traditions and customs, gender roles, "official" rules, barriers of all types, and discrimination. What's changed? What more should change? Appropriate for high school and up, and recommended for all, even non baseball fans.1 of 1 people found the following review helpful. ONE HELLUVA PITCHBy Mike StewartI loved CURVEBALL. -
The Inventory of the Phyllis Curtin Collection #1247
The Inventory of the Phyllis Curtin Collection #1247 Howard Gotlieb Archival Research Center Phyllis Curtin - Box 1 Folder# Title: Photographs Folder# F3 Clothes by Worth of Paris (1900) Brooklyn Academy F3 F4 P.C. recording F4 F7 P. C. concert version Rosenkavalier Philadelphia F7 FS P.C. with Russell Stanger· FS F9 P.C. with Robert Shaw F9 FIO P.C. with Ned Rorem Fl0 F11 P.C. with Gerald Moore Fl I F12 P.C. with Andre Kostelanetz (Promenade Concerts) F12 F13 P.C. with Carlylse Floyd F13 F14 P.C. with Family (photo of Cooke photographing Phyllis) FI4 FIS P.C. with Ryan Edwards (Pianist) FIS F16 P.C. with Aaron Copland (televised from P.C. 's home - Dickinson Songs) F16 F17 P.C. with Leonard Bernstein Fl 7 F18 Concert rehearsals Fl8 FIS - Gunther Schuller Fl 8 FIS -Leontyne Price in Vienna FIS F18 -others F18 F19 P.C. with hairdresser Nina Lawson (good backstage photo) FI9 F20 P.C. with Darius Milhaud F20 F21 P.C. with Composers & Conductors F21 F21 -Eugene Ormandy F21 F21 -Benjamin Britten - Premiere War Requiem F2I F22 P.C. at White House (Fords) F22 F23 P.C. teaching (Yale) F23 F25 P.C. in Tel Aviv and U.N. F25 F26 P. C. teaching (Tanglewood) F26 F27 P. C. in Sydney, Australia - Construction of Opera House F27 F2S P.C. in Ipswich in Rehearsal (Castle Hill?) F2S F28 -P.C. in Hamburg (large photo) F2S F30 P.C. in Hamburg (Strauss I00th anniversary) F30 F31 P. C. in Munich - German TV F31 F32 P.C. -
Bulletin Spring 2014 Corrected 0.Pdf
THE EMILY DICKINSON INTERNATIONAL SOCIETY Volume 26, Number 1 May/June 2014 “The Only News I know / Is Bulletins all Day / From Immortality.” EMILY DICKINSON INTERNATIONAL SOCIETY Officers President: Martha Nell Smith Vice-President: Barbara Mossberg Secretary: Nancy Pridgen Treasurer: James C. Fraser Board Members Antoine Cazé Jonnie Guerra Nancy Pridgen Paul Crumbley Eleanor Heginbotham Eliza Richards Cindy Dickinson (Honorary Board Member) Suzanne Juhasz Martha Nell Smith Páraic Finnerty Barbara Mossberg Alexandra Socarides James C. Fraser Elizabeth Petrino Hiroko Uno Vivian Pollak Jane Wald (Honorary Board Member) Legal Advisor: [Position Open] Chapter Development Chair: Nancy Pridgen Nominations Chair: Alexandra Socarides Book Review Editor: [Position Open] Membership Chair: Elizabeth Petrino Bulletin Editor: Daniel Manheim Dickinson and the Arts Chair: Barbara Dana Journal Editor: Cristanne Miller Sustaining Members Mary Elizabeth K. Bernhard Robert Eberwein Barbara Mossberg Richard Brantley James C. Fraser Martha Nell Smith Jane D. Eberwein Jonnie G. Guerra Contributing Members Antoine Cazé Linda Healy Daniel Manheim Carolyn L. Cooley Eleanor Heginbotham Ethan Tarasov LeeAnn Gorthey Suzanne Juhasz Robin Tarasov Niels Kjaer EDIS gratefully acknowledges the generous financial contributions of these members. EDIS Bulletin (ISSN 1055-3932) is published twice yearly, May/June and November/December, by The Emily Dickinson International Society, Inc. Standard Mail non- profit postage is paid at Lexington, KY 40511. Membership in the Society -
Emily Dickinson in Song
1 Emily Dickinson in Song A Discography, 1925-2019 Compiled by Georgiana Strickland 2 Copyright © 2019 by Georgiana W. Strickland All rights reserved 3 What would the Dower be Had I the Art to stun myself With Bolts of Melody! Emily Dickinson 4 Contents Preface 5 Introduction 7 I. Recordings with Vocal Works by a Single Composer 9 Alphabetical by composer II. Compilations: Recordings with Vocal Works by Multiple Composers 54 Alphabetical by record title III. Recordings with Non-Vocal Works 72 Alphabetical by composer or record title IV: Recordings with Works in Miscellaneous Formats 76 Alphabetical by composer or record title Sources 81 Acknowledgments 83 5 Preface The American poet Emily Dickinson (1830-1886), unknown in her lifetime, is today revered by poets and poetry lovers throughout the world, and her revolutionary poetic style has been widely influential. Yet her equally wide influence on the world of music was largely unrecognized until 1992, when the late Carlton Lowenberg published his groundbreaking study Musicians Wrestle Everywhere: Emily Dickinson and Music (Fallen Leaf Press), an examination of Dickinson's involvement in the music of her time, and a "detailed inventory" of 1,615 musical settings of her poems. The result is a survey of an important segment of twentieth-century music. In the years since Lowenberg's inventory appeared, the number of Dickinson settings is estimated to have more than doubled, and a large number of them have been performed and recorded. One critic has described Dickinson as "the darling of modern composers."1 The intriguing question of why this should be so has been answered in many ways by composers and others. -
[Sample Title Page]
ART SONGS OF WILLIAM GRANT STILL by Juliet Gilchrist Submitted to the faculty of the Jacobs School of Music in partial fulfillment of the requirements for the degree, Doctor of Music Indiana University May 2020 Accepted by the faculty of the Indiana University Jacobs School of Music, in partial fulfillment of the requirements for the degree Doctor of Music Doctoral Committee ______________________________________ Luke Gillespie, Research Director ______________________________________ Mary Ann Hart, Chair ______________________________________ Patricia Havranek ______________________________________ Marietta Simpson January 27, 2020 ii To my mom and dad, who have given me everything: teaching me about music, how to serve others, and, most importantly, eternal principles. Thank you for always being there. iii Table of Contents Table of Contents ............................................................................................................................ iv List of Examples .............................................................................................................................. v List of Figures ................................................................................................................................. vi Chapter 1: Introduction .................................................................................................................... 1 Chapter 2: Childhood influences and upbringing ............................................................................ 5 Chapter 3: Still, -
Amherst College, Emily Dickinson, Person, Poetry, and Place
Narrative Section of a Successful Proposal The attached document contains the narrative and selected portions of a previously funded grant application. It is not intended to serve as a model, but to give you a sense of how a successful proposal may be crafted. Every successful proposal is different, and each applicant is urged to prepare a proposal that reflects its unique project and aspirations. Prospective applicants should consult the program guidelines at www.neh.gov/grants/education/landmarks-american-history-and- culture-workshops-school-teachers for instructions. Applicants are also strongly encouraged to consult with the NEH Division of Education Programs staff well before a grant deadline. The attachment only contains the grant narrative and selected portions, not the entire funded application. In addition, certain portions may have been redacted to protect the privacy interests of an individual and/or to protect confidential commercial and financial information and/or to protect copyrighted materials. Project Title: Emily Dickinson: Person, Poetry, and Place Institution: Amherst College Project Director: Cynthia Dickinson Grant Program: Landmarks of American History and Culture Workshops 1100 Pennsylvania Ave., N.W., Rm. 302, Washington, D.C. 20506 P 202.606.8500 F 202.606.8394 E [email protected] www.neh.gov 2014 “Emily Dickinson: Person, Poetry, and Place” 2 The Emily Dickinson Museum proposes to offer a 2014 Landmarks of American History and Culture Workshop for School Teachers, “Emily Dickinson: Person, Poetry and Place.” Unpublished in her lifetime, Emily Dickinson’s poetry is considered among the finest in the English language. Her intriguing biography and the complexity of her poems have fostered personal and intellectual obsessions among readers that are far more pronounced for Dickinson than for any other American poet. -
Nov-Dec 2010
THE EMILY DICKINSON INTERNATIONAL SOCIETY Volume 22, Number 2 November/December 2010 “The Only News I know / Is Bulletins all Day / From Immortality.” The Oxford Conference in Retrospect EMILY DICKINSON INTERNATIONAL SOCIETY Officers President: Martha Ackmann Vice President: Jed Deppman Secretary: Stephanie Tingley Treasurer: James C. Fraser Board Members Martha Ackmann James C. Fraser Nancy Pridgen Antoine Cazé Jonnie Guerra Martha Nell Smith Paul Crumbley Suzanne Juhasz Alexandra Socarides Jed Deppman Marianne Noble Hiroko Uno Cindy Dickinson Elizabeth Petrino Jane Wald (Honorary Board Member) Vivian Pollak (Honorary Board Member) Legal Advisor:Barbara Leukart Nominations Chair:Ellen Louise Hart Membership Chair:Jonnie Legal Advisor:Guerra Barbara Leukart Chapter Development Chair: Nancy Pridgen Dickinson and Nominationsthe Arts Chair:Barbara Chair: JonnieDana Guerra Book Review Editor: Barbara Kelly Chapter Development Membership Chair:Nancy Chair: PridgenElizabeth Petrino Bulletin Editor: Georgiana Strickland Book Dickinson Review Editor:Barbara and the Arts Chair: Kelly Barbara Dana Journal Editor: Cristanne Miller Journal Editor:Cristanne Miller 2010 Sustaining Members Martha Ackmann David H. Forsyth Martha Nell Smith Marilyn Berg-Callander Diana K. Fraser Gary Lee Stonum Jack Capps James C. Fraser Ethan Tarasov Sheila Coghill Marilee Lindemann Robin Tarasov Jane D. Eberwein Cristanne Miller 2010 Contributing Members Paul Beckley Donna Dreyer Niels Kjaer Emily Seelbinder Ellen Beinhorn Robert Eberwein Polly Longsworth Nobuko Shimomura Mary Elizabeth K. Bern- Judith Farr Cindy MacKenzie Maxine Silverman hard Alice Fulton Mayumi Maeda George T. Stone Marisa Bulgheroni Jonnie G. Guerra Daniel Manheim Mason Swilley Diane K. Busker Eleanor Heginbotham Jo Ann Orr Richard Tryon Carolyn L. Cooley Eleanor Humbert Carol Pippen Hiroko Uno Barbara Dana Suzanne Juhasz Vivian R. -
Boston Symphony Orchestra Concert Programs, Summer, 1965-1966
TANGLEWOOD Festival of Contemporary American Music August 14, 15, 16, 17, 18, 1966 Sponsored by the Berkshire Music Center In Cooperation with the Fromm Music Foundation I " STMVINSKY tt.VlOW agon vam 7/re Boston Symphony SCHULLER 7 STUDIES ox THEMES of PAUL KLEE BOSTON SYMPHONY ORCHESTRA/ERICH lEINSDORf under Leinsdorf Leinsdorf expresses with great power the vivid colors of Schuller's Seven Studies on Themes of Paul Kiee and, in the same album, Stravinsky's ballet music from Agon. Forthe majorsinging roles in Menotti's dramatic cantata, The Death of the Bishop of Brindisi. Leinsdorf astutely selected George London, and Lili Chookasian, of whom the Chicago Daily Tribune has written, "Her voice has the Boston symphony ecich teinsooof / luminous tonal sheath that makes listening luxurious. menotti Also hear Chookasian in this same album, in songs from the death op the Bishop op BRSndlSI Schbnberg's Gurre-Lieder. In Dynagroove sound. Qeonoe ionoon • tilt choolusun s<:b6notec,/ou*«*--l(eoeo. sooq of the wooo-6ove ac^acm rca Victor fa @ The most trusted name in sound ^V V BERKSHIRE MUSIC CENTER ERICH LeinsDORF, Director Joseph Silverstein, Chairman of the Faculty Aaron Copland, Chairman of the Faculty Emeritus Louis Speyer, Assistant Director Victor Babin, Chairman of the Tanglewood Institute Harry J. Kraut, Administrator FESTIVAL of CONTEMPORARY AMERICAN MUSIC presented in cooperation with THE FROMM MUSIC FOUNDATION Paul Fromm, President Alexander Schneider, Associate Director FELLOWSHIP PROGRAM Contemporary Music Activities Gunther Schuller, Head Roger Sessions, George Rochberg, and Donald Martino, Guest Teachers Paul Zukofsky, Fromm Teaching Fellow James Whitaker, Chief Coordinator Viola C Aliferis, Assistant Administrator The Berkshire Music Center is maintained for advanced study in music sponsored by the BOSTON SYMPHONY ORCHESTRA Erich Leinsdorf, Music Director Thomas D. -
Annual Newsletter 2019
Department of English ANNUAL NEWSLETTER 2019 Veronique Lee ’11 From Amherst to Uganda: a career in international development 1 WELCOME FROM THE CHAIR Acting Department Chair Donna LeCourt. Photo: D. Toomey Dear Friends and Alums, It’s an exciting and challenging time for by current faculty, alumni, and students efforts. Stay tuned for more and do be in the Department of English as we seek in April, offer opportunities for all of us touch if you would like to help us get the out new directions in English studies to reflect upon why the humanities and word out about how valuable an English (environmental humanities, gaming English in particular are so important major can be in the 21st century. Stay culture, Arab American literature) and in our times for not only careers but connected through our improved website, also understanding each other and our join us through LinkedIn, and keep abreast seek to help others understand what The Literary Arts Fair, one of many events featured positions globally. of our activities through Facebook and in the 2019 Juniper Festival. Photo: Noah Loving TABLE OF CONTENTS an English major can entail. Although nationally the number of English majors Instagram. Please use those venues to keep Department News ...........................................................................................4 continues to decline, and UMass is Department faculty continue to lead in us informed of your doings, as well. We want very much to know, and we may want The Troy Lectures on the Humanities and Public Life ........................5 not immune to such a trend, we are such endeavors, winning high prestige Thanks for editorial assistance are owed awards such as the MacArthur “genius” to tap your expertise! to Meg Caulmare and Jennifer Jacobson. -
"An Alphabet of Soldiers”: Jake Heggie's Farewell, Auschwitz
The University of Southern Mississippi The Aquila Digital Community Dissertations Spring 5-2017 "An Alphabet of Soldiers”: Jake Heggie’s Farewell, Auschwitz Lori Jo Guy University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/dissertations Part of the European History Commons, and the Music Performance Commons Recommended Citation Guy, Lori Jo, ""An Alphabet of Soldiers”: Jake Heggie’s Farewell, Auschwitz" (2017). Dissertations. 1361. https://aquila.usm.edu/dissertations/1361 This Dissertation is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in Dissertations by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. “AN ALPHABET OF SOLDIERS”: JAKE HEGGIE’S FAREWELL, AUSCHWITZ by Lori Jo Guy A Dissertation Submitted to the Graduate School and the School of Music at The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Musical Arts Approved: ________________________________________________ Dr. Maryann Kyle, Committee Chair Professor, Music ________________________________________________ Dr. J. Taylor Hightower, Committee Member Associate Professor, Music ________________________________________________ Dr. Jonathan Yarrington, Committee Member Assistant Professor, Music ________________________________________________ Dr. Christopher Goertzen, Committee Member Professor, Music ________________________________________________ -
For the Love of Sopranos: the Lives and Songs Of
FOR THE LOVE OF SOPRANOS: THE LIVES AND SONGS OF ERNST BACON, OTTO LUENING AND JACK BEESON April 24, 2003 Copyright © 2003 All rights reserved ABSTRACT Ernst Bacon (1989–1990), Otto Luening (1900–1996) and Jack Beeson (b. 1921) form a musical lineage, although one more of friendship and mutual support than stylistic similarities. Bacon and Luening, born at the very end of the 19th century, maintained a close, supportive relationship throughout their adult lives, though often separated by the span of the continental United States. Beeson, who came along more than 20 years later and was part of the next generation of composers, was Luening’s friend and professional associate for more than 50 years. All have made major contributions, both musically and professionally, in defining, creating, and promoting a truly American musical idiom. All three composers believe in the primacy of song as musical expression, and made song- writing a major focus of their creative efforts. The three composers’ musical styles are quite disparate, although all demonstrate an exquisite talent for wedding poetry and music in a way that draws out the full expressive content of both. The early stylistic influences on Bacon and Luening’s vocal writing were largely the romantic German Lieder, while Beeson’s earliest musical influence came via the Metropolitan Opera Saturday afternoon radio broadcasts. Bacon and Luening’s vocal music is largely songs, with only limited excursions into opera, while the majority of Beeson’s vocal output is operatic. The mature songs of Bacon and Luening are exclusively settings of English 1 2 words.