Segue Reading Series @ Bowery Poetry Club
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2021-02-12 FY2021 Grant List by Region.Xlsx
New York State Council on the Arts ‐ FY2021 New Grant Awards Region Grantee Base County Program Category Project Title Grant Amount Western New African Cultural Center of Special Arts Erie General Support General $49,500 York Buffalo, Inc. Services Western New Experimental Project Residency: Alfred University Allegany Visual Arts Workspace $15,000 York Visual Arts Western New Alleyway Theatre, Inc. Erie Theatre General Support General Operating Support $8,000 York Western New Special Arts Instruction and Art Studio of WNY, Inc. Erie Jump Start $13,000 York Services Training Western New Arts Services Initiative of State & Local Erie General Support ASI General Operating Support $49,500 York Western NY, Inc. Partnership Western New Arts Services Initiative of State & Local Erie Regrants ASI SLP Decentralization $175,000 York Western NY, Inc. Partnership Western New Buffalo and Erie County Erie Museum General Support General Operating Support $20,000 York Historical Society Western New Buffalo Arts and Technology Community‐Based BCAT Youth Arts Summer Program Erie Arts Education $10,000 York Center Inc. Learning 2021 Western New BUFFALO INNER CITY BALLET Special Arts Erie General Support SAS $20,000 York CO Services Western New BUFFALO INTERNATIONAL Electronic Media & Film Festivals and Erie Buffalo International Film Festival $12,000 York FILM FESTIVAL, INC. Film Screenings Western New Buffalo Opera Unlimited Inc Erie Music Project Support 2021 Season $15,000 York Western New Buffalo Society of Natural Erie Museum General Support General Operating Support $20,000 York Sciences Western New Burchfield Penney Art Center Erie Museum General Support General Operating Support $35,000 York Western New Camerta di Sant'Antonio Chamber Camerata Buffalo, Inc. -
Download CV (Pdf)
RAQUEL ALMAZAN RAQUEL.ALMAZAN@ COLUMBIA.EDU WWW.RAQUELALMAZAN.COM SUMMARY Raquel Almazan is an actor, writer, director in professional theatre / film / television productions. Her eclectic career as artist-activist spans original multi- media solo performances, playwriting, new work development and dramaturgy. She is a practitioner of Butoh Dance and creator/teacher of social justice arts programs for youth/adults, several focusing on social justice. Her work has been featured in New York City- including Off-Broadway, throughout the United States and internationally in Greece, Italy, Slovenia, Colombia, Chile, Guatemala, Canada and Sweden; including plays within her lifelong project on writing bi-lingual plays in dedication to each Latin American country (Latin is America play cycle). EDUCATION MFA Playwriting, School of the Arts Columbia University, New York City BFA Theatre Performance/Playwriting University of Florida-New World School of With honors the Arts Conservatory, Miami, Florida AA Film Directing Miami Dade College, Miami Florida PLAYWRITING – Columbia University Playwriting through aesthetics/ Playwriting Projects: Charles Mee Play structure and analysis/Playwriting Projects: Kelly Stuart Thesis and Professional Development: David Henry Hwang and Chay Yew American Spectacle: Lynn Nottage Political Theatre/Dramaturgy: Morgan Jenness Collaboration Class- Mentored by Ken Rus Schmoll Adaptation: Anthony Weigh New World SAC Master Classes Excerpt readings and feedback on Blood Bits and Junkyard Food plays: Edward Albee Writing -
The Poetry Project Newsletter
THE POETRY PROJECT NEWSLETTER $5.00 #212 OCTOBER/NOVEMBER 2007 How to Be Perfect POEMS BY RON PADGETT ISBN: 978-1-56689-203-2 “Ron Padgett’s How to Be Perfect is. New Perfect.” —lyn hejinian Poetry Ripple Effect: from New and Selected Poems BY ELAINE EQUI ISBN: 978-1-56689-197-4 Coffee “[Equi’s] poems encourage readers House to see anew.” —New York Times The Marvelous Press Bones of Time: Excavations and Explanations POEMS BY BRENDA COULTAS ISBN: 978-1-56689-204-9 “This is a revelatory book.” —edward sanders COMING SOON Vertigo Poetry from POEMS BY MARTHA RONK Anne Boyer, ISBN: 978-1-56689-205-6 Linda Hogan, “Short, stunning lyrics.” —Publishers Weekly Eugen Jebeleanu, (starred review) Raymond McDaniel, A.B. Spellman, and Broken World Marjorie Welish. POEMS BY JOSEPH LEASE ISBN: 978-1-56689-198-1 “An exquisite collection!” —marjorie perloff Skirt Full of Black POEMS BY SUN YUNG SHIN ISBN: 978-1-56689-199-8 “A spirited and restless imagination at work.” Good books are brewing at —marilyn chin www.coffeehousepress.org THE POETRY PROJECT ST. MARK’S CHURCH in-the-BowerY 131 EAST 10TH STREET NEW YORK NY 10003 NEWSLETTER www.poetryproject.com #212 OCTOBER/NOVEMBER 2007 NEWSLETTER EDITOR John Coletti WELCOME BACK... DISTRIBUTION Small Press Distribution, 1341 Seventh St., Berkeley, CA 94710 4 ANNOUNCEMENTS THE POETRY PROJECT LTD. STAFF ARTISTIC DIRECTOR Stacy Szymaszek PROGRAM COORDINATOR Corrine Fitzpatrick PROGRAM ASSISTANT Arlo Quint 6 WRITING WORKSHOPS MONDAY NIGHT COORDINATOR Akilah Oliver WEDNESDAY NIGHT COORDINATOR Stacy Szymaszek FRIDAY NIGHT COORDINATOR Corrine Fitzpatrick 7 REMEMBERING SEKOU SUNDIATA SOUND TECHNICIAN David Vogen BOOKKEEPER Stephen Rosenthal DEVELOpmENT CONSULTANT Stephanie Gray BOX OFFICE Courtney Frederick, Erika Recordon, Nicole Wallace 8 IN CONVERSATION INTERNS Diana Hamilton, Owen Hutchinson, Austin LaGrone, Nicole Wallace A CHAT BETWEEN BRENDA COULTAS AND AKILAH OLIVER VOLUNTEERS Jim Behrle, David Cameron, Christine Gans, HR Hegnauer, Sarah Kolbasowski, Dgls. -
UC Berkeley UC Berkeley Electronic Theses and Dissertations
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Patterns of Exchange: Translation, Periodicals and the Poetry Reading in Contemporary French and American Poetry Permalink https://escholarship.org/uc/item/2kb1h96x Author Smith, Matthew Bingham Publication Date 2015 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Patterns of Exchange: Translation, Periodicals and the Poetry Reading in Contemporary French and American Poetry By Matthew Bingham Smith A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in French in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Michael Lucey, Chair Professor Mairi McLaughlin Professor Ann Smock Professor Lyn Hejinian Summer 2015 Abstract Patterns of Exchange: Translation, Periodicals and the Poetry Reading in Contemporary French and American Poetry by Matthew Bingham Smith Doctor of Philosophy in French University of California, Berkeley Professor Michael Lucey, Chair My dissertation offers a transnational perspective on the lively dialogue between French and American poetry since the 1970s. Focusing on the institutions and practices that mediate this exchange, I show how American and French poets take up, challenge or respond to shifts in the poetic field tied to new cross-cultural networks of circulation. In so doing, I also demonstrate how poets imagine and realize a diverse set of competing publics. This work is divided into three chapters. After analyzing in my introduction the web of poets and institutions that have enabled and sustained this exchange, I show in my first chapter how collaborations between writers and translators have greatly impacted recent poetry in a case study of two American works: Andrew Zawack’s Georgia (2009) and Bill Luoma’s My Trip to New York City (1994). -
Selected Poems, 1945
UC-Creeley_45-05.qxd 6/22/07 11:27 AM Page 1 Introduction ROBERT CREELEY WAS BORN in Arlington, Massachusetts, in 1926, and grew up in rural West Acton. His father’s side of the family was well es- tablished in the state, but Creeley was raised in closer proximity to his mother’s people, who came from Maine. When he was four, his father died of pneumonia. This was followed closely by the removal of Creeley’s left eye, injured by shattered glass a few years before, and by the straitened circumstance of the Great Depression. His mother, a nurse, kept care of the family—Creeley had an older sister—and his mother’s character, his mother’s habits, necessarily left a strong imprint on his own. (“My cheek- bones resonate/with her emphasis,” he writes in “Mother’s Voice” [000].) Influential also were the losses and uncertainties, the drop in status, which left their mark in patterns of thought, attitude, and behavior. The trajec- tory of Creeley’s adult life, his travels, employments, friendships, house- holds, and loves, is but one trace of a deeper restlessness also recorded in his work—or so it is tempting to think given Creeley’s enduring fascina- tion with contingency and his frequent return, in writing and conversa- tion, to the biographical facts cited above. Yet the import of a fact is never a fact. Life itself is, like writing, an act of interpretation. “Whatever is pre- sumed of a life that designs it as a fixture of social intent, or form of fam- ily, or the effect of an overwhelming event, has little bearing here, even if one might in comfortable hindsight say that it all followed.”1 Disjunction, indeed, played an important role for Creeley—his refusals were often as important as what he embraced. -
UC Berkeley UC Berkeley Electronic Theses and Dissertations
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Radical Matter: Materiality in Postwar and Contemporary American Mixed Mode Poetry Permalink https://escholarship.org/uc/item/70b0t46k Author Wang, Sophia Publication Date 2012 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Radical Matter: Materiality in Postwar and Contemporary American Mixed Mode Poetry By Sophia Wang A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Lyn Hejinian, Chair Professor Dan Blanton Professor Michael Mascuch Fall 2012 Abstract Radical Matter: Materiality in Postwar and Contemporary American Mixed Mode Poetry by Sophia Wang Doctor of Philosophy in English University of California, Berkeley Professor Lyn Hejinian, Chair “Radical Matter” argues that expansive and experimental mixed mode poetic works since the American mid-century embody a language-based materiality that motivates the valuations of their symbolic economies. I focus on three works— William Carlos Williams’s Paterson, Bernadette Mayer’s Studying Hunger Journals, and Juliana Spahr’s Well Then There Now—that each engage prose alongside verse, material from other texts and authors, or multiple discursive modes: all ways, I argue, of substantiating the desires and rhetorical strategies that orient these speakers in language and in relation to their imagined addressees. These substantiations bring forward features and consequences of language’s articulations as discourse—whether lyric, narrative, epistolary, diaristic, or other—that carry out metaphoric interventions in the crises of value that drive these poetic works towards their substantial lengths, their material and modal inclusivity, and the speakers that they voice. -
Phd in American Literature Awarded by the George Washington University in May of 1985
Aldon Lynn Nielsen Department of English Pennsylvania State University EDUCATION: PhD in American Literature awarded by the George Washington University in May of 1985. Dissertation - Reading Race: White American Poets and the Racial Discourse in the Twentieth Century. MPhil in American Literature awarded by the George Washington University in May of 1982. BA in English awarded in August, 1977, by the University of the District of Columbia. EMPLOYMENT: 2014 - Present. Visiting Professor. Central China Normal University. Wuhan, China. 2001 - Present: The George and Barbara Kelly Professor of American Literature, Department of English, The Pennsylvania State University. 1997-2001: Fletcher Jones Chair of Literature and Writing, Department of English, Loyola Marymount University. 1996: Visiting, Department of English, University of California Los Angeles. 1994-1997: Professor and Coordinator for Curriculum, Department of English, San Jose State University. 1993-1994: Institute of American Cultures Fellow, Center for Afro-American Studies, University of California, Los Angeles. 1989-1994: Associate Professor, Departments of English and American Studies, San Jose State University. 1987-1989: Assistant Professor, Departments of English and American Studies, San Jose State University. 1985-1987: Lecturer in English at Howard University. 1982-1986: Lecturer in English at the George Washington University. 1984-1985: Director of Poetry Writing Workshops for the Martin Luther King Public Library, Washington, D.C.; Designed and taught curricula in -
Poetic Knowledge and the Organic Intellectuals in Russell Simmons Presents Def Poetry
Claremont Colleges Scholarship @ Claremont CGU Theses & Dissertations CGU Student Scholarship Fall 2019 A Matter of Life and Def: Poetic Knowledge and the Organic Intellectuals in Russell Simmons Presents Def Poetry Anthony Blacksher Follow this and additional works at: https://scholarship.claremont.edu/cgu_etd Part of the African American Studies Commons, Africana Studies Commons, American Literature Commons, American Popular Culture Commons, Critical and Cultural Studies Commons, Ethnic Studies Commons, Gender, Race, Sexuality, and Ethnicity in Communication Commons, Inequality and Stratification Commons, Poetry Commons, Race and Ethnicity Commons, Social History Commons, Sociology of Culture Commons, Television Commons, and the United States History Commons Recommended Citation Blacksher, Anthony. (2019). A Matter of Life and Def: Poetic Knowledge and the Organic Intellectuals in Russell Simmons Presents Def Poetry. CGU Theses & Dissertations, 148. https://scholarship.claremont.edu/cgu_etd/148. doi: 10.5642/cguetd/148 This Open Access Dissertation is brought to you for free and open access by the CGU Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in CGU Theses & Dissertations by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. A Matter of Life and Def: Poetic Knowledge and the Organic Intellectuals in Russell Simmons Presents Def Poetry By Anthony Blacksher Claremont Graduate University 2019 i Copyright Anthony Blacksher, 2019 All rights reserved ii Approval of the Dissertation Committee This dissertation has been duly read, reviewed, and critiqued by the Committee listed below, which hereby approves the manuscript of Anthony Blacksher as fulfilling the scope and quality requirements for meriting the degree of doctorate of philosophy in Cultural Studies with a certificate in Africana Studies. -
1 All That Is Lovely in Jazz: the Creeley-Rice Collaboration For
1 All That Is Lovely in Jazz: The Creeley-Rice Collaboration for Jargon 10 During their time at Black Mountain College, Robert Creeley and Dan Rice collaborated on one of the most significant, if undervalued, works of postmodern poetry and art. All That Is Lovely in Men, published by Jonathan Williams as Jargon 10, marks the first appearance in book form of many of Creeley’s best known works, including his oft-cited and most commonly anthologized poem, “I Know a Man.” Similarly, Rice’s minimalist, suggestive drawings, exemplify some of his best work from the period, work that impressed the likes of Franz Kline and Robert Rauschenberg, among others, and would continue to be a hallmark of his practice as an illustrator through the 1970s. Printed in a run of only 200 copies, however, the book has remained out of reach for most scholars, and so has not enjoyed the recognition it deserves. In addition to the tiny circulation and rare status of the work, Rice's limited reputation compared to Creeley's, since leaving Black Mountain, may also account for the omission. As Creeley recalled in a 1976 interview, he and Rice "moved in very different ways" soon after the College's closure: "Dan really went the trip of the 'starving artist' . I remember the time when he was passing out in the street, surviving thanks to the affection of people like 1 Rauschenberg." In the early 1960s, Rice would retire from this scene to a studio in Connecticut, where, compared to Creeley's ever-increasing fame, he would work quietly 2 for the next forty years, far from the attention of scholars and critical acclaim. -
Boog City Festival
Welcome to BOOG CITY “Person Woven from Glimmer” collage by Laynie Browne, for Anne Waldman Laynie Browne, Glimmer” collage from by Woven “Person 11 Poetry, Music, Film, and Theater, Festival Fri. Sept. 15-Tues. Sept. 19, 2017 11th Annual 6:35 p.m. David Huberman of Women Writers. Her work has been published in various 8:05 p.m. Jasmine Dreame Wagner Welcome to Boog City festival https://sensitiveskinmagazine.com/the-vampires-of-pattaya- journals, magazines, and anthologies, including African Voices http://www.songsaboutghosts.com beach-david-huberman/ Literary Magazine, Black Renaissance Noire, The Mom Egg, 5 Days of Poetry, Music, Theater, and Film David Huberman has had work published in Ever- Killens Review of Arts & Letters, Casa de Cinco, and Cave green. Review, A Gathering of the Tribes, Sensitive Canem Anthologies XII and XIII. Antonio is the author of Skin, Long Shot, Icon, Make Room for DaDa, Best two chapbooks, Every Child Knows, Premier Poets Chapbook FRIDAY SEPTEMBER 15 of Panic, Jews: A People’s History of the Lower East Series 2007 and Solstice, Red Glass Books, 2013, and the cd 5:45 P.M. Side, The Unbearables anthologies, Prometheus, Pink Pages, and Rituals in the marrow: Recipe for a jam session, and is a Public Illumination Magazine, plus many others. He has acted in founding member of the Jazz & Poetry Choir Collective. $5 suggested downtown plays in NYC, including at The Public Theatre, and La Mama Theatre and has done performance at P.S. 22. 7:15 p.m. Dorit (music) http://www.thedoritshow.rocks/ Jasmine Dreame Wagner is a Brooklyn-based musician, Unnameable Books 6:45 p.m. -
Deaf Jam Discussion Guide
DISCUSSION GUIDE Aneta Brodski, a deaf teen living in New York City, discovers the power of American Sign Language poetry. As she prepares to be one of the first deaf poets to compete in a spoken-word slam, her journey leads to an unexpected collaboration. national center for MEDIA ENGAGEMENT WWW.PBS.ORG/INDEPENDENTLENS/DEAF-JAM/ DEAF JAM FILMMAKER’S STATEMENT Greetings, I am thrilled to be sharing Deaf Jam with you. It has been a long and As you experience the film, I hope you will be inspired by Aneta’s interesting journey bringing this project to fruition, and meeting Aneta bravery and perseverance in pursuing her convictions. Completing Brodski—the deaf teenager who joined me on this journey—has a documentary often takes years; in this case, it took 10 years from made it all the more rewarding. start to finish. As we pushed through the editing process, Aneta’s passionate personality became a driving force. The idea for Deaf Jam began while I was a visiting artist teaching video/dance workshops to deaf high school students at Marlton One could say that ASL poetry is truly an American art form and part School in Los Angeles. During one of my residencies, my students of our cultural heritage. To quote Bob Holman: “The poetry needs to created video poems and I became privy to the extraordinary world be seen in order to take its place in the World of Poetries.” It is my of American Sign Language Poetry. I also was invited to a crowded hope that Deaf Jam will contribute to making that a reality. -
Tripwire a Journal of Poetics
tripwire a journal of poetics Writing as Activism: The Aesthetics of Political Engagement edited by Yedda Morrison & David Buuck issue 2 fall1998 contents tripwire: a journal of poetics Editors' Notes issue 2 - fall1998 Steven Fanner edited by Yedda Morrison&: David Buuck Statement I Disassemble I Terms of Suppresion ISSN : I 099-2170 Benjamin Friedlander Notes on Political Poetry I poem tripwi~ is published bi-annually. Danielle Collobert All rights revert to authors upon publication. from Notebooks 1956-78, trans. Nonna Cole 13 $8 one issue Rodrigo Toscano $15 two issues from Partisans 30 Brenda Iijima tripwi~ invites submissions of essays, translations, interviews, Four Drawings 43 art&: book reviews,&: visual art. All visual art submissions should be reproducible in black&: white; visual artists are Brian Kim Stefans encouraged to include a statement about their work. At this Baal, or the Technicolor Polo Shirt 47 time, we are not accepting unsolicited poetry for publication. Noah de Lissovoy The theme for issue 3 is Gender (see editors' notes for details). Notes for the Imagination 11 49 Submissions for issue 3 should be received by March 1, 1999. Kristin Prevallet Subscriptions, submissions, &: inquiries to: Sampling out of this World I poem 55 tripwire jack Hirschman c/o Yedda Morrison&: David Buuck Culture and Struggle 58 P.O. Box 420936 San Francisco, CA 94142-{)936 Lawless Crow [email protected] Interviewed by Johr~ Lawtl1er & Randy Prunty 67 Distributed by: Sarah Anne Cox & Elizabeth Treadwell Crammatica 84 Small Press Distribution 1341 7th Street Rod Smith Berkeley, CA 94710 A Tract 93 Robert Fitterman Editors' Notes Collective Fauxetics I Metropolis 20 106 Confronted with the contemporary economic, political, Oodie Bellamy and cultural climate, citizens respond with short and long term Reading Tour 118 survival tactics and strategies-some intuitive, some sponta neous, some organized-that retain both a political and an aes Patrick F.