Coyote Visits MIT Campus, Leaves Quietly in the Night New Computer
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2018 – Volume 6, Number
THE POPULAR CULTURE STUDIES JOURNAL VOLUME 6 NUMBER 2 & 3 2018 Editor NORMA JONES Liquid Flicks Media, Inc./IXMachine Managing Editor JULIA LARGENT McPherson College Assistant Editor GARRET L. CASTLEBERRY Mid-America Christian University Copy Editor KEVIN CALCAMP Queens University of Charlotte Reviews Editor MALYNNDA JOHNSON Indiana State University Assistant Reviews Editor JESSICA BENHAM University of Pittsburgh Please visit the PCSJ at: http://mpcaaca.org/the-popular-culture- studies-journal/ The Popular Culture Studies Journal is the official journal of the Midwest Popular and American Culture Association. Copyright © 2018 Midwest Popular and American Culture Association. All rights reserved. MPCA/ACA, 421 W. Huron St Unit 1304, Chicago, IL 60654 Cover credit: Cover Artwork: “Bump in the Night” by Brent Jones © 2018 Courtesy of Pixabay/Kellepics EDITORIAL ADVISORY BOARD ANTHONY ADAH PAUL BOOTH Minnesota State University, Moorhead DePaul University GARY BURNS ANNE M. CANAVAN Northern Illinois University Salt Lake Community College BRIAN COGAN ASHLEY M. DONNELLY Molloy College Ball State University LEIGH H. EDWARDS KATIE FREDICKS Florida State University Rutgers University ART HERBIG ANDREW F. HERRMANN Indiana University - Purdue University, Fort Wayne East Tennessee State University JESSE KAVADLO KATHLEEN A. KENNEDY Maryville University of St. Louis Missouri State University SARAH MCFARLAND TAYLOR KIT MEDJESKY Northwestern University University of Findlay CARLOS D. MORRISON SALVADOR MURGUIA Alabama State University Akita International -
68Th EMMY® AWARDS NOMINATIONS for Programs Airing June 1, 2015 – May 31, 2016
EMBARGOED UNTIL 8:40AM PT ON JULY 14, 2016 68th EMMY® AWARDS NOMINATIONS For Programs Airing June 1, 2015 – May 31, 2016 Los Angeles, CA, July 14, 2016– Nominations for the 68th Emmy® Awards were announced today by the Television Academy in a ceremony hosted by Television Academy Chairman and CEO Bruce Rosenblum along with Anthony Anderson from the ABC series black-ish and Lauren Graham from Parenthood and the upcoming Netflix revival, Gilmore Girls. "Television dominates the entertainment conversation and is enjoying the most spectacular run in its history with breakthrough creativity, emerging platforms and dynamic new opportunities for our industry's storytellers," said Rosenblum. “From favorites like Game of Thrones, Veep, and House of Cards to nominations newcomers like black-ish, Master of None, The Americans and Mr. Robot, television has never been more impactful in its storytelling, sheer breadth of series and quality of performances by an incredibly diverse array of talented performers. “The Television Academy is thrilled to once again honor the very best that television has to offer.” This year’s Drama and Comedy Series nominees include first-timers as well as returning programs to the Emmy competition: black-ish and Master of None are new in the Outstanding Comedy Series category, and Mr. Robot and The Americans in the Outstanding Drama Series competition. Additionally, both Veep and Game of Thrones return to vie for their second Emmy in Outstanding Comedy Series and Outstanding Drama Series respectively. While Game of Thrones again tallied the most nominations (23), limited series The People v. O.J. Simpson: American Crime Story and Fargo received 22 nominations and 18 nominations respectively. -
Westworld Opens on Foxtel
Media Release: Friday, August 12, 2016 Westworld opens on Visit the ultimate resort from 12pm AEDST Monday, October 3 - same time as the US - only on showcase Westworld, HBO’s highly anticipated reality bending drama, starring Anthony Hopkins, Rachel Evan Wood and James Marsden will arrive on Foxtel on Monday October 3 at 12pm AEDST, same time as the US, with a prime time encore at 8.30pm, only on showcase. Set at the intersection of the near future and the reimagined past, Westworld, based on the 1973 film, is a dark odyssey that looks at the dawn of artificial consciousness and the evolution of sin and explores a world in which every human appetite, no matter how noble or depraved, can be indulged. The 10 episode season of Westworld is an ambitious and highly imaginative drama that elevates the concept of adventure and thrill-seeking to a new, ultimately dangerous level. In the futuristic fantasy park known as Westworld, a group of android “hosts” deviate from their programmers’ carefully planned scripts in a disturbing pattern of aberrant behaviour. Westworld’s cast is led by Anthony Hopkins (Noah, Oscar® winner for The Silence of the Lambs) as Dr. Robert Ford, the founder of Westworld, who has an uncompromising vision for the park and its evolution; Ed Harris (Snowpiercer, Golden Globe winner for HBO’s Game Change; Oscar® nominee for Pollock and Apollo 13) as The Man in Black, the distillation of pure villainy into one man; Evan Rachel Wood (HBO’s Mildred Pierce and True Blood) as Dolores Abernathy, a provincial rancher’s daughter who starts to discover her idyllic existence is an elaborately constructed lie; James Marsden (The D Train, the X-Men films) as Teddy Flood, a new arrival with a close and recurring bond with Dolores; Thandie Newton (Half of a Yellow Sun, Mission: Impossible II) as Maeve Millay, a madam with a knack for survival; and Jeffrey Wright (The Hunger Games films; HBO’s Confirmation and Boardwalk Empire) as Bernard Lowe, the brilliant and quixotic head of Westworld’s programming division. -
Shots Fired During Denver Protest of Minneapolis Man's Death
Page 8, The Daily Freeman-Journal, Webster City, Iowa, Friday, May 29, 2020 Shots fired during Denver protest of Minneapolis man's death DENVER (AP) — Shots and everyone inside was "I want to plead to everyone, let's demonstrate but let's demonstrate As the protest started, were fired and protesters safe. The Denver Police Depart - blocked traffic and smashed State Rep. Leslie Herod, peacefully. Leave the weapons at home." ment tweeted a message car windows during a who was at the Capitol, from Chief Paul Pazen demonstration in downtown tweeted, "We just got shot — Michael Hancock sending condolences to Denver to protest the death at." Mayor, Denver Floyd's family and saying of a handcuffed black man Police said they don't the city's officers do not use during a confrontation with know if the protesters were the tactics employed by the a white police officer in being targeted. let's demonstrate peaceful - stander, Floyd pleaded that directions before swarming Minneapolis officers. Minnesota, authorities said. "We do believe that the ly," Denver Mayor Michael he couldn't breathe. back through the downtown He called that type of There were no immediate shots were towards the Hancock said in a video Some among the Denver streets outside the Capitol. force "inexcusable." reports of injuries. Capitol, but we do not at posted on Twitter. "Leave protesters carried signs Police fired tear gas to get Four Minneapolis police of - Gary Cutler, a spokesman this point have any correla - the weapons at home." reading "Black Lives Mat - them to move off of the in - ficers have been fired, and for the Colorado State Pa - tion to the protest or the Several hundred protest - ter" and chanted, "Hey, hey. -
Cuaderno 117 ISSN 1668-0227 Cuadernos Del Centro De Estudios En Diseño Y Comunicación [Ensayos]
Año 24 Número 117 2020/2021 Cuaderno 117 ISSN 1668-0227 Cuadernos del Centro de Estudios en Diseño y Comunicación [Ensayos] El camino de la heroína. Género, narrativa y diversidad G. Los Santos, T. Stiegwardt, G. Díaz de Sabatés y Marcelo Sabatés: Prólogo | Beatriz Vivas: Prefacio | T. Stiegwardt y G. Los Santos: De la deconstrucción y reinterpretación del sujeto heroico: el ocaso del héroe patriarcal y el adve- nimiento de la heroína. Una visión holística, complementaria e inter esencial de la heroicidad humana | S. Müller: El camino de las heroínas negras: Blaxploitation | A. Pontoriero: Mujer y Cine ¿hay lugar para la heroína? | A. Olaizola: Las aventuras de la Increíblemente Pequeña: trayectorias trans- mediales de una heroína errante | V. Marturet: #NiUnaMenos en Argentina, comunicación y desafíos del feminismo y más - Primera parte | G. Murúa Losada: Feminismos transmediáticos | M. Gruber: Re-presentaciones de la imagen femenina en las series televisivas: Las heroínas de Westword (2016- 2018) de Jonathan Nolan y Lisa Joy | C. Sama: Con nombre de flor. Una interpelación a la narrativa documental hegemónica | S. Cecconi: El tango en la marea verde. Una mirada de género sobre las figuras de lo femenino en el tango actual | C. Callis: The Heroine’s Journey of Mina in Bram Stoker’s Dracula: Blood, Sweat and Fears | K. Heger: Distinguishing the Female Protagonist in Douglas Sirk’s All That Heaven Allows, Rainer Werner Fassbinder’s Ali: Fear Eats the Soul and Todd Haynes’ Far From Heaven | G. Kapila: The Black Heroine in the Mirror: crossing the threshold of the specular image, the esoteric journey and the encounter with the annihilating I in Jordan Peele’s Us | H. -
Star Channels, April 22-28
APRIL 22 - 28, 2018 staradvertiser.com The seat of power has shifted, with “violent delights” now emanating from humanoid hands bent on a robotic revolution. Saddle up alongside Dolores Abernathy (Evan Rachel Wood), Maeve Millay (Thandie Newton) and Teddy Flood (James Marsden), just three of the many hosts staking their claim in the new season of Westworld. Premiering Sunday, April 22, on HBO. WEEKLY NEWS UPDATE LIVE @ THE LEGISLATURE Join Senate and House leadership as they discuss upcoming legislation and issues of importance to the community. TUESDAY, 8:30AM | CHANNEL 49 | olelo.org/49 olelo.org ON THE COVER | WESTWORLD Strange new frontiers Sentient hosts stake their ther experience a kinder, gentler version of the guiltless whims of humanity. Each of the main claim over ‘Westworld’ Wild West, or delve deeper into a gritty world of androids is forging his or her own path along vengeance and violence, allowing themselves the outskirts of the frontier, venturing into the to express all manner of taboo, morally ques- park’s other “worlds” in search of greater free- By K.A. Taylor tionable acts. dom and a deeper truth. TV Media This experience is only a success due to the As season 1 established, leaving the park plethora of android hosts that populate the entirely won’t be easy. It will, in fact, require the he concept of androids has permeated parks. The freshman season introduced us to help of humans. Dolores and the hosts must social consciousness since the 1800s, the saloon’s madam, Maeve Millay (Thandie therefore decide: stake their claim over the but it wasn’t until 1984’s sci-fi hit “The T Newton, “ER”), whose recurring dreams about park itself, or find a way to move beyond its Terminator” graced the screen that people a daughter from a past storyline (pre-madam) borders, to map out a life for all of their kind in a genuinely feared the prospect of “the singular- gradually led to her becoming self-aware. -
Westworld (2016-): a Transhuman Nightmare Or the Advancement of Posthumanism?
Cyborgs vs Humans in Westworld (2016-): A Transhuman Nightmare or the Advancement of Posthumanism? Izarbe Martín Gracia S2572737 Supervisor: Dr. E. J. van Leeuwen Second Reader: Prof. dr. P. T. M. G. Liebregts Master Thesis English Literature and Culture Leiden University March 2021 1 Table of Contents Introduction ...................................................................................................................... 3 Chapter One. Theoretical Framework: ............................................................................. 8 Transhumanism: The Enhancement of Human Intellect and Physiology ............... 9 Posthumanism: The Deconstruction of the Human .............................................. 14 Donna Haraway: The Cyborg and The Post-dualistic Society.............................. 18 The Western .......................................................................................................... 20 Chapter Two. Sleep Mode .............................................................................................. 23 Section A. The Minds Behind the Project ............................................................. 24 Section B. Programming the Human Software ..................................................... 32 Chapter Three. Awakening ............................................................................................. 41 Section A. Insurrection at the Lab: Maeve and her Administrator Privileges ...... 43 Section B. The Search for Answers: Dolores....................................................... -
Metaphors of Patriarchy in Orphan Black and Westworld
Feminist Media Studies ISSN: 1468-0777 (Print) 1471-5902 (Online) Journal homepage: https://www.tandfonline.com/loi/rfms20 Metaphors of patriarchy in Orphan Black and Westworld Olivia Belton To cite this article: Olivia Belton (2020): Metaphors of patriarchy in OrphanBlack and Westworld, Feminist Media Studies, DOI: 10.1080/14680777.2019.1707701 To link to this article: https://doi.org/10.1080/14680777.2019.1707701 Published online: 21 Jan 2020. Submit your article to this journal Article views: 70 View related articles View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=rfms20 FEMINIST MEDIA STUDIES https://doi.org/10.1080/14680777.2019.1707701 Metaphors of patriarchy in Orphan Black and Westworld Olivia Belton Leverhulme Centre for the Future of Intelligence, University of Cambridge, Cambridge, UK ABSTRACT ARTICLE HISTORY Orphan Black (2013–17) and Westworld (2016-) use their science Received 7 August 2018 fiction narratives to create metaphors for patriarchal oppression. Revised 12 November 2019 The female protagonists struggle against the paternalistic scientists Accepted 18 December 2019 and corporate leaders who seek to control them. These series break KEYWORDS away from more liberal representations of feminism on television Science fiction; television; by explicitly portraying how systemic patriarchal oppression seeks patriarchy; cyborgs; to control and exploit women, especially under capitalism. They feminism also engage with radical feminist ideas of separatism and compul- sory heterosexuality. The science fiction plots allow them to deal with feminist issues. Westworld uses computer programming as a metaphor for patriarchal social conditioning, while Orphan Black’s clones recall cyborg feminism. -
The Emancipatory Politics of Westworld (2016-)
UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE QUESTIONING THE NATURE OF REALITY: THE EMANCIPATORY POLITICS OF WESTWORLD (2016-) A THESIS SUBMITTED TO THE GRADUATE FACULTY In partial fulfillment of the requirements for the Degree of MASTER OF ARTS By MORGAN JONES Norman, Oklahoma 2021 QUESTIONING THE NATURE OF REALITY: THE EMANCIPATORY POLITICS OF WESTWORLD (2016-) A THESIS APPROVED FOR THE DEPARTMENT OF GEOGRAPHY AND ENVIRONMENTAL SUSTAINABILITY BY THE COMMITTEE CONSISTING OF Dr. Laurel Smith, Chair Dr. Alison Fields Dr. Darren Purcell © Copyright by MORGAN JONES 2021 All Rights Reserved iv Acknowledgements I’d like to extend thanks to my thesis advisor, Dr. Laurel Smith, for letting me take this short final paper from Gender & Environment and turn it into a fully-fledged Master’s thesis. She has always taken this project seriously, even when I doubted its value (as I often did). Her extensive notes have been invaluable in crafting this document into what it is today. I would also like to thank Dr. Darren Purcell and Dr. Alison Fields who both serve on my advisory committee. The classes I have taken with them helped my conceptualization of what this thesis could be. I hope that their influence is visible in this paper. Another extension of gratitude goes to Dr. Harriet Hawkins for introducing me to geographical aesthetics, and for getting coffee with me in London when her work was the grounding force in my undergraduate capstone. I think it is absolutely necessary to thank my roommate, Holden Dempsey, and my dog, Olive, for being a stellar support system when I was at my most fragile. -
A Consciência De Si Na Série Televisiva Westworld Imagined Existences
Existências imaginadas: a consciência de si na série televisiva Westworld Imagined Existences: The Self-Awareness in the Television Series Westworld Suzinara Strassburger Marques1 Rosane Maria Cardoso2 DOI: 10.19177/memorare.v8e1202129-46 Resumo: No intuito de compreender como se desenvolve o processo de percepção de consciência de si durante os episódios das três temporadas da série televisiva Westworld, este trabalho analisa a constituição das personagens selecionadas, Homem de Preto, Dolores AbernatHy, Maeve Millay e Bernard Lowe, além de problematizar os modos de manipulação das narrativas que as constituem. A partir da análise, percebe-se que o processo de reconHecimento da consciência dos androides representados na série é muito semelhante ao processo desenvolvido pelos humanos, com base na comparação entre os discursos das protagonistas com pesquisas científicas, literárias e de caráter filosófico. Porém, não é possível, até este momento, definir se os androides realmente serão capazes de atingir esse nível de independência fora da ficção. Ressalta-se, ainda, a importância de discutir a contribuição das produções cinematográficas para a reflexão acerca da condição Humana na contemporaneidade tecnológica. Palavras-chave: Westworld. Consciência de si. Modos de narrativa. Abstract: In order to understand How the process of self-awareness perception develops during the television series Westworld tHree seasons’ episodes, tHis work analyzes tHe constitution of tHe selected cHaracters, Man in Black, Dolores Abernathy, Maeve Millay and Bernard Lowe, in addition to problematize the narrative modes of manipulation that constitute them. From the analysis, it is clear tHat tHe process of tHe consciousness recognition by tHe androids represented in tHe series is very similar to tHe process developed by Humans, based on tHe comparison between tHe protagonists’ speeches witH scientific, literary and philosophical research. -
Into the Forest
INTO THE FOREST WRITTEN AND DIRECTED BY Patricia Rozema BASED ON THE NOVEL BY Jean Hegland a BRON STUDIOS and RHOMBUS MEDIA production in association with DAS FILMS, SELAVY, VIE ENTERTAINMENT and CW MEDIA FINANCE STARRING Ellen Page Evan Rachel Wood Max Minghella Callum Keith Rennie Wendy Crewson 101 MINUTES PR Contacts US Sara Serlen, ID PR E: [email protected] / P: 212.774.6148 / C: 917-239.0829 Canada Dana Fields, TARO PR E: [email protected] / P: 416.930.1075 / C: 416.930.1075 SYNOPSIS In the not-too-distant future, two ambitious young women, Nell and Eva, live with their father in a lovely but run-down home up in the mountains somewhere on the West Coast. Suddenly the power goes out; no one knows why. No electricity, no gasoline. Their solar power system isn’t working. Over the following days, the radio reports a thousand theories: technical breakdowns, terrorism, disease and uncontrolled violence across the continent. Then, one day, the radio stops broadcasting. Absolute silence. Step by ominous step, everything that Nell, a would-be academic, and Eva, a hard working contemporary dancer, have come to rely on is stripped away: parental protection, information, food, safety, friends, lovers, music -- all gone. They are faced with a world where rumor is the only guide, trust is a scarce commodity, gas is king and loneliness is excruciating. To battle starvation, invasion and despair, Nell and Eva fall deeper into a primitive life that tests their endurance and bond. Ultimately, the sisters must work together to survive and learn to discover what the earth will provide. -
Metinlerarasilik
METİNLERARASILIK BAĞLAMINDA WESTWORLD TELEVİZYON DİZİSİNİN İNCELENMESİ Sedef Ege Karataş Ege Üniversitesi, Radyo Televizyon ve Sinema Ana Bilim Dalı - Yüksek Lisans ÖZET Postmodernizm ile birlikte sıklıkla başvurulan metinlerarasılık kavramı, metinlerin iç içe geçmiş halde bulunduğunu savunmaktadır. Mitler sanat yapıtları aracılığıyla yeniden üretilmekte ve hiçbir metin kendisinden önceki metinlerden bağımsız olarak ele alınamamaktadır. Metinlerarasılık; alıntı, parodi, pastiş gibi yöntemlerle, yapıtlar arası bağlantıları ele almaktadır. Bu çalışmada bir bilimkurgu dizisi olan Westworld (2016) dizisi, metinlerarasılık bağlamında incelenecektir. Literatürdeki doğa-kültür çatışması aktarılarak, dizide bu dikotomonin nasıl sunulduğu ele alınacaktır. Yeniden doğuş miti incelenerek bunun, Westworld dizisinde ne şekilde yeniden üretildiği, metinlerarasılık bağlamında aktarılacaktır. Anahtar Kelimeler: Metinlerarasılık, Westworld, Bilimkurgu, Arketip ABSTRACT The concept of intertextuality, which is often referred to with postmodernism, argues that texts are intertwined. Myths are reproduced with artworks and no text itself can not be considered independently from the preceding text. Intertextuality; examines connections between artworks such as quote, parody, pastiche by methods. In this study, Westworld(2016) a science fiction series, will be examined in terms of intertextuality. The nature-culture duality will be conveyed and how this duality is transplanted will be discussed. The myth of rebirht have been mentioned and how its reproduced