BBC WEEK 24 Programme Information Saturday 8 – Friday 14 June 2019  BBC One Scotland  BBC Scotland  BBC Radio Scotland

Total Page:16

File Type:pdf, Size:1020Kb

BBC WEEK 24 Programme Information Saturday 8 – Friday 14 June 2019  BBC One Scotland  BBC Scotland  BBC Radio Scotland BBC WEEK 24 Programme Information Saturday 8 – Friday 14 June 2019 BBC One Scotland BBC Scotland BBC Radio Scotland Hilda McLean Jim Gough Julie Whiteside BBC Alba – Isabelle Salter @BBCScotComms THIS WEEK’S HIGHLIGHTS TELEVISION & RADIO / BBC WEEK 24 _____________________________________________________________________________________________________ SUNDAY 9 JUNE FIFA Women's World Cup France 2019 - England v Scotland NEW BBC ALBA Sportsound: England v Scotland NEW BBC Radio Scotland TUESDAY 11 JUNE Murder Case, Ep2/3 TV HIGHLIGHT BBC Scotland WEDNESDAY 12 JUNE The Generation Frame LAST IN THE SERIES BBC Scotland Disclosure: Can Cannabis Save My Child? NEW BBC One Scotland _____________________________________________________________________________ BBC Scotland EPG positions for viewers in Scotland: Freeview & YouView 115 HD / 9 SD Sky 115 Freesat 106 Virgin Media 108 BBC Scotland, BBC One Scotland and BBC ALBA are available on the BBC iPlayer bbc.co.uk/iplayer BBC Radio Scotland is also available on BBC Sounds bbc.co.uk/sounds EDITORIAL 2019 / BBC WEEK 24 _____________________________________________________________________________________________________ BBC SCOTLAND HIP HOP SEASON BBC Scotland is set to unwrap a season of hip hop programmes in mid-June. A week-long season of programmes will celebrate the street culture which has grown and developed in Scotland since the 80s, with its own spectrum of emerging and established stars but is largely unheralded by mainstream media. The programming on the new BBC Scotland channel will run from Sunday June 16 to Friday June 21. A cornerstone of this new season will be a major new documentary, Loki’s History of Scottish Hip Hop. Award winning author Darren 'Loki’ McGarvey reveals the History of Scottish hip hop and how over the last 30 or so years it has spawned a revolutionary street-level culture in cities and towns across the country. A rapper, who turned that skill into cultural commentating and writing with his breakthrough first book Poverty Safari, Darren – in the opening minutes of the documentary – says: “For me hip hop started here in Pollok… “Feeling isolated and culturally alienated in a housing scheme, the two things that resonated with me growing up were Batman and American hip hop. “Rap was people talking about many of the things I was experiencing as a young man in Scotland so I began rapping as means of expressing my feelings. “If it wasn’t for hip hop I wouldn’t be where I am now.” The documentary goes through the four ‘pillars’ of hip hop from break-dancing, graffiti art to deejaying, and then latterly MCing, which we now know as rapping. Looking back at over 30 years of culture, Loki speaks to the pioneers in music, dance and art. It is a story of young men and women in Scotland overcoming adversity to express themselves in often challenging circumstances. This new documentary, by Sasquatch Productions, also explores status in culture and language and how young people in the eighties caught on to an industry now worth ten billion dollars a year but whose ‘stars’ are still relatively unknown. For many it provided something even more valuable, with many contributors reflecting how their lives could have gone badly wrong without hip hop. As one contributor, Bohze, notes break-dancing competitions became the new thing to do on the street. He says: “1983 comes along, everybody stops fighting and the maddest thing is that they are dancing against each other, actually dancing against each other.” Louise Thornton, Commissioning Executive at BBC Scotland, said: “A vibrant and dynamic street- level culture through urban Scotland, from Inverness to Dundee, Aberdeen, Edinburgh and Glasgow, hip hop has been with us for decades but somehow always just under the radar of the mainstream. “This season looks at how it has become a channel for creativity, ‘bubbling under the surface’ of more mainstream Scottish culture, reflecting people’s lives and issues in modern idioms and terms. The season is looking at hip hop as a cultural phenomenon but also as a social movement.” Among the other highlights will be a new documentary in which an emerging female star of the movement reflects on a sexual assault and how she copes with the aftermath through performance. There will also be a screening of Lumo: Too Young to Die. In 2017, Calum Barnes took his own life. The Glasgow rapper, also known as Lumo, was a popular figure on the city’s hip hop scene, but privately he was deeply troubled. Calum’s battles with mental health are documented in the film through his own video diaries, discovered after his death. EDITORIAL 2019 / BBC WEEK 24 _____________________________________________________________________________________________________ TUNE, BBC Scotland’s new late-night music show, will, on Thursday, 20 June, feature Darren ‘Loki’ McGarvey with an exclusive track from his forthcoming new album. Providing the international context of the story of hip hop is a film from American director Alex Jordanov. The Game: Hip Hop takes the story of the movement from the street to Wall Street, outlining how this culture has gone global as lifestyle and a multi-billion dollar industry. Among those featured in the film are 50 Cent, Ice T, Chuck D, Young Thug, Grandmaster Caz, and Melle Mel. Throughout the week there will be hip hop performances and related items on @BBCScotland social media. Underscored throughout with original new hip hop music, The Grey Area, a gritty Edinburgh drama which was acclaimed when it was shown in the first week of the channel in its hour long version, will be available on BBC iPlayer in 6 x 10 minute episodes. HM EDITORIAL 2019 / BBC WEEK 24 _____________________________________________________________________________________________________ SCOTTISH DOCUMENTARY SCHEME UNVEILED FOR FILM-MAKERS Aspiring film-makers have the chance to produce their own documentaries for broadcast on the BBC Scotland channel thanks to a new collaboration. An exciting tie-up between Screen Scotland, The Scottish Documentary Institute and BBC Scotland will see six original 30-minute programmes broadcast over the next two years. Aimed at directors who already have some film-making experience, the Right Here initiative will provide mentoring and production expertise which will enhance Scotland’s existing documentary and factual programme-making community. The successful applicants will receive professional production assistance and a budget to make half- hour films reflecting the richness and diversity of life in modern day Scotland. All six programmes will be aired on the new BBC Scotland channel over the next few years. Noé Mendelle, director of Scottish Documentary Institute, said: “We are delighted to launch Right Here, a new collaboration with BBC Scotland and Screen Scotland to nurture local documentary talent in exploring the richness and diversity of contemporary Scotland. It is a great opportunity for up and coming film-makers to share their storytelling talent with a wider audience.” The initiative also was welcomed by Screen Scotland and BBC Scotland. “This exciting new collaboration will help to discover and develop new filmmaking voices and stories that will have the power to engage, connect and change the way we see Scotland. The BBC Scotland channel has already proven to be an important new platform for Scottish documentaries with Nae Pasaran and Last Breath recently airing, these new commissions will be in great company,” said Leslie Finlay of Screen Scotland, while BBC Scotland channel manager Tony Nellany said the project will benefit both the creative community and viewers. “Scotland already has some great documentary makers but we hope that this scheme will help support those who would like to build a career in factual programme-making for themselves, but who don’t yet have a wealth of experience, while also providing our viewers with great stories from across the country,” he said. Would-be applicants for the first round of 3 commissions can get full details of how to apply at www.scottishdocinstitute.com/opportunities/righthere and they have until July 8 to submit their proposals. Further information from Rachel Stollery (SDI) 0131 651 5760, Eilidh Walker (SS) 0131 523 0019 or Roy Templeton (BBC) 0141 422 6315. Screen Scotland, which recently signed a partnership with the BBC to jointly grow Scotland’s broadcasting and talent base, is the dedicated partnership for screen in Scotland. With funding from Scottish Government and the National Lottery, Screen Scotland is driving the cultural, social and economic development of all aspects of the sector in Scotland, through enhanced funding, services and support. Screen Scotland sits within Creative Scotland and is a partnership with Scottish Enterprise, Highlands and Islands Enterprise, Skills Development Scotland, Scottish Funding Council, working in close collaboration with the sector to ensure its success. www.screen.scot @screenscots ENDS SUNDAY 9 JUNE TELEVISION & RADIO HIGHLIGHTS / BBC WEEK 24 _____________________________________________________________________________________________________ FIFA Women's World Cup France 2019 - England v Scotland NEW Sunday 9 June BBC ALBA, 4.40 - 7.00pm Scotland take on England in Nice in their debut appearance in the FIFA Women’s World Cup. Shelley Kerr’s team may have a challenge on their hands, as not only are England old rivals they are also favourites to win the international competition. IS Sportsound: England v Scotland NEW Sunday 9 June BBC Radio Scotland, 4.30
Recommended publications
  • An Autoethnography of Scottish Hip-Hop: Identity, Locality, Outsiderdom and Social Commentary
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Repository@Napier An autoethnography of Scottish hip-hop: identity, locality, outsiderdom and social commentary Dave Hook A thesis submitted in partial fulfilment of the requirements of Edinburgh Napier University, for the award of Doctor of Philosophy June 2018 Declaration This critical appraisal is the result of my own work and includes nothing that is the outcome of work done in collaboration except where specifically indicated in the text. It has not been previously submitted, in part or whole, to any university or institution for any degree, diploma, or other qualification. Signed:_________________________________________________________ Date:______5th June 2018 ________________________________________ Dave Hook BA PGCert FHEA Edinburgh i Abstract The published works that form the basis of this PhD are a selection of hip-hop songs written over a period of six years between 2010 and 2015. The lyrics for these pieces are all written by the author and performed with hip-hop group Stanley Odd. The songs have been recorded and commercially released by a number of independent record labels (Circular Records, Handsome Tramp Records and A Modern Way Recordings) with worldwide digital distribution licensed to Fine Tunes, and physical sales through Proper Music Distribution. Considering the poetics of Scottish hip-hop, the accompanying critical reflection is an autoethnographic study, focused on rap lyricism, identity and performance. The significance of the writing lies in how the pieces collectively explore notions of identity, ‘outsiderdom’, politics and society in a Scottish context. Further to this, the pieces are noteworthy in their interpretation of US hip-hop frameworks and structures, adapted and reworked through Scottish culture, dialect and perspective.
    [Show full text]
  • Official Report
    Culture, Tourism, Europe and External Affairs Committee Thursday 29 October 2020 Session 5 © Parliamentary copyright. Scottish Parliamentary Corporate Body Information on the Scottish Parliament’s copyright policy can be found on the website - www.parliament.scot or by contacting Public Information on 0131 348 5000 Thursday 29 October 2020 CONTENTS Col. DECISION ON TAKING BUSINESS IN PRIVATE ....................................................................................................... 1 SUBORDINATE LEGISLATION............................................................................................................................... 2 Census (Scotland) Amendment Order 2020 [Draft] ..................................................................................... 2 BBC ANNUAL REPORT AND ACCOUNTS ........................................................................................................... 11 CULTURE, TOURISM, EUROPE AND EXTERNAL AFFAIRS COMMITTEE 25th Meeting 2020, Session 5 CONVENER *Joan McAlpine (South Scotland) (SNP) DEPUTY CONVENER *Claire Baker (Mid Scotland and Fife) (Lab) COMMITTEE MEMBERS *Annabelle Ewing (Cowdenbeath) (SNP) *Kenneth Gibson (Cunninghame North) (SNP) *Ross Greer (West Scotland) (Green) Dean Lockhart (Mid Scotland and Fife) (Con) *Oliver Mundell (Dumfriesshire) (Con) *Stewart Stevenson (Banffshire and Buchan Coast) (SNP) *Beatrice Wishart (Shetland Islands) (LD) *attended THE FOLLOWING ALSO PARTICIPATED: Steve Carson (BBC Scotland) Fiona Hyslop (Cabinet Secretary for Economy, Fair Work
    [Show full text]
  • Deliberative Audience Research for the Public Interest Test Into the Proposed Introduction of a New BBC Scotland TV Channel
    Deliberative audience research for the Public Interest Test into the proposed introduction of a new BBC Scotland TV channel Report of findings from PAPA July 2017 Objectives, Sample & Methodology 2 Context & Objectives 1. The BBC has announced plans to launch a new channel in Scotland - running 7pm – midnight everyday 2. As part of the new regulatory structure of the BBC, this launch is subject to a Public Interest Test (PIT), overseen by the BBC Executive Board, and an Ofcom Competition Assessment 3. To meet the criteria set out in the PIT, the BBC Board must be satisfied that the new initiative supports the BBC’s restated mission; that it promotes its public purposes; that the BBC has taken reasonable steps to ensure that the change has no impact on fair and effective competition; and that the public value of the initiative justifies any impact on the competition 4. To measure the public value of the initiative a process is necessary which includes a measurement of the potential personal and citizen value which audiences in Scotland could gain from the launch of the new initiative 5. In late May 2017, PAPA conducted a deliberative qualitative study to provide indicative measures and insights of how the audience may value the proposal 6. A sample of the Scottish public, reflective of adults in Scotland, was presented with the proposal in order to: - Understand and explore the personal value they evaluate in the proposal - Understand and explore the citizen value they evaluate in the proposal - Identify other insights into competition, fulfilment of the Public Purposes or wider impacts the proposal might have on the BBC and the broader broadcasting environment 3 Overview of Methodology • A deliberative approach was used for this research in order to uncover the informed, considered views of a wide range of members of the public.
    [Show full text]
  • Service Review
    Delivering Quality First in Scotland DELIVERING QUALITY FIRST IN SCOTLAND EXECUTIVE SUMMARY The BBC is the most trusted broadcaster in Scotland and a core part of the life of the nation. It unites the audience in enjoyment of the most popular TV, radio and online services, while also championing the diversity of the interests, cultures and languages of this nation of islands and regions. It is valued for upholding the highest standards of quality. The BBC’s commitment to Scotland is to offer a range and depth of programming which is both widely relevant and uniquely distinctive. As the only broadcaster which has invested in covering the whole country across all platforms, it is well-placed to do this. The BBC’s ambition in Scotland is to serve as a national forum, connecting the people of Scotland to each other, to the wider UK and to the rest of the world. As a public service broadcaster which has secure funding and global reach, the BBC is well-placed to achieve this. The BBC provides value to audiences in Scotland in two main ways: through programmes and services which are made in and for Scotland specifically; and through programmes and services which are broadcast across the whole UK. In Scotland, the audience rates the BBC as the leading provider of both Scottish news and non-news programming. Reporting Scotland has the highest reach of any news bulletin; TV opt-out programming1 reaches 44% of the audience every week and is highly appreciated; BBC Radio Scotland is second in popularity only to BBC Radio Two; BBC Scotland’s online portfolio has 3.7m weekly UK unique browsers2; and BBC ALBA attracts half a million English-speaking viewers to its Gaelic TV channel every week.
    [Show full text]
  • Ferne and Rory's Vet Tales Application Form: Brand
    FERNE AND RORY’S VET TALES APPLICATION FORM: BRAND NEW FOR CBEEBIES Please fill in all sections and give us as much information as possible. Use an extra page if you need to. Childs Full Name: Childs D.O.B: Name and Type of Pet (s) / Breed / Age of animal: Tell us a little bit about the pet and its existing medical condition (this includes pregnancy etc). 1 Is the pet under the care of a vet and if so, please can you provide us with the vets name and address. Please can you give us a rough outline of the treatment that your pet is having ? Is there anything special that the child and pet do together. Your Name: 2 Your Relationship to the Child: Your Contact Number (Both Home & Mobile): Your Email Address: Your Postal Code: How did you initially hear about our search for applicants? *Please either upload, scan in or send a hard copy picture of the child and pet as part of your application (we will not be able to return any hard copy photos) * Thank you for taking the time to fill out this application form. Please either email it to us at [email protected] or post it to the address below: Debbie McLeod Ferne and Rory’s Vet Tales Production Team BBC Scotland, Zone 4.34 40 Pacific Quay, Glasgow G51 1DA The closing date for online applications is Wednesday 31st May 2017. Please note that we cannot guarantee that you will be contacted after submitting an application. If we need any more information or would like to progress your application further, then a member of our team will be in touch before the end of May 2017.
    [Show full text]
  • Annual Report on the BBC 2019/20
    Ofcom’s Annual Report on the BBC 2019/20 Published 25 November 2020 Raising awarenessWelsh translation available: Adroddiad Blynyddol Ofcom ar y BBC of online harms Contents Overview .................................................................................................................................... 2 The ongoing impact of Covid-19 ............................................................................................... 6 Looking ahead .......................................................................................................................... 11 Performance assessment ......................................................................................................... 16 Public Purpose 1: News and current affairs ........................................................................ 24 Public Purpose 2: Supporting learning for people of all ages ............................................ 37 Public Purpose 3: Creative, high quality and distinctive output and services .................... 47 Public Purpose 4: Reflecting, representing and serving the UK’s diverse communities .... 60 The BBC’s impact on competition ............................................................................................ 83 The BBC’s content standards ................................................................................................... 89 Overview of our duties ............................................................................................................ 96 1 Overview This is our third
    [Show full text]
  • Sooloos Collections: Advanced Guide
    Sooloos Collections: Advanced Guide Sooloos Collectiions: Advanced Guide Contents Introduction ...........................................................................................................................................................3 Organising and Using a Sooloos Collection ...........................................................................................................4 Working with Sets ..................................................................................................................................................5 Organising through Naming ..................................................................................................................................7 Album Detail ....................................................................................................................................................... 11 Finding Content .................................................................................................................................................. 12 Explore ............................................................................................................................................................ 12 Search ............................................................................................................................................................. 14 Focus ..............................................................................................................................................................
    [Show full text]
  • Final Determination Annex 2: Channel Take-Up and Substitution
    BBC Scotland Competition Assessment Final Determination Annex 2: Channel Take-up and Substitution STATEMENT ANNEX Publication Date: 26 June 2018 BBC Scotland Competition Assessment – Final Determination Annex 2: Channel Take-up and Substitution A2. Channel Take-up and Substitution Introduction A2.1 In order to review the public value and assess the potential impact on fair and effective competition of the BBC’s proposal, we must first consider the audience that the new BBC Scotland channel is likely to attract. This Annex provides our assessment of the likely ’take- up’ of the BBC Scotland channel, i.e. the viewing hours the new channel is likely to attract in Scotland and the viewing share and audience reach it is likely to achieve.1 A2.2 The BBC’s proposal involves associated changes to existing BBC services, in particular BBC Two, BBC Four and CBBC HD in Scotland. We therefore also assess the effect on the viewing of BBC Two, BBC Four and CBBC in Scotland resulting from the BBC’s proposal. A2.3 We then identify the services most likely to be affected by the proposed new channel and the associated changes. We assess the potential audience substitution, including from existing BBC services and commercial services. A2.4 This Annex broadly reflects the assessment of take-up and substitution set out in our Consultation. Where relevant, we have set out the stakeholder views we received in response to our Consultation and how these, along with any further analysis, have influenced our assessment of take-up and substitution. In particular, we set out and respond to stakeholders’ views on: our take-up estimates for the new channel (paragraphs A2.104 to A2.135); and substitution from existing TV channels as a result of the BBC proposal (paragraphs A2.162 to A2.171).
    [Show full text]
  • Scotland Management Review 2009/10
    SCOTLAND MANAGEMENT REVIEW 2009/10 A INTRODUCTION FROM NATIONAL DIRECTOR A DIFFICULT AND CHALLENGING YEAR HAS, HOWEVER, ALSO BEEN ONE OF TREMENDOUS ACHIEVEMENT, CHARACTERISED BY LANDMARK PROGRAMMES AND INCREASED BBC INVESTMENT IN BROADCASTING IN SCOTLAND. Audiences are at the heart of all of our broadcasting and, across 2009/2010, we looked to ensure that the many diverse needs and tastes of our viewers and listeners were met, on television, radio and online. Across the month of September the This is Scotland season on BBC Four showcased the best of our nation’s culture, arts and music before a UK audience and the second part of Scotland’s History broadcast to critical acclaim at the turn of the year, on BBC One Scotland, network and on the BBC HD channel. Our news teams continued to bring the best local, national and international journalism to radio, television and online audiences across Scotland, from local reporting on the winter weather chaos “AGAINST A DIFFICULT FINANCIAL BACKDROP, BBC to coverage of the release of the Lockerbie bomber, which brought with it a prestigious Royal NETWORK BUSINESS IN SCOTLAND HAS CONTINUED Television Society award. The BBC’s Network Supply Review saw several key programmes transfer to Scotland during the TO INCREASE, AND WE ARE NOW STARTING TO course of the year. The Review Show and The Weakest Link both began filming in our studios atP acific REALISE THE FULL POTENTIAL OF OUR DIGITAL Quay in Glasgow. They joined a slate of new productions, across genres, which have helped boost BBC network investment in Scotland to over 6% of the total BBC spend, meeting the 2012 target TELEVISION AND RADIO STUDIOS AT PACIFIC QUAY set for us in 2007 by the Director-General and the BBC Trust.
    [Show full text]
  • Download Original Attachment
    British Broadcasting Corporation Room BC2 B6 Broadcast Centre White City Wood Lane London W12 7TP Telephone 020 8008 2882 Email [email protected] Information Policy & Compliance bbc.co.uk/foi bbc.co.uk/privacy 4 April 2013 Freedom of Information request – RFI20130465 Thank you for your request of 19 March 2013 under the Freedom of Information Act 2000, seeking the following information: 1. The contents of any available internal BBC staff telephone directories for the BBC’s former premises at Queen Margaret Drive, Glasgow. (The staff relocated to Pacific Quay, Glasgow). 2. For the period from 1995 onwards (If there are many versions per year then just the latest version per year will suffice). 3. The date of the version. Or 4. If the full telephone directory is unavailable, then the same information as requested above, but limited to BBC Radio Scotland Glasgow. Or If the above is unavailable, then: The name of the department (i.e. Radio, Sport etc.) and the name of the member of staff assigned to each of the following numbers 0141 338 2145 2146 2147 2148 2149 0141 338 3080 3081 3082 3083 3084 Or 5. If the above is unavailable, information relating to the range of telephone numbers which were assigned to BBC Scotland Glasgow, and if possible the department (i.e. Radio, Sport etc.), in the ranges 0141 338 21xx 0141 338 30xx where x is any number. If all of the numbers in those ranges were assigned to BBC Scotland then it is sufficient to know that. The BBC no longer holds any information on the telephone system previously employed by BBC Scotland at Queen Margaret Drive, Glasgow.
    [Show full text]
  • Media Nations 2020: Scotland Report
    Media Nations 2020 Scotland report Published 5 August 2020 Contents Section Overview............................................................................................................ 3 The impact of Covid-19 on audiences and broadcasters .................................... 5 TV services and devices.................................................................................... 12 Broadcast TV viewing ....................................................................................... 16 TV programming for and from Scotland ........................................................... 26 Radio and audio ............................................................................................... 34 2 Overview This Media Nations: Scotland report reviews key trends in the television and audio-visual sector as well as in the radio and audio industry in Scotland. The majority of the research relates to 2019 and early 2020 but, given the extraordinary events that surround the Covid-19 pandemic, Ofcom has undertaken research into how our viewing and news consumption habits have changed during this period. This is explored in the Impact of Covid-19 on audiences and broadcasters section. The report provides updates on several datasets, including bespoke data collected directly from licensed television and radio broadcasters (for output, spend and revenue in 2019), Ofcom’s proprietary consumer research (for audience opinions), and BARB and RAJAR (for audience consumption). In addition to this Scotland report, there are separate
    [Show full text]
  • Proposals for the Launch of a New BBC Scotland TV Channel SUBMISSION to OFCOM
    Proposals for the launch of a new BBC Scotland TV channel SUBMISSION TO OFCOM November 2017 Proposals for the launch of a new BBC Scotland TV channel 1 Foreword 1 1.1 Why the BBC is developing a new channel for Scotland .................................................................... 1 1.2 The BBC’s proposals for a new channel for Scotland .......................................................................... 2 1.3 Regulatory approval – the public interest test ....................................................................................... 3 2 Introduction 5 3 Strategic context 8 3.1 Changing audience context .......................................................................................................................... 8 3.2 Changes in the political, social and cultural context ......................................................................... 10 3.3 Growing importance of the creative industries in Scotland............................................................. 11 4 The BBC’s proposals 14 4.1 The BBC’s initial proposals ........................................................................................................................ 14 4.2 Analysis undertaken to inform further development of the channel ........................................... 15 4.3 Final proposals for the new channel....................................................................................................... 28 4.4 Proposed changes to other BBC public services ................................................................................
    [Show full text]