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An Autoethnography of Scottish Hip-Hop: Identity, Locality, Outsiderdom and Social Commentary
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Repository@Napier An autoethnography of Scottish hip-hop: identity, locality, outsiderdom and social commentary Dave Hook A thesis submitted in partial fulfilment of the requirements of Edinburgh Napier University, for the award of Doctor of Philosophy June 2018 Declaration This critical appraisal is the result of my own work and includes nothing that is the outcome of work done in collaboration except where specifically indicated in the text. It has not been previously submitted, in part or whole, to any university or institution for any degree, diploma, or other qualification. Signed:_________________________________________________________ Date:______5th June 2018 ________________________________________ Dave Hook BA PGCert FHEA Edinburgh i Abstract The published works that form the basis of this PhD are a selection of hip-hop songs written over a period of six years between 2010 and 2015. The lyrics for these pieces are all written by the author and performed with hip-hop group Stanley Odd. The songs have been recorded and commercially released by a number of independent record labels (Circular Records, Handsome Tramp Records and A Modern Way Recordings) with worldwide digital distribution licensed to Fine Tunes, and physical sales through Proper Music Distribution. Considering the poetics of Scottish hip-hop, the accompanying critical reflection is an autoethnographic study, focused on rap lyricism, identity and performance. The significance of the writing lies in how the pieces collectively explore notions of identity, ‘outsiderdom’, politics and society in a Scottish context. Further to this, the pieces are noteworthy in their interpretation of US hip-hop frameworks and structures, adapted and reworked through Scottish culture, dialect and perspective. -
BBC WEEK 24 Programme Information Saturday 8 – Friday 14 June 2019 BBC One Scotland BBC Scotland BBC Radio Scotland
BBC WEEK 24 Programme Information Saturday 8 – Friday 14 June 2019 BBC One Scotland BBC Scotland BBC Radio Scotland Hilda McLean Jim Gough Julie Whiteside BBC Alba – Isabelle Salter @BBCScotComms THIS WEEK’S HIGHLIGHTS TELEVISION & RADIO / BBC WEEK 24 _____________________________________________________________________________________________________ SUNDAY 9 JUNE FIFA Women's World Cup France 2019 - England v Scotland NEW BBC ALBA Sportsound: England v Scotland NEW BBC Radio Scotland TUESDAY 11 JUNE Murder Case, Ep2/3 TV HIGHLIGHT BBC Scotland WEDNESDAY 12 JUNE The Generation Frame LAST IN THE SERIES BBC Scotland Disclosure: Can Cannabis Save My Child? NEW BBC One Scotland _____________________________________________________________________________ BBC Scotland EPG positions for viewers in Scotland: Freeview & YouView 115 HD / 9 SD Sky 115 Freesat 106 Virgin Media 108 BBC Scotland, BBC One Scotland and BBC ALBA are available on the BBC iPlayer bbc.co.uk/iplayer BBC Radio Scotland is also available on BBC Sounds bbc.co.uk/sounds EDITORIAL 2019 / BBC WEEK 24 _____________________________________________________________________________________________________ BBC SCOTLAND HIP HOP SEASON BBC Scotland is set to unwrap a season of hip hop programmes in mid-June. A week-long season of programmes will celebrate the street culture which has grown and developed in Scotland since the 80s, with its own spectrum of emerging and established stars but is largely unheralded by mainstream media. The programming on the new BBC Scotland channel will run from Sunday June 16 to Friday June 21. A cornerstone of this new season will be a major new documentary, Loki’s History of Scottish Hip Hop. Award winning author Darren 'Loki’ McGarvey reveals the History of Scottish hip hop and how over the last 30 or so years it has spawned a revolutionary street-level culture in cities and towns across the country. -
Sooloos Collections: Advanced Guide
Sooloos Collections: Advanced Guide Sooloos Collectiions: Advanced Guide Contents Introduction ...........................................................................................................................................................3 Organising and Using a Sooloos Collection ...........................................................................................................4 Working with Sets ..................................................................................................................................................5 Organising through Naming ..................................................................................................................................7 Album Detail ....................................................................................................................................................... 11 Finding Content .................................................................................................................................................. 12 Explore ............................................................................................................................................................ 12 Search ............................................................................................................................................................. 14 Focus .............................................................................................................................................................. -
It's a Kind of Magic
FREE MAY 13-29 2015 WHAT’S ON IN NEWCASTLE www.getintonewcastle.co.uk IT’S A KIND OF MAGIC RUGBY LEAGUE’S MAGIC WEEKEND COMES TO ST JAMES’ PARK PLUS: NE1’S FASHION FUTURES + MAY FESTIVAL FOCUS THE LATE SHOWS + TAKE THAT + THINKING DIGITAL 2015 CONTENTS NE1 magazine is brought to you by NE1 Ltd, the company which champions all that’s great about Newcastle city centre WHAT’S ON IN NE1 04 UPFRONT Things to make you think, laugh cry and more 08 TRY THIS Something different in NE1 13 IN FASHION 16 NE1’s Fashion Futures May 13-14 14 MUSIC Local heroes plus Take That, Lulu and The Fall 16 MAGIC MOMENTS Rugby league’s biggest hitters come to Toon 19 HALF TERM 10 20 Keep the whole family happy LATE SHOWS 2015 FESTIVALS Our guide to this year’s events We look ahead to the summer’s 22 LISTINGS across the city biggest festivals Your go-to guide to NE1 goings-on ©Offstone Publishing 2015. All rights Editor: Jane Pikett reserved. No part of this magazine may be reproduced without the written permission Words: Dean Bailey, Claire Dupree of the publisher. All information contained (listings editor), Nadeem Khan in this magazine is as far as we are aware, Design: Stuart Blackie, Mark Carr If you wish to submit a listing for inclusion correct at the time of going to press. Offstone Andy Simpson please email: [email protected] Publishing cannot accept responsibility for For advertising call 01661 844 115 or errors or inaccuracies in such information. -
Lorentz, Korinna
MASTERARBEIT im Studiengang Crossmedia Publishing & Management Erfolgversprechende Melodien – Analyse der Hooklines erfolgreicher Popsongs zur Erkennung von Mustern hinsichtlich der Aufeinanderfolge von Tönen und Tonlängen Vorgelegt von Korinna Gabriele Lorentz an der Hochschule der Medien Stuttgart am 08. Mai 2021 zur Erlangung des akademischen Grades eines „Master of Arts“ Erster Betreuer und Gutachter: Prof. Dr. Oliver Wiesener Zweiter Betreuer und Gutachter: Prof. Oliver Curdt E-Mail: [email protected] Matrikelnummer: 39708 Fachsemester: 4 Geburtsdatum, -ort: 15.04.1995 in Kiel Danksagung Mein größter Dank gilt Professor Dr. Oliver Wiesener für das Überlassen des Themas und die umfangreiche Unterstützung bei methodischen und stochastischen Überlegungen. Ich danke ihm insbesondere dafür, dass er trotz einiger anderer Betreuungsprojekte meine Masterarbeit angenommen hat und somit meinen Wunsch, im Musikbereich zu forschen, ermöglicht hat. Des Weiteren möchte ich meinem Freund und meiner Familie dafür danken, dass sie sich meine Problemstellungen bis zum Ende hin angehört haben und mir immer wieder Inspi- rationen für neue Lösungswege geben konnten. Besonderer Dank gilt meiner Mutter, Gabriele Lorentz, mit der ich interessante Gespräche zu musikalischen Themen führen konnte und mei- nem Vater, Dr. Thomas Lorentz, mit dem ich nächtliche Diskussionen über Markov-Ketten und Neuronale Netzwerke hatte. Ich danke meinen Eltern und meinem Freund, Michael Feuerlein, für die kritische Durchsicht der Arbeit. Kurzfassung In der vorliegenden Masterarbeit wurden die Melodie-Hooklines von Popsongs, die in Deutsch- land zwischen 1978 und 2019 sehr erfolgreich waren, explorativ analysiert. Ziel war, zu unter- suchen, ob gewisse Muster in den Reihenfolgen der Töne und Tonlängen vorkommen, und diese zu finden. Für die Mustersuche wurden Markov-Ketten erster, zweiter und dritter Ord- nung sowie Chi-Quadrat-Anpassungstests berechnet. -
ARCHIVAL REPOSITORIES for DIGITAL LIBRARIES a Dissertation
ARCHIVAL REPOSITORIES FOR DIGITAL LIBRARIES a dissertation submitted to the department of computer science and the committee on graduate studies of stanford university in partial fulfillment of the requirements for the degree of doctor of philosophy Arturo Crespo March 2003 c Copyright by Arturo Crespo 2003 All Rights Reserved ii I certify that I have read this dissertation and that, in my opinion, it is fully adequate in scope and quality as a dissertation for the degree of Doctor of Philosophy. Hector Garcia-Molina (Principal Adviser) I certify that I have read this dissertation and that, in my opinion, it is fully adequate in scope and quality as a dissertation for the degree of Doctor of Philosophy. Jennifer Widom I certify that I have read this dissertation and that, in my opinion, it is fully adequate in scope and quality as a dissertation for the degree of Doctor of Philosophy. Andreas Paepcke Approved for the University Committee on Graduate Studies: iii iv Abstract Current libraries use an assortment of uncoordinated and unreliable techniques for storing and managing their digital information. Digital information can be lost for a variety of reasons: magnetic decay, format and device obsolescence, human or system error, among many others. In this thesis, we address the problem of how to build archival repositories (AR). An AR has the following combined key requirements that distinguish it from other repositories. First, digital objects (e.g., documents, tech- nical reports, movies) must be preserved indefinitely, as technologies, file formats, and organizations evolve. Second, ARs will be formed by a confederation of inde- pendent organizations. -
Aldora Britain Records Issue 9 (2020)
Aldora Britain Records Issue 9 (2020) Interview with LIAR’S TRIAL! We hear all about the beginnings as a gothic country band, sharing the stage with honky tonk heroes, and getting personal with their songwriting! A write up to our Christmas compilation, A BILLSDON CHRISTMAS! A few days too late but we’re just getting ready for next year! Interview with JOHN MCMUSTARD! John tells us all about his rollercoaster ride with festival favourites the Dijon 5, and gives us the lowdown on branching out into Fringe Festival shows and his solo album Sports Mixture! Interview with LUCKY SHOTS, Greece’s premier hard blues rock band! They talk to us about the Greek music scene as well as their recent EP, California Grizzly! Interview with THE THEME! Paul lets us know about the addition of new frontman Chris Daley, The Last of The Troubadours reunion show, and plans for their tenth anniversary next year! Interview with THE BREED! Wayne tells us all about Tasmania’s premier garage beat group and gives us an insight on their Pop Song album! Reviews of TOY TIN SOLDIER, DANIEL MEADE, BUTTON UP, and THE BAR DOGS! Aldora Britain Records Est. 2013 | “Tomorrow’s Music Today” | AB9 | Page 1 The Road I’m On Bryan Kroes drops by to talk about the latest studio album, Friends in No Places, from neo-traditional country outfit, Liar’s Trial. He also tells us about the roots of the band in the gothic country genre, getting personal with songwriting on the latest album, and gives us some inside information on what it is like performing with ‘true outlaws’ such as David Allen Coe, and yes, that was a name drop! This band fit right in alongside such names though and don’t be surprised if you see this band blazing a trail similar to that of Midland in recent years. -
CIPHER: Hip Hop Interpellation
Rollefson Part B1 CIPHER ERC Consolidator Grant 2018 Research Proposal [Part B1] Principal Investigator: J. Griffith Rollefson Host Institution: University College Cork Proposed Duration: 60 Months CIPHER: Hip Hop Interpellation Le Conseil International pour Hip Hop et Recherche The International Council for Hip Hop Studies ABSTRACT: CIPHER will launch the global research initiative, Hip Hop Interpellation, pilot a new semantic digital/ethnographic web methodology, and codify the emergent discipline of global hip hop studies. It addresses the central question: why has this highly localized and authenticizing African American music translated so easily to far-flung communities and contexts around the globe? Through this specific question the project attempts to understand the foundational and broadly transferable question: how are globalization and localization related? To answer these questions CIPHER posits the Hip Hop Interpellation thesis, that hip hop spreads not as a copy of an African American original, but, through its performance of knowledge, emerges as an always already constituent part of local knowledge and practice. The theorization thus moves beyond the “hailing practices” described by Althuss er’s theory of interpellation—the discursive webs that coerce ideological incorporation—to describing an interpolation that locates other histories within and through hip hop’s performed knowledges. CIPHER’s semantic web methodology tests this thesis, tracking how hip hop memes—slogans, anthems, and icons—are simultaneously produced by people and produce people. This research clears the conceptual impasse of structural “cultural imperialism” vs. agentic “cultural appropriation” debates and instrumentalizes the methodological distance between ethnographic specificity and big data generality. It does so by creating a feedback loop between digital humanities methods (crowd sourcing, semantic tagging, computational stylometry) and ethnographic fieldwork techniques (interviews, musical analysis, participant observation). -
Hip Hop Interpellation
Rollefson Part B1 CIPHER ERC Consolidator Grant 2018 Research Proposal [Part B1] Principal Investigator: J. Griffith Rollefson Host Institution: University College Cork Proposed Duration: 60 Months CIPHER: Hip Hop Interpellation Le Conseil International pour Hip Hop et Recherche The International Council for Hip Hop Studies ABSTRACT: CIPHER will launch the global research initiative, Hip Hop Interpellation, pilot a new semantic digital/ethnographic web methodology, and codify the emergent discipline of global hip hop studies. It addresses the central question: why has this highly localized and authenticizing African American music translated so easily to far-flung communities and contexts around the globe? Through this specific question the project attempts to understand the foundational and broadly transferable question: how are globalization and localization related? To answer these questions CIPHER posits the Hip Hop Interpellation thesis, that hip hop spreads not as a copy of an African American original, but, through its performance of knowledge, emerges as an always already constituent part of local knowledge and practice. The theorization thus moves beyond the “hailing practices” described by Althuss er’s theory of interpellation—the discursive webs that coerce ideological incorporation—to describing an interpolation that locates other histories within and through hip hop’s performed knowledges. CIPHER’s semantic web methodology tests this thesis, tracking how hip hop memes—slogans, anthems, and icons—are simultaneously produced by people and produce people. This research clears the conceptual impasse of structural “cultural imperialism” vs. agentic “cultural appropriation” debates and instrumentalizes the methodological distance between ethnographic specificity and big data generality. It does so by creating a feedback loop between digital humanities methods (crowd sourcing, semantic tagging, computational stylometry) and ethnographic fieldwork techniques (interviews, musical analysis, participant observation). -
Fogarty2011.Pdf
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: • This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. • A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. • This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. • The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. • When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Dance to the Drummer’s Beat: Competing Tastes in International B-Boy/B-Girl Culture Mary Fogarty Submitted for the Degree of PhD The University of Edinburgh 2010 I declare that this thesis is my own work, and that it has not been submitted for any other degree or professional qualification. Signed________________________________________________________ Mary E Fogarty Dance to the Drummer’s Beat: Competing Tastes in International B-Boy/B-Girl Culture Dedication Acknowledgments i Abstract ii Glossary of Terms iii Section I: Introduction Chapter 1: Breaking Worlds 1 Chapter 2: Hip Hop Culture, Then and Now (Literature Review) 13 Chapter 3: Recording Tastes (Methods) 45 Section II: Collective -
Edinburgh Scene to Be Unique, Nor Do I Think That It Has Made a Huge Contribution to World Music
HOWFF TAE HIP HOP David Irving. April 2013. David Irving asserts his moral right under the Copyright, Designs and Patent Acts 1988 to be identified as the author of this work. All rights reserved. No reproduction, copy or transmission of this publication, in part or in whole may be made without written permission, or in accordance with the provisions of the Copyright Act 1956 (as amended). Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages. Acknowledgements: Much of the detail within this text was checked against information contained on the Internet and in numerous periodicals and books on the period. My thanks go to all the people who created those sources. Where I have been able, I have obtained their permission and they are acknowledged at the end. Where I haven’t been able to trace them, my apologies for any inadvertent breaches of copyright which may have occurred. 1 For The Hipple People without whom ......... 2 CONTENTS Foreword 1: Shortbread and Tartan (1950-1959) 2: The First Paradiddley Dum Dum Era (1960-1966) 3: Incredible Psychedelia (1967-1969) 4: Tartan Trews and Braces (1970-1975) 5: Flying Saucers Over Arthur’s Seat (1976-1978) 6: Punk’s Still Not Dead (1979-1981) 7: Splashing In The Dolfinarium (1982-1986) 8: Some Of The Greatest Pop Never Heard (1987-1995) 9: Pioneering The Hauntological Approach (1996-2001) 10: Sending Out The S.O.S. (2002- 2011) Afterthought Acknowledgements Appendix : The Musicians and The Music 3 FOREWORD As Dee Robot of The Valves memorably pointed out, there ain’t no surf in Portobello, which is why, after we had exhausted the delights of Fun City, the Tower Amusements and Arcari’s ice-cream emporium, I and my mates Neil and Donny were at a loose end. -
Beginning of the 20Th Century, Some Forms of American Popular Music Have Gained a Near Global Audience
1 www.onlineeducation.bharatsevaksamaj.net www.bssskillmission.in “Rock Music”. In Section 1 of this course you will cover these topics: Music In Multicultural America The Music Of Native Americans The Roots Of European/Anglo-American Music The Roots Of African-American Music Topic : Music In Multicultural America Topic Objective: At the end of this topic student would be able to: Discuss the Characteristics Learn the Social identity Understand the Folk music Understand the Blues and spirituals Learn the Classical music Definition/Overview: The topics discusses that the music of the United States reflects the country's multi-ethnic population through a diverse array of styles. Rock and roll, blues, country, rhythm and blues, jazz, pop, techno, and hip hop are among the country's most internationally-renowned genres. The United States has the world's largest music industry and its music is heard around the world. Since theWWW.BSSVE.IN beginning of the 20th century, some forms of American popular music have gained a near global audience. Native Americans were the earliest inhabitants of the United States and played its first music. Beginning in the 17th century, immigrants from the United Kingdom, Ireland, Spain, Germany and France began arriving in large numbers, bringing with them new styles and instruments. African slaves brought musical traditions, and each subsequent wave of immigrants contributed to a melting pot. Much of modern popular music can trace its roots to the emergence in the late 19th century of African American blues and the growth of gospel music in the 1920s. The African American basis for popular music used elements derived from European and indigenous musics.