FIRST DAY’S SALE

TUESDAY 10th APRIL 2018

OIL PAINTINGS, WATERCOLOURS, DRAWINGS, PRINTS AND MINIATURES

Commencing not before 2.30pm Pictures will be on view on: Friday 6th April 9.00am to 5.15pm Saturday 7th April 9.00am to 1.00pm Sunday 8th April 2.00pm to 4.00pm Monday 9th April 9.00am to 5.15pm and on sale day

Enquiries: Martin Scadgell Enquiries: Dan Goddard Tel: 01392 413100 Tel: 01392 413100 Email: [email protected] Email: [email protected] Lots 301 - 350. Miniatures & Small Portraits, Part II. The Collection of a Gentleman from Dorset.

301 Richard Cosway [1742-1821] A miniature portrait of a lady, ‘Mrs T...ll’, head and shoulders with powdered wavy hair and blue eyes, wearing a white dress with fringed collar sky background, indistinctly inscribed on the reverse on ivory, oval, 7.6cm. *£1000 - 1500

302 Follower of Thomas Redmond [c.1745-1785] A miniature portrait of a young lady with long curling hair and brown eyes wearing a white satin dress with pale blue sash sky background on ivory, oval 6.2cm, in a gilt metal frame with hair plait reverse. *£300 - 500

303 Frederick Buck [1771-1839/40] A miniature portrait of a young man, bust-length with powdered and trimmed fringe, blue eyes and wearing a blue coat, white waistcoat and stock, sky background on ivory, oval, 6.2cm, in gilt metal frame with hair plait reverse. *£300 - 500

304 Dutch School A miniature portrait of a 17th Century gentleman, half length standing, with long wavy red hair and brown eyes, wearing a black smock and white linen shirt with lace cuffs on ivory, 13 x 9cm. *£200 - 300 Provenance. By repute from the Collection of The Dowager Lady Foley.

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 46 305 William T. Gosse [19th Century] A miniature profile portrait of Henry Hyde, Rector of Wareham, Dorset, bust-length in profile, with short wavy hair and blue eyes, inscribed on the reverse on ivory, 7 x 5.5cm. *£100 - 150

306 English School 19th Century A miniature portrait of a young scholar, half-length seated, with short brown hair and blues eyes, wearing a blue coat and holding a book, on ivory, 9 x 6cm. *£200 - 300

307 Charles Jagger [1770-1727] A miniature portrait of a gentleman, three-quarter length standing, with short grey hair and rosy cheek, wearing a blue jacket, yellow waistcoat and pale brown breeches, view to an obelisk and sky background beyond, signed Jagger bottom right on ivory, 11.5 x 8.6cm. *£200 - 300

308 English School Circa 1840s A miniature portrait of a Light Dragoons Cavalry Officer, bust-length, with fair wavy hair and brown eyes, on ivory, 9 x 6.7cm, *£300 - 500

* All lots subject to a buyers premium of 21% plus vat @ 20% 47 309 English School early 19th Century A miniature portrait of a young man, with short dark hair and blue eyes, wearing a blue coat with white linen stock, sky background, on ivory, oval, 7.1cm, in a gilt metal frame with blue guilloche enamel back. *£200 - 300

310 Circle of Thomas Richardson [1771-1837] A miniature portrait of a young man, bust-length, with short wavy hair and blue eyes, wearing a black coat and white cravat, sky background, on ivory, oval, 7.2cm, in a gilt metal frame with hair plait reverse. *£300 - 500

311 William Dudman [18/19th Century] A miniature portrait of a young man, head and shoulders with pale brown hair and blue eyes, wearing a dark blue coat and white lined stock, sky background, on ivory, oval, 6.3cm. *£200 - 300 312 No Lot.

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 48 313 Russian School early 19th Century A miniature portrait of a young man, head and shoulders, with dark curling hair and brown eyes, wearing a black coat and waistcoat with brightly embroidered collar indistinctly signed and dated 1815 centre right tondo, 6.8cm, in a white metal frame dated 1815, the reverse with cut metal monogram. *£250 - 350

314 French School early 19th Century A miniature portrait of a young man,head and shoulders, with short red hair and blue eyes, wearing a black coat and yellow waistcoat on ivory, tondo, 5,2cm. *£150 - 200

315 Anglo/Irish School Circa 1800 A miniature portrait of a young man, head and shoulders, with wavy blonde hair, sideburns and blue eyes, wearing a white cravat with coral pin and a blue coat, sky background, on ivory, oval, 7.2cm, in a yellow metal frame with purple guilloche enamel and hair reverse with gold WNA initials. *£200 - 300

316 Thomas Hargreaves [1775-1846] A miniature portrait of Peter Rothwell [1792-1849], bust-length seated in an interior, with short brown hair and sideburns, and brown eyes, wearing a black coat with white cravat signed and inscribed Liverpool on the backing card on ivory, 9.5 x 7.9cm. *£300 - 500 Peter Rothwell was born in Bolton. His father was founder of the Union Foundry and after he was joined by Benjamin Hick, the firm became Rothwell, Hick & Rothwell. Rothwell was the inventor of the Variable Blast Pipe and a promoter of the Bolton & Leigh Railway which opened in 1838.

* All lots subject to a buyers premium of 21% plus vat @ 20% 49 317 Albin Roberts Burt [1783-1842] A miniature portrait of a young man, head and shoulders, with brown curling hair and light brown eyes wearing a brown coat and a fancy cravat, signed, inscribed and dated A B Burt Chester Oct 1823 on the reverse on ivory, oval, 5.8cm, in gilt metal frame *£300 - 500

318 Charles James Turrell [London 1846-1932 New York] A miniature portrait of Robert Glynn Lewis, head and shoulders, with short dark hair and blue eyes, wearing a black jacket and waistcoat and grey spotted tie, sky background, signed with initials and dated CT 1886 lower right on ivory, oval 8.4cm, in a gold coloured frame inscribed and dated 1886 on the reverse. *£300 - 500 Turrell lived at various addresses in London including Bond Street and St James’ Street. His British clients included Queen Victoria, Queen Alexandria and Princess Mary, also the Queen of Norway and the US families of J Pierpont Morgan and Vanderbilts

319 Follower of Arthur Devis [1711-1787] A miniature portrait of a young man, three-quarter length standing, with dark hair and brown eyes, wearing a black coat and white lined collar, his right arm raised oil on panel, 12.3 x 8.8cm. *£100 - 150

320 Charles Foot Tayler [fl.1818-1853] A miniature portrait of a young gentleman, bust-length seated, with curling dark hair and blue eyes, wearing a black coat, yellow waistcoat and white cravat, signed and dated 1824 on the backing, on ivory, 9.3 x 7.1cm. *£300 - 500

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 50 321 English School Circa 1810 A miniature portrait of a gentleman, head and shoulders, with short brown hair and brown eyes, wearing a blue coat and white linen cravat, on ivory, oval, 5.8cm, in a gilt metal frame. *£200 - 300 Provenance. A previous old label with the miniature stating ‘Property of The Duke of Sussex’.

322 Adolphe Henri Dubasty [1814-1884] A miniature portrait of a gentleman, head and shoulders, with wavy fair hair and blue eyes, wearing a black coat and yellow waistcoat, signed and inscribed Palais Royale bottom left on ivory, oval, 6.8cm. *£200 - 300

323 James Warren Childe [1778-1862] A miniature portrait of a young man; A miniature portrait of a young lady, two, both bust-length, she with curling brown hair, sky background, he with short wavy brown hair and blue eyes, both signed, inscribed and dated 125 Strand, London, 1817 on the backing card on ivory, each 7 x 5.5cm. [2] *£500 - 700 324 No Lot.

* All lots subject to a buyers premium of 21% plus vat @ 20% 51 325 Anne Hayter [1795-1854] A miniature portrait of a young lady, half-length, with fair curled hair and rosy cheeks, wearing a white and pink satin dress and a red shawl, signed with initials bottom right, further signed on the backing, on ivory, 11 x 9cm, together with one other miniature of Mrs Hoare, nee Praed, by Emma Alston, dated 1828. [2] *£400 - 600

326 North European School mid 19th Century A miniature portrait of a young lady, half-length, with long dark ringlets and plaits, and rosy cheeks, wearing a long gold chain with eyeglass and black silk dress, on porcelain, 12.7 x 9.8cm, together with one other miniature of a young lady with straight black hair, wearing gold jewellery and purple dress with lace cuffs. [2] *£200 - 300

327 Thomas Carlyle [fl.1812-1837] A miniature portrait of Mrs James Mierspeult [of Seaforthe, Liverpool], nee P.O’Connor of Dublin, 1830, bust-length with brown hair in ringlets and wearing a white lace turban, gold drop earrings, a long gold chain and brown dress, inscribed on the reverse, on ivory, 9 x 6.7cm, together with one other miniature by Thomas Gosse of Mrs Thomas Roberts of Rotherhithe, aged 70. [2] *£300 - 400

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 52 328 Noel N Carter [fl.1820-30s] A miniature portrait of Agnes Nixon [1804-1890], daughter of Thomas & Elizabeth Nixon, nee Paley, bust- length, with long dark hair tied high and ringlets, brown eyes and wearing a white satin dress, pale blue shawl and tight corset, sky background, on ivory, oval, 6.5cm, together with a miniature portrait of a young man thought to be Richard Hey, married to Agnes Nixon 1829, by a different hand, in ornate ‘ormolu’ frames. [2] *£400 - 600 Richard Hey [d.1860] was one of the original 300 Fellows of the Royal College of Surgeons. He married Agnes Nixon in 1829 and became Surgeon to the York County Hospital, to the Institute for The Blind and the Female Penitentiary.

329 Mr Horlor [fl.1770s] A pair of miniature portraits, both bust- length; he wearing a short powdered wig and with blue eyes and wearing a green coat; she with long brown hair tied high and white dress, two, the first signed and dated Dec 1775 on the reverse, on ivory, ovals, each 8.3cm, in ornate ‘ormolu’ frames. [2] *£400 - 600 330 No Lot.

331 332 Henry Hawkins [18/19th Century] Cornelius Beris Durham [fl.1825-1865] A miniature portrait of a young lady, three-quarter length A miniature portrait of a lady, half-length seated in an standing, interior,- with dark hair and blue eyes, wearing a lace bonnet with long blonde hair dressed in plaits and ringlets, blue eyes and black dress with polka dot cuffs, and wearing a pale pink dress and lace shawl, view to blue sky signed and dated 1852 on the backing and water beyond, signed and dated H. Hawkins 18** bottom on ivory, 12 x 9.6cm. right *£250 - 350 on ivory, 12 x 9cm. *£300 - 500

* All lots subject to a buyers premium of 21% plus vat @ 20% 53 333 William Marshall Craig [1765-1834] Portrait of Frederica Charlotte Ulrica Catherina, Duchess of York and Albany [1767-1820],- full-length standing on a veranda beside a column, a crown, period furniture and coats of arms, view to a garden and building beyond inscribed and dated 1815 along the bottom pencil, wash and watercolour drawing 26 x 16.5cm, together with one other contemporary full-length drawing by a different hand. [2] *£400 - 600

334 George Richmond [1809-1896] Portrait of Miss Sandham, half-length seated, with long brown hair in ringlets and blue eyes wearing a white dress with blue sash signed bottom right pencil and watercolour drawing 22.5 x 18.5cm. *£250 - 350 Provenence With Thomas Agnew & Sons

335 John Frederick Lewis [1805-1876] Portrait of a young man, head and shoulders, with wavy brown hair and blue eyes, wearing a black jacket and bright blue neck tie, signed and dated 1838, pastel drawing, 33 x 25cm, *£300 - 500

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 54 336 Alfred Edward Chalon [1780-1860] A portrait of Sir William Richard Powlett Geary [1810-1877], three-quarter length standing, with dark brown hair and brown eyes, wearing a blue frock coat with a pink button hole, his arm resting on robes and regalia watercolour, 45 x 34cm. *£200 - 300 Provenance. With Thomas Agnew & Sons Ltd

Sir William Geary was MP for Kent (West) from 1835-1838. His county house at Tonbridge was called Oxon Hoath, and is now a country estate hotel.

337 Circle of George Richmond [1809-1896] Portrait of a young officer, three-quarter length standing, with short fair hair and blue eyes, wearing a dark blue coat with epaulets, brass buttons and a pink sash, an upland landscape with lake beyond, watercolour, 35 x 28cm. *£200 - 300

338 James Green [1771-1834] Portrait of an Eton scholar, full-length standing, a view to the College in the distance, signed and dated 1794 bottom left watercolour, 26 x 16cm. *£150 - 250 339 No Lot.

* All lots subject to a buyers premium of 21% plus vat @ 20% 55 340 341 George Richmond [1809-1896] Portrait of a young man, half-length seated, Edith Martineau [1842-1909] with short brown hair, wearing a dark brown coat and blue Portrait of Herbert Foster-Barham, half-length seated, legs neck tie crossed, signed bottom left with short fair hair and blue eyes, wearing a grey suit and blue watercolour heightened with white tie, holding a book 37 x 30cm. signed and dated 1876 watercolour *£600 - 900 Provenance. Bonhams, London, 5th November 2002. 48 x 35cm. *£150 - 250

342 Nathan Cooper Branwhite [1775-1857] Shortland family portraits, John Shortland [1810-1858] of Dundry; and John Shortland [1783-1878] of Yeovil, two, both half-length seated wearing a hanging chain with wax seals ink wash drawings largest 19 x 19cm. [2] *£100 - 150

343 Robert Field [1769-1819] Portrait of W M Hamilton, bust-length, with dark wavy hair and brown eyes, wearing a dark coat and white cravat, signed, inscribed and dated Halifax Nova Scotia 1808 on the backboard pencil and watercolour drawing octagonal, 17.5 x 15cm. *£200 - 300 Robert Field [London 1769-1819 Jamaica] attended the RA Schools and emigrated to America and then to Nova Scotia, Canada in 1808. There is another recorded octagonal Field watercolour from 1808 of Mrs Mary Ann Marshall, daughter of William Hughes, Master Shipwright and wife of Benjamin Marshall, nephew of Sir Samuel Marshall. Ref. Robert Field, Portrait Painter in Oils, Miniature and Water-Colours and Engraver, by Harry Piers. Frederick Fairchild Sherman, New York 1927.

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 56 344 Nathan Cooper Branwhite [1775-1867] Portraits of Mrs John Shortland, nee Ann Patten [1775-1857]; Mrs John Shortland Jnr, nee Catherine Hellier [1814-1859]; and Mrs John Upton, nee Florence Smyth [1769-1852] three, each half-length seated, the latter two signed and dated 1833/1831 pencil, ink and wash drawings, largest 24 x 23cm [19 x 18.5cm, 19 x 16.5cm.] [3] *£150 - 250

345 Frederick Coke-Smythe [fl.1800-1881] Portrait of Miss C Thornwaite, three-quarter length standing on a balcony, wearing a straw bonnet dressed with flowers and wearing a purple shawl, signed, inscribed and dated 1839 on the reverse, watercolour, 23 x 18cm, together with two more watercolour portraits of young ladies by different hands. [3] *£200 - 300 346 No Lot.

* All lots subject to a buyers premium of 21% plus vat @ 20% 57 347 Adam Buck [1759-1833] Portrait of Mrs Samuel Stephens, nee Elizabeth Wallace, bust-length,- wearing a lace cap with pink ribbon and elaborate frilled collar signed and dated 1823 bottom left, watercolour, 13.5 x 12cm, together with three other contemporary watercolour portraits by different hands. [4] *£250 - 350

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 58 348 Emily Scott [fl.1826-1855] Portrait of a young lady, three-quarter length seated, with long dark hair in ringlets and wearing a white silk dress, a gold chain and tartan shawl, signed, watercolour, 23 x 19cm, together with three other contemporary portraits of young women by different hands. [4] *£200 - 300

* All lots subject to a buyers premium of 21% plus vat @ 20% 59 349 Attributed to Pieter Rodingh [17/18th Century] Portrait of James Fitzjames, 1st Duke of Berwick [1670-1734], bust-lent, with long powdered wig and wearing armour with lace cravat and a red sash, signed, faintly inscribed and dated along the bottom oil on canvas within a painted oval, 31 x 25cm, in a burr wood and parcel gilt moulded frame *£400 - 600

350 Henry Liverseege [1803-1832] Self-portrait, bust-length, wearing a green coat, black waistcoat and white linen stock, holding a palette oil on board, 18 x 14cm, inscribed in detail verso *£300 - 500

351A Moses Baker Russell [1809-1884, American] A pair of miniature portraits of Mr & Mrs Dallaway each head and shoulders, she wearing a lace bonnet and red 351 cape, he with curling brown hair and holding a quill both signed M B Russell European School 19/20th Century Four oval miniature portraits, on ivory, each 8 x 5.8cm, within a folding leather case Her Majesty Queen Victoria, Miss Glover, Lady Marlboro’ and *£400 - 500 The Empress of Russia one signed Bloch, contained within an ornate shield-shaped gilded frame with red velvet backing, 35 x 29cm overall. *£300 - 400 Provenance. Once owned by the Hon. Charles George Barrington, Equerry to Edward VII.

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 60 352 After Sir Anthony Van Dyck [late 17th Century, English School] Charles I (1600-1649) in three positions oil on canvas 84 x 110cm. *£2000 - 3000

The original triple portrait had an unusual function. In 1636 Charles I had the painting despatched to Rome to the sculptor Bernini [1598-1680] where it was to assist in the making of a marble bust, the three viewpoints helping the sculptor to create a three-dimensional likeness.

* All lots subject to a buyers premium of 21% plus vat @ 20% 61 353 European School 17/18th Century A portrait of a noble woman, bust-length, with long dark hair and brown eyes, wearing a brown dress and blue shawl oil on canvas painted oval, laid down, 34.5 x 29cm, unframed *£300 - 500

354 Circle of Godfrey Kneller [1646-1723] A portrait of a lady, half-length standing, with long dark hair and grey eyes, wearing a brown dress with blue shawl oil on canvas 50 x 35.5cm. *£250 - 350

355 Circle of Arthur Devis [1712-1787] Man in wig and tricorne hat, three-quarter length standing, wearing a black tunic with gold braid oil on canvas, laid down 30 x 25cm, unframed. *£200 - 300

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 62 356 Circle of Cornelis Janseens Van Ceulen [1593-1661] King Charles I at his trial in 1649, after Edward Bower, oil on canvas 30 x 25cm, in a limed oak frame. *£600 - 900

357 English School 17/18th Century Portrait of Oliver Cromwell, bust-length wearing armour, oil on panel 22 x 18cm. *£300 - 500

358 Circle of Sir Joshua Reynolds [1723-1792] Self Portrait, oil on canvas 60 x 51cm. *£400 - 600 359 No Lot.

* All lots subject to a buyers premium of 21% plus vat @ 20% 63 360 Circle of Mauritius Lowe [1746-1793] A miniature portrait of gentleman,-bust-length, wearing a red wig, black coat and white waistcoat 3 x 2.2cm, in a jewelled and yellow metal frame. *£100 - 200

361 English School early 19th Century A miniature portrait of a young officer head and shoulders, with fair wavy hair and brown eyes wearing a red tunic, on ivory, heart-shaped, 4 x 4.2cm, within a heart-shaped blue glass and white metal frame. (There is an indistinct pencil inscription on the backing card, possibly ‘Lt. Lyson Smart’) together with one other heart-shaped miniature of a young lady, Circle of Andrew Plimer, sky background, in a silver frame. [2] *£300 - 500

362 J. Higl***, early 19th Century A miniature portrait of a young lady, bust-length, with dark curling hair wearing an amber bead necklace and white satin dress signed and dated J. Higl.. 180... bottom right on ivory , oval, 6.9cm, in a yellow metal frame. *£400 - 600

363 English School Circa 1790 A miniature portrait of a gentleman, head and shoulders, with wavy grey hair and blue eyes wearing a blue coat and white linen stock on ivory, oval, 6.4cm, in a yellow metal frame. *£250 - 350

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 64 364 Dutch School [19/20th Century] Cobbler in a workshop interior, oil on canvas 31 x 41cm. *£200 - 300

365 Walter Firle [1859-1929] Couple in a cottage interior, signed bottom left oil on canvas, 75 x 60cm. *£300 - 500

366 *** Bitter [French School 19/20th Century] A Dutch interior scene, figure seated at a table, signed and dated 1904 oil on canvas 71 x 54cm, unframed *£300 - 500 367 No Lot.

* All lots subject to a buyers premium of 21% plus vat @ 20% 65 368 Attributed to Karel Borchaert Voet [1670-1743] A parrot, flowers, figs, grapes and fruit on a marble ledge draped with a heavy velvet curtain, view through a window beyond oil on canvas 68 x 88cm. *£2000 - 3000

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 66 369 After Rubens [17/18th Century] The Judgement of Solomon oils on copper 38 x 50cm. *£1000 - 1500

There is an attribution to Theodoor Van Thulden [1606-1669] in Danish on a label on the reverse

* All lots subject to a buyers premium of 21% plus vat @ 20% 67 370 Jean Louis Ernest Meissonier [1815-1891] Le Petit Homme Rouge, signed bottom right oil on panel 18.5 x 11.5cm, together with a companion La Sentinelle oil on panel 19.5 x 15cm. [2] *£2000 - 3000

Provenance With Leggatt Brothers

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 68 371 Thomas Falcon Marshall [1818-1878] Picking Berries, a mother and two children on a rural path signed and dated ‘58 bottom right and a companion painting The Young Gardener, a man and child watering plants outside a cottage, two, oils on board tondo, each 40cm. [2] *£3000 - 5000

Provenance With Sothebys 1998

* All lots subject to a buyers premium of 21% plus vat @ 20% 69 372 • Ernest Howard Shepherd [1879-1976] Figure Studies for George III, Gibbon and Stevens, three, each signed with initials and inscribed with title pencil drawings, each 29 x 16.5cm. [3] *£400 - 600 By 1906 Shepard had become a successful illustrator having produced work for editions of Aesop’s Fables, David Copperfield and Tom Brown’s Schooldays while at the same time working as an illustrator on the staff of Punch magazine. Shepard was also a prolific painter. He exhibited at the Royal Society of Artists, Birmingham, a traditional venue for generic painters, as well as in the more radical atmosphere of Glasgow’s Institute of Fine Arts. He was twice an exhibitor at the prestigious Walker Art Gallery in Liverpool, and at the Manchester Art Gallery. At heart though, Shepard was a Londoner, showing sixteen times at the Royal Academy. Although in his mid-thirties when World War I broke out, Shepard received a commission into the Royal Garrison Artillery, an arm of the Royal Artillery. By the end of the war he had achieved the rank of major. Throughout the war he continued to contribute to Punch and he was hired as a regular staff cartoonist in 1921 becoming lead cartoonist in 1945. Shepard was recommended to A. A. Milne in 1923 by another Punch staffer, E. V. Lucas. Milne initially thought Shepard’s style was not what he wanted, but used him to illustrate the book of poems When We Were Very Young. Happy with the results, Milne then insisted Shepard illustrate Winnie-the-Pooh.

373 Vivian Forbes [1891-1937] Girls in a bedroom, view to a mosque through an arch beyond, signed with initials and dated VF 1935 bottom right pen, ink and watercolour drawing 34 x 23.5cm *£100 - 150 Provenance. Abbott & Holder, Museum St, London 374 Vivian Forbes was an English soldier, painter and poet now known for his Attributed to Daniel Maclise [1806-1870] relationship with the artist Glyn Philpot. A young lady crossing a stream in a formal Biography Forbes was enlisted in the Royal Fusiliers and met Philpot during garden, training at Aldershot in 1915. Forbes’ work was affected by his concerns about monochrome wash drawing fascism in Europe, and he was influenced by painters like Charles Ricketts and 13 x 10cm, with pencil drawing in the Charles Haslewood Shannon. Forbes also composed poetry, all of it dedicated margin to Philpot and their relationship. Forbes, Philpot, Ricketts and Shannon all had *£100 - 150 studios at some point in the Lansdown Road building of the Ladbroke Estate. Provenance. Sir William Mundy, Saint Hill Described as witty and charming, but also ‘unstable’, following Philpot’s Family sudden death and funeral in December 1937, Forbes was overcome with grief The drawing is thought to come form a and committed suicide. Maclise sketch book.

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 70 375 • Percy Lancaster [1878-1952] Nude studies, signed with a monogram pencil drawing 20 x 32.5cm. *£80 - 120

376 • Sir William Russell Flint [1880-1969] Waves Frost & Reed print in colours, signed in pencil bottom right blindstamps bottom left image 45 x 61cm *£100 - 150

377 • Annie Tempest [20th Century] ‘A Stinking Pair with Splendid Provenance’, signed and dated 2002 watercolour 22 x 29.5cm *£200 - 300 Published in Lady Tottering’s Journal. Annie Tempest was born in Zambia in 1959 and moved to the UK in 1962. Her Father inherited Broughton Hall which was later to become the inspiration for Tottering-By-Gently. She began her career as a cartoonist working for the Daily Mail. In 1989 she was voted strip cartoonist of the year. She joined The Country Life magazine in 1993 and created the character Dicky A-Daffy Tottering. She lives and works in rural Norfolk, where she persues her latest creative expression, sculpture. Her iunaugural exhibition was held at the O’Shea Gallery in April 2012.

378 • Norman Adams [1927-2005] St Peter’s Lament - Passion Series signed with initials and dated ‘61 inscribed with title along the bottom border further signed and inscribed on the backboard pencil and charcoal drawing 25 x 26cm. *£150 - 250 Provenance. Abbott & Holder, Museum St, London City of Manchester Education Committee Picture Circulating Scheme

379 No Lot.

* All lots subject to a buyers premium of 21% plus vat @ 20% 71 380 James Gray [c.1917-1947] Still life of pink roses in a vase, signed Jas.Gray bottom right watercolour 35 x 53cm. *£150 - 200

381 James Gray [c.1917-1947] Still life of white blossom in a blue vase, signed Jas.Gray bottom left watercolour 40 x 48cm. *£150 - 200

382 Oliver Clare [1853-1927] Still life of a pear, plums and gooseberries on a mossy bank; A companion still life painting with strawberries and a peach, two, both signed oils on board each 18 x 26.5cm. (2) *£700 - 1000 383 No Lot.

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 72 384 • Nadine Lundhal [b.1956] Three Lemons and White Earthenware Jug on Green Clothed Ledge signed bottom right oil on panel 18.5 x 29cm. *£1000 - 1500 Exhibited. Messum’s Fine Art. Solo Exhibition, 2005.

385 • Nadine Lundhal [b.1956] Tangerines and Glass Roemer on Buff Clothed Ledge, signed bottom left oil on panel 18.5 x 29cm. *£1000 - 1500 Exhibited. Messum’s Fine Art. Solo Exhibition, 2005.

* All lots subject to a buyers premium of 21% plus vat @ 20% 73 386 • May Ellen Hillhouse [1908-1989] Girls and a goose in a yard, signed and dated ‘48 bottom right oil on canvas 40 x 50cm. *£1000 - 1500

387 Jack Pohl [1878-1944, South African] Oryx in a landscape, mountains beyond, signed and dated 1920 oil on canvas 29 x 50cm. *£100 - 200

388 Jack Pohl [1878-1944, South African] Sunlight and shadow over an upland landscape, signed and dated ‘32 oil on canvas 36 x 51cm. *£100 - 200

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 74 389 • William Lyons-Wilson [1892-1981] Topsham Lock, signed and inscribed watercolour 37 x 47cm. *£150 - 250

390 • Stuart Lloyd [1845-1929] View of Lincoln from the River Witham, signed watercolour 50 x 85cm. *£200 - 300

391 George James Knox [1810-1897] The Needles, Isle of Wight, signed bottom right watercolour, 32 x 64cm. *£100 - 150

392 • Rowland Hilder [1905-1993] Medway Barge Race, signed and inscribed watercolour, pencil, pen and ink drawing 20 x 25cm. *£200 - 300

* All lots subject to a buyers premium of 21% plus vat @ 20% 75 393 • Ken Howard [b.1932] Bart’s Farm, Sampford Spiney, signed and dated ‘76 oil on board 49 x 59cm *£250 - 350 Provenance. New Grafton Gallery Exhibited. Royal Academy Summer Exhibition, 1976

394 • Robert Leslie Howley [1900-1981] Grange in Barrowdale, signed bottom right oil on board 50 x 62cm. *£150 - 250

395 • Hester Frood [1882-1971] The Exe at Topsham, signed watercolour and pencil drawing 21 x 27cm. *£100 - 150

396 Arthur Wilde Parsons [1854-1931] Morning Mists, Florence, signed and dated 1911 bottom right further signed, inscribed as titled and with artist’s address at Hampton Park, Bristol on a label attached to the backboard watercolour, 54 x 75cm *£400 - 600

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 76 397 • Nick Botting [b.1963] Lyme Bay, Early Morning, signed bottom left oil on canvas 92 x 101cm. *£2000 - 3000 Provenance. Purchased directly from the artist.

Nick Botting’s early interest in painting was ignited at Winchester College from where he went on to take a foundation course at Hertfordshire College. A degree in Visual & Performing Arts at Kent University 1983-1986 completed his early training. He had his first solo exhibition at the Gulbenkian Theatre in Canterbury. There followed solo exhibitions in Australia and London. In 2001 he was the official Artist to the England touring cricket team to Pakistan. From 2003 Botting has exhibited regularly at the Portland Gallery up to and including 2017.

398 • Leonid Ignatevitch Vaishlya [b.1922) The House in the Woods, signed and dated 1964 oil on board 70 x 50cm *£300 - 500

* All lots subject to a buyers premium of 21% plus vat @ 20% 77 399 • Peter Cosslett [b.1927] Thatcher Rock, Torquay, signed oil on canvas 44 x 90cm *£200 - 300

400 • Attributed to Stephen Bone [1904-1958] Boat Yard, signed BONE bottom right watercolour 41 x 58cm. *£150 - 250

401 • William Archibald Gunn [1877-1966] The Island from Tywarnhayle, St Ives signed and inscribed on the backboard pastel drawing 34 x 43cm. *£150 - 250

402 Charles Reginald Aston [1832-1908] Cliffs at Babbacombe, signed bottom right further signed and inscribed on a label attached to the backboard watercolour 45 x 29cm. *£150 - 250

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 78 403 • Douglas Houzen Pinder [1886-1949] The North Cornish Coast, signed watercolour, 50 x 75cm. *£250 - 350

404 • Philip Collingwood Priestley [b.1901] Port Isaac, signed and inscribed watercolour 38 x 55cm. *£100 - 150

405 Thomas Goldsworthy Dutton [1819-1891] Coastal view; ramblers on a rocky cliff in the foreground, shipping in the bay beyond signed and indistinctly dated bottom centre watercolour 24 x 50.5cm *£200 - 300

406 William Heaton Cooper [1864-1929] Thirlmere from Steel Fell, signed, watercolour, 36cm x 54cm. *£500 - 700 Exhibited. Royal Institute of Painters in Watercolours.

407 No Lot.

* All lots subject to a buyers premium of 21% plus vat @ 20% 79 408 James Poole [1804-1886] The Matterhorn, signed J J Poole bottom right watercolour 38 x 52cm. *£150 - 250

409 English School 19th Century Climbers in a ravine gazing up to The Matterhorn, signed with a monogram watercolour 46 x 32cm. *£150 - 250

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 80 410 Richard Henry Wright [1857-1930] The Matterhorn, 1920, inscribed on the reverse watercolour 25 x 36.5cm. *£150 - 250

Provenance. With Abbott & Holder 1994

411 Margaret Heathcote [19/20th Century] The Matterhorn, 1851, watercolour 48 x 66cm. *£100 - 150

Margaret Heathcote was noted for Alpine drawings. She exhibited at The Alpine Club Gallery, The Dudley Gallery and with The Society of Women Artists.

412 • Robert Morson Hughes [1873-1953] The Alps, signed bottom left oil on board 32 x 40cm. *£250 - 350

Provenance. With Abbot & Holder

413. No Lot

* All lots subject to a buyers premium of 21% plus vat @ 20% 81 414 Henry Silkstone Hopwood [1860-1914] Children climbing a bank, view through blossom to cottages and the sea beyond, signed bottom left watercolour 27 x 33.5cm *£200 - 300

415 Martinus Jacobus Nefkens [1866-1941] Shepherdess and Sheep in a wooded field, signed bottom left oil on canvas 29 x 39cm. *£150 - 250

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 82 416 Attributed to Maud Earl [1864-1943] A Manchester Terrier, seated on a bear skin rug with pink flowers, bears a signature and date ‘29 bottom right oil on canvas tondo, 52cm diameter *£1200 - 1800

417 William Gunning King [1859-1940] Feeding the Calves signed bottom right oil on canvas 58 x 82cm. *£1200 - 1800

* All lots subject to a buyers premium of 21% plus vat @ 20% 83 418 Jean-Baptiste Coene [1805-1850] A Dutch river landscape with fisherman, figures and livestock signed and dated 1833 bottom right oil on panel 45 x 54cm. *£400 - 600

419 David Bates [1840-1921] In the Lledr Valley; a fisherman in a rocky river landscape, signed and dated 1876 bottom left further signed and inscribed on the reverse of the canvas oil on canvas 29 x 45cm. *£400 - 600

420 John Wright Oakes [1820-1887] Heathland landscape with windmill in the far distance, oil on board, laid on panel 19 x 44cm *£200 - 300

421 William Traies [1789-1872] Woodbury Common looking west, cattle and figures in the foreground signed bottom centre oil on canvas 60 x 79cm. *£800 - 1200

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 84 422 John Westall [fl.1873-1893] Swansea Bay, a stonebreaker and travellers on a path in the foreground signed bottom right oil on canvas 56 x 86cm. *£300 - 500

423 Francis Nicholson [1753-1844] Ruins of Cathedral, Dunblane, watercolour 28 x 38cm. *£150 - 250

424 Frederick Nash [1782-1856] Figures, ruins and buildings in an Italian landscape, signed bottom right watercolour 26 x 37cm *£150 - 250

425 Charles Branwhite [1817-1880] Upland river scene, signed C Branwhite bottom left watercolour heightened with white 31 x 45.5cm. *£200 - 300 426 No Lot.

* All lots subject to a buyers premium of 21% plus vat @ 20% 85 427 Frederick John Widgery [1861-1942] Castle Rock, Lynton, signed bottom left gouache 50 x 75cm. *£250 - 350

428 Joseph Knight [1837-1909] A Welsh Valley; sandy bank in the foreground, sheep and hay stooks beyond, signed and dated 1900 watercolour 43 x 60cm. *£200 - 300

429 Rex Vicat Cole [1870-1940] Summer Morn, a river estuary, signed and dated 1896 watercolour and bodycolour 36.5 x 48cm. *£200 - 400 Provenance. Exhibited at The Royal Institute of Painters in Watercolours 1896 [label to reverse] Miss Vicat Cole. Camden Hill Square, Kensington

430 John Faulkner [1835-1894] A Hampshire river landscape; cattle watering,- signed and inscribed bottom right watercolour 48 x 87cm. *£400 - 600

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 86 431 Edmund John Niemann Jnr [1813-1876] An extensive river landscape with felled trees and church in the foreground, signed bottom left oil on canvas 60 x 105cm. *£2000 - 3000

432 Joseph Denovan Adams [1842-1896] Deer in a Highland lake scene, signed and indistinctly dated 1865 oil on canvas 76 x 127cm. *£1200 - 1800

433 Frederick William Hayes [1848-1918] On the River Glaslyn; sunny upland scene with mother and child on a track in the foreground, signed bottom left oil on canvas 60 x 90cm. *£300 - 500 434 No Lot.

* All lots subject to a buyers premium of 21% plus vat @ 20% 87 435 Circle of Edward Dayes [1793-1804] Great Gable, Wast Water, a fishing party in the foreground; A Lake District scene two, watercolours each 34.5 x 49cm. [2] *£600 - 800

Provenance. With Charles Nicholls & Son, Manchester

436 Attributed to Arthur Wilde Parsons [1854-1931] The Homeward Bound, Falmouth, watercolour heightened with white 36 x 54 cm. *£300 - 500

437 Thomas Bush Hardy [1842-1897] Shipping off the South Coast, fishermen in a rowing boat in the foreground signed and dated 1889 bottom left watercolour with scratching-out 25 x 51cm *£300 - 500 438 No Lot.

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 88 439 Albert Goodwin [1845-1932] Sunset, signed and dated Albert Goodwin ‘95 bottom left oil on canvas. 43 x 50cm. *£1500 - 2500

440 Thomas Luny [1759-1837] Fisherfolk unloading a catch, calm sea and shipping in a bay beyond, signed and dated Luny 1827 bottom left oil on board 21.5 x 29cm. *£1000 - 1500

* All lots subject to a buyers premium of 21% plus vat @ 20% 89 441 Edgar E West [fl.1857-1892] Looking Across The Severn Valley, harvesters in the foreground, signed E E West bottom right watercolour heightened with bodycolour 68.5 x 121cm. *£600 - 800

442 Norman Tayler [1843-1915] Feeding the Geese, signed and dated 1882 bottom right watercolour 19 x 26.5cm. *£200 - 300

443 Henry Silkstone Hopwood [1860-1914] Flower market, Dieppe, signed and dated ‘97 watercolour 12.5 x 18cm. *£100 - 150

444 Henry Clarence Whaite [1828-1912] The Storm,- signed bottom right further signed and inscribed on a label attached to the backboard watercolour 52 x 73cm *£400 - 600

Exhibited Corporation of Manchester, 1908.

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 90 445 William Traies [1789-1872] A Devon landscape, thought to be the Upper Teign above Chagford Bridge, a view to Kes Tor beyond oil on canvas 46 x 61cm. *£1000 - 1500

Provenance Lord Lewis Clifford of Ugbrooke, gifted to his bailiff, Mr Harris, circa 1915, thence by family descent.

447 Manner of George Arnald [1763-1841] Shepherd in a pass, sunset over a valley beyond, oil on panel 22 x 30cm *£300 - 500

446 Dutch School 19th Century Travellers resting at the wayside, view to a church spire in the distance, indistinctly signed oil on canvas 38 x 51cm *£200 - 300

448 No Lot.

* All lots subject to a buyers premium of 21% plus vat @ 20% 91 449 William Thornley [fl.1858-1898] River estuary with boats by a quay; Hay barge and shipping in an estuary, a pair, each signed oils on panel, each 24.5 x 19.5cm. [2] *£700 - 1000

450 William Thornley [fl.1858-1898] Shipping off a harbour, signed bottom right oil on canvas 34 x 29cm. *£500 - 700

451 Edward Williams [1782-1855] Cottage by a stream, figures and felled tree in the foreground, oil on canvas 43 x 51.5cm *£400 - 600

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 92 452 Samuel Henry Alken [1756-1815] Snipe, Pheasant, Duck, Partridge, Hare shooting scenes a group of six two signed S. Alken watercolour and pencil drawings, each 27 x 44cm. [6] *£300 - 500

Provenance. The Parker Gallery.

453 - 500 No Lots.

* All lots subject to a buyers premium of 21% plus vat @ 20% 93 Artist Index

ARTIST Lot Nos. ARTIST Lot Nos. Adams (J. D.) 432 Hopwood (H. S.) 414, 443 Adams (N.) 378 Horlor 329 Alken (S. H.) 452 Howard (K.) 393 Aston (C. R.) 402 Howley (R. L.) 394 Bates (D.) 419 Hughes (R. M.) 412 Botting (N.) 397 Jagger (C.) 307 Branwhite (C.) 425 King (W. G.) 417 Branwhite (N. C.) 342, 344 Knight (J.) 428 Buck (A.) 347 Knox (G. J.) 391 Buck (F.) 303 Lancaster (P.) 375 Burt (A. R.) 317 Lewis (J. F.) 335 Carlyle (T.) 327 Liverseege (H.) 350 Carter (N. N.) 328 Lloyd (S.) 390 Chalon (A. E.) 336 Lundhal (N.) 384, 385 Childe (J. W.) 323 Luny (T.) 440 Clare (O.) 382 Lyons-Wilson (W.) 389 Coene (J. B.) 418 Marshall (T. F.) 371 Coke-Smythe (F.) 345 Martineau (E.) 341 Cole (R. V.) 429 Meissonier (J. L. E) 370 Cooper (W. H.) 406 Nash (F.) 424 Cosslett (P.) 399 Nefkens (M. J.) 415 Cosway (R.) 301 Nicholson (F.) 423 Craig (W. M.) 333 Niemann (E. J.) Jnr 431 Dubasty (A. H.) 322 Oakes (J. W.) 420 Dudman (W.) 311 Parsons (A. W.) 396 Durham (C. B.) 332 Pinder (D. H.) 403 Dutton (T. G.) 405 Pohl (J.) 387, 388 Faulkner (J.) 430 Poole (J.) 408 Field (R.) 343 Priestley (P. C.) 404 Firle (W.) 365 Richmond (G.) 334, 340 Flint (W. R.) 376 Russell (M. B.) 351A Forbes (V.) 373 Scott (E.) 348 Frood (H.) 395 Shepherd (E. H.) 372 Goodwin (A.) 439 Tayler (N.) 442 Gosse (W. T.) 305 Taylor (C. F.) 320 Gray (J.) 380, 381 Tempest (A.) 377 Green (J.) 338 Thornley (W.) 449, 450 Gunn (W. A.) 401 Traies (W.) 421, 445 Hardy (T. B.) 437 Turrell (C. J.) 318 Hargreaves (T.) 316 Vaishlya (L. I.) 398 Hawkins (H.) 331 West (E. E.) 441 Hayes (F. W.) 433 Westall (J.) 422 Hayter (A.) 325 Whaite (H. C.) 444 Heathcote (M.) 411 Widgery (F. J.) 427 Hilder (R.) 392 Williams (E.) 451 Hillhouse (M. E.) 386 Wright (R. H.) 410

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 94