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Alshire Records Discography
Alshire Discography by David Edwards, Mike Callahan & Patrice Eyries © 2018 by Mike Callahan Alshire International Records Discography Alshire was located at P.O. Box 7107, Burbank, CA 91505 (Street address: 2818 West Pico Boulevard, Los Angeles, CA 90006). Founded by Al Sherman in 1964, who bought the Somerset catalog from Dick L. Miller. Arlen, Grit and Oscar were subsidiaries. Alshire was a grocery store rack budget label whose main staple was the “101 Strings Orchestra,” which was several different orchestras over the years, more of a franchise than a single organization. Alshire M/S 3000 Series: M/S 3001 –“Oh Yeah!” A Polka Party – Coal Diggers with Happy Tony [1967] Reissue of Somerset SF 30100. Oh Yeah!/Don't Throw Beer Bottles At The Band/Yak To Na Wojence (Fortunes Of War)/Piwo Polka (Beer Polka)/Wanda And Stash/Moja Marish (My Mary)/Zosia (Sophie)/Ragman Polka/From Ungvara/Disc Jocky Polka/Nie Puki Jashiu (Don't Knock Johnny) Alshire M/ST 5000 Series M/ST 5000 - Stephen Foster - 101 Strings [1964] Beautiful Dreamer/Camptown Races/Jeannie With The Light Brown Hair/Oh Susanna/Old Folks At Home/Steamboat 'Round The Bend/My Old Kentucky Home/Ring Ring De Bango/Come, Where My Love Lies Dreaming/Tribute To Foster Medley/Old Black Joe M/ST 5001 - Victor Herbert - 101 Strings [1964] Ah! Sweet Mystery Of Life/Kiss Me Again/March Of The Toys, Toyland/Indian Summer/Gypsy Love Song/Red Mill Overture/Because You're You/Moonbeams/Every Day Is Ladies' Day To Me/In Old New York/Isle Of Our Dreams M/S 5002 - John Philip Sousa, George M. -
Order Form Full
JAZZ ARTIST TITLE LABEL RETAIL ADDERLEY, CANNONBALL SOMETHIN' ELSE BLUE NOTE RM112.00 ARMSTRONG, LOUIS LOUIS ARMSTRONG PLAYS W.C. HANDY PURE PLEASURE RM188.00 ARMSTRONG, LOUIS & DUKE ELLINGTON THE GREAT REUNION (180 GR) PARLOPHONE RM124.00 AYLER, ALBERT LIVE IN FRANCE JULY 25, 1970 B13 RM136.00 BAKER, CHET DAYBREAK (180 GR) STEEPLECHASE RM139.00 BAKER, CHET IT COULD HAPPEN TO YOU RIVERSIDE RM119.00 BAKER, CHET SINGS & STRINGS VINYL PASSION RM146.00 BAKER, CHET THE LYRICAL TRUMPET OF CHET JAZZ WAX RM134.00 BAKER, CHET WITH STRINGS (180 GR) MUSIC ON VINYL RM155.00 BERRY, OVERTON T.O.B.E. + LIVE AT THE DOUBLET LIGHT 1/T ATTIC RM124.00 BIG BAD VOODOO DADDY BIG BAD VOODOO DADDY (PURPLE VINYL) LONESTAR RECORDS RM115.00 BLAKEY, ART 3 BLIND MICE UNITED ARTISTS RM95.00 BROETZMANN, PETER FULL BLAST JAZZWERKSTATT RM95.00 BRUBECK, DAVE THE ESSENTIAL DAVE BRUBECK COLUMBIA RM146.00 BRUBECK, DAVE - OCTET DAVE BRUBECK OCTET FANTASY RM119.00 BRUBECK, DAVE - QUARTET BRUBECK TIME DOXY RM125.00 BRUUT! MAD PACK (180 GR WHITE) MUSIC ON VINYL RM149.00 BUCKSHOT LEFONQUE MUSIC EVOLUTION MUSIC ON VINYL RM147.00 BURRELL, KENNY MIDNIGHT BLUE (MONO) (200 GR) CLASSIC RECORDS RM147.00 BURRELL, KENNY WEAVER OF DREAMS (180 GR) WAX TIME RM138.00 BYRD, DONALD BLACK BYRD BLUE NOTE RM112.00 CHERRY, DON MU (FIRST PART) (180 GR) BYG ACTUEL RM95.00 CLAYTON, BUCK HOW HI THE FI PURE PLEASURE RM188.00 COLE, NAT KING PENTHOUSE SERENADE PURE PLEASURE RM157.00 COLEMAN, ORNETTE AT THE TOWN HALL, DECEMBER 1962 WAX LOVE RM107.00 COLTRANE, ALICE JOURNEY IN SATCHIDANANDA (180 GR) IMPULSE -
New York ABAA Book Fair 2017
Lux Mentis, Booksellers 110 Marginal Way #777 Portland, ME 04101 Member: ILAB/ABAA T. 207.329.1469 [email protected] www.luxmentis.com New York ABAA Book Fair 2017 1. Abiel, Dante. Necromantic Sorcery: The Forbidden Rites Of Death Magick. Presented by E.A. Koetting. Become a Living God, 2014. First Edition. Minimal shelf/edge wear, else tight, bright, and unmarred. Black velvet boards, silver gilt lettering and decorative elements, black endpages. 8vo. 279pp. Illus. (b/w plates). Glossary. Limited edition of 300. Near Fine. No DJ, as Issued. Hardcover. (#9093) $750.00 The 'fine velvet edition" (there was a smaller edition bound in leather). "Necromantic Sorcery is the FIRST grimoire to ever expose the most evil mysteries of death magick from the Western, Haitian Vodoun, and Afrikan Kongo root currents. In it, you are going to learn the most extreme rituals for shamelessly exploiting the magick of the dead, and experiencing the damnation of Demonic Descent on the Left Hand Path." (from the publisher) A provokative approach to Saturnian Necromancy. Rather scarce in the market. 2. Adams, Evelyn. Hollywood Discipline: A Bizarre Tale of Lust and Passion. New York: C-L Press, 1959. Limited Edition. Minor shelf/edge wear, minor discoloration to newsprint, else tight, bright, and unmarred. Color pictorial wraps with artwork of illustrious BDSM artist Gene Bilbrew, also known as “Eneg.” 8vo. 112pp. Illus. (b/w plates). Very Good in Wraps. Original Wraps. (#9086) $150.00 Limited illustrated first edition paperback, Inside cover black and white illustration art also by Bilbrew. Unusual in the slew of BDSM publications to come out in the 1950s and 1960s Irving Klaw era of bondage pulps. -
Koleksi Musik Hendi Hendratman 70'S, 80'S & 90'S
Hendi Hendratman Music Collection Koleksi Musik Hendi Hendratman 70’s, 80’s & 90’s dst (Slow, Pop, Jazz, Reggae, Disco, Rock, Heavy Metal dll) 10 Cc - I'm Not In Love 10 Cc - Rubber Bullets 10000 Maniacs - What's The Matter Here 12 Stones - Lie To Me 20 Fingers - Lick It (Radio Mix) 21 Guns - Just A Wish 21 Guns - These Eyes 2xl - Disciples Of The Beat 3 Strange Days - School Of Fish 4 Non Blondes - What's Up 4 The Cause - Let Me Be 4 The Cause - Stand By Me 4 X 4 - Fresh One 68's - Sex As A Weapon 80's Console Allstars Vs Modern Talking Medley 98 Degrees - Because Of U 999 - Homicide A La Carte - Tell Him A Plus D - Whip My Hair Whip It Real Good A Taste Of Honey - Sukiyaki A Tear Fell A1 - Be The First To Believe Aaron Carter - (Have Some) Fun With The Funk Aaron Neville - Tell It Like It Is Ace - How Long Adam Hicks - Livin' On A High Wire Adam Wakeman - Owner Of A Lonely Heart Adina Howard - Freak Like Me Adrian Belew - Oh Daddy African Rhythm - Fresh & Fly After 7 - Till You Do Me Right After One - Real Sadness Ii Agnetha Faltskog & Tomas Ledin - Never Again Aileene Airbourne - Ready To Rock Airbourne - Runnin' Wild Airplay - Should We Carry On Al B. Sure - Night & Day Al Bano & Romina Power - Felicita Al Martino - Volare Alan Berry - Come On Remix Alan Jackson - Little Man Alan Ross - The Last Wall Albert One - Heart On Fire Aleph - Big Brothers Alex Dance - These Words Between Us Alex Gopher - Neon Disco Alias - More Than Words Can Say Alias - Waiting For Love Alisha - All Night Passion Alisha - Too Turned On Alison Krawss - When -
DJ Master Mix CD List
DJ Master Mix CD List ***Background Music*** 25 Gloria in Excelsis Deo (vocal) 2 Pennsylvania 6-5000 3 Chatanooga Choo-Choo 101 Strings Play Frank Sinatra ***Background Music*** 4 String of pearls 1 All the way 25 All Time Christmas Favorites Di 5 In the mood 2 Strangers in the night 1 Jingle bells (pop) 6 Sunrise serenade 3 Fly me to the moon 2 Joy to the world (pop) 7 Johnson rag 4 New York, New York 3 Deck the halls (pop) 8 American patrol 5 The lady is a tramp 4 We wish you a merry Christmas (pop) 9 Kalamazoo 6 Come fly with me 5 Hark the herald angels sing (pop) 10 Bugle call rag 7 I've got you under my skin 6 Jolly old St. Nicholas (pop) 11 Anvil chorus 8 Young at heart 7 O Christmas Tree (pop) 12 Tuxedo junction 9 Just the way you look tonight 8 Auld Lang Syne (pop) 13 Moonlight cocktail 10 You're nobody till somebody loves you 9 The twelve days of Christmas(pop) 14 Serenade in blue 11 The shadow of your smile 10 We three Kings (pop) 12 Three coins in the fountain 11 Ave Maria (vocal) ***Background Music*** ***Background Music*** 12 Gloria a Jesu(vocal) Big Band Spectacular Vol. II 13 Alleluia (vocal) 1 One O'clock jump 15 of the World's Greatest Love Son 14 II Est Ne Le Divin Enfant 2 Jersey bounce 1 Wind beneath my wings 15 Silver Bells (vocal) 3 Frankie and Johnny were lovers 2 Always on my mind 16 Alleluiah 4 Stomping at the Savoy 3 All out of love 17 For unto us a child is born 5 Down south camp meeting 4 Dust in the wind 18 The trumpet shall sound 6 Jumping at the woodside 5 Lady in red 19 Amen 7 Let's dance 6 Up where we -
A Sociological Analysis of Christian Contemporary Music and Aural Piety
“FAITH COMES BY HEARING”: A SOCIOLOGICAL ANALYSIS OF CHRISTIAN CONTEMPORARY MUSIC AND AURAL PIETY __________________________________________________________________ A Dissertation Submitted to the Temple University Graduate Board __________________________________________________________________ In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Courtney Sorrell Tepera August 2017 Examining Committee Members: Lucy Bregman, Advisory Chair, TU Department of Religion Terry Rey, TU Department of Religion David Harrington Watt, TU Department of History Dustin Kidd, External Member, TU Department of Sociology © Copyright 2017 by Courtney Suzanne Sorrell Tepera ____________________________ All rights reserved iii ABSTRACT Over the past fifty years, Christian contemporary music has joined hymnody and psalmody as a major form of evangelical liturgical and devotional song. While the production and content of this genre have been explored by scholars, few studies have attended to the devotional use of the genre and its role in shaping the religious lives of American evangelicals. This project draws from several sets of data to address this matter: analysis of church-created worship music albums, listener testimonials on Christian radio websites, and focus group interviews of laity and clergy at four South Carolina churches. The data revealed that music is significant to their religious lives outside of church as a means of encountering God, managing emotions, and displaying spiritual capital. Inside churches, the music is used to create a sense of corporate identity that reinforces social bonds within the community and attracts newcomers. Drawing on the methodological framework of Pierre Bourdieu’s theory of practice and his work on social distinction, I argue that American evangelicals who listen to Christian contemporary music are engaged in aural piety, a set of practices, attitudes, and ideas invested in music that structure and evoke the experience of the sacred. -
Bad Alchemy 45 I
BAD ALCHEMY 45 I. Andante un poco mosso - attacca 1 1984 2004 2 Ein Labelporträt von Michael Zinsmaier Eines Tages, so die Anekdote, betraten zwei gestylte Jugendliche den sagenumwobenen WAVE-Plat- tenladen in der Rue De Soeurs Macaron in Nancy um vielleicht in den Regalen nach dem neuesten Schmus zu suchen. Im Geschäft lief gerade die CD einer japanischen Noise-Band und die Disharmonien veranlassten einen der Beiden zu der Bemerkung, was das denn für eine Scheiße sei. Woraufhin der La- deninhaber ohne mit der Wimper zu zucken und ohne ein Wort zu verlieren die Lautstärke bis zur Uner- träglichkeit hochdrehte bis die Beiden die Flucht ergriffen. Dies sagt Einiges aus über Konsequenz und Philosophie von DSA. Der Ladeninhaber war Gérard Nguyen, 1951 als Sohn eines vietnamesischen Vaters und einer deut- schen Mutter geboren, in der von Rokoko-Prunk und Industrie gleichermaßen geprägten lothringschen 100 000-Einwohner-Stadt Nancy aufgewachsen und schon früh vom Morbus Musica Experimentalis befallen. Naturgemäß wenig linientreu zu den stilprägenden US-amerikanischen und britischen unabhängigen Labels wie Ralph Records, Rough Trade oder Recommended Records, versuchten die franko- phonen Vertreter der Free Musik und des Punks Anfang der 80er Jahre andere Wege zu gehen. Illusion Prod., Nato, AYAA oder das Kassetten-Label Tago Mago versprachen bezüglich Design und Grad an Strangeness weitere Verheißungen (aufgrund der Kunst- und Philosophiereferenzen gar eine Be- wusstseinserweiterung?) Vor zwanzig Jahren gegründet ist Gérard Nguyens Label (1988 kam der Laden in Nancy, 1998 der in Paris hinzu) heute allerdings eine der wenigen noch existierenden Firmen aus dieser Zeit mit Avantgar- de-Ausrichtung. Der Labelkatalog selbst liest sich heutzutage einerseits wie ein Kompendium der alter- nativen Avantgardeströmungen der letzten 30 Jahre, aber auch wie ein der Qualitätskontrolle verpflich- teter Gradmesser aktueller Tendenzen. -
Gagen, Justin. 2019. Hybrids and Fragments: Music, Genre, Culture and Technology
Gagen, Justin. 2019. Hybrids and Fragments: Music, Genre, Culture and Technology. Doctoral thesis, Goldsmiths, University of London [Thesis] https://research.gold.ac.uk/id/eprint/28228/ The version presented here may differ from the published, performed or presented work. Please go to the persistent GRO record above for more information. If you believe that any material held in the repository infringes copyright law, please contact the Repository Team at Goldsmiths, University of London via the following email address: [email protected]. The item will be removed from the repository while any claim is being investigated. For more information, please contact the GRO team: [email protected] Hybrids and Fragments Music, Genre, Culture and Technology Author Supervisor Justin Mark GAGEN Dr. Christophe RHODES Thesis submitted for the degree of Doctor of Philosophy in Computer Science GOLDSMITHS,UNIVERSITY OF LONDON DEPARTMENT OF COMPUTING November 18, 2019 1 Declaration of Authorship I, Justin Mark Gagen, declare that the work presented in this thesis is entirely my own. Where I have consulted the work of others, this is clearly stated. Signed: Date: November 18, 2019 2 Acknowledgements I would like to thank my supervisors, Dr. Christophe Rhodes and Dr. Dhiraj Murthy. You have both been invaluable! Thanks are due to Prof. Tim Crawford for initiating the Transforming Musicology project, and providing advice at regular intervals. To my Transforming Musicology compatriots, Richard, David, Ben, Gabin, Daniel, Alan, Laurence, Mark, Kevin, Terhi, Carolin, Geraint, Nick, Ken and Frans: my thanks for all of the useful feedback and advice over the course of the project. -
'92 Only Wendy's Being Considered for BP
Lighting it up. Freshman Zeki Blari points as the women' THE CHRONICLE by UNC-Asheville. £ THURSDAY, DECEMBER 12, 1991 DUKE UNIVERSITY DURHAM, NORTH CAROLINA CIRCULATION: 15,000 VOL 87, NO. 70 IFC, Panhel members Smith is elect officers for '92 innocent, By TIFFANI SHERMAN individual votes from each soror The Interfraternity Council ity member. and the Panhellenic Council have Nine other officers will serve jury says elected their officers for 1992. on the IFC with Near. The vice Trinity junior Jason Near of presidents of rush and pledging By DAVID MARGOLICK N.Y. Times News Service Sigma Phi Epsilon fraternity was are Trinity juniors Steve Cattaneo elected president ofthe IFC and of Kappa Alpha fraternity and WEST PALM BEACH, Trinity junior Wendy Doniel Jackson of Delta Fla. — After deliberating Lyda of Alpha Epsilon Sigma Phi fraternity. for 77 minutes, a jury ac Phi sorority is the next The recording secretary quitted William Smith on president of Panhel. is Trinity sophomore Wednesday of charges that Both Near and Lyda Patrick O'Reilly of Theta he raped a woman on the want to use their new Chi fraternity and Engi- Kennedy family's Palm positions to unify differ neeringjunior Mike Guhl Beach estate one moonlit ent groups on campus. of Phi Kappa Psi frater night last Easter weekend. Near said he wants to nity is treasurer. The jury returned its ver "develop more Greek The public relations dict at 5:10 p.m., giving star- unity" and "improve the officer is Trinity junior tlingly short shrift to the rush schedule." Brett Wasserlauf, also impassioned pleas they Lyda said as Panhel of Phi Kappa Psi fra heard from the prosecutor, Moira Lasch, barely two president she wants Jason Near ternity. -
Fallica Umd 0117E 21129.Pdf (2.663Mb)
ABSTRACT Title of Dissertation: OF FLESH AND FEATHERS: A STUDY OF ARTISTIC LABOR AND THE POLITICS OF THE SENSUOUS IN NEW YORK NEO- BURLESQUE Elisabeth T. Fallica, Doctor of Philosophy, 2020 Dissertation directed by: Associate Professor, Laurie Frederik, Theatre and Performance Studies This dissertation presents an ethnographic study of the neo-burlesque scene in New York City, a group of nightlife artists who perform theatrical striptease. Based on fieldwork conducted from 2015 to 2018, this study uses the lens of labor to explore issues of art making, aesthetics and materiality. Specifically, it focuses on the artistic labor of performers on and off the stage; how the concept of labor is evoked in performance; and the work of material objects on stage. Looking at labor in relationship to neo-burlesque hopes to advance discussions on costume and materiality, the artist’s relationship to concepts of work, and artistic process. In doing so, this project also seeks to broaden the scope of previous scholarship on burlesque and erotic performance that more often than not has read such performance as either oppressive or empowering. I begin by providing a contemporary history of the neo-burlesque scene in New York, a scene that emerged in the 1990s at late night parties and strip clubs, among performance artists and strippers. I then analyze the heated, emotional choreography in contemporary burlesque acts and consider its relationship to Post-Fordist work modes. In my discussion of neo-burlesque performance I also analyze the active role of costume, arguing that burlesque costumes are actants that cue performers choreographic choices. -
Communicating in Song: the American Sung-Through Musical from in Trousers (1979) to Caroline, Or Change (2004)
Communicating in Song: The American Sung-Through Musical from In Trousers (1979) to Caroline, or Change (2004) A dissertation submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Division of Composition, Musicology, and Theory of the College-Conservatory of Music by Alexandre Bádue BM, Federal University of Paraná, 2007 MM, University of Cincinnati, 2012 Committee Chair: bruce d. mcclung, PhD ABSTRACT In the American musical theater, the book musical has always presented a conspicuous alternation of songs and spoken dialogue. The former interrupt the latter and provides additional means to depict the characters and the dramatic situations. In the last quarter of the twentieth century, however, a second subgenre of the musical came to prominence: the sung-through musical, in which the entire script—monologues, conversations, turning points—all occur in song, eschewing spoken dialogue and contrasting with the aesthetics of the book musical. This dissertation demonstrates that by avoiding spoken dialogue and increasing the amount of music, American sung-through musicals from 1979 until 2004 challenged the means of structuring musicals. This study investigates how creative teams of sung-through musicals have used songs alone to create, organize, and communicate dramaturgy, questioning the limits between singing and speaking in musical theater. This study comprises twelve sung-through musicals that were written and composed in the United States and originally produced in New York City’s Broadway or Off-Broadway circuits. It does not consider the British sung-through musicals that were successful on Broadway during the same time period. -
DJ Master Mix Songlist Report
DJ Master Mix Songlist Track TitleRecording Artist Recording Title Track Title Recording Artist Recording Title Chesney, Kenny The Road and the Radio 4 Moms A Tribe Called Quest The Love Movement #!*@ Me Notorious BIG, The Ready to Die 4 Seasons of Change Boyz II Men Evolution #!*@ You tonight Notorious B.I.G. Life After Death Disc 1 4 the tears in your eyes Prince The Hits/ The B-Sides Disc 3 (The B- #1 Nelly Nellyville 4 U alone Gill, Johnny Let's Get The Mood Right #34 Matthews, Dave Under The Table And Dreaming 4 you Jordan, Montell Let's Ride #41 Matthews, Dave Crash 40 Tool Undertow ***** D-12 D12 World 40 days and 40 nights McGraw, Tim Not A Moment Too Soon ...to die for Lion King Lion King 40 Days- Third Day Dove Hits Dove Hits 2003 …And when I kissed him Pearl Harbor Pearl Harbor 40 hour week Alabama Greastest Hits 03' Bonnie and Clyde Jay_Z The Blueprint 2 Disc 1 40 Kinds of sadness Cabrera, Ryan Take It All Away 1,2,3 (remix) Estefan, Gloria Greatest Hits 40 oz D-12 D12 World 1,2,3,4-- Coolio Jock Jams Jock Jams Volume 2 400 Degreez Juvenile 400 Degreez 1+1=2 Bega, Lou A Little Bit of Mambo 409 Beach Boys, The Made In The USA 10 Surface 3 Deep 4th movement Chicago Chicago II 10 Chicken Wangs & A Bottle of Dom 69 Boyz 199QUAD 4th of July Soundgarden Superunknown 100 Governor St. Polka Polka Non-Stop Polka Volume 1 5 steps Dru Hill Dru Hill 100% pure love--- Crystal Waters MTV Party to Go Volume 6 5 verses of def Candyman Ain't No Shame In My Game 12 Play Kelly, R.