The East, the West, and the Appropriation of the Past in Early Ottoman Architecture Author(s): Robert Ousterhout Reviewed work(s): Source: Gesta, Vol. 43, No. 2 (2004), pp. 165-176 Published by: The University of Chicago Press on behalf of the International Center of Medieval Art Stable URL: http://www.jstor.org/stable/25067103 . Accessed: 25/11/2012 17:58 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact
[email protected]. The University of Chicago Press and International Center of Medieval Art are collaborating with JSTOR to digitize, preserve and extend access to Gesta. http://www.jstor.org This content downloaded by the authorized user from 192.168.72.226 on Sun, 25 Nov 2012 17:58:45 PM All use subject to JSTOR Terms and Conditions The East, theWest, and the Appropriation of the Past in Early Ottoman Architecture ROBERTOUSTERHOUT University of Illinois at Urbana-Champaign Abstract nean history; as Deborah Howard insists, "The concept of East and West remains fundamental to our political, ideolog As the Ottoman state emerged in the fourteenth and fifteenth ical and cultural framework."2 These categories are linked it encountered the medieval cultures centuries, contemporary, to geography only superficially, however; the fundamental of Western Europe and Byzantium, as well as the past, clas difference lies in radically opposing viewpoints on govern sical cultures of northwest Asia Minor.