Playlist Cosmic Machine 80'S Chez Olivier Carrié Aka Uncle O 53

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Playlist Cosmic Machine 80'S Chez Olivier Carrié Aka Uncle O 53

série Shaolin Soul chez Olivier Carrié aka Uncle O 53 ans - design compiles Cosmic Machine 1er disque acheté : Enni Morricone : à l’aube écouter albumThe Feedback du 5ème jour Donna Summer love to love you baby Cerrone : Love in C Minor Moroder From Here to Eternity Moroder Knights in White Satin A Whiter Shade of Pale - Munich Machine Neon Lights Punk Kraftwerk The Man Machine Chic Good Times Disco Electric Callas Cold wave Human League « The Dignity of Labour » Talking Heads James Brown Autres Feel Up Grace Jones Pull Up to the Bumper Dirty Mind Les années Bains Prince Controversy Jamie Starr - Vanity 6 Newcleus Planet Patrol Jonzun Crew Bambaataa & Soulsonic Force Warp 9 Electro Funk Indeep : last night the DJ saved my life Egyptian Lover : On the Nile Collectif Uncle Jamm’s Army Cybotron Strafe : « Set it Off » Rich Cason And the Galactic Orchestra Personality Jock : King Tim III Hip Hop Rapper’s Delight Kalifornia Above the Law Black Superman playlist cosmic machine 80’s Au-dessus du lot EPMD Années lycée Erik B & Rakim Little Sister produit par Sly Stone RAMP : Come into Knowledge Trésors Souls Here, My Dear Marvin Gaye Sly stone, curtis mayﬁeld, Al Green Champion Sound Compiles Dirty South Bass Toxic Music For listening To - British Electric Foundation Throbbing Gristle : Distant Dreams Sélection vinyles Teenage Jesus : « Orphans » Chrome : « red exposure » Et : The Units, Indoor Life, Tuxedomoon, Voice Farm… Bad Brains : « black dots » Violent Ocasek : 2ème Suicide Album solo : Martin Rev ESG Says Dance to the Beat of Moody NYC James Murphy LCD Soundsystem Heldon Richard Pinhas Video Liszt Cluster Musique Française cf Cosmic Machine Can Productions Conny Plank Zeus B Held Gina X performance Songs of Electronic Despair (1984) - Android Sisters Liquid Sky (BO ﬁlm 1982) Curiosités recommandées Label Dark Entries Patrick Cowley : School Daze Sur une île déserte The Return of The Durutti Column /playlist cosmic machine 80’s/Années lycée/Trésors Souls/RAMP : Come into Knowledge spotify:album:3EJNPFPZynrieX23AT9Zbi /playlist cosmic machine 80’s/Années lycée/Sur une île déserte/The Return of The Durutti Colu... spotify:track:74CXQDbpYhp5mu8La3VreE.

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The Futurism of Hip Hop: Space, Electro and Science Fiction in Rap
Open Cultural Studies 2018; 2: 122–135 Research Article Adam de Paor-Evans* The Futurism of Hip Hop: Space, Electro and Science Fiction in Rap https://doi.org/10.1515/culture-2018-0012 Received January 27, 2018; accepted June 2, 2018 Abstract: In the early 1980s, an important facet of hip hop culture developed a style of music known as electro-rap, much of which carries narratives linked to science fiction, fantasy and references to arcade games and comic books. The aim of this article is to build a critical inquiry into the cultural and socio- political presence of these ideas as drivers for the productions of electro-rap, and subsequently through artists from Newcleus to Strange U seeks to interrogate the value of science fiction from the 1980s to the 2000s, evaluating the validity of science fiction’s place in the future of hip hop. Theoretically underpinned by the emerging theories associated with Afrofuturism and Paul Virilio’s dromosphere and picnolepsy concepts, the article reconsiders time and spatial context as a palimpsest whereby the saturation of digitalisation becomes both accelerator and obstacle and proposes a thirdspace-dromology. In conclusion, the article repositions contemporary hip hop and unearths the realities of science fiction and closes by offering specific directions for both the future within and the future of hip hop culture and its potential impact on future society. Keywords: dromosphere, dromology, Afrofuturism, electro-rap, thirdspace, fantasy, Newcleus, Strange U Introduction During the mid-1970s, the language of New York City’s pioneering hip hop practitioners brought them fame amongst their peers, yet the methods of its musical production brought heavy criticism from established musicians.
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The Evolution of Hip Hop 1980’S
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Inventor Brings 3-D Vision to Music by James Sullivan Globe Correspondent, April 2, 2013, 12:00 A.M
●BREAKING 4 NEW CORONAVIRUS-RELATED BREAKING: 4 NEW CORONAVIRUS- DEATHS AND 131 NEW CASES ARE RELATED DEATHS AND 131 NEW CASES CONFIRMED IN MASS. ARE CONFIRMED IN MASS. Inventor brings 3-D vision to music By James Sullivan Globe Correspondent, April 2, 2013, 12:00 a.m. Bill Sebastian inside a prototype of a dome used for displaying visual music content. Sebastian is the founder of Visual Music Systems, which is developing technology to make music a fully visual experience. DINA RUDICK/GLOBE STAFF On the edge of the woods in Falmouth rests the decaying hulk of one man’s youthful ambition. It’s the bones and innards of an instrument that was designed to facilitate a pretty big notion: human contact with another dimension. The story behind its creation — and rebirth — involves the Vietnam War, New Kids on the Block, the early days of the Internet, and one MIT dropout’s lifelong determination. Sun Ra performed on keyboards at Nightstage June 10, 1986. PHIL SPRING/GLOBE STAFF/BOSTON GLOBE In the late 1970s, the instrument led to concert appearances with the late, cosmically attuned jazz bandleader Sun Ra. Now Bill Sebastian, 61, the man who built the instrument, has been working in a Boston office on his invention’s digital successor, which he’s almost ready to show the world. It is a kind of optical synthesizer called the Outerspace Visual Communicator, or OVC. Designed to let the user “play” with images as part of a musical composition, the original OVC was a custom-built keyboard featuring an array of sensors to be brushed with fingertips (“like fingerpainting”).
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Maurice Starr You and Me Mp3, Flac, Wma
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Tommy Boy Records
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JAMIE LOCKE 125 Furnace Street, Sharon MA (617) 462-6099 [email protected]
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Afrofuturism - Wikipedia, the Free Encyclopedia
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The Jonzun Crew Lost in Space Mp3, Flac, Wma
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