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Bachelorarbeit Saskia Sperfeld

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Bachelorarbeit Saskia Sperfeld BACHELORARBEIT Frau Saskia Sperfeld Die Entwicklung des Star Trek Franchises am Beispiel der Filme „Star Trek II: Der Zorn des Khan“ (1982) und „Star Trek Into Darkness“ (2013) 2018 Fakultät: Medien BACHELORARBEIT Die Entwicklung des Star Trek Franchises am Beispiel der Filme „Star Trek II: Der Zorn des Khan“ (1982) und „Star Trek Into Darkness“ (2013) Autorin: Frau Saskia Sperfeld Studiengang: Film und Fernsehen Seminargruppe: FF15sR1-B Erstprüfer: Prof. Peter Gottschalk Zweitprüfer: Christian Maintz, M.A. Einreichung: Braunschweig, 24.05.2018 Faculty of Media BACHELOR THESIS Developments in the Star Trek franchise as seen in “Star Trek II: The Wrath of Khan” (1982) and “Star Trek Into Darkness” (2013) author: Ms. Saskia Sperfeld course of studies: Film and Television seminar group: FF15sR1-B first examiner: Prof. Peter Gottschalk second examiner: Christian Maintz, M.A. submission: Braunschweig, 24.05.2018 Bibliografische Angaben Nachname, Vorname: Sperfeld, Saskia Die Entwicklung des Star Trek Franchises am Beispiel der Filme „Star Trek II: Der Zorn des Khan“ (1982) und „Star Trek Into Darkness“ (2013) Developments in the Star Trek franchise as seen in “Star Trek II: The Wrath of Khan” (1982) and “Star Trek Into Darkness” (2013) 53 Seiten, Hochschule Mittweida, University of Applied Sciences, Fakultät Medien, Bachelorarbeit, 2018 Thema der vorliegenden Arbeit sind die Filme Star Trek II: The Wrath of Khan von 1982 und Star Trek Into Darkness von 2013. Es wird aufgezeigt welche Gemeinsamkeiten und Unterschiede die beiden, in Handlung und Figuren sehr ähnlichen, Filme aufweisen, um zu untersuchen, ob und wie sich das Star Trek Franchise weiterentwickelt hat. Zu diesem Zweck werden zunächst Filmanalysen der beiden Filme nach den Parametern Hand- lung, Erzählstruktur, Figuren und Thematiken und Kontext durchgeführt. Diese werden unterstützt durch literaturbasierte Recherche, die produktionsbedingte und historische Hintergründe der Filme beleuchtet. Schließlich werden zentrale Unterschiede und Ge- meinsamkeiten gegenübergestellt, wodurch ersichtlich wird, dass sich Star Trek Into Darkness in vieler Hinsicht von Star Trek II: The Wrath of Khan weiterentwickelt hat und Teil eines Neustarts des Franchises ist. Die Arbeit kommt jedoch auch zu dem Ergebnis, dass Into Darkness wichtige Teile des Star Trek Erbes vernachlässigt, da beispielsweise kaum Fortschritte in der Darstellung von unterrepräsentierten Gruppen und tabuisierten Themen gewagt werden. I Inhaltsverzeichnis Inhaltsverzeichnis .......................................................................................................... I Abbildungsverzeichnis ................................................................................................ III 1 Einleitung ............................................................................................................... 1 1.1 Hinführung zur Thematik .......................................................................................... 1 1.2 Fragestellung ........................................................................................................... 2 1.3 Aufbau der Arbeit und Vorgehensweise ................................................................... 2 2 Hintergrundinformationen .................................................................................... 3 2.1 Das Star Trek Franchise .......................................................................................... 3 2.2 TOS und AOS Zeitlinien ........................................................................................... 4 2.3 Space Seed Zusammenfassung .............................................................................. 5 3 Filmanalyse Star Trek II: The Wrath of Khan ....................................................... 7 3.1 Handlungsanalyse und Genreeinordnung ................................................................ 7 3.1.1 Dramaturgischer Aufbau ...................................................................................... 7 3.1.2 Genreeinordnung............................................................................................... 11 3.2 Erzählstrukturen ..................................................................................................... 12 3.2.1 Der Erzähler ...................................................................................................... 12 3.2.2 Die Zeit .............................................................................................................. 14 3.3 Figurenanalyse ....................................................................................................... 14 3.3.1 Admiral James T. Kirk ....................................................................................... 15 3.3.2 Spock ................................................................................................................ 17 3.3.3 Beziehung Kirk und Spock ................................................................................ 18 3.3.4 Dr. Leonard McCoy ........................................................................................... 19 3.3.5 Triumvirat Beziehungen ..................................................................................... 19 3.3.6 Khan .................................................................................................................. 20 3.3.7 Beziehung Kirk und Khan .................................................................................. 21 3.3.8 Dr. Carol Marcus und Dr. David Marcus ............................................................ 21 3.4 Interpretation und Kontext ...................................................................................... 22 3.4.1 Thematiken und Intertextualität ......................................................................... 22 3.4.2 Produktion ......................................................................................................... 23 4 Filmanalyse Star Trek Into Darkness ................................................................. 25 4.1 Handlungsanalyse und Genreeinordnung .............................................................. 25 4.1.1 Dramaturgischer Aufbau .................................................................................... 25 4.1.2 Genreeinordnung............................................................................................... 29 II 4.2 Erzählstrukturen ..................................................................................................... 30 4.2.1 Der Erzähler ...................................................................................................... 30 4.2.2 Die Zeit .............................................................................................................. 30 4.3 Figurenanalyse ....................................................................................................... 31 4.3.1 Beziehung Kirk und Spock ................................................................................ 31 4.3.2 Captain James T. Kirk ....................................................................................... 33 4.3.3 Spock ................................................................................................................ 35 4.3.4 Dr. Leonard McCoy ........................................................................................... 36 4.3.5 Lieutenant Uhura ............................................................................................... 36 4.3.6 Dr. Carol Marcus ............................................................................................... 37 4.3.7 Khan .................................................................................................................. 37 4.3.8 Beziehung Khan und Kirk .................................................................................. 38 4.3.9 Admiral Alexander Marcus ................................................................................ 39 4.4 Interpretation und Kontext ...................................................................................... 40 4.4.1 Thematiken ........................................................................................................ 40 4.4.2 Produktion ......................................................................................................... 42 5 Vergleiche ............................................................................................................. 44 5.1 Das Reboot ............................................................................................................ 44 5.2 Produktion .............................................................................................................. 44 5.3 Rezeption ............................................................................................................... 45 5.4 Thematiken ............................................................................................................ 46 5.5 Die Charaktere ....................................................................................................... 47 5.5.1 James T. Kirk..................................................................................................... 47 5.5.2 Spock ................................................................................................................ 48 5.5.3 Beziehung Kirk und Spock ................................................................................ 49 5.5.4 Lieutenant Uhura ..............................................................................................
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