Boudwijn Buckinx
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Let Me Be Your Guide: 21St Century Choir Music in Flanders
Let me be your guide: 21st century choir music in Flanders Flanders has a rich tradition of choir music. But what about the 21st century? Meet the composers in this who's who. Alain De Ley Alain De Ley (° 1961) gained his first musical experience as a singer of the Antwerp Cathedral Choir, while he was still behind the school desks in the Sint-Jan Berchmans College in Antwerp. He got a taste for it and a few years later studied flute with Remy De Roeck and piano with Patrick De Hooghe, Freddy Van der Koelen, Hedwig Vanvaerenbergh and Urbain Boodts). In 1979 he continued his studies at the Royal Music Conservatory in Antwerp. Only later did he take private composition lessons with Alain Craens. Alain De Ley prefers to write music for choir and smaller ensembles. As the artistic director of the Flemish Radio Choir, he is familiar with the possibilities and limitations of a singing voice. Since 2003 Alain De Ley is composer in residence for Ensemble Polyfoon that premiered a great number of his compositions and recorded a CD dedicated to his music, conducted by Lieven Deroo He also received various commissions from choirs like Musa Horti and Amarylca, Kalliope and from the Flanders Festival. Alain De Ley’s music is mostly melodic, narrative, descriptive and reflective. Occasionally Alain De Ley combines the classical writing style with pop music. This is how the song Liquid Waltz was created in 2003 for choir, solo voice and pop group, sung by K’s Choice lead singer Sarah Bettens. He also regularly writes music for projects in which various art forms form a whole. -
Curva Minore Contemporary Sounds Musica Nuova in Sicilia 1997/2007
Un museo etnografico edita una pubblicazione Why has an ethnographic museum published a 7 4/5 0 sull’attività di un’Istituzione che si occupa di musica book on the activities carried out by an Institution 0 2 contemporanea: perché? that deals with contemporary music? / Molte le possibili risposte, numerose quelle legate There are several answers, all of which trace back to 7 9 al lascito ideale del suo fondatore, Antonino Uccello the legacy left by the ethnographic museum’s 9 1 (1922-1979), intellettuale ad ampio raggio, poeta, founder, Antonino Uccello (1922-1979), to whom A I studioso non accademico di antropologia, this work is dedicated. Uccello was an intellectual L I anticonformista e scomodo operatore culturale with a wide range of interests, a poet, a non- C I S nella Sicilia degli anni Sessanta e Settanta, academic anthropology scholar, an eccentric and A N cui questo lavoro costituisce un omaggio. challenging cultural expert of Sicily in the 1960s I Casa museo Antonino Uccello V Nella pervicace volontà di proporre nuove soluzioni and 1970s. In his determination to offer new a cura di Gaetano Pennino A E V per le offerte culturali più avanzate e per le sfide solutions for the most cutting-edge cultural featuring english translation of selected chapters O U istituzionali più ardite, Uccello rivelò il senso initiatives and the most daring institutional R N dell’impegno di una vita spesa per l’affermazione challenges, Uccello gave proof of his commitment R A C U di un principio che oggi può configurarsi risibile to forwarding a principle, which today is vested of I S velleità: intendere la realtà in cui si vive per poterla absurd ambition: understanding the reality we live O U C cambiare, trasformare . -
Phill Niblock
Festival für aktuelle Musik Performance Klangkunst 17. - 20. NOVember BOchum DOrtmund Essen HERne open systems 2005 Festival für aktuelle Musik | Performance und Klangkunst im Ruhrgebiet VORwort Das Ruhrgebiet ist eine spannende Kulturregion, die Kunst an außergewöhnlichen Orten präsentiert. Eine fundierte kulturelle Infrastruktur in den Städten des Reviers wird von einer faszinierenden Festivallandschaft, von der RuhrTriennale über die Ruhrfestspiele bis zum Klavierfestival Ruhr oder den Mühlheimer Theatertagen, ergänzt. Hier existieren aber vor allem Räume für kulturelle Experimente, die regional gut verankert und national breit beachtet sind. Das Festival „open systems“ hat sich hier in besonderer Weise hervorgetan. Bereits zum sechsten mal präsentieren die Veranstalter in den Städten Bochum, Dortmund, Essen und Herne experimentelle und innovative Projekte, die ihresgleichen suchen müssen. In diesem Jahr realisiert sich die Idee der offenen Systeme als Kooperation mit unseren europäischen Nachbarländern Belgien, Luxemburg und den Niederlanden. Hier entsteht ein Experimentierfeld für international renom- mierte Künstler und Ensembles, das durch unbürokratische Beteiligung von Schulen der Region ergänzt wird. Aktivitäten wie diese machen den Reichtum des Kulturlandes Nordrhein-Westfalen aus. Ich wünsche dem Publikum, den Künstlerinnen und Künstlern und den Veranstaltern erfolgreiche und anregende Festivaltage. (Hans-Heinrich Grosse-Brockhoff) Staatssekretär für Kultur open systems 2005 WANDEL durch KULTUR IMpressum Künstlerische Leitung Gefördert durch: Kooperationspartner: Karl-Heinz Blomann Kuratoren Team Von hier aus BO Schauspielhaus Bochum Globalisierung beschleunigt die Öffnung und theoretisch schreiben wir darüber Karl-Heinz Blomann von Systemen, die Welt explodiert und hinaus unsere Aufsatzsammlung zum Jens Brand implodiert, und die Gesellschaften mischen sich Thema „offene Systeme“ fort. Dr. Frank Sielecki neu. Räume, Personen, Technik, Ökonomien und Produktionsassistenz & Ideologien werden flexibel. -
Universitatea Nationala De Muzica Din Bucuresti
Universitatea Naţională de Muzică din Bucureşti Facultatea de Interpretare Muzicală LUCRARE DE DISERTAŢIE Masterand: ALEXANDRA CONŢ Coordonarea ştiinţifică: Conf. Univ. Dr. ŞERBAN NICHIFOR 2010 Universitatea Naţională de Muzică din Bucureşti Facultatea de Interpretare Muzicală IPOSTAZE PIANISTICE ÎN LITERATURA CAMERALĂ NEO-CONSONANTĂ ROMÂNEASCĂ ŞI BELGIANĂ Masterand: ALEXANDRA CONŢ Coordonarea ştiinţifică: Conf. Univ. Dr. ŞERBAN NICHIFOR 2010 Cuprins I. Introducere………………………………………………………………………..5 I.1 Postmodernismul……………………………………………………………6 I.2 Postmodernismul musical………………………………………………….16 I.3 Neoconsonantismul………………………………………………………...21 II. Boudewijn Buckinx……………………………………………………………...36 II.1 Viata si opera……………………………………………………………...36 II.2 1001 de Sonate, pentru vioara si pian……………………………………..38 III. Piotr Lachert…………………………………………………………………...43 III.1 Viata si opera……………………………………………………………..43 III.2 Sonata 17, pentru vioară şi pian…………………………………………..44 IV. Frédéric Rossille………………………………………………………………...51 IV.1 Viaţa şi opera……………………………………………………………...51 IV.2 Message de l’Archipel, pentru vioară şi pian……………………………..53 V. Nicolae Coman……………………………………………………………………57 V.1 Viaţa şi opera……………………………………………………………….57 V.2 Sonata a II-a pentru pian……………………………………………………58 VI. Jacques Leduc…………………………………………………………………....61 VI.1 Viaţa şi opera………………………………………………………………61 VI.2 Aquarelles – şase melodii pentru mezzo-soprană şi pian, op.17…………..62 VII. Şerban Nichifor…………………………………………………………………64 VII.1 Viaţa şi opera……………………………………………………………...64 VII.2 La Centaine (Tant d’Années…), -
Estudo Interpretativo Das Peças Sonata Para Vibrafone De Almeida Prado E Domus Aurea De Edmundo Campion / Bruno Soares Santos
Bruno Soares Santos DUOS PARA VIBRAFONE E PIANO: ESTUDO INTERPRETATIVO DAS PEÇAS SONATA PARA VIBRAFONE E PIANO DE ALMEIDA PRADO E DOMUS AUREA DE EDMUND CAMPION Linha de Pesquisa: Performance Musical Orientador: Prof. Doutor Fernando de Oliveira Rocha Belo Horizonte Escola de Música da UFMG 2010 Livros Grátis http://www.livrosgratis.com.br Milhares de livros grátis para download. S237c Santos, Bruno Soares Duos para vibrafone e piano : estudo interpretativo das peças Sonata para Vibrafone de Almeida Prado e Domus Aurea de Edmundo Campion / Bruno Soares Santos. --2010. 123 fls., enc. ; il. Acompanha um Compact Disc e um Programa do Recital Dissertação (mestrado) – Universidade Federal de Minas Gerais, Escola de Música Orientador: Prof. Dr. Fernando de Oliveira Rocha 1. Almeida Prado, José Antônio Resende de, (1943-). 2. Campion, Edmund. 3. Música - Análise, interpretação e apreciação. 4. Música para piano e vibrafone. I. Título. II. Rocha, Fernando de Oliveira. III. Universidade Federal de Minas Gerais. Escola de Música CDD: 780.15 AGRADECIMENTOS Agradeço aos meus orientadores Fernando de Oliveira Rocha e Ana Cláudia de Assis pelas portas abertas e pelo estímulo; aos professores e funcionários do programa de pós- graduação da Escola de Música da UFMG; a Rubner de Abreu, Berenice Menegale e à Fundação de Educação Artística e seus funcionários; aos colegas professores, especialmente Maria Betânia Parizzi e Débora Baião pelo seu incentivo. Sou grato pelo aprendizado diário com todos os colegas músicos e sobretudo a Joana Boechat, Felipe Amorim e Flávio Ferreira. Dedico este trabalho à minha família por todo apoio e inspiração; e à Mariana Borssatto por todo o carinho, suporte e compreensão. -
GUIDE CONTEMPORARY MUSIC (Edtion 2003)
GUIDE TO CONTEMPORARY MUSIC IN FLANDERS Contents: Preface: p. 2 Introduction : p. 3 1. Composers’ Associations, p. 5 2. Music Organisations 2.1. Documentation centres, p. 2.2. Laboratories for experimental, electronic, electro-acoustic music and research, p. 3. Concert Organisations 3.1. Festivals, p. 3.2. Art Centres, p. 3.3. Independent organisers, p. 4. Radio p. 5. Academies of Music 5.1. Music High Schools/Conservatories, p. 5.2. Post-graduate Institutes, p. 6. Ensembles and Orchestras 6.1. Ensembles specialised in contemporary music, p. 6.2. Ensembles with special interest in contemporary music, p. 6.3. Singular Composer-Ensembles, p. 6.4. Orchestras, p. 7. Specialised Soloists 7.1. Vocalists, p. 7.2. Instrumentalists, p. 8. Publishers, p. 9. Record companies, p. 1 PREFACE On a map of the world Flanders only occupies a small space. But history has turned this region into a crossroads of different cultures. For this reason Flanders is very rich in creative talent and bursting with cultural activities. This is evinced by, amongst other things, its large number of cultural institutions, its numerous festivals and the many small-scale initiatives that take place. Where music is concerned, every city boasts a diversity of excellent concert halls or other interesting locations for concerts. In the area of classical music there is more interest than is usually supposed. According to a European Union study – while taking into account the relative nature of such studies – nearly 25% of Belgians listen occasionally to classical music. When it comes to concert attendance, classical is the second most popular choice. -
Universidade Federal Da Bahia Música Brasileira Para
UNIVERSIDADE FEDERAL DA BAHIA PROGRAMA DE PÓS - GRADUAÇÃO EM MÚSICA MESTRADO INTERINSTITUCIONAL UFBA / EMBAP ÁREA DE CONCENTRAÇÃO: EXECUÇÃO MUSICAL MAURICIO SOARES CARNEIRO MÚSICA BRASILEIRA PARA CLARONE SOLO: Catalogação de Repertório e uma Abordagem Interpretativa da obra Danzas Híbridas , Op. 132 de Jaime Zenamon SALVADOR 2008 MAURICIO SOARES CARNEIRO MÚSICA BRASILEIRA PARA CLARONE SOLO: Catalogação de Repertório e uma Abordagem Interpretativa da obra Danzas Híbridas , Op. 132 de Jaime Zenamon Dissertação apresentada ao Programa de Pós- Graduação em Música da Escola de Música da Universidade Federal da Bahia, como requisito parcial para obtenção do grau de Mestre em Música. Área de Concentração: Execução Musical Orientador: Prof. Dr. Pedro Robatto SALVADOR 2008 Catalogação na publicação elaborada por Mauro Cândido dos Santos – CRB 1416-9ª. Dados Internacionais de Catalogação-na-Publicação (CIP) C289m Carneiro, Maurício Soares. Música brasileira para clarone solo : catalogação de repertório e uma abordagem interpretativa da obra Danzas Híbridas, op. 132 de Jaime Zenamon / Maurício Soares Carneiro. – Salvador, 2008. 167f. + 2CDs . Orientador: Prof. Dr. Pedro Robatto. Dissertação (Mestrado em Execução Musical) – Universidade Federal da Bahia - Programa de Pós-Graduação em Música, 2008. Inclui bibliografia. 1.Clarone solo - Teses. 2. Música brasileira - Teses. 3. Música contemporânea - Teses. 4. Jaime Zenamon - Teses. I. Robatto, Pedro. II. Universidade Federal da Bahia. Programa de Pós-Graduação em Música. III. Escola de Música e Belas Artes do Paraná. IV. Título. CDU 788.9(81) TERMO DE APROVAÇÃO À Vivian Siedlecki pela nossa cumplicidade AGRADECIMENTOS Agradeço ao meu orientador, Prof. Dr. Pedro Robatto pela sua orientação precisa, seu incentivo e apoio em todos os momentos dessa trajetória. -
Oughtonefestival August 25 AND26 Nonpop:Nobounds
NononPopop:NooBoundsounds 120.NonPopStars Alex Abele Douglas Geers Mary Lou Newmark Lucio Cuellar Canadian Electroacoustic Ensemble Beth Anderson Bill Gilliam Erik Nielsen Ricardo Dal Farra Odd Appetite Jon Appleton Daniel Goode Frank J. Oteri Jonathan Harvey Quokka Quartet Larry Austin Patrick Grant Maggi Payne Adina Izarra Loons in the Monastery Jacques Bailhé Steve Gryc Sarah Peebles Mauricio Kagel Uh Maybe Clarence Barlow David Gunn Troy Peters Marek Kopelent Ensemble WireWorks Gary Barwin Georg Hajdu Jean Piché Helmut Lachenmann Members of the Montpelier Dennis Báthory-Kitsz Greg Hall Larry Polansky Vanessa Lann Chamber Orchestra Society Olex Beck Tom Hamilton Robert D. Polansky György Ligeti Eve Beglarian Jeff Harrington Godfried-Willem Raes Annea Lockwood Individual performers: Barbara Benary William Harris Thomas L. Read Ivo Medek Michael Arnowitt Joseph Benzola Tom Heasley Johnny Reinhard Pavel Novák-Zemek Gregory Beyer Susan Bettmann Zeke Hecker Douglas Irving Repetto Tomáš Pálka Becky Bruce James Bohn Dietmar Hippler Belinda Reynolds Stefan Poetzsch Daniel Bruce Gilles Yves Bonneau Brenda Hutchinson Anna Rubin Paul Reller Maja Cerar Canary Burton David Jaffe Michael Sahl Paul Rudy Yves Charuest Joseph Celli Brian Johnson Roddy Schrock Frederic Rzewski Anne Decker David Cleary Erika Jürgens André Smirnov Kaija Saariaho Willie Docto Darius Clynes Carson Kievman Brad Smith Dieter Schnebel Ruth Einstein Manfred Clynes Jin Hi Kim Don Stewart Stuart Saunders Smith John Kameel Farah Anthony Cornicello Phil Kline Richard Tolenaar Manfred -
Clara Schumann Scholar Nancy B
Veery Books 2016 Catalog 1 Selected works from the libraries of Daniel Harris, Nancy Reich & others Veery Books strives to provide accurate bibliographic and condition Veery Books descriptions, including photographs for each offering, and where possible to offer quotations or unusual facts about the offering. 2016 Catalog 1 233 East 12th Street #3B We will be happy to assist you in your book search and welcome New York, New York 10003 USA inquiries regarding thousands of yet uncataloged musical scores, Phone: (347) 776-0402 bookseller’s and auction catalogs. Email: [email protected] Veery Books’ specialties include: (1) Music scores (Symphonic, Chamber, Choral, and Solo repertoire; Full conductor’s scores and study scores and parts throughout the range of classical music, including rare or first editions), bibliographies, histories, biographies, auction catalogs, literature and ephemera related to classical music and classical composers and musicians. (2) American popular music from the early 19th century to the 1940s. (3) Poetry and literature with emphasis on American poetry and fiction. (4) Rare and unusual American imprints from the 19th century. (5) Bibliographies; Bookseller’s catalogs; Auction catalogs for books, manuscripts, ephemera, prints, and art. After a long absence, it is my sincere pleasure to offer a new catalog. The catalog presents items from the libraries of eminent Terms: All items subject to prior sale. Payment is expected with Clara Schumann scholar Nancy B. Reich and of musician, artist, order. Returns are accepted for any reason within ten days of writer, and raconteur Daniel Harris, including classic to avant- receipt of item. Thirty-day return guarantee: full refund including garde chamber works for clarinet and bass clarinet.