Cruzar La Cara De La Luna to Cross the Face of the Moon

Total Page:16

File Type:pdf, Size:1020Kb

Cruzar La Cara De La Luna to Cross the Face of the Moon CRUZAR LA CARA DE LA LUNA TO CROSS THE FACE OF THE MOON MUSICA POR / MUSIC BY José “Pepe” Martínez | LETRAS POR / LYRICS BY José “Pepe” Martínez & Leonard Foglia LIBRO POR / BOOK BY Leonard Foglia HOUSTON GRAND OPERA | MARIACHI VARGAS DE TECALITLÁN BRIAN SHIRCLIFFE (MARK) | BRITTANY WHEELER Cruzar(DIANA) |la OC CaraTAVIO MOdeREN la OLuna (LAURENTINO) JUAN MEJÍA (CHUCHO/ VICTOR) | CECILIA DUARTE (RENATA) | VANESSA CERDA-ALONZO (LUPITA) DAVID GUZMAN (RAFAEL) | ATLAI CARREON (RAFAELTo JCrossÓVEN / YtheOUNG Face RAF AEL)of the Moon Musica por / Music by José “Pepe” Martínez 1 ON FRAGILE WINGS / EN FRÁGILES ALAS – MarkLetras [4:17] por / Lyrics by José “Pepe” Martínez and 2 EN FRÁGILES ALAS – Chucho, Lupita, Mariachi [2:51] 3 50 YEARS FROM NOW / A CINCUENTA AÑOS DELeonard AHORA – Foglia Young Laurentino, Renata, Mariachi, Lupita [3:03] 4 I’M ALWAYS HERE / SIEMPRE ESTOY AQUÍ – Diana,Libro Renatapor / Book[4:16] by Leonard Foglia 5 10 TIMES MORE / DIEZ VECES MAS – Chucho, Mariachi, Young Laurentino, Renata [4:29] 6 NUMBERS / NÚMEROS – Mark, Rafael [3:34] Houston Grand Opera 7 A TOWN WITHOUT MEN / UN PUEBLO SIN HOMBRES – Renata, Lupita [6:21] 8 NORTH / SOUTH; NORTE / SUR – Young Laurentino,Mariachi Chucho, Vargas Mariachi, de Renata Tecalitlán [9:49] 9 TO CROSS THE FACE OF THE MOON / CRUZARCecilia LA CARA DuarteDE LA LUNA | Octavio – Laurentino Moreno [6:28] | Vanessa Cerda— 10 YOUR MOTHER’S EYES / LOS OJOS DE TU MADAlonzoRE – Laurentino, Rafael [5:22] 11 WANNA DANCE? / ¿QUIERES BAILAR? – Renata [4:01] 12 EN FRÁGILES ALAS – REPRISE – Mark, LaurentinoBrian [3:43] Shircliffe | David Guzmán | Brittany Wheeler | 13 MY FATHER’S FATHER / EL PADRE DE MI PADJuanRE – Renata Mejía [3:48] 14 TO CROSS THE FACE OF THE MOON / CRUZAR LA CARA DE LA LUNA – REPRISE – Mariachi [:55] 15 MY HOME / MI HOGAR – Mark, Rafael, Diana, Renata [4:03] Total Time = 67:11 CRUZAR LA CARA DE LA LUNA TO CROSS THE FACE OF THE MOON WWW.ALBANYRECORDS.COM TROY1299 ALBANY RECORDS U.S. 915 BROADWAY, ALBANY, NY 12207 Musica por / Music by José “Pepe” Martínez Letras por / Lyrics by José “Pepe” Martínez and Leonard Foglia TEL: 518.436.8814 FAX: 518.436.0643 ALBANY RECORDS U.K. Libro por / Book by Leonard Foglia BOX 137, KENDAL, CUMBRIA LA8 0XD TEL: 01539 824008 © 2011 ALBANY RECORDS MADE IN THE USA DDD HOUSTON GRAND OPERA Mariachi Vargas de Tecalitlán | Cecilia Duarte | Octavio Moreno WARNING: COPYRIGHT SUBSISTS IN ALL RECORDINGS ISSUED UNDER THIS LABEL. Vanessa Cerda—Alonzo | Brian Shircliffe | David Guzmán | Brittany Wheeler | Juan Mejía Cruzar la cara de la luna (To Cross the Face of the Moon) was commissioned by Houston Grand CRUZAR LA CARA DE LA LUNA Opera through HGOco as part of HGOco’s “Mexico 2010” program. It was developed through TO CROSS THE FACE OF THE MOON generous support from presenting sponsors The Andrew W. Mellon Foundation and Chevron. by José “Pepe” Martínez and Leonard Foglia, was Houston Grand Opera’s 41st world premiere, Houston Grand Opera gratefully acknowledges the leadership sponsors for the concert and and the world’s first opera composed for mariachi. It represents the very heart of HGO’s vision. stage productions: American Express; Bank of America; The Humphreys Foundation and Gruma. Exploring the fusion of opera and mariachi takes both art forms in new directions and allows us Supporting sponsors were Imperial Sugar; Allen D. McReynolds in honor of Jackson Hicks and to reach new audiences. It allows us to build dynamic and meaningful relationships with commu- Milton Townsend; Office of International Programs, USDA Forest Service; and Beth Williams. nities around our city for whom opera and opera companies have typically had little relevance. Media partners were Comcast and KUHF—FM. HGOco’s community partner for “Mexico 2010” Commissioned in celebration of the historic 2010 Mexican anniversaries of independence was Talento Bilingüe de Houston. The world premiere was part of “Houston Celebrates Mexico and revolution, Cruzar brought together a unique and extraordinary creative team headed by 2010”, supported in part by Bank of America in association with the Mexican Ministry of composer José “Pepe” Martinez – the music director of the storied Mariachi Vargas de Foreign Affairs and the Consulate General of Mexico. Community program sponsors for HGOco’s Tecalitlán, the world’s finest mariachi ensemble – and eminent Broadway stage director and “Mexico 2010” program included ConocoPhillips – underwriter of HGOco’s New Initiatives writer Leonard Foglia. Together they have created an emotional and compelling piece that Project; and Marathon Oil Corporation – underwriter of HGOco’s Song of Houston Education remains true to its Mariachi culture and tells a story that resonates profoundly with all of us. and Community Engagement Programs. This is a recording of the world premiere performance, in which our wonderful cast and the The release on CD was made possible through generous contributions by Bank of America legendary Mariachi Vargas de Tecalitlán bring this glorious new piece of music theater to life in association with the Mexican Ministry of Foreign Affairs and the Consulate General of with unforgettable virtuosity, energy and passion. Mexico; Mr. and Mrs. Robert J. Bruni; Mr. and Mrs. Gerald A. Cooney in honor of Rudy Avelar; Breaking new artistic ground is exciting, unpredictable, rewarding and risky. HGO embraces Franci and Jim Crane; Mr. and Mrs. David B. Duthu; Brian Hencey and Charles Ross, Jr.; Bill the challenge of taking artistic risk as being fundamental to our quality, our vibrancy and our and Sara Morgan; Mr. and Mrs. Charles G. Nickson; and Glen Rosenbaum. Cruzar la cara de la reputation. We deeply appreciate the support we have received from all whose generosity has luna was recorded in performance at the Wortham Theater Center on November 13, 2010 allowed us to take risk and to cross the face of the moon. through the facilities of KUHF 88.7 FM – Houston Public Radio; the recording was produced, engineered on location and edited by Marlan Barry. Houston Grand Opera records its perfor- Sincerely, mances thanks to major grants from The Ford Foundation and The Wortham Foundation, Inc. Anthony Freud, OBE Anthony Freud was the General Director and CEO of Houston Grand Opera from 2005—2011. Cruzar la Cara de la Luna To Cross the Face of the Moon Una Opera Mariachi / A Mariachi Opera Musica por / Music by José “Pepe” Martínez Letras por / Lyrics by José “Pepe” Martínez and Leonard Foglia Libro por / Book by Leonard Foglia Cantado en español y ingles / Sung in Spanish and English EL ELENCO (EN ORDEN DE APARICIÓN) / CAST (IN ORDER OF APPEARANCE) TROMPETA / TRUMPET Gustavo Alvarado MARK Brian Shircliffe Federico Torres DIANA Brittany Wheeler †, Lynne Murray Sr. Educational Foundation Fellow Luis Fernando Velásquez LAURENTINO Octavio Moreno ARPA / HARP Julio Martínez RENATA Cecilia Duarte VIHUELA Victor Cárdenas LUPITA Vanessa Cerda—Alonzo GUITARRÓN Enrique de Santiago RAFAEL David Guzman GUITARRA Y VOZ / GUITAR AND VOCALS Juan Pedro “Arturo” Vargas CHUCHO, VICTOR Juan Mejía EL EQUIPO CREATIVO / CREATIVE TEAM RAFAEL JÓVEN / YOUNG RAFAEL Atlai Carreon DIRECCIÓN / DIRECTOR Leonard Foglia MARIACHI VARGAS DE TECALITLÁN DIRECCIÓN MUSICAL / MUSIC DIRECTOR David Hanlon DIRECTOR, VOZ Y VIOLÍN / DIRECTOR, VOCALS & VIOLIN José “Pepe” Martínez DIRECTOR ASISTENTE / ASSISTANT DIRECTOR Chia Patiño VIOLÍN Y VOZ / VIOLIN AND VOCALS Alberto Alfaro INGENIERO DE GRABACIÓN / PRODUCER AND RECORDING ENGINEER Marlan Barry Andres Gonzalez RECORDING PRODUCTION MANAGER Carl Wilson José Martínez, Jr. Daniel Martínez Steeven Sandoval † Houston Grand Opera Studio Artist 1 ON FRAGILE WINGS / EN FRÁGILES ALAS – Mark [4:17] Cruzar la Cara de la Luna 2 EN FRÁGILES ALAS – Chucho, Lupita, Mariachi [2:51] 3 50 YEARS FROM NOW / A CINCUENTA AÑOS DE AHORA – Young Laurentino, Renata, To Cross the Face of the Moon Mariachi, Lupita [3:03] una ópera Mariachi 4 I’M ALWAYS HERE / SIEMPRE ESTOY AQUÍ – Diana, Renata [4:16] 5 10 TIMES MORE / DIEZ VECES MAS – Chucho, Mariachi, Young Laurentino, Renata [4:29] Por 6 NUMBERS / NÚMEROS – Mark, Rafael [3:34] Leonard Foglia 7 A TOWN WITHOUT MEN / UN PUEBLO SIN HOMBRES – Renata, Lupita [6:21] José “Pepe” Martínez 8 NORTH / SOUTH; NORTE / SUR – Young Laurentino, Chucho, Mariachi, Renata [9:49] 9 TO CROSS THE FACE OF THE MOON / CRUZAR LA CARA DE LA LUNA – Laurentino [6:28] PLACE AND TIME / LUGAR Y TIEMPO 10 YOUR MOTHER’S EYES / LOS OJOS DE TU MADRE – Laurentino, Rafael [5:22] 11 WANNA DANCE? / ¿QUIERES BAILAR? – Renata [4:01] The action takes place in TEXAS and MEXICO both in the PAST and the PRESENT. 12 EN FRÁGILES ALAS – REPRISE – Mark, Laurentino [3:43] La acción tiene lugar en Texas y México en el pasado y en la actualidad. 13 MY FATHER’S FATHER / EL PADRE DE MI PADRE – Renata [3:48] 14 TO CROSS THE FACE OF THE MOON / CRUZAR LA CARA DE LA LUNA – REPRISE – Mariachi [:55] CHARACTER DESCRIPTION / DESCRIPCIÓN DE LOS PERSONAJES 15 MY HOME / MI HOGAR – Mark, Rafael, Diana, Renata [4:03] Total Time = 67:11 LAURENTINO / YOUNG LAURENTINO CHUCHO RAFAEL Age 75 – 50 – 25/ 75 – 50 – 25 años Lupita’s husband and Young Laurentino’s Laurentino’s Mexican-born son. SYNOPSIS Cruzar la Cara de la Luna Mexican. He came to the US as a worker in best friend in Mexico (30s). El esposo de (Present-day). 50. El hijo de Laurentino, To Cross the Face of the Moon the Bracero Program and stayed. He has Lupita y el mejor amigo de Laurentino nacido en México. Tiene 50 años. Leonard Foglia lived in the US for 50 years. Mexicano. Vino Joven en México tiene alrededor de 30 años. a los Estados Unidos para trabajar en el YOUNG RAFAEL Where is home? Is it where we are born? Or where we live most of our lives? Is it with the family we leave behind or Programa Bracero y se quedó.
Recommended publications
  • Rodgers & Hammerstein's
    2015/16 Season Rodgers & Hammerstein’s Rodgers & Hammerstein’s THE KING AND I Music by RICHARD RODGERS­Book and Lyrics by OSCAR HAMMERSTEIN II Based on “Anna and the King of Siam” by Margaret Landon­Original Orchestrations by Robert Russell Bennett ­ Original Dance Arrangements by Trude Rittmann­Original Choreography by Jerome Robbins LYRIC OPERA OF CHICAGO Table of Contents MARIE-NOËLLE ROBERT / THÉÂTRE DU CHÂTELET IN THIS ISSUE The King and I – pp. 25-41 6 From the President 14 Voyage Of Discovery: : 45 Lyric Unlimited/Education Corps and the General Director Lyric’s 2016-17 Season 46 Aria Society 8 Board of Directors 23 Tonight’s Performance 55 Breaking New Ground/ 25 Cast 10 Women’s Board/Guild Board/ Look to the Future Chapters’ Executive Board/ 26 Musical Numbers/Orchestra 57 Major Contributors – Special Ryan Opera Center Board 27 Artist Profiles Events and Project Support 12 Administration/Administrative 37 A Glorious Partnership 58 Ryan Opera Center Staff/Production and 40 A Talk with the Director Technical Staff 42 Just for Kids 59 Ryan Opera Center Contributors 60 Lyric Unlimited Contributors LYRIC 2016-17 SEASON PREVIEW pp. 16-22 61 Planned Giving: The Overture Society 63 Annual Corporate Support 64 Matching Gifts, Special Thanks and Acknowledgements 65 Annual Individual and MARIE-NOËLLE ROBERT/THÉÂTRE DU CHÂTELET Foundation Support 71 Commemorative Gifts 72 Facilities and Services/Theater Staff On the cover: Paolo Montalban as the King and Kate Baldwin as Anna, photographed by Todd Rosenberg. 2 LYRIC OPERA OF CHICAGO Since 1991 www.performancemedia.us | 847-770-4620 3453 Commercial Avenue, Northbrook, IL 60062 Gail McGrath Publisher & President Sheldon Levin Publisher & Director of Finance A.
    [Show full text]
  • An Interview with Jake Heggie
    35 Mediterranean Opera and Ballet Club Culture and Art Magazine A Chat with Composer Jake Heggie Besteci Jake Heggie İle Bir Sohbet Othello in the Dansa Âşık Bir Kuğu: Seraglio Meriç Sümen Othello Sarayda FLÜTİST HALİT TURGAY Fotoğraf: Mehmet Çağlarer A Chat with Jake Heggie Composer Jake Heggie (Photo by Art & Clarity). (Photo by Heggie Composer Jake Besteci Jake Heggie İle Bir Sohbet Ömer Eğecioğlu Santa Barbara, CA, ABD [email protected] 6 AKOB | NİSAN 2016 San Francisco-based American composer Jake Heggie is the author of upwards of 250 Genç Amerikalı besteci Jake Heggie şimdiye art songs. Some of his work in this genre were recorded by most notable artists of kadar 250’den fazla şarkıya imzasını atmış our time: Renée Fleming, Frederica von Stade, Carol Vaness, Joyce DiDonato, Sylvia bir müzisyen. Üstelik bu şarkılar günümüzün McNair and others. He has also written choral, orchestral and chamber works. But en ünlü ses sanatçıları tarafından yorumlanıp most importantly, Heggie is an opera composer. He is one of the most notable of the kaydedilmiş: Renée Fleming, Frederica von younger generation of American opera composers alongside perhaps Tobias Picker Stade, Carol Vaness, Joyce DiDonato, Sylvia and Ricky Ian Gordon. In fact, Heggie is considered by many to be simply the most McNair bu sanatçıların arasında yer alıyor. Heggie’nin diğer eserleri arasında koro ve successful living American composer. orkestra için çalışmalar ve ayrıca oda müziği parçaları var. Ama kendisi en başta bir opera Heggie’s recognition as an opera composer came in 2000 with Dead Man Walking, bestecisi olarak tanınıyor. Jake Heggie’nin with libretto by Terrence McNally, based on the popular book by Sister Helen Préjean.
    [Show full text]
  • And Return of Cruzar La Cara De La Luna (May 17, 19, 20) at HGO Resilience Theater
    Houston Grand Opera presents Bernstein’s West Side Story (April 20–May 6), Bellini’sNorma (April 27–May 11), and return of Cruzar la Cara de la Luna (May 17, 19, 20) at HGO Resilience Theater World’s first mariachi opera returns after New York triumph Houston, January 29, 2018— Houston Grand Opera (HGO) will present the first major American opera house production of Leonard Bernstein’s landmark musical West Side Story, April 20–May 6, and Bellini’s vocal powerhouse Norma, April 27–May 11, in the HGO Resilence Theater at the George R. Brown Convention Center. HGO will also bring back its popular groundbreaking production of the world’s first mariachi opera, Cruzar la Cara de la Luna/To Cross the Face of the Moon, for three special performances on May 17, 19, and 20, also in Resilience Theater. Composed by José “Pepe” Martínez with libretto by Leonard Foglia, the powerful story chronicling three generations of a family divided by countries and cultures has been performed to audience and critical acclaim all over the United States, in Paris, and in Mexico. It received rave reviews at its New York premiere at New York City Opera. Tickets for these productions at the HGO Resilience Theater in the George R. Brown Convention Center are available at HGO.org. Parking is available at the Avenida North Garage located at 1815 Rusk 1 Street, across from Resilience Theater. A sky bridge connects the parking garage to the GRB, and there is clear signage directing patrons to the theater. More information about parking can be found here.
    [Show full text]
  • Past TRC Productions
    TRINITY REPERTORY COMPANY 201 Washington Street, Providence, RI 02903 PAST PRODUCTIONS Counting seasons: In the official count of seasons (1st, 2nd, 3rd, etc.), it may have been decided in 1970 to not count 1963-64 as the first season. Or a mistake in a brochure may have never been caught until it was much too late. Subscription brochures for the 1969-70 Season and 1970-71 Season both refer to the upcoming season as the 7th Season. Brochures for the 1967-68 and 1968-69 Seasons refer to them respectively as the 5th and 6th Seasons, but a brochure for the 1965-66 Season refers to that as the “second full season.” During the 1963-64 Season, Trinity Players on the Square was not a fully professional company and there were no actual performances in 1963. 1964-65 was the first full season with Adrian Hall as artistic director and Equity contracts. The counting of the seasons proceeded consecutively from the second 7th Season. *World Premiere Production **American Premiere Production ***Pre-Season Productions + Booked-In, Rental, Competition Winner, Special Presentation, or Co-Production 1963-1964 Season • 1st Director Playwright Designers The Hostage Ira Zuckerman Brendan Behan Sets: Sandra Tilles Costumes: Joyce Anderson Lighting: Thomas J. Aubin Sound: Vincent Vessela The House of Bernarda Alba Ira Zuckerman Frederico Garcia Lorca Sets: Morris Nathanson Costumes: Sue Neely Lighting: Thomas J. Aubin and Catie Calvo Sound: Bud Peltier American Dream Adrian Hall Edward Albee Sets: Richard L. Peterson and Carl Ravenal Costumes: Edith Brown Lighting: Thomas J. Aubin and Catie Calvo Sound: Sandra Tilles Orpheus Descending Adrian Hall Tennessee Williams Costumes: Edith Brown Lighting: Thomas J.
    [Show full text]
  • About the Composer
    THE STORY SETTING: Holidays 1986, 1996, 2006 The two adult children of a famous actress, Madeline pares her to her father, setting off a chain reaction of Mitchell, have not come to terms with their mother’s recrimination, revelation, and at long last, resolution. The absorption with her career and resultant neglect of them. three central characters struggle to know and love each Their father, an actor, died in an accident when they were other over the course of three different holiday seasons, very small and Madeline (Maddy) rationalizes that as a single each ten years apart. “It is the universal story about the mother and breadwinner, it was necessary to put her career family we wish for and the family we wind up with.” first. Maddy’s daughter Beatrice and son Charlie are dealing with enormous problems: Bea is unhappily married and Three Decembers first premiered in 2008 with famed mezzo- seeks comfort from alcohol, while Charlie is about to lose soprano Frederica von Stade who created the role of his partner to AIDS. When Madeline is nominated for a Madeline Mitchell. Under the working title, Last Acts, the Tony, she invites Charlie and Bea to attend the awards cere - piece was first produced by Houston Grand Opera and mony. She and Bea plan to meet at her apartment before - based on the unfinished play, Some Christmas Letters, by hand to get dressed, but Maddy doesn’t show up on time. Terrence McNally. This intimate chamber opera incorpo - Once again let down by her mother, Bea drinks. When rates a small cast of three singers and approximately ten Maddy finally arrives and sees the state Bea is in, she com - instruments.
    [Show full text]
  • Edition 2 | 2019-2020
    WHAT’S INSIDE Welcome From the Board Chair ���������������������������������������������������������������������������������������� 7 From the General Director & CEO ������������������������������������������������������������������� 9 Everest Sponsors ������������������������������������������������������������������������������������������������������������� 5 A Note from Librettist Gene Scheer ��������������������������������������������������������������� 11 Directors Note ������������������������������������������������������������������������������������������������ 13 Staff ������������������������������������������������������������������������������������������������������������������� 15 Board ���������������������������������������������������������������������������������������������������������������� 17 Beyond the Opera House �������������������������������������������������������������������������������20 A Tribute to Steven Barbaro ���������������������������������������������������������������������������� 21 Title Page ����������������������������������������������������������������������������������������������������������23 Production Page �����������������������������������������������������������������������������������������������25 Synopsis ������������������������������������������������������������������������������������������������������������27 Cast �������������������������������������������������������������������������������������������������������������������28 Creative Team ��������������������������������������������������������������������������������������������������
    [Show full text]
  • Click Here to View Program Book
    Jack & Phyllis are creating a better region. Jack Gregory’s company built the Chesapeake Bay Bridge-Tunnel in the 1960s. Jack and his wife Phyllis died long ago, but today they help construct Habitat for Humanity homes in Suffolk and expand the Virginia Aquarium & Marine Science Center in Virginia Beach. Thanks to Jack’s charitable bequest, he and Phyllis will forever help build a better What are you building Hampton Roads. for the future? Adding Charity to Your Will Build your own bridge to the future or IRA through an estate gift to the Hampton Roads Community Foundation. Learn how at (757) 622-7951 or leaveabequest.org. A quick guide to the pleasure and promise of charitable bequests Inspiring Philanthropy. Changing Lives. www.leaveabequest.org (757) 622-7951 TABLE OF CONTENTS 3 From the President and CEO IN HAMPTON ROADS Street Address: 4 From the Principal Conductor Harrison Opera House and Artistic Advisor 160 W. Virginia Beach Blvd. Norfolk, VA 23510 7 From the Chairman of the Board Mailing Address: P.O. Box 2580 8 2017-2018 Board of Directors Norfolk, VA 23501-2580 9 2017-2018 Board of Governors Administration: 757.627.9545 10 From the President of the Hampton Roads 757.622.0058 fax Board of Governors Box Office: 866.673.7282 12 About Virginia Opera IN CENTRAL VIRGINIA 13 Amenities and Theater Policies Street Address: Dominion Arts Center 15 Title Page 600 East Grace Street Suite 200 16 Synopsis Richmond, VA 23219 17 Cast Listing Mailing Address: P.O. Box 784 18 Chorus, Supernumeraries and Orchestra Richmond, VA 23218 Administration:
    [Show full text]
  • Jake Heggie's out of Darkness
    Contact: Erika Beach, Director of Marketing Pensacola Opera Phone: 850-433-6737 Fax: 850-433-1082 Email: [email protected] Website: www.pensacolaopera.com FOR IMMEDIATE RELEASE: MARCH 2, 2016 PENSACOLA OPERA PRESENTS JAKE HEGGIE’S OUT OF DARKNESS March 31, April 1 and 2 at 7:30 p.m.; Sunday, April 3 at 2:00 p.m. At the Pensacola Opera Center | $35 March 31; $25 April 1-3 Pensacola, FL – Pensacola Opera is pleased to present Jake Heggie’s Out of Darkness, an opera in three parts in remembrance of the Holocaust, Thursday, March 31 through Saturday, April 2 at 7:30pm and Sunday, April 3 at 2:00 p.m. at the Pensacola Opera Center. Tickets are $35 for opening night (includes reception) and $25 for the remaining performances. Tickets can be purchased by calling (850) 433-6737 or ordering online at pensacolaopera.com. In Out of Darkness, composer Jake Heggie and Librettist Gene Scheer convey the vastness of the Holocaust’s scope through emotionally rich portraits of those caught in its grasp. The three powerfully raw works that comprise Out of Darkness are based upon the recollections and poetry of Auschwitz survivor Krystyna Zywulska, offering compelling musical witness to survival in the face of unimaginable adversity. Another Sunrise tells the amazing story of Krystyna Zywulska who, after being captured as a member of the Polish resistance, created poems and songs that circulated secretly and became anthems of defiance among her fellow prisoners. Farewell, Auschwitz adapts Krystyna’s lyrics, with their exhortations to preserve a sense of humanity in a place defined by inhuman behavior.
    [Show full text]
  • Three Decembers
    Cal Performances & San Francisco Opera Present Program Thursday, December 11, 2008, 7:30pm Friday, December 12, 2008, 8pm Three Decembers Sunday, December 14, 2008, 3pm Zellerbach Hall Patrick Summers conductor Leonard Foglia* director & designer Three Decembers Cesar Galindo* costume designer (West Coast Premiere) Brian Nason* lighting designer Bryndon Hassman musical preparation Morgan Robinson assistant stage director Gina Hays* stage manager Tracy Davis orchestra manager Carrie Weick orchestra librarian * San Francisco Opera debut 2 PROGRAM The action takes place in San Francisco, Hartford, Barbados and New York. Part One (1986) INTERMISSION Part Two (1996) An Opera in Two Acts Part Three (2006) Music by Jake Heggie Libretto by Gene Scheer The performance will last approximately 2 hours and 10 minutes. Based on Some Christmas Letters (and a Couple of Phone Calls), an original play by Terrence McNally. 2 (Sung in English with English supertitles) Commissioned and co-produced by Houston Grand Opera, San Francisco Opera and Cal Performances. First performance: Houston, February 29, 2008. San Francisco Opera Three Decembers is supported by a grant from The James Irvine Foundation. David Gockley, General Director was developed with generous support from Cal Performances, Meet the Composer, Three Decembers Donald Runnicles, Music Director and Principal Conductor Betty Freeman and The John Simon Guggenheim Memorial Foundation. Nicola Luisotti, Music Director Designate These performances are made possible, in part, by Annette Campbell-White
    [Show full text]
  • T H E P Ro G
    Thursday Evening, February 18, 2016, at 8:30 m a r A Coffin in Egypt: g o An Opera-in-Concert featuring r Frederica von Stade P e h T This evening’s program is approximately 90 minutes long and will be performed without intermission. (Program continued) Please make certain all your electronic devices are switched off. Major support for Lincoln Center’s American Songbook is provided by Amy & Joseph Perella. Endowment support provided by Bank of America This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. Steinway Piano The Appel Room Jazz at Lincoln Center’s Frederick P. Rose Hall American Songbook Additional support for Lincoln Center’s American Songbook is provided by The DuBose and Dorothy Heyward Memorial Fund, The Shubert Foundation, Jill and Irwin B. Cohen, The G & A Foundation, Inc., Great Performers Circle, Chairman’s Council, and Friends of Lincoln Center. Public support is provided by the New York State Council on the Arts. Artist catering provided by Zabar’s and zabars.com MetLife is the National Sponsor of Lincoln Center UPCOMING AMERICAN SONGBOOK EVENTS IN THE APPEL ROOM: Friday Evening, February 19, at 8:30 Laura Jane Grace of Against Me! Saturday Evening, February 20, at 8:30 Andy Karl & Orfeh Wednesday Evening, February 24, at 8:30 Rhiannon Giddens, Leyla McCalla & Bhi Bhiman: Swimming in Dark Waters—Other Voices of the American Experience Thursday Evening, February 25, at 8:30 La Santa Cecilia Friday Evening, February 26, at 8:30 Charles Busch: The Lady at the Mic A cabaret tribute to Elaine Stritch, Polly Bergen, Mary Cleere Haran, Julie Wilson & Joan Rivers Saturday Evening, February 27, at 8:30 Terri Lyne Carrington’s Mosaic Project: Love & Soul featuring Valerie Simpson & Oleta Adams IN THE STANLEY H.
    [Show full text]
  • It's a Wonderful Life
    It’s a Wonderful Life Director Biography: Patrick Summers American director Leonard Foglia made his San Francisco Opera with Jake Heggie's Three Decembers in 2008, and he returned to the Company in 2012 to direct Heggie's Moby- Dick. He made his Houston Grand Opera debut in 2004 directing the world premiere of Heggie’s The End of the Affair, which he later directed for Seattle Opera and Madison Opera. Other opera credits include Heggie’s Dead Man Walking for Opera Pacific, New York City Opera, and in Madrid, Cincinnati, Pittsburgh, and Detroit. He directed the world premieres of Heggie's It's a Wonderful Life at Houston Grand Opera, Jody Talbot's Everest at the Dallas Opera, Jennifer Higdon's Cold Mountainat the Santa Fe Opera, Three Decembers at Houston Grand Opera, and Moby-Dick at the Dallas Opera, which has also been seen at San Diego Opera, Calgary Opera, and the State Opera of South Australia. Foglia’s Broadway credits include Terrence McNally’s Tony Award-winning Master Class (also on national tour and in London’s West End); On Golden Pond (also at the Kennedy Center and on national tour); Wait Until Dark;The People in the Picture; and Thurgood this past season. Off Broadway he directed The Stendhal Syndrome, One Touch of Venus, If Memory Serves, By the Sea, Lonely Planet, and Let Me Down Easy. Foglia’s other theater credits include Unusual Acts of Devotion(Philadelphia Theater Company); Distracted (Mark Taper Forum); Things Being What They Are (Bay Street Theater); Paper Doll and The Secret Letters of Jackie and Marilyn (Pittsburgh Public Theater); Thurgood (Westport Playhouse); The Subject was Roses (Kennedy Center); and God’s Man in Texas (The Globe Theatres).
    [Show full text]
  • Terrence Mcnally
    Terrence McNally: A Preliminary Inventory of His Papers at the Harry Ransom Center Descriptive Summary Creator: McNally, Terrence, 1938-2020 Title: Terrence McNally Papers Dates: 1950s-2002 Extent: 60 boxes, 2 oversize boxes, 2 oversize folders (26.8 linear feet) Abstract: The papers, which document McNally's career as a dramatist, include all of his major works for stage, screen, and television, as well as correspondence, posters, production photographs, programs, and reviews. Articles by and about McNally, awards, and photographs are present in the papers. His public appearances, which include benefit performances, conferences, lectures, speeches, tributes, and memorials, are also represented. Access: Open for research Administrative Information Acquisition: Gifts, 1999-2003 (Gift no. 11458, 11513, 11686, 11870, 12188) Processed by: Liz Murray, Emily Barker, Sean Castilla, 2003 Repository: Harry Ransom Center, University of Texas at Austin McNally, Terrence, 1938-2020 Scope and Contents This collection of Terrence McNally's papers includes all his major works for stage, screen, and television, as well as unproduced works, correspondence, and career-related material. McNally's achievements include numerous plays, operas, and musicals such as Corpus Christi; Dead Man Walking; Frankie and Johnny in the Clair de Lune; The Full Monty; Kiss of the Spider Woman; Lips Together, Teeth Apart; The Lisbon Traviata; Love! Valour! Compassion!; Master Class; A Perfect Ganesh; Ragtime; The Rink; The Ritz; and The Visit. His collaborations with John Kander, Fred Ebb, and Jake Heggie, as well as his long-time association with the Manhattan Theatre Club, have been particularly productive and rewarding. Early in his career he was the recipient of two Guggenheim fellowships, followed by numerous awards, including four Tony Awards, an Emmy Award for "Andre's Mother," and Drama Desk and Lucille Lortel Awards, among others.
    [Show full text]